commit e4ca033601c97014a8f90f02ea1e53a1c59bcf79 Author: vr8hub Date: Mon Oct 28 23:14:40 2019 -0500 [Stones] Initial commit diff --git a/LICENSE.md b/LICENSE.md new file mode 100644 index 0000000..98f3d87 --- /dev/null +++ b/LICENSE.md @@ -0,0 +1,3 @@ +The source text and artwork in this repository are believed to be in the United States public domain; that is, they are believed to be free of copyright restrictions in the United States. Copyright laws vary from country to country, so check your local laws before downloading or using the content in this repository. + +The creators of, and contributors to, this repository hereby dedicate their contributions to the worldwide public domain under the terms in the CC0 1.0 Universal Public Domain Dedication, available at . diff --git a/images/cover.jpg b/images/cover.jpg new file mode 100644 index 0000000..d451b82 Binary files /dev/null and b/images/cover.jpg differ diff --git a/images/cover.svg b/images/cover.svg new file mode 100644 index 0000000..2530490 --- /dev/null +++ b/images/cover.svg @@ -0,0 +1,28 @@ + + + The cover for the Standard Ebooks edition of Rolling Stones, by O. Henry + + + + ROLLING STONES + O. HENRY + diff --git a/images/titlepage.svg b/images/titlepage.svg new file mode 100644 index 0000000..c75e3f3 --- /dev/null +++ b/images/titlepage.svg @@ -0,0 +1,21 @@ + + + The titlepage for the Standard Ebooks edition of Rolling Stones, by O. Henry + + ROLLING STONES + O. HENRY + diff --git a/src/META-INF/container.xml b/src/META-INF/container.xml new file mode 100644 index 0000000..d0c2bc1 --- /dev/null +++ b/src/META-INF/container.xml @@ -0,0 +1,6 @@ + + + + + + diff --git a/src/epub/content.opf b/src/epub/content.opf new file mode 100644 index 0000000..6611841 --- /dev/null +++ b/src/epub/content.opf @@ -0,0 +1,93 @@ + + + + url:https://standardebooks.org/ebooks/o-henry/rolling-stones + 1900-01-01T00:00:00Z + 1900-01-01T00:00:00Z + The source text and artwork in this ebook edition are believed to be in the U.S. public domain. This ebook edition is released under the terms in the CC0 1.0 Universal Public Domain Dedication, available at https://creativecommons.org/publicdomain/zero/1.0/. For full license information see the Uncopyright file included at the end of this ebook. + Standard Ebooks + Standard Ebooks + https://standardebooks.org + bkd + mdc + pbl + The League of Moveable Type + League of Moveable Type, The + https://www.theleagueofmoveabletype.com + tyd + + Standard Ebooks + textual + textual + alternativeText + longDescription + readingOrder + structuralNavigation + tableOfContents + none + This publication conforms to WCAG 2.0 Level AA. + + Rolling Stones + Rolling Stones + Fiction + Short stories + LCSH + Unknown + LCSH + Unknown + TAG + DESCRIPTION + + en-US + https://www.gutenberg.org/ebooks/3815 + Any special notes about the production of this ebook for future editors/producers? Remove this element if not. + WORD_COUNT + READING_EASE + https://en.wikipedia.org/wiki/Rolling_Stones + https://github.com/standardebooks/o-henry_rolling-stones + O. 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A power cord is attached to the bottom of the book and curled beneath it. The book is surrounded by laurels. + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + diff --git a/src/epub/onix.xml b/src/epub/onix.xml new file mode 100644 index 0000000..cabf4e3 --- /dev/null +++ b/src/epub/onix.xml @@ -0,0 +1,38 @@ + + +
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diff --git a/src/epub/text/body.xhtml b/src/epub/text/body.xhtml new file mode 100644 index 0000000..c6d59b5 --- /dev/null +++ b/src/epub/text/body.xhtml @@ -0,0 +1,5971 @@ +THEROLLING STONEis a weekly paper published in Austin, Texasevery Saturday and will endeavor to fill along-felt want that does not appear,by the way, to be altogether in-satiable at present.THE IDEA ISto fill its pages with matter that will make aheart-rending appeal to every lover ofgood literature, and every person whohas a taste for reading print;and a dollar and a half fora year's subscription.OUR SPECIAL PREMIUMFor the next thirty days and from that timeon indefinitely, whoever will bring two dol-lars in cash to The Rolling Stone officewill be entered on the list of sub-scribers for one year and willhave returned to himon the spotFIFTY CENTS IN CASH + + +
The editor's own statement of his aims
+ +

INTRODUCTION

+

This the twelfth and final volume of O. Henry's work gets its +title from an early newspaper venture of which he was the head and +front. On April 28, 1894, there appeared in Austin, Texas, volume +1, number 3, of The Rolling Stone, with a circulation greatly in +excess of that of the only two numbers that had gone before. +Apparently the business office was encouraged. The first two +issues of one thousand copies each had been bought up. Of the +third an edition of six thousand was published and distributed +free, so that the business men of Austin, Texas, might know what a +good medium was at hand for their advertising. The editor and +proprietor and illustrator of The Rolling Stone was Will Porter, +incidentally Paying and Receiving Teller in Major Brackenridge's +bank.

+

Perhaps the most characteristic feature of the paper was "The +Plunkville Patriot," a page each week—or at least with the +regularity of the somewhat uncertain paper itself—purporting to +be reprinted from a contemporary journal. The editor of the +Plunkville Patriot was Colonel Aristotle Jordan, unrelenting enemy +of his enemies. When the Colonel's application for the +postmastership in Plunkville is ignored, his columns carry a +bitter attack on the administration at Washington. With the public +weal at heart, the Patriot announces that "there is a dangerous +hole in the front steps of the Elite saloon." Here, too, appears +the delightful literary item that Mark Twain and Charles Egbert +Craddock are spending the summer together in their Adirondacks +camp. "Free," runs its advertising column, "a clergyman who cured +himself of fits will send one book containing 100 popular songs, +one repeating rifle, two decks easywinner cards and 1 liver pad +free of charge for $8. Address Sucker & Chump, Augusta, Me." The +office moves nearly every week, probably in accordance with the +time-honored principle involving the comparative ease of moving +and paying rent. When the Colonel publishes his own candidacy for +mayor, he further declares that the Patriot will accept no +announcements for municipal offices until after "our" (the +editor's) canvass. Adams & Co., grocers, order their $2.25 ad. +discontinued and find later in the Patriot this estimate of their +product: "No less than three children have been poisoned by eating +their canned vegetables, and J. O. Adams, the senior member of the +firm, was run out of Kansas City for adulterating codfish balls. +It pays to advertise." Here is the editorial in which the editor +first announces his campaign: "Our worthy mayor, Colonel Henry +Stutty, died this morning after an illness of about five minutes, +brought on by carrying a bouquet to Mrs. Eli Watts just as Eli got +in from a fishing trip. Ten minutes later we had dodgers out +announcing our candidacy for the office. We have lived in +Plunkville going on five years and have never been elected +anything yet. We understand the mayor business thoroughly and if +elected some people will wish wolves had stolen them from their +cradles…"

+

The page from the Patriot is presented with an array of perfectly +confused type, of artistic errors in setting up, and when an +occasional line gets shifted (intentionally, of course) the effect +is alarming. Anybody who knows the advertising of a small country +weekly can, as he reads, pick out, in the following, the +advertisement from the "personal."

+
+ + +
+Miss Hattie Green of Paris, Ill., isSteel-riveted seam or water powerautomatic oiling thoroughly testedvisiting her sister Mrs. G. W. GrubesLittle Giant Engines at Adams & Co.Also Sachet powders Mc. Cormick Reapers andoysters. +
+
+

All of this was a part of The Rolling Stone, which flourished, or +at least wavered, in Austin during the years 1894 and 1895. Years +before, Porter's strong instinct to write had been gratified in +letters. He wrote, in his twenties, long imaginative letters, +occasionally stuffed with execrable puns, but more than often +buoyant, truly humorous, keenly incisive into the unreal, +especially in fiction. I have included a number of these letters +to Doctor Beall of Greensboro, N. C., and to his early friend in +Texas, Mr. David Harrell.

+

In 1895-1896 Porter went to Houston, Texas, to work on the Houston +Post. There he "conducted" a column which he called "Postscripts." +Some of the contents of the pages that follow have been taken from +these old files in the fair hope that admirers of the matured O. +Henry will find in them pleasurable marks of the later genius.

+

Before the days of The Rolling Stone there are eleven years in +Texas over which, with the exception of the letters mentioned, +there are few "traces" of literary performance; but there are some +very interesting drawings, some of which are reproduced in this +volume. A story is back of them. They were the illustrations to a +book. "Joe" Dixon, prospector and inveterate fortune-seeker, came +to Austin from the Rockies in 1883, at the constant urging of his +old pal, Mr. John Maddox, "Joe," kept writing Mr. Maddox, "your +fortune's in your pen, not your pick. Come to Austin and write an +account of your adventures." It was hard to woo Dixon from the +gold that wasn't there, but finally Maddox wrote him he must come +and try the scheme. "There's a boy here from North Carolina," +wrote Maddox. "His name is Will Porter and he can make the +pictures. He's all right." Dixon came. The plan was that, after +Author and Artist had done their work, Patron would step in, carry +the manuscript to New York, bestow it on a deserving publisher and +then return to await, with the other two, the avalanche of +royalties. This version of the story comes from Mr. Maddox. There +were forty pictures in all and they were very true to the life of +the Rockies in the seventies. Of course, the young artist had no +"technique"—no anything except what was native. But wait! As the +months went by Dixon worked hard, but he began to have doubts. +Perhaps the book was no good. Perhaps John would only lose his +money. He was a miner, not a writer, and he ought not to let John +go to any expense. The result of this line of thought was the +Colorado River for the manuscript and the high road for the +author. The pictures, fortunately, were saved. Most of them Porter +gave later to Mrs. Hagelstein of San Angelo, Texas. Mr. Maddox, by +the way, finding a note from Joe that "explained all," hastened to +the river and recovered a few scraps of the great book that had +lodged against a sandbar. But there was no putting them together +again.

+

So much for the title. It is a real O. Henry title. Contents of +this last volume are drawn not only from letters, old newspaper +files, and The Rolling Stone, but from magazines and unpublished +manuscripts. Of the short stories, several were written at the +very height of his powers and popularity and were lost, +inexplicably, but lost. Of the poems, there are a few whose +authorship might have been in doubt if the compiler of this +collection had not secured external evidence that made them +certainly the work of O. Henry. Without this very strong evidence, +they might have been rejected because they were not entirely the +kind of poems the readers of O. Henry would expect from him. Most +of them however, were found in his own indubitable manuscript or +over his own signature.

+

There is extant a mass of O. Henry correspondence that has not +been included in this collection. During the better part of a +decade in New York City he wrote constantly to editors, and in +many instances intimately. This is very important material, and +permission has been secured to use nearly all of it in a +biographical volume that will be issued within the next two or +three years. The letters in this volume have been chosen as an +"exihibit," as early specimens of his writing and for their +particularly characteristic turns of thought and phrase. +The collection is not "complete" in any historical sense.

+

1912.H.P.S.

+

THE DREAM

+
+

[This was the last work of O. Henry. The Cosmopolitan +Magazine had ordered it from him and, after his death, the +unfinished manuscript was found in his room, on his dusty desk. +The story as it here appears was published in the Cosmopolitan +for September, 1910.]

+
+

Murray dreamed a dream.

+

Both psychology and science grope when they would explain to us +the strange adventures of our immaterial selves when wandering in +the realm of "Death's twin brother, Sleep." This story will not +attempt to be illuminative; it is no more than a record of +Murray's dream. One of the most puzzling phases of that strange +waking sleep is that dreams which seem to cover months or even +years may take place within a few seconds or minutes.

+

Murray was waiting in his cell in the ward of the condemned. An +electric arc light in the ceiling of the corridor shone brightly +upon his table. On a sheet of white paper an ant crawled wildly +here and there as Murray blocked its way with an envelope. The +electrocution was set for eight o'clock in the evening. Murray +smiled at the antics of the wisest of insects.

+

There were seven other condemned men in the chamber. Since he had +been there Murray had seen three taken out to their fate; one gone +mad and fighting like a wolf caught in a trap; one, no less mad, +offering up a sanctimonious lip-service to Heaven; the third, a +weakling, collapsed and strapped to a board. He wondered with what +credit to himself his own heart, foot, and face would meet his +punishment; for this was his evening. He thought it must be nearly +eight o'clock.

+

Opposite his own in the two rows of cells was the cage of +Bonifacio, the Sicilian slayer of his betrothed and of two +officers who came to arrest him. With him Murray had played +checkers many a long hour, each calling his move to his unseen +opponent across the corridor.

+

Bonifacio's great booming voice with its indestructible singing +quality called out:

+

"Eh, Meestro Murray; how you feel—all-a right—yes?"

+

"All right, Bonifacio," said Murray steadily, as he allowed the +ant to crawl upon the envelope and then dumped it gently on the +stone floor.

+

"Dat's good-a, Meestro Murray. Men like us, we must-a die like-a +men. My time come nex'-a week. All-a right. Remember, Meestro +Murray, I beat-a you dat las' game of de check. Maybe we play +again some-a time. I don'-a know. Maybe we have to call-a de move +damn-a loud to play de check where dey goin' send us."

+

Bonifacio's hardened philosophy, followed closely by his +deafening, musical peal of laughter, warmed rather than chilled +Murray's numbed heart. Yet, Bonifacio had until next week to live.

+

The cell-dwellers heard the familiar, loud click of the steel +bolts as the door at the end of the corridor was opened. Three men +came to Murray's cell and unlocked it. Two were prison guards; the +other was "Len"—no; that was in the old days; now the Reverend +Leonard Winston, a friend and neighbor from their barefoot days.

+

"I got them to let me take the prison chaplain's place," he said, +as he gave Murray's hand one short, strong grip. In his left hand +he held a small Bible, with his forefinger marking a page.

+

Murray smiled slightly and arranged two or three books and some +penholders orderly on his small table. He would have spoken, but +no appropriate words seemed to present themselves to his mind.

+

The prisoners had christened this cellhouse, eighty +feet long, twenty-eight feet wide, Limbo Lane. The regular guard +of Limbo Lane, an immense, rough, kindly man, drew a pint bottle +of whiskey from his pocket and offered it to Murray, saying:

+

"It's the regular thing, you know. All has it who feel like they +need a bracer. No danger of it becoming a habit with 'em, you +see."

+

Murray drank deep into the bottle.

+

"That's the boy!" said the guard. "Just a little nerve tonic, and +everything goes smooth as silk."

+

They stepped into the corridor, and each one of the doomed seven +knew. Limbo Lane is a world on the outside of the world; but it +had learned, when deprived of one or more of the five senses, to +make another sense supply the deficiency. Each one knew that it +was nearly eight, and that Murray was to go to the chair at eight. +There is also in the many Limbo Lanes an aristocracy of crime. The +man who kills in the open, who beats his enemy or pursuer down, +flushed by the primitive emotions and the ardor of combat, holds +in contempt the human rat, the spider, and the snake.

+

So, of the seven condemned only three called their farewells to +Murray as he marched down the corridor between the two +guards—Bonifacio, Marvin, who had killed a guard while trying to +escape from the prison, and Bassett, the train-robber, who was +driven to it because the express-messenger wouldn't raise his +hands when ordered to do so. The remaining four smoldered, silent, +in their cells, no doubt feeling their social ostracism in Limbo +Lane society more keenly than they did the memory of their less +picturesque offences against the law.

+

Murray wondered at his own calmness and nearly indifference. In +the execution room were about twenty men, a congregation made up +of prison officers, newspaper reporters, and lookers-on who had +succeeded

+
+

Here, in the very middle of a sentence, the hand of Death +interrupted the telling of O. Henry's last story. He had planned +to make this story different from his others, the beginning of a +new series in a style he had not previously attempted. "I want to +show the public," he said, "that I can write something new—new +for me, I mean—a story without slang, a straightforward dramatic +plot treated in a way that will come nearer my idea of real +story-writing." Before starting to write the present story, he +outlined briefly how he intended to develop it: Murray, the +criminal accused and convicted of the brutal murder of his +sweetheart—a murder prompted by jealous rage—at first faces the +death penalty, calm, and, to all outward appearances, indifferent +to his fate. As he nears the electric chair he is overcome by a +revulsion of feeling. He is left dazed, stupefied, stunned. The +entire scene in the death-chamber—the witnesses, the spectators, +the preparations for execution—become unreal to him. The thought +flashes through his brain that a terrible mistake is being made. +Why is he being strapped to the chair? What has he done? What +crime has he committed? In the few moments while the straps are +being adjusted a vision comes to him. He dreams a dream. He sees a +little country cottage, bright, sun-lit, nestling in a bower of +flowers. A woman is there, and a little child. He speaks with them +and finds that they are his wife, his child—and the cottage their +home. So, after all, it is a mistake. Some one has frightfully, +irretrievably blundered. The accusation, the trial, the +conviction, the sentence to death in the electric chair—all a +dream. He takes his wife in his arms and kisses the child. Yes, +here is happiness. It was a dream. Then—at a sign from the prison +warden the fatal current is turned on.

+

Murray had dreamed the wrong dream.

+

A RULER OF MEN

+
+

[Written at the prime of his popularity and power, +this characteristic and amusing story was published in Everybody's +Magazine in August, 1906.]

+
+

I walked the streets of the City of Insolence, thirsting for the +sight of a stranger face. For the City is a desert of familiar +types as thick and alike as the grains in a sand-storm; and you +grow to hate them as you do a friend who is always by you, or one +of your own kin.

+

And my desire was granted, for I saw near a corner of Broadway and +Twenty-ninth Street, a little flaxen-haired man with a face like a +scaly-bark hickory-nut, selling to a fast-gathering crowd a tool +that omnigeneously proclaimed itself a can-opener, a screw-driver, +a button-hook, a nail-file, a shoe-horn, a watch-guard, a +potato-peeler, and an ornament to any gentleman's key-ring.

+

And then a stall-fed cop shoved himself through the congregation +of customers. The vender, plainly used to having his seasons of +trade thus abruptly curtailed, closed his satchel and slipped like +a weasel through the opposite segment of the circle. The crowd +scurried aimlessly away like ants from a disturbed crumb. The cop, +suddenly becoming oblivious of the earth and its inhabitants, +stood still, swelling his bulk and putting his club through an +intricate drill of twirls. I hurried after Kansas Bill Bowers, and +caught him by an arm.

+

Without his looking at me or slowing his pace, I found a +five-dollar bill crumpled neatly into my hand.

+

"I wouldn't have thought, Kansas Bill," I said, "that you'd hold +an old friend that cheap."

+

Then he turned his head, and the hickory-nut cracked into a wide +smile.

+

"Give back the money," said he, "or I'll have the cop after you +for false pretenses. I thought you was the cop."

+

"I want to talk to you, Bill," I said. "When did you leave +Oklahoma? Where is Reddy McGill now? Why are you selling those +impossible contraptions on the street? How did your Big Horn +gold-mine pan out? How did you get so badly sunburned? What will +you drink?"

+

"A year ago," answered Kansas Bill systematically. "Putting up +windmills in Arizona. For pin money to buy etceteras with. Salted. +Been down in the tropics. Beer."

+

We foregathered in a propitious place and became Elijahs, while a +waiter of dark plumage played the raven to perfection. +Reminiscence needs must be had before I could steer Bill into his +epic mood.

+

"Yes," said he, "I mind the time Timoteo's rope broke on that +cow's horns while the calf was chasing you. You and that cow! I'd +never forget it."

+

"The tropics," said I, "are a broad territory. What part of Cancer +of Capricorn have you been honoring with a visit?"

+

"Down along China or Peru—or maybe the Argentine Confederacy," +said Kansas Bill. "Anyway 'twas among a great race of people, +off-colored but progressive. I was there three months."

+

"No doubt you are glad to be back among the truly great race," I +surmised. "Especially among New Yorkers, the most progressive and +independent citizens of any country in the world," I continued, +with the fatuity of the provincial who has eaten the Broadway +lotus.

+

"Do you want to start an argument?" asked Bill.

+

"Can there be one?" I answered.

+

"Has an Irishman humor, do you think?" asked he.

+

"I have an hour or two to spare," said I, looking at the +café clock.

+

"Not that the Americans aren't a great commercial nation," +conceded Bill. "But the fault laid with the people who wrote lies +for fiction."

+

"What was this Irishman's name?" I asked.

+

"Was that last beer cold enough?" said he.

+

"I see there is talk of further outbreaks among the Russian +peasants," I remarked.

+

"His name was Barney O'Connor," said Bill.

+

Thus, because of our ancient prescience of each other's trail of +thought, we travelled ambiguously to the point where Kansas Bill's +story began:

+

"I met O'Connor in a boarding-house on the West Side. He invited +me to his hall-room to have a drink, and we became like a dog and +a cat that had been raised together. There he sat, a tall, fine, +handsome man, with his feet against one wall and his back against +the other, looking over a map. On the bed and sticking three feet +out of it was a beautiful gold sword with tassels on it and +rhinestones in the handle.

+

"'What's this?' says I (for by that time we were well acquainted). +'The annual parade in vilification of the ex-snakes of Ireland? +And what's the line of march? Up Broadway to Forty-second; thence +east to McCarty's café; thence—'

+

"'Sit down on the wash-stand,' says O'Connor, 'and listen. And +cast no perversions on the sword. 'Twas me father's in old +Munster. And this map, Bowers, is no diagram of a holiday +procession. If ye look again. ye'll see that it's the continent +known as South America, comprising fourteen green, blue, red, and +yellow countries, all crying out from time to time to be liberated +from the yoke of the oppressor.'

+

"'I know,' says I to O'Connor. 'The idea is a literary one. The +ten-cent magazine stole it from "Ridpath's History of the World +from the Sand-stone Period to the Equator." You'll find it in +every one of 'em. It's a continued story of a soldier of fortune, +generally named O'Keefe, who gets to be dictator while the +Spanish-American populace cries "Cospetto!" and other Italian +maledictions. I misdoubt if it's ever been done. You're not +thinking of trying that, are you, Barney?' I asks.

+

"'Bowers,' says he, 'you're a man of education and courage.'

+

"'How can I deny it?' says I. 'Education runs in my family; and I +have acquired courage by a hard struggle with life.'

+

"'The O'Connors,' says he, 'are a warlike race. There is me +father's sword; and here is the map. A life of inaction is not for +me. The O'Connors were born to rule. 'Tis a ruler of men I must +be.'

+

"'Barney,' I says to him, 'why don't you get on the force and +settle down to a quiet life of carnage and corruption instead of +roaming off to foreign parts? In what better way can you indulge +your desire to subdue and maltreat the oppressed?'

+

"'Look again at the map,' says he, 'at the country I have the +point of me knife on. 'Tis that one I have selected to aid and +overthrow with me father's sword.'

+

"'I see,' says I. 'It's the green one; and that does credit to +your patriotism, and it's the smallest one; and that does credit +to your judgment.'

+

"'Do ye accuse me of cowardice?' says Barney, turning pink.

+

"'No man,' says I, 'who attacks and confiscates a country +single-handed could be called a coward. The worst you can be +charged with is plagiarism or imitation. If Anthony Hope and +Roosevelt let you get away with it, nobody else will have any +right to kick.'

+

"'I'm not joking,' says O'Connor. 'And I've got $1,500 cash to +work the scheme with. I've taken a liking to you. Do you want it, +or not?'

+

"'I'm not working,' I told him; 'but how is it to be? Do I eat +during the fomentation of the insurrection, or am I only to be +Secretary of War after the country is conquered? Is it to be a pay +envelope or only a portfolio?'

+

"I'll pay all expenses,' says O'Connor. 'I want a man I can trust. +If we succeed you may pick out any appointment you want in the +gift of the government.'

+

"'All right, then,' says I. 'You can get me a bunch of draying +contracts and then a quick-action consignment to a seat on the +Supreme Court bench so I won't be in line for the presidency. The +kind of cannon they chasten their presidents with in that country +hurt too much. You can consider me on the pay-roll.'

+

"Two weeks afterward O'Connor and me took a steamer for the small, +green, doomed country. We were three weeks on the trip. O'Connor +said he had his plans all figured out in advance; but being the +commanding general, it consorted with his dignity to keep the +details concealed from his army and cabinet, commonly known as +William T. Bowers. Three dollars a day was the price for which I +joined the cause of liberating an undiscovered country from the +ills that threatened or sustained it. Every Saturday night on the +steamer I stood in line at parade rest, and O'Connor handed ever +the twenty-one dollars.

+

"The town we landed at was named Guayaquerita, so they told me. +'Not for me,' says I. 'It'll be little old Hilldale or +Tompkinsville or Cherry Tree Corners when I speak of it. It's a +clear case where Spelling Reform ought to butt in and disenvowel +it.'

+

"But the town looked fine from the bay when we sailed in. It was +white, with green ruching, and lace ruffles on the skirt when the +surf slashed up on the sand. It looked as tropical and dolce far +ultra as the pictures of Lake Ronkonkoma in the brochure of the +passenger department of the Long Island Railroad.

+

"We went through the quarantine and custom-house indignities; and +then O'Connor leads me to a 'dobe house on a street called 'The +Avenue of the Dolorous Butterflies of the Individual and +Collective Saints.' Ten feet wide it was, and knee-deep in alfalfa +and cigar stumps.

+

"'Hooligan Alley,' says I, rechristening it.

+

"''Twill be our headquarters,' says O'Connor. 'My agent here, Don +Fernando Pacheco, secured it for us.'

+

"So in that house O'Connor and me established the revolutionary +centre. In the front room we had ostensible things such as fruit, +a guitar, and a table with a conch shell on it. In the back room +O'Connor had his desk and a large looking-glass and his sword hid +in a roll of straw matting. We slept on hammocks that we hung to +hooks in the wall; and took our meals at the Hotel Ingles, a +beanery run on the American plan by a German proprietor with +Chinese cooking served à la Kansas City lunch counter.

+

"It seems that O'Connor really did have some sort of system +planned out beforehand. He wrote plenty of letters; and every day +or two some native gent would stroll round to headquarters and be +shut up in the back room for half an hour with O'Connor and the +interpreter. I noticed that when they went in they were always +smoking eight-inch cigars and at peace with the world; but when +they came out they would be folding up a ten- or twenty-dollar +bill and cursing the government horribly.

+

"One evening after we had been in Guaya—in this town of +Smellville-by-the-Sea—about a month, and me and O'Connor were +sitting outside the door helping along old tempus fugit with rum +and ice and limes, I says to him:

+

"'If you'll excuse a patriot that don't exactly know what he's +patronizing, for the question—what is your scheme for subjugating +this country? Do you intend to plunge it into bloodshed, or do you +mean to buy its votes peacefully and honorably at the polls?'

+

"'Bowers,' says he, 'ye're a fine little man and I intend to make +great use of ye after the conflict. But ye do not understand +statecraft. Already by now we have a network of strategy clutching +with invisible fingers at the throat of the tyrant Calderas. We +have agents at work in every town in the republic. The Liberal +party is bound to win. On our secret lists we have the names of +enough sympathizers to crush the administration forces at a single +blow.'

+

"'A straw vote,' says I, 'only shows which way the hot air blows.'

+

"'Who has accomplished this?' goes on O'Connor. 'I have. I have +directed everything. The time was ripe when we came, so my agents +inform me. The people are groaning under burdens of taxes and +levies. Who will be their natural leader when they rise? Could it +be any one but meself? 'Twas only yesterday that Zaldas, our +representative in the province of Durasnas, tells me that the +people, in secret, already call me "El Library Door," which is the +Spanish manner of saying "The Liberator."'

+

"'Was Zaldas that maroon-colored old Aztec with a paper collar on +and unbleached domestic shoes?' I asked.

+

"'He was,' says O'Connor.

+

"'I saw him tucking a yellow-back into his vest pocket as he came +out,' says I. 'It may be,' says I, 'that they call you a library +door, but they treat you more like the side door of a bank. But +let us hope for the worst.'

+

"'It has cost money, of course,' says O'Connor; 'but we'll have +the country in our hands inside of a month.'

+

"In the evenings we walked about in the plaza and listened to the +band playing and mingled with the populace at its distressing and +obnoxious pleasures. There were thirteen vehicles belonging to the +upper classes, mostly rockaways and old-style barouches, such as +the mayor rides in at the unveiling of the new poorhouse at +Milledgeville, Alabama. Round and round the desiccated fountain in +the middle of the plaza they drove, and lifted their high silk +hats to their friends. The common people walked around in +barefooted bunches, puffing stogies that a Pittsburg millionaire +wouldn't have chewed for a dry smoke on Ladies' Day at his club. +And the grandest figure in the whole turnout was Barney O'Connor. +Six foot two he stood in his Fifth Avenue clothes, with his eagle +eye and his black moustache that tickled his ears. He was a born +dictator and czar and hero and harrier of the human race. It +looked to me that all eyes were turned upon O'Connor, and that +every woman there loved him, and every man feared him. Once or +twice I looked at him and thought of funnier things that had +happened than his winning out in his game; and I began to feel +like a Hidalgo de Officio de Grafto de South America myself. And +then I would come down again to solid bottom and let my +imagination gloat, as usual, upon the twenty-one American dollars +due me on Saturday night.

+

"'Take note,' says O'Connor to me as thus we walked, 'of the mass +of the people. Observe their oppressed and melancholy air. Can ye +not see that they are ripe for revolt? Do ye not perceive that +they are disaffected?'

+

"'I do not,' says I. 'Nor disinfected either. I'm beginning to +understand these people. When they look unhappy they're enjoying +themselves. When they feel unhappy they go to sleep. They're not +the kind of people to take an interest in revolutions.'

+

"'They'll flock to our standard,' says O'Connor. 'Three thousand +men in this town alone will spring to arms when the signal is +given. I am assured of that. But everything is in secret. There is +no chance for us to fail.'

+

"On Hooligan Alley, as I prefer to call the street our +headquarters was on, there was a row of flat 'dobe houses with red +tile roofs, some straw shacks full of Indians and dogs, and one +two-story wooden house with balconies a little farther down. That +was where General Tumbalo, the comandante and commander of the +military forces, lived. Right across the street was a private +residence built like a combination bake-oven and folding-bed. One +day, O'Connor and me were passing it, single file, on the flange +they called a sidewalk, when out of the window flies a big red +rose. O'Connor, who is ahead, picks it up, presses it to his fifth +rib, and bows to the ground. By Carrambos! that man certainly had +the Irish drama chaunceyized. I looked around expecting to see the +little boy and girl in white sateen ready to jump on his shoulder +while he jolted their spinal columns and ribs together through a +breakdown, and sang: 'Sleep, Little One, Sleep.'

+

"As I passed the window I glanced inside and caught a glimpse of a +white dress and a pair of big, flashing black eyes and gleaming +teeth under a dark lace mantilla.

+

"When we got back to our house O'Connor began to walk up and down +the floor and twist his moustaches.

+

"'Did ye see her eyes, Bowers?' he asks me.

+

"'I did,' says I, 'and I can see more than that. It's all coming +out according to the story-books. I knew there was something +missing. 'Twas the love interest. What is it that comes in Chapter +VII to cheer the gallant Irish adventurer? Why, Love, of +course—Love that makes the hat go around. At last we have the +eyes of midnight hue and the rose flung from the barred window. +Now, what comes next? The underground passage— the intercepted +letter—the traitor in camp—the hero thrown into a dungeon—the +mysterious message from the señorita—then the outburst—the +fighting on the plaza—the—'

+

"'Don't be a fool,' says O'Connor, interrupting. 'But that's the +only woman in the world for me, Bowers. The O'Connors are as quick +to love as they are to fight. I shall wear that rose over me heart +when I lead me men into action. For a good battle to be fought +there must be some woman to give it power.'

+

"'Every time,' I agreed, 'if you want to have a good lively scrap. +There's only one thing bothering me. In the novels the +light-haired friend of the hero always gets killed. Think 'em all +over that you've read, and you'll see that I'm right. I think I'll +step down to the Botica Española and lay in a bottle of walnut +stain before war is declared.'

+

"'How will I find out her name?' says O'Connor, layin' his chin in +his hand.

+

"'Why don't you go across the street and ask her?' says I.

+

"'Will ye never regard anything in life seriously?' says O'Connor, +looking down at me like a schoolmaster.

+

"'Maybe she meant the rose for me,' I said, whistling the Spanish +Fandango.

+

"For the first time since I'd known O'Connor, he laughed. He got +up and roared and clapped his knees, and leaned against the wall +till the tiles on the roof clattered to the noise of his lungs. He +went into the back room and looked at himself in the glass and +began and laughed all over from the beginning again. Then he +looked at me and repeated himself. That's why I asked you if you +thought an Irishman had any humor. He'd been doing farce comedy +from the day I saw him without knowing it; and the first time he +had an idea advanced to him with any intelligence in it he acted +like two twelfths of the sextet in a 'Floradora' road company.

+

"The next afternoon he comes in with a triumphant smile and begins +to pull something like ticker tape out of his pocket.

+

"'Great!' says I. 'This is something like home. How is Amalgamated +Copper to-day?'

+

"'I've got her name,' says O'Connor, and he reads off something +like this: 'Dona Isabel Antonia Inez Lolita Carreras y Buencaminos +y Monteleon. She lives with her mother,' explains O'Connor. 'Her +father was killed in the last revolution. She is sure to be in +sympathy with our cause.'

+

"And sure enough the next day she flung a little bunch of roses +clear across the street into our door. O'Connor dived for it and +found a piece of paper curled around a stem with a line in Spanish +on it. He dragged the interpreter out of his corner and got him +busy. The interpreter scratched his head, and gave us as a +translation three best bets: 'Fortune had got a face like the man +fighting'; 'Fortune looks like a brave man'; and 'Fortune favors +the brave.' We put our money on the last one.

+

"'Do ye see?' says O'Connor. 'She intends to encourage me sword to +save her country.'

+

"'It looks to me like an invitation to supper,' says I.

+

"So every day this señorita sits behind the barred windows +and exhausts a conservatory or two, one posy at a time. And O'Connor +walks like a Dominecker rooster and swells his chest and swears to +me he will win her by feats of arms and big deeds on the gory +field of battle.

+

"By and by the revolution began to get ripe. One day O'Connor +takes me into the back room and tells me all.

+

"'Bowers,' says he, 'at twelve o'clock one week from to-day the +struggle will take place. It has pleased ye to find amusement and +diversion in this project because ye have not sense enough to +perceive that it is easily accomplished by a man of courage, +intelligence, and historical superiority, such as meself. The +whole world over,' says he, 'the O'Connors have ruled men, women, +and nations. To subdue a small and indifferent country like this +is a trifle. Ye see what little, barefooted manikins the men of it +are. I could lick four of 'em single-handed.'

+

"'No doubt,' says I. 'But could you lick six? And suppose they +hurled an army of seventeen against you?'

+

"'Listen,' says O'Connor, 'to what will occur. At noon next +Tuesday 25,000 patriots will rise up in the towns of the republic. +The government will be absolutely unprepared. The public buildings +will be taken, the regular army made prisoners, and the new +administration set up. In the capital it will not be so easy on +account of most of the army being stationed there. They will +occupy the president's palace and the strongly fortified +government buildings and stand a siege. But on the very day of the +outbreak a body of our troops will begin a march to the capital +from every town as soon as the local victory has been won. The +thing is so well planned that it is an impossibility for us to +fail. I meself will lead the troops from here. The new president +will be Señor Espadas, now Minister of Finance in the +present cabinet.'

+

"'What do you get?' I asked.

+

"''Twill be strange,' said O'Connor smiling, 'if I don't have all +the jobs handed to me on a silver salver to pick what I choose. +I've been the brains of the scheme, and when the fighting opens I +guess I won't be in the rear rank. Who managed it so our troops +could get arms smuggled into this country? Didn't I arrange it +with a New York firm before I left there? Our financial agents +inform me that 20,000 stands of Winchester rifles have been +delivered a month ago at a secret place up coast and distributed +among the towns. I tell you, Bowers, the game is already won.'

+

"Well, that kind of talk kind of shook my disbelief in the +infallibility of the serious Irish gentleman soldier of fortune. +It certainly seemed that the patriotic grafters had gone about the +thing in a business way. I looked upon O'Connor with more respect, +and began to figure on what kind of uniform I might wear as +Secretary of War.

+

"Tuesday, the day set for the revolution, came around according to +schedule. O'Connor said that a signal had been agreed upon for the +uprising. There was an old cannon on the beach near the national +warehouse. That had been secretly loaded and promptly at twelve +o'clock was to be fired off. Immediately the revolutionists would +seize their concealed arms, attack the comandante's troops in the +cuartel, and capture the custom-house and all government property +and supplies.

+

"I was nervous all the morning. And about eleven o'clock O'Connor +became infused with the excitement and martial spirit of murder. +He geared his father's sword around him, and walked up and down in +the back room like a lion in the Zoo suffering from corns. I +smoked a couple of dozen cigars, and decided on yellow stripes +down the trouser legs of my uniform.

+

"At half-past eleven O'Connor asks me to take a short stroll +through the streets to see if I could notice any signs of the +uprising. I was back in fifteen minutes.

+

"'Did you hear anything?' he asks.

+

"'I did,' says I. 'At first I thought it was drums. But it wasn't; +it was snoring. Everybody in town's asleep.'

+

"O'Connor tears out his watch.

+

"'Fools!' says he. 'They've set the time right at the siesta hour +when everybody takes a nap. But the cannon will wake 'em up. +Everything will be all right, depend upon it.'

+

"Just at twelve o'clock we heard the sound of a +cannon—BOOM!—shaking the whole town.

+

"O'Connor loosens his sword in its scabbard and jumps for the +door. I went as far as the door and stood in it.

+

"People were sticking their heads out of doors and windows. But +there was one grand sight that made the landscape look tame.

+

"General Tumbalo, the comandante, was rolling down the steps of +his residential dugout, waving a five-foot sabre in his hand. He +wore his cocked and plumed hat and his dress-parade coat covered +with gold braid and buttons. Sky-blue pajamas, one rubber boot, +and one red-plush slipper completed his make-up.

+

"The general had heard the cannon, and he puffed down the sidewalk +toward the soldiers' barracks as fast as his rudely awakened two +hundred pounds could travel.

+

"O'Connor sees him and lets out a battle-cry and draws his +father's sword and rushes across the street and tackles the +enemy.

+

"Right there in the street he and the general gave an exhibition +of blacksmithing and butchery. Sparks flew from their blades, the +general roared, and O'Connor gave the slogan of his race and +proclivities.

+

"Then the general's sabre broke in two; and he took to his +ginger-colored heels crying out, 'Policios,' at every jump. +O'Connor chased him a block, imbued with the sentiment of +manslaughter, and slicing buttons off the general's coat tails +with the paternal weapon. At the corner five barefooted policemen +in cotton undershirts and straw fiats climbed over O'Connor and +subjugated him according to the municipal statutes.

+

"They brought him past the late revolutionary headquarters on the +way to jail. I stood in the door. A policeman had him by each hand +and foot, and they dragged him on his back through the grass like +a turtle. Twice they stopped, and the odd policeman took another's +place while he rolled a cigarette. The great soldier of fortune +turned his head and looked at me as they passed. I blushed, and +lit another cigar. The procession passed on, and at ten minutes +past twelve everybody had gone back to sleep again.

+

"In the afternoon the interpreter came around and smiled as he +laid his hand on the big red jar we usually kept ice-water in.

+

"'The ice-man didn't call to-day,' says I. 'What's the matter with +everything, Sancho?'

+

"'Ah, yes,' says the liver-colored linguist. 'They just tell me in +the town. Verree bad act that Señor O'Connor make fight with +General Tumbalo. Yes, general Tumbalo great soldier and big mans.'

+

"'What'll they do to Mr. O'Connor?' I asks.

+

"'I talk little while presently with the Juez de la Paz—what you +call Justice-with-the-peace,' says Sancho. 'He tell me it verree +bad crime that one Señor Americano try kill General Tumbalo. +He say they keep señor O'Connor in jail six months; then +have trial and shoot him with guns. Verree sorree.'

+

"'How about this revolution that was to be pulled off?' I asks.

+

"'Oh,' says this Sancho, 'I think too hot weather for revolution. +Revolution better in winter-time. Maybe so next winter. Quien +sabe?'

+

"'But the cannon went off,' says I. 'The signal was given.'

+

"'That big sound?' says Sancho, grinning. 'The boiler in ice +factory he blow up—BOOM! Wake everybody up from siesta. Verree +sorree. No ice. Mucho hot day.'

+

"About sunset I went over to the jail, and they let me talk to +O'Connor through the bars.

+

"'What's the news, Bowers?' says he. 'Have we taken the town? I've +been expecting a rescue party all the afternoon. I haven't heard +any firing. Has any word been received from the capital?'

+

"'Take it easy, Barney,' says I. 'I think there's been a change of +plans. There's something more important to talk about. Have you +any money?'

+

"'I have not,' says O'Connor. 'The last dollar went to pay our +hotel bill yesterday. Did our troops capture the custom-house? +There ought be plenty of government money there.'

+

"'Segregate your mind from battles,' says I. 'I've been making +inquiries. You're to be shot six months from date for assault and +battery. I'm expecting to receive fifty years at hard labor for +vagrancy. All they furnish you while you're a prisoner is water. +You depend on your friends for food. I'll see what I can do.'

+

"I went away and found a silver Chile dollar in an old vest of +O'Connor's. I took him some fried fish and rice for his supper. In +the morning I went down to a lagoon and had a drink of water, and +then went back to the jail. O'Connor had a porterhouse steak look +in his eye.

+

"'Barney,' says I, 'I've found a pond full of the finest kind of +water. It's the grandest, sweetest, purest water in the world. Say +the word and I'll go fetch you a bucket of it and you can throw +this vile government stuff out the window. I'll do anything I can +for a friend.'

+

"'Has it come to this?' says O'Connor, raging up and down his +cell. 'Am I to be starved to death and then shot? I'll make those +traitors feel the weight of an O'Connor's hand when I get out of +this.' And then he comes to the bars and speaks softer. 'Has +nothing been heard from Dona Isabel?' he asks. 'Though every one +else in the world fail,' says he, 'I trust those eyes of hers. She +will find a way to effect my release. Do ye think ye could +communicate with her? One word from her—even a rose would make me +sorrow light. But don't let her know except with the utmost +delicacy, Bowers. These high-bred Castilians are sensitive and +proud.'

+

"'Well said, Barney,' says I. 'You've given me an idea. I'll +report later. Something's got to be pulled off quick, or we'll +both starve.'

+

"I walked out and down to Hooligan Alley, and then on the other +side of the street. As I went past the window of Dona Isabel +Antonia Concha Regalia, out flies the rose as usual and hits me on +the ear.

+

"The door was open, and I took off my hat and walked in. It wasn't +very light; inside, but there she sat in a rocking-chair by the +window smoking a black cheroot. And when I got closer I saw that +she was about thirty-nine, and had never seen a straight front in +her life. I sat down on the arm of her chair, and took the cheroot +out of her mouth and stole a kiss.

+

"'Hullo, Izzy,' I says. 'Excuse my unconventionality, but I feel +like I have known you for a month. Whose Izzy is oo?'

+

"The lady ducked her head under her mantilla, and drew in a long +breath. I thought she was going to scream, but with all that +intake of air she only came out with: 'Me likee Americanos.'

+

"As soon as she said that, I knew that O'Connor and me would be +doing things with a knife and fork before the day was over. I drew +a chair beside her, and inside of half an hour we were engaged. +Then I took my hat and said I must go out for a while.

+

"'You come back?' says Izzy, in alarm.

+

"'Me go bring preacher,' says I. 'Come back twenty minutes. We +marry now. How you likee?'

+

"'Marry to-day?' says Izzy. 'Good!'

+

"I went down on the beach to the United States consul's shack. He +was a grizzly man, eighty-two pounds, smoked glasses, five foot +eleven, pickled. He was playing chess with an india-rubber man in +white clothes.

+

"'Excuse me for interrupting,' says I, 'but can you tell me how a +man could get married quick?'

+

"The consul gets up and fingers in a pigeonhole.

+

"'I believe I had a license to perform the ceremony myself, a +year or two ago,' he said. 'I'll look, and—'

+

"I caught hold of his arm.

+

"'Don't look it up,' says I. 'Marriage is a lottery anyway. +I'm willing to take the risk about the license if you are.'

+

"The consul went back to Hooligan Alley with me. Izzy called her +ma to come in, but the old lady was picking a chicken in the patio +and begged to be excused. So we stood up and the consul performed +the ceremony.

+

"That evening Mrs. Bowers cooked a great supper of stewed goat, +tamales, baked bananas, fricasseed red peppers and coffee. +Afterward I sat in the rocking-chair by the front window, and she +sat on the floor plunking at a guitar and happy, as she should be, +as Mrs. William T. B.

+

"All at once I sprang up in a hurry. I'd forgotten all about +O'Connor. I asked Izzy to fix up a lot of truck for him to eat.

+

"'That big, oogly man,' said Izzy. 'But all right—he your +friend.'

+

"I pulled a rose out of a bunch in a jar, and took the grub-basket +around to the jail. O'Connor ate like a wolf. Then he wiped his +face with a banana peel and said: 'Have you heard nothing from +Dona Isabel yet?'

+

"'Hist!' says I, slipping the rose between the bars. 'She sends +you this. She bids you take courage. At nightfall two masked men +brought it to the ruined chateau in the orange grove. How did you +like that goat hash, Barney?'

+

"O'Connor pressed the rose to his lips. "'This is more to me than +all the food in the world,' says he. 'But the supper was fine. +Where did you raise it?'

+

"'I've negotiated a stand-off at a delicatessen hut downtown,' I +tells him. 'Rest easy. If there's anything to be done I'll do it.'

+

"So things went along that way for some weeks. Izzy was a great +cook; and if she had had a little more poise of character and +smoked a little better brand of tobacco we might have drifted into +some sense of responsibility for the honor I had conferred on her. +But as time went on I began to hunger for the sight of a real lady +standing before me in a street-car. All I was staying in that land +of bilk and money for was because I couldn't get away, and I +thought it no more than decent to stay and see O'Connor shot.

+

"One day our old interpreter drops around and after smoking an +hour says that the judge of the peace sent him to request me to +call on him. I went to his office in a lemon grove on a hill at +the edge of the town; and there I had a surprise. I expected to +see one of the usual cinnamon-colored natives in congress gaiters +and one of Pizzaro's cast-off hats. What I saw was an elegant +gentleman of a slightly claybank complexion sitting in an +upholstered leather chair, sipping a highball and reading Mrs. +Humphry Ward. I had smuggled into my brain a few words of Spanish +by the help of Izzy, and I began to remark in a rich Andalusian +brogue:

+

"'Buenas dias, señor. Yo tengo—yo tengo—'

+

"'Oh, sit down, Mr. Bowers,' says he. 'I spent eight years in your +country in colleges and law schools. Let me mix you a highball. +Lemon peel, or not?'

+

"Thus we got along. In about half an hour I was beginning to tell +him about the scandal in our family when Aunt Elvira ran away with +a Cumberland Presbyterian preacher. Then he says to me:

+

"'I sent for you, Mr. Bowers, to let you know that you can have +your friend Mr. O'Connor now. Of course we had to make a show of +punishing him on account of his attack on General Tumbalo. It is +arranged that he shall be released to-morrow night. You and he +will be conveyed on board the fruit steamer Voyager, bound for New +York, which lies in the harbor. Your passage will be arranged +for.'

+

"'One moment, judge,' says I; 'that revolution—'

+

"The judge lays back in his chair and howls.

+

"'Why,' says he presently, 'that was all a little joke +fixed up by the boys around the court-room, and one or +two of our cut-ups, and a few clerks in the stores. +The town is bursting its sides with laughing. The boys +made themselves up to be conspirators, and they—what you call +it?—stick Señor O'Connor for his money. It is very funny.'

+

"'It was,' says I. 'I saw the joke all along. I'll take another +highball, if your Honor don't mind.'

+

"The next evening just at dark a couple of soldiers brought +O'Connor down to the beach, where I was waiting under a +cocoanut-tree.

+

"'Hist!' says I in his ear: 'Dona Isabel has arranged our escape. +Not a word!'

+

"They rowed us in a boat out to a little steamer that smelled of +table d'hote salad oil and bone phosphate.

+

"The great, mellow, tropical moon was rising as we steamed away. +O'Connor leaned on the taffrail or rear balcony of the ship and +gazed silently at Guaya—at Buncoville-on-the-Beach.

+

"He had the red rose in his hand.

+

"'She will wait,' I heard him say. 'Eyes like hers never deceive. +But I shall see her again. Traitors cannot keep an O'Connor down +forever.'

+

"'You talk like a sequel,' says I. 'But in Volume II please omit +the light-haired friend who totes the grub to the hero in his +dungeon cell.'

+

"And thus reminiscing, we came back to New York."

+

There was a little silence broken only by the familiar roar of the +streets after Kansas Bill Bowers ceased talking.

+

"Did O'Connor ever go back?" I asked.

+

"He attained his heart's desire," said Bill. "Can you walk two +blocks? I'll show you."

+

He led me eastward and down a flight of stairs that was covered by +a curious-shaped glowing, pagoda-like structure. Signs and figures +on the tiled walls and supporting columns attested that we were in +the Grand Central station of the subway. Hundreds of people were +on the midway platform.

+

An uptown express dashed up and halted. It was crowded. There was +a rush for it by a still larger crowd.

+

Towering above every one there a magnificent, broad-shouldered, +athletic man leaped into the centre of the struggle. Men and women +he seized in either hand and hurled them like manikins toward the +open gates of the train.

+

Now and then some passenger with a shred of soul and self-respect +left to him turned to offer remonstrance; but the blue uniform on +the towering figure, the fierce and conquering glare of his eye +and the ready impact of his ham-like hands glued together the lips +that would have spoken complaint.

+

When the train was full, then he exhibited to all who might +observe and admire his irresistible genius as a ruler of men. With +his knees, with his elbows, with his shoulders, with his +resistless feet he shoved, crushed, slammed, heaved, kicked, +flung, pounded the overplus of passengers aboard. Then with the +sounds of its wheels drowned by the moans, shrieks, prayers, and +curses of its unfortunate crew, the express dashed away.

+

"That's him. Ain't he a wonder?" said Kansas Bill admiringly. +"That tropical country wasn't the place for him. I wish the +distinguished traveller, writer, war correspondent, and playright, +Richmond Hobson Davis, could see him now. O'Connor ought to be +dramatized."

+

THE ATAVISM OF JOHN TOM LITTLE BEAR

+
+

[O. Henry thought this the best of the +Jeff Peters stories, all the rest of which are included in +"The Gentle Grafter," except "Cupid à la Carte" in +the "Heart of the West." "The Atavism of John Tom Little +Bear" appeared in Everybody's Magazine for July, +1903.]

+
+

I saw a light in Jeff Peters's room over the Red Front Drug Store. +I hastened toward it, for I had not known that Jeff was in town. +He is a man of the Hadji breed, of a hundred occupations, with a +story to tell (when he will) of each one.

+

I found Jeff repacking his grip for a run down to Florida to look +at an orange grove for which he had traded, a month before, his +mining claim on the Yukon. He kicked me a chair, with the same old +humorous, profound smile on his seasoned countenance. It had been +eight months since we had met, but his greeting was such as men +pass from day to day. Time is Jeff's servant, and the continent is +a big lot across which he cuts to his many roads.

+

For a while we skirmished along the edges of unprofitable talk +which culminated in that unquiet problem of the Philippines.

+

"All them tropical races," said Jeff, "could be run out better +with their own jockeys up. The tropical man knows what he wants. +All he wants is a season ticket to the cock-fights and a pair of +Western Union climbers to go up the bread-fruit tree. The +Anglo-Saxon man wants him to learn to conjugate and wear +suspenders. He'll be happiest in his own way."

+

I was shocked.

+

"Education, man," I said, "is the watchword. In time they will +rise to our standard of civilization. Look at what education has +done for the Indian."

+

"O-ho!" sang Jeff, lighting his pipe (which was a good sign). +"Yes, the Indian! I'm looking. I hasten to contemplate the redman +as a standard bearer of progress. He's the same as the other brown +boys. You can't make an Anglo-Saxon of him. Did I ever tell you +about the time my friend John Tom Little Bear bit off the right +ear of the arts of culture and education and spun the teetotum +back round to where it was when Columbus was a little boy? I did +not?

+

"John Tom Little Bear was an educated Cherokee Indian and an old +friend of mine when I was in the Territories. He was a graduate of +one of them Eastern football colleges that have been so successful +in teaching the Indian to use the gridiron instead of burning his +victims at the stake. As an Anglo-Saxon, John Tom was +copper-colored in spots. As an Indian, he was one of the whitest +men I ever knew. As a Cherokee, he was a gentleman on the first +ballot. As a ward of the nation, he was mighty hard to carry at +the primaries.

+

"John Tom and me got together and began to make medicine—how to +get up some lawful, genteel swindle which we might work in a quiet +way so as not to excite the stupidity of the police or the +cupidity of the larger corporations. We had close upon $500 +between us, and we pined to make it grow, as all respectable +capitalists do.

+

"So we figured out a proposition which seems to be as honorable as +a gold mine prospectus and as profitable as a church raffle. And +inside of thirty days you find us swarming into Kansas with a pair +of fluent horses and a red camping wagon on the European plan. +John Tom is Chief Wish-Heap-Dough, the famous Indian medicine man +and Samaritan Sachem of the Seven Tribes. Mr. Peters is business +manager and half owner. We needed a third man, so we looked around +and found J. Conyngham Binkly leaning against the want column of a +newspaper. This Binkly has a disease for Shakespearian rôles, +and an hallucination about a 200 nights' run on the New York stage. +But he confesses that he never could earn the butter to spread on +his William S. rôles, so he is willing to drop to the ordinary +baker's kind, and be satisfied with a 200-mile run behind the +medicine ponies. Besides Richard III, he could do twenty-seven +coon songs and banjo specialties, and was willing to cook, and +curry the horses. We carried a fine line of excuses for taking +money. One was a magic soap for removing grease spots and quarters +from clothes. One was a Sum-wah-tah, the great Indian Remedy made +from a prairie herb revealed by the Great Spirit in a dream to his +favorite medicine men, the great chiefs McGarrity and Siberstein, +bottlers, Chicago. And the other was a frivolous system of +pick-pocketing the Kansasters that had the department stores +reduced to a decimal fraction. Look ye! A pair of silk garters, a +dream book, one dozen clothespins, a gold tooth, and 'When +Knighthood Was in Flower' all wrapped up in a genuine Japanese +silkarina handkerchief and handed to the handsome lady by Mr. +Peters for the trivial sum of fifty cents, while Professor Binkly +entertains us in a three-minute round with the banjo.

+

"'Twas an eminent graft we had. We ravaged peacefully through the +State, determined to remove all doubt as to why 'twas called +bleeding Kansas. John Tom Little Bear, in full Indian chief's +costume, drew crowds away from the parchesi sociables and +government ownership conversaziones. While at the football college +in the East he had acquired quantities of rhetoric and the art of +calisthenics and sophistry in his classes, and when he stood up in +the red wagon and explained to the farmers, eloquent, about +chilblains and hyperæsthesia of the cranium, Jeff couldn't +hand out the Indian Remedy fast enough for 'em.

+

"One night we was camped on the edge of a little town out west of +Salina. We always camped near a stream, and put up a little tent. +Sometimes we sold out of the Remedy unexpected, and then Chief +Wish-Heap-Dough would have a dream in which the Manitou commanded +him to fill up a few bottles of Sum-wah-tah at the most convenient +place. 'Twas about ten o'clock, and we'd just got in from a street +performance. I was in the tent with the lantern, figuring up the +day's profits. John Tom hadn't taken off his Indian make-up, and +was sitting by the campfire minding a fine sirloin steak in the +pan for the Professor till he finished his hair-raising scene with +the trained horses.

+

"All at once out of dark bushes comes a pop like a firecracker, +and John Tom gives a grunt and digs out of his bosom a little +bullet that has dented itself against his collar-bone. John Tom +makes a dive in the direction of the fireworks, and comes back +dragging by the collar a kid about nine or ten years young, in a +velveteen suit, with a little nickel-mounted rifle in his hand +about as big as a fountain-pen.

+

"'Here, you pappoose,' says John Tom, 'what are you gunning for +with that howitzer? You might hit somebody in the eye. Come out, +Jeff, and mind the steak. Don't let it burn, while I investigate +this demon with the pea shooter.'

+

"'Cowardly redskin,' says the kid like he was quoting from a +favorite author. 'Dare to burn me at the stake and the paleface +will sweep you from the prairies like—like everything. Now, you +lemme go, or I'll tell mamma.'

+

"John Tom plants the kid on a camp-stool, and sits down by him. +'Now, tell the big chief,' he says, 'why you try to shoot pellets +into your Uncle John's system. Didn't you know it was loaded?'

+

"'Are you a Indian?' asks the kid, looking up cute as you please +at John Tom's buckskin and eagle feathers.

+

"'I am,' says John Tom. 'Well, then, that's why,' answers the boy, +swinging his feet. I nearly let the steak burn watching the nerve +of that youngster.

+

"'O-ho!' says John Tom, 'I see. You're the Boy Avenger. And +you've sworn to rid the continent of the savage redman. Is that +about the way of it, son?'

+

"The kid halfway nodded his head. And then he looked glum. 'Twas +indecent to wring his secret from his bosom before a single brave +had fallen before his parlor-rifle.

+

"'Now, tell us where your wigwam is, pappoose,' says John +Tom—'where you live? Your mamma will be worrying about you being +out so late. Tell me, and I'll take you home.'

+

"The kid grins. 'I guess not,' he says. 'I live thousands and +thousands of miles over there.' He gyrated his hand toward the +horizon. 'I come on the train,' he says, 'by myself. I got off +here because the conductor said my ticket had ex-pirated.' He +looks at John Tom with sudden suspicion 'I bet you ain't a +Indian,' he says. 'You don't talk like a Indian. You look like +one, but all a Indian can say is "heap good" and "paleface die." +Say, I bet you are one of them make-believe Indians that sell +medicine on the streets. I saw one once in Quincy.'

+

"'You never mind,' says John Tom, 'whether I'm a cigar-sign or a +Tammany cartoon. The question before the council is what's to be +done with you. You've run away from home. You've been reading +Howells. You've disgraced the profession of boy avengers by trying +to shoot a tame Indian, and never saying: "Die, dog of a redskin! +You have crossed the path of the Boy Avenger nineteen times too +often." What do you mean by it?'

+

"The kid thought for a minute. 'I guess I made a mistake,' he +says. 'I ought to have gone farther west. They find 'em wild out +there in the canyons.' He holds out his hand to John Tom, the +little rascal. 'Please excuse me, sir,' says he, 'for shooting at +you. I hope it didn't hurt you. But you ought to be more careful. +When a scout sees a Indian in his war-dress, his rifle must +speak.' Little Bear give a big laugh with a whoop at the end of +it, and swings the kid ten feet high and sets him on his shoulder, +and the runaway fingers the fringe and the eagle feathers and is +full of the joy the white man knows when he dangles his heels +against an inferior race. It is plain that Little Bear and that +kid are chums from that on. The little renegade has already smoked +the pipe of peace with the savage; and you can see in his eye that +he is figuring on a tomahawk and a pair of moccasins, children's +size.

+

"We have supper in the tent. The youngster looks upon me and the +Professor as ordinary braves, only intended as a background to the +camp scene. When he is seated on a box of Sum-wah-tah, with the +edge of the table sawing his neck, and his mouth full of +beefsteak, Little Bear calls for his name. 'Roy,' says the kid, +with a sirloiny sound to it. But when the rest of it and his +post-office address is referred to, he shakes his head. 'I guess +not,' he says. 'You'll send me back. I want to stay with you. I +like this camping out. At home, we fellows had a camp in our back +yard. They called me Roy, the Red Wolf! I guess that'll do for a +name. Gimme another piece of beefsteak, please.'

+

"We had to keep that kid. We knew there was a hullabaloo about him +somewheres, and that Mamma, and Uncle Harry, and Aunt Jane, and +the Chief of Police were hot after finding his trail, but not +another word would he tell us. In two days he was the mascot of +the Big Medicine outfit, and all of us had a sneaking hope that +his owners wouldn't turn up. When the red wagon was doing business +he was in it, and passed up the bottles to Mr. Peters as proud and +satisfied as a prince that's abjured a two-hundred-dollar crown +for a million-dollar parvenuess. Once John Tom asked him something +about his papa. 'I ain't got any papa,' he says. 'He runned away +and left us. He made my mamma cry. Aunt Lucy says he's a shape.' +'A what?' somebody asks him. 'A shape,' says the kid; 'some kind +of a shape—lemme see—oh, yes, a feendenuman shape. I don't know +what it means.' John Tom was for putting our brand on him, and +dressing him up like a little chief, with wampum and beads, but I +vetoes it. 'Somebody's lost that kid, is my view of it, and they +may want him. You let me try him with a few stratagems, and see if +I can't get a look at his visiting-card.'

+

"So that night I goes up to Mr. Roy Blank by the camp-fire, and +looks at him contemptuous and scornful. 'Snickenwitzel!' says I, +like the word made me sick; 'Snickenwitzel! Bah! Before I'd be +named Snickenwitzel!'

+

"'What's the matter with you, Jeff?' says the kid, opening his +eyes wide.

+

"'Snickenwitzel!' I repeats, and I spat, the word out. 'I saw a +man to-day from your town, and he told me your name. I'm not +surprised you was ashamed to tell it. Snickenwitzel! Whew!'

+

"'Ah, here, now,' says the boy, indignant and wriggling all over, +'what's the matter with you? That ain't my name. It's Conyers. +What's the matter with you?'

+

"'And that's not the worst of it,' I went on quick, keeping him +hot and not giving him time to think. 'We thought you was from a +nice, well-to-do family. Here's Mr. Little Bear, a chief of the +Cherokees, entitled to wear nine otter tails on his Sunday +blanket, and Professor Binkly, who plays Shakespeare and the +banjo, and me, that's got hundreds of dollars in that black tin +box in the wagon, and we've got to be careful about the company we +keep. That man tells me your folks live 'way down in little old +Hencoop Alley, where there are no sidewalks, and the goats eat off +the table with you.'

+

"That kid was almost crying now. ''Taint so,' he splutters. +'He—he don't know what he's talking about. We live on Poplar +Av'noo. I don't 'sociate with goats. What's the matter with you?'

+

"'Poplar Avenue,' says I, sarcastic. 'Poplar Avenue! That's a +street to live on! It only runs two blocks and then falls off a +bluff. You can throw a keg of nails the whole length of it. Don't +talk to me about Poplar Avenue.'

+

"'It's—it's miles long,' says the kid. 'Our number's 862 and +there's lots of houses after that. What's the matter with—aw, you +make me tired, Jeff.'

+

"'Well, well, now,' says I. 'I guess that man made a mistake. +Maybe it was some other boy he was talking about. If I catch him +I'll teach him to go around slandering people.' And after supper I +goes up town and telegraphs to Mrs. Conyers, 862 Poplar Avenue, +Quincy, Ill., that the kid is safe and sassy with us, and will be +held for further orders. In two hours an answer comes to hold him +tight, and she'll start for him by next train.

+

"The next train was due at 6 p.m. +the next day, and me and John +Tom was at the depot with the kid. You might scour the plains in +vain for the big Chief Wish-Heap-Dough. In his place is Mr. Little +Bear in the human habiliments of the Anglo-Saxon sect; and the +leather of his shoes is patented and the loop of his necktie is +copyrighted. For these things John Tom had grafted on him at +college along with metaphysics and the knockout guard for the low +tackle. But for his complexion, which is some yellowish, and the +black mop of his straight hair, you might have thought here was an +ordinary man out of the city directory that subscribes for +magazines and pushes the lawn-mower in his shirt-sleeves of +evenings.

+

"Then the train rolled in, and a little woman in a gray dress, +with sort of illuminating hair, slides off and looks around quick. +And the Boy Avenger sees her, and yells 'Mamma,' and she cries +'O!' and they meet in a clinch, and now the pesky redskins can +come forth from their caves on the plains without fear any more of +the rifle of Roy, the Red Wolf. Mrs. Conyers comes up and thanks +me an' John Tom without the usual extremities you always look for +in a woman. She says just enough, in a way to convince, and there +is no incidental music by the orchestra. I made a few illiterate +requisitions upon the art of conversation, at which the lady +smiles friendly, as if she had known me a week. And then Mr. +Little Bear adorns the atmosphere with the various idioms into +which education can fracture the wind of speech. I could see the +kid's mother didn't quite place John Tom; but it seemed she was +apprised in his dialects, and she played up to his lead in the +science of making three words do the work of one.

+

"That kid introduced us, with some footnotes and explanations that +made things plainer than a week of rhetoric. He danced around, and +punched us in the back, and tried to climb John Tom's leg. 'This +is John Tom, mamma,' says he. 'He's a Indian. He sells medicine in +a red wagon. I shot him, but he wasn't wild. The other one's Jeff. +He's a fakir, too. Come on and see the camp where we live, won't +you, mamma?'

+

"It is plain to see that the life of the woman is in that boy. She +has got him again where her arms can gather him, and that's +enough. She's ready to do anything to please him. She hesitates +the eighth of a second and takes another look at these men. I +imagine she says to herself about John Tom, 'Seems to be a +gentleman, if his hair don't curl.' And Mr. Peters she disposes of +as follows: 'No ladies' man, but a man who knows a lady.'

+

"So we all rambled down to the camp as neighborly as coming from a +wake. And there she inspects the wagon and pats the place with her +hand where the kid used to sleep, and dabs around her eyewinkers +with her handkerchief. And Professor Binkly gives us 'Trovatore' +on one string of the banjo, and is about to slide off into +Hamlet's monologue when one of the horses gets tangled in his rope +and he must go look after him, and says something about 'foiled +again.'

+

"When it got dark me and John Tom walked back up to the Corn +Exchange Hotel, and the four of us had supper there. I think the +trouble started at that supper, for then was when Mr. Little Bear +made an intellectual balloon ascension. I held on to the +tablecloth, and listened to him soar. That redman, if I could +judge, had the gift of information. He took language, and did with +it all a Roman can do with macaroni. His vocal remarks was all +embroidered over with the most scholarly verbs and prefixes. And +his syllables was smooth, and fitted nicely to the joints of his +idea. I thought I'd heard him talk before, but I hadn't. And it +wasn't the size of his words, but the way they come; and 'twasn't +his subjects, for he spoke of common things like cathedrals and +football and poems and catarrh and souls and freight rates and +sculpture. Mrs. Conyers understood his accents, and the elegant +sounds went back and forth between 'em. And now and then Jefferson +D. Peters would intervene a few shop-worn, senseless words to have +the butter passed or another leg of the chicken.

+

"Yes, John Tom Little Bear appeared to be inveigled some in his +bosom about that Mrs. Conyers. She was of the kind that pleases. +She had the good looks and more, I'll tell you. You take one of +these cloak models in a big store. They strike you as being on the +impersonal system. They are adapted for the eye. What they run to +is inches around and complexion, and the art of fanning the +delusion that the sealskin would look just as well on the lady +with the warts and the pocket-book. Now, if one of them models was +off duty, and you took it, and it would say 'Charlie' when you +pressed it, and sit up at the table, why, then you would have +something similar to Mrs. Conyers. I could see how John Tom could +resist any inclination to hate that white squaw.

+

"The lady and the kid stayed at the hotel. In the morning, they +say, they will start for home. Me and Little Bear left at eight +o'clock, and sold Indian Remedy on the courthouse square till +nine. He leaves me and the Professor to drive down to camp, while +he stays up town. I am not enamored with that plan, for it shows +John Tom is uneasy in his composures, and that leads to firewater, +and sometimes to the green corn dance and costs. Not often does +Chief Wish-Heap-Dough get busy with the firewater, but whenever he +does there is heap much doing in the lodges of the palefaces who +wear blue and carry the club.

+

"At half-past nine Professor Binkly is rolled in his quilt snoring +in blank verse, and I am sitting by the fire listening to the +frogs. Mr. Little Bear slides into camp and sits down against a +tree. There is no symptoms of firewater.

+

"'Jeff,' says he, after a long time, 'a little boy came West to +hunt Indians.'

+

"'Well, then?' says I, for I wasn't thinking as he was.

+

"'And he bagged one,' says John Tom, 'and 'twas not with a gun, +and he never had on a velveteen suit of clothes in his life.' And +then I began to catch his smoke.

+

"'I know it,' says I. 'And I'll bet you his pictures are on +valentines, and fool men are his game, red and white.'

+

"'You win on the red,' says John Tom, calm. 'Jeff, for how many +ponies do you think I could buy Mrs. Conyers?'

+

"'Scandalous talk!' I replies. ''Tis not a paleface custom.' John +Tom laughs loud and bites into a cigar. 'No,' he answers; ''tis +the savage equivalent for the dollars of the white man's marriage +settlement. Oh, I know. There's an eternal wall between the races. +If I could do it, Jeff, I'd put a torch to every white college +that a redman has ever set foot inside. Why don't you leave us +alone,' he says, 'to our own ghost-dances and dog-feasts, and our +dingy squaws to cook our grasshopper soup and darn our moccasins?'

+

"'Now, you sure don't mean disrespect to the perennial blossom +entitled education?' says I, scandalized, 'because I wear it in +the bosom of my own intellectual shirt-waist. I've had education,' +says I, 'and never took any harm from it.'

+

"'You lasso us,' goes on Little Bear, not noticing my prose +insertions, 'and teach us what is beautiful in literature and in +life, and how to appreciate what is fine in men and women. What +have you done to me?' says he. 'You've made me a Cherokee Moses. +You've taught me to hate the wigwams and love the white man's +ways. I can look over into the promised land and see Mrs. Conyers, +but my place is—on the reservation.'

+

"Little Bear stands up in his chief's dress, and laughs again. +'But, white man Jeff,' he goes on, 'the paleface provides a +recourse. 'Tis a temporary one, but it gives a respite and the +name of it is whiskey.' And straight off he walks up the path to +town again. 'Now,' says I in my mind, 'may the Manitou move him to +do only bailable things this night!' For I perceive that John Tom +is about to avail himself of the white man's solace.

+

"Maybe it was 10:30, as I sat smoking, when I hear pit-a-pats on +the path, and here comes Mrs. Conyers running, her hair twisted up +any way, and a look on her face that says burglars and mice and +the flour's-all-out rolled in one. 'Oh, Mr. Peters,' she calls +out, as they will, 'oh, oh!' I made a quick think, and I spoke the +gist of it out loud. 'Now,' says I, 'we've been brothers, me and +that Indian, but I'll make a good one of him in two minutes if—'

+

"'No, no,' she says, wild and cracking her knuckles, 'I haven't +seen Mr. Little Bear. 'Tis my—husband. He's stolen my boy. Oh,' +she says, 'just when I had him back in my arms again! That +heartless villain! Every bitterness life knows,' she says, 'he's +made me drink. My poor little lamb, that ought to be warm in his +bed, carried of by that fiend!'

+

"'How did all this happen?' I ask. 'Let's have the facts.'

+

"'I was fixing his bed,' she explains, 'and Roy was playing on the +hotel porch and he drives up to the steps. I heard Roy scream, and +ran out. My husband had him in the buggy then. I begged him for my +child. This is what he gave me.' She turns her face to the light. +There is a crimson streak running across her cheek and mouth. 'He +did that with his whip,' she says.

+

"'Come back to the hotel,' says I, 'and we'll see what can be +done.'

+

"On the way she tells me some of the wherefores. When he slashed +her with the whip he told her he found out she was coming for the +kid, and he was on the same train. Mrs. Conyers had been living +with her brother, and they'd watched the boy always, as her +husband had tried to steal him before. I judge that man was worse +than a street railway promoter. It seems he had spent her money +and slugged her and killed her canary bird, and told it around +that she had cold feet.

+

"At the hotel we found a mass meeting of five infuriated citizens +chewing tobacco and denouncing the outrage. Most of the town was +asleep by ten o'clock. I talks the lady some quiet, and tells her +I will take the one o'clock train for the next town, forty miles +east, for it is likely that the esteemed Mr. Conyers will drive +there to take the cars. 'I don't know,' I tells her, 'but what he +has legal rights; but if I find him I can give him an illegal left +in the eye, and tie him up for a day or two, anyhow, on a +disturbal of the peace proposition.'

+

"Mrs. Conyers goes inside and cries with the landlord's wife, who +is fixing some catnip tea that will make everything all right for +the poor dear. The landlord comes out on the porch, thumbing his +one suspender, and says to me:

+

"'Ain't had so much excitements in town since Bedford Steegall's +wife swallered a spring lizard. I seen him through the winder hit +her with the buggy whip, and everything. What's that suit of +clothes cost you you got on? 'Pears like we'd have some rain, +don't it? Say, doc, that Indian of yorn's on a kind of a whizz +to-night, ain't he? He comes along just before you did, and I told +him about this here occurrence. He gives a cur'us kind of a hoot, +and trotted off. I guess our constable 'll have him in the lock-up +'fore morning.'

+

"I thought I'd sit on the porch and wait for the one o'clock +train. I wasn't feeling saturated with mirth. Here was John Tom on +one of his sprees, and this kidnapping business losing sleep for +me. But then, I'm always having trouble with other people's +troubles. Every few minutes Mrs. Conyers would come out on the +porch and look down the road the way the buggy went, like she +expected to see that kid coming back on a white pony with a red +apple in his hand. Now, wasn't that like a woman? And that brings +up cats. 'I saw a mouse go in this hole,' says Mrs. Cat; 'you can +go prize up a plank over there if you like; I'll watch this hole.'

+

"About a quarter to one o'clock the lady comes out again, +restless, crying easy, as females do for their own amusement, and +she looks down that road again and listens. 'Now, ma'am,' says I, +'there's no use watching cold wheel-tracks. By this time they're +halfway to—' 'Hush,' she says, holding up her hand. And I do hear +something coming 'flip-flap' in the dark; and then there is the +awfulest war-whoop ever heard outside of Madison Square Garden at +a Buffalo Bill matinée. And up the steps and on to the +porch jumps the disrespectable Indian. +The lamp in the hall shines on him, and +I fail to recognize Mr. J. T. Little Bear, alumnus of the class of +'91. What I see is a Cherokee brave, and the warpath is what he +has been travelling. Firewater and other things have got him +going. His buckskin is hanging in strings, and his feathers are +mixed up like a frizzly hen's. The dust of miles is on his +moccasins, and the light in his eye is the kind the aborigines +wear. But in his arms he brings that kid, his eyes half closed, +with his little shoes dangling and one hand fast around the +Indian's collar.

+

"'Pappoose!' says John Tom, and I notice that the flowers of the +white man's syntax have left his tongue. He is the original +proposition in bear's claws and copper color. 'Me bring,' says he, +and he lays the kid in his mother's arms. 'Run fifteen mile,' says +John Tom—'Ugh! Catch white man. Bring pappoose.'

+

"The little woman is in extremities of gladness. She must wake up +that stir-up trouble youngster and hug him and make proclamation +that he is his mamma's own precious treasure. I was about to ask +questions, but I looked at Mr. Little Bear, and my eye caught the +sight of something in his belt. 'Now go to bed, ma'am,' says I, +'and this gadabout youngster likewise, for there's no more danger, +and the kidnapping business is not what it was earlier in the +night.'

+

"I inveigled John Tom down to camp quick, and when he tumbled over +asleep I got that thing out of his belt and disposed of it where +the eye of education can't see it. For even the football colleges +disapprove of the art of scalp-taking in their curriculums.

+

"It is ten o'clock next day when John Tom wakes up and looks +around. I am glad to see the nineteenth century in his eyes again.

+

"'What was it, Jeff?' he asks.

+

"'Heap firewater,' says I.

+

"John Tom frowns, and thinks a little. 'Combined,' says he +directly, 'with the interesting little physiological shake-up +known as reversion to type. I remember now. Have they gone yet?'

+

"'On the 7:30 train,' I answers.

+

"'Ugh!' says John Tom; 'better so. Paleface, bring big Chief +Wish-Heap-Dough a little bromo-seltzer, and then he'll take up the +redman's burden again.'"

+

HELPING THE OTHER FELLOW

+
+

[Originally published in Munsey's +Magazine, December, 1908.]

+
+
+
+

"But can thim that helps others help +thimselves!"—Mulvaney.

+
+
+

This is the story that William Trotter told me on the beach at +Aguas Frescas while I waited for the gig of the captain of the +fruit steamer Andador which was to take me abroad. Reluctantly +I was leaving the Land of Always Afternoon. William was remaining, +and he favored me with a condensed oral autobiography as we sat on +the sands in the shade cast by the Bodega Nacional.

+

As usual, I became aware that the Man from Bombay had already +written the story; but as he had compressed it to an eight-word +sentence, I have become an expansionist, and have quoted his +phrase above, with apologies to him and best regards to +Terence.

+

II

+

"Don't you ever have a desire to go back to the land of derby hats +and starched collars?" I asked him. "You seem to be a handy man +and a man of action," I continued, "and I am sure I could find you +a comfortable job somewhere in the States."

+

Ragged, shiftless, barefooted, a confirmed eater of the lotos, +William Trotter had pleased me much, and I hated to see him +gobbled up by the tropics.

+

"I've no doubt you could," he said, idly splitting the bark from a +section of sugar-cane. "I've no doubt you could do much for me. If +every man could do as much for himself as he can for others, every +country in the world would be holding millenniums instead of +centennials."

+

There seemed to be pabulum in W. T.'s words. And then another idea +came to me.

+

I had a brother in Chicopee Falls who owned manufactories—cotton, +or sugar, or A. A. sheetings, or something in the commercial line. +He was vulgarly rich, and therefore reverenced art. The artistic +temperament of the family was monopolized at my birth. I knew that +Brother James would honor my slightest wish. I would demand from +him a position in cotton, sugar, or sheetings for William +Trotter—something, say, at two hundred a month or thereabouts. I +confided my beliefs and made my large propositions to William. He +had pleased me much, and he was ragged.

+

While we were talking, there was a sound of firing guns—four or +five, rattlingly, as if by a squad. The cheerful noise came from +the direction of the cuartel, which is a kind of makeshift +barracks for the soldiers of the republic.

+

"Hear that?" said William Trotter. "Let me tell you about it.

+

"A year ago I landed on this coast with one solitary dollar. I +have the same sum in my pocket to-day. I was second cook on a +tramp fruiter; and they marooned me here early one morning, +without benefit of clergy, just because I poulticed the face of +the first mate with cheese omelette at dinner. The fellow had +kicked because I'd put horseradish in it instead of cheese.

+

"When they threw me out of the yawl into three feet of surf, I +waded ashore and sat down under a palm-tree. By and by a +fine-looking white man with a red face and white clothes, genteel +as possible, but somewhat under the influence, came and sat down +beside me.

+

"I had noticed there was a kind of a village back of the beach, +and enough scenery to outfit a dozen moving-picture shows. But I +thought, of course, it was a cannibal suburb, and I was wondering +whether I was to be served with carrots or mushrooms. And, as I +say, this dressed-up man sits beside me, and we become friends in +the space of a minute or two. For an hour we talked, and he told +me all about it.

+

"It seems that he was a man of parts, conscientiousness, and +plausibility, besides being educated and a wreck to his appetites. +He told me all about it. Colleges had turned him out, and +distilleries had taken him in. Did I tell you his name? It was +Clifford Wainwright. I didn't exactly catch the cause of his being +cast away on that particular stretch of South America; but I +reckon it was his own business. I asked him if he'd ever been +second cook on a tramp fruiter, and he said no; so that concluded +my line of surmises. But he talked like the encyclopedia from +'A–Berlin' to 'Trilo–Zyria.' And he carried a +watch—a silver arrangement with works, and up to date +within twenty-four hours, anyhow.

+

"'I'm pleased to have met you,' says Wainwright. 'I'm a devotee to +the great joss Booze; but my ruminating facilities are +unrepaired,' says he—or words to that effect. 'And I hate,' says +he, 'to see fools trying to run the world.'

+

"'I never touch a drop,' says I, 'and there are many kinds of +fools; and the world runs on its own apex, according to science, +with no meddling from me.'

+

"'I was referring,' says he, 'to the president of this republic. +His country is in a desperate condition. Its treasury is empty, +it's on the verge of war with Nicamala, and if it wasn't for the +hot weather the people would be starting revolutions in every +town. Here is a nation,' goes on Wainwright, 'on the brink of +destruction. A man of intelligence could rescue it from its +impending doom in one day by issuing the necessary edicts and +orders. President Gomez knows nothing of statesmanship or policy. +Do you know Adam Smith?'

+

"'Lemme see,' says I. 'There was a one-eared man named Smith in +Fort Worth, Texas, but I think his first name was—'

+

"'I am referring to the political economist,' says Wainwright.

+

"'S'mother Smith, then,' says I. 'The one I speak of never was +arrested.'

+

"So Wainwright boils some more with indignation at the +insensibility of people who are not corpulent to fill public +positions; and then he tells me he is going out to the president's +summer palace, which is four miles from Aguas Frescas, to instruct +him in the art of running steam-heated republics.

+

"'Come along with me, Trotter,' says he, 'and I'll show you what +brains can do.'

+

"'Anything in it?' I asks.

+

"'The satisfaction,' says he, 'of redeeming a country of two +hundred thousand population from ruin back to prosperity and +peace.'

+

"'Great,' says I. 'I'll go with you. I'd prefer to eat a live +broiled lobster just now; but give me liberty as second choice if +I can't be in at the death.'

+

"Wainwright and me permeates through the town, and he halts at a +rum-dispensary.

+

"'Have you any money?' he asks.

+

"'I have,' says I, fishing out my silver dollar. 'I always go +about with adequate sums of money.'

+

"'Then we'll drink,' says Wainwright.

+

"'Not me,' says I. 'Not any demon rum or any of its ramifications +for mine. It's one of my non-weaknesses.'

+

"'It's my failing,' says he. 'What's your particular soft point?'

+

"'Industry,' says I, promptly. 'I'm hard-working, diligent, +industrious, and energetic.'

+

"'My dear Mr. Trotter,' says he, 'surely I've known you long +enough to tell you you are a liar. Every man must have his own +particular weakness, and his own particular strength in other +things. Now, you will buy me a drink of rum, and we will call on +President Gomez.'"

+

III

+

"Well, sir," Trotter went on, "we walks the four miles out, +through a virgin conservatory of palms and ferns and other +roof-garden products, to the president's summer White House. It +was blue, and reminded you of what you see on the stage in the +third act, which they describe as 'same as the first' on the +programs.

+

"There was more than fifty people waiting outside the iron fence +that surrounded the house and grounds. There was generals and +agitators and épergnes in gold-laced uniforms, and citizens +in diamonds and Panama hats—all waiting to get an audience with +the Royal Five-Card Draw. And in a kind of a summer-house in front +of the mansion we could see a burnt-sienna man eating breakfast +out of gold dishes and taking his time. I judged that the crowd +outside had come out for their morning orders and requests, and +was afraid to intrude.

+

"But C. Wainwright wasn't. The gate was open, and he walked inside +and up to the president's table as confident as a man who knows +the head waiter in a fifteen-cent restaurant. And I went with him, +because I had only seventy-five cents, and there was nothing else +to do.

+

"The Gomez man rises from his chair, and looks, colored man as he +was, like he was about to call out for corporal of the guard, post +number one. But Wainwright says some phrases to him in a +peculiarly lubricating manner; and the first thing you know we was +all three of us seated at the table, with coffee and rolls and +iguana cutlets coming as fast as about ninety peons could rustle +'em.

+

"And then Wainwright begins to talk; but the president interrupts +him.

+

"'You Yankees,' says he, polite, 'assuredly take the cake for +assurance, I assure you'—or words to that effect. He spoke +English better than you or me. 'You've had a long walk,' says he, +'but it's nicer in the cool morning to walk than to ride. May I +suggest some refreshments?' says he.

+

"'Rum,' says Wainwright.

+

"'Gimme a cigar,' says I.

+

"Well, sir, the two talked an hour, keeping the generals and +equities all in their good uniforms waiting outside the fence. And +while I smoked, silent, I listened to Clifford Wainwright making a +solid republic out of the wreck of one. I didn't follow his +arguments with any special collocation of international +intelligibility; but he had Mr. Gomez's attention glued and +riveted. He takes out a pencil and marks the white linen +tablecloth all over with figures and estimates and deductions. He +speaks more or less disrespectfully of import and export duties +and custom-house receipts and taxes and treaties and budgets and +concessions and such truck that politics and government require; +and when he gets through the Gomez man hops up and shakes his hand +and says he's saved the country and the people.

+

"'You shall be rewarded,' says the president.

+

"'Might I suggest another—rum?' says Wainwright.

+

"'Cigar for me—darker brand,' says I.

+

"Well, sir, the president sent me and Wainwright back to the town +in a victoria hitched to two flea-bitten selling-platers—but the +best the country afforded.

+

"I found out afterward that Wainwright was a regular +beachcomber—the smartest man on the whole coast, but kept down by +rum. I liked him.

+

"One day I inveigled him into a walk out a couple of miles from +the village, where there was an old grass hut on the bank of a +little river. While he was sitting on the grass, talking beautiful +of the wisdom of the world that he had learned in books, I took +hold of him easy and tied his hands and feet together with leather +thongs that I had in my pocket.

+

"'Lie still,' says I, 'and meditate on the exigencies and +irregularities of life till I get back.'

+

"I went to a shack in Aguas Frescas where a mighty wise girl named +Timotea Carrizo lived with her mother. The girl was just about as +nice as you ever saw. In the States she would have been called a +brunette; but she was better than a brunette—I should say she was +what you might term an écru shade. I knew her pretty well. I +told her about my friend Wainwright. She gave me a double handful of +bark—calisaya, I think it was—and some more herbs that I was to +mix with it, and told me what to do. I was to make tea of it and +give it to him, and keep him from rum for a certain time. And for +two weeks I did it. You know, I liked Wainwright. Both of us was +broke; but Timotea sent us goat-meat and plantains and tortillas +every day; and at last I got the curse of drink lifted from +Clifford Wainwright. He lost his taste for it. And in the cool of +the evening him and me would sit on the roof of Timotea's mother's +hut, eating harmless truck like coffee and rice and stewed crabs, +and playing the accordion.

+

"About that time President Gomez found out that the advice of C. +Wainwright was the stuff he had been looking for. The country was +pulling out of debt, and the treasury had enough boodle in it for +him to amuse himself occasionally with the night-latch. The people +were beginning to take their two-hour siestas again every +day—which was the surest sign of prosperity.

+

"So down from the regular capital he sends for Clifford Wainwright +and makes him his private secretary at twenty thousand Peru +dollars a year. Yes, sir—so much. Wainwright was on the +water-wagon—thanks to me and Timotea—and he was soon in clover +with the government gang. Don't forget what done it—calisaya bark +with them other herbs mixed—make a tea of it, and give a cupful +every two hours. Try it yourself. It takes away the desire.

+

"As I said, a man can do a lot more for another party than he can +for himself. Wainwright, with his brains, got a whole country out +of trouble and on its feet; but what could he do for himself? And +without any special brains, but with some nerve and common sense, +I put him on his feet because I never had the weakness that he +did—nothing but a cigar for mine, thanks. And—"

+

Trotter paused. I looked at his tattered clothes and at his deeply +sunburnt, hard, thoughtful face.

+

"Didn't Cartright ever offer to do anything for you?" I asked.

+

"Wainwright," corrected Trotter. "Yes, he offered me some pretty +good jobs. But I'd have had to leave Aguas Frescas; so I didn't +take any of 'em up. Say, I didn't tell you much about that +girl—Timotea. We rather hit it off together. She was as good as +you find 'em anywhere—Spanish, mostly, with just a twist of +lemon-peel on top. What if they did live in a grass hut and went +bare-armed?

+

"A month ago," went on Trotter, "she went away. I don't know where +to. But—"

+

"You'd better come back to the States," I insisted. "I can promise +you positively that my brother will give you a position in cotton, +sugar, or sheetings—I am not certain which."

+

"I think she went back with her mother," said Trotter, "to the +village in the mountains that they come from. Tell me, what would +this job you speak of pay?"

+

"Why," said I, hesitating over commerce, "I should say fifty or a +hundred dollars a month—maybe two hundred."

+

"Ain't it funny," said Trotter, digging his toes in the sand, +"what a chump a man is when it comes to paddling his own canoe? I +don't know. Of course, I'm not making a living here. I'm on the +bum. But—well, I wish you could have seen that Timotea. Every man +has his own weak spot."

+

The gig from the Andador was coming ashore to take out +the captain, purser, and myself, the lone passenger.

+

"I'll guarantee," said I confidently, "that my brother will pay +you seventy-five dollars a month."

+

"All right, then," said William Trotter. "I'll—"

+

But a soft voice called across the blazing sands. A girl, faintly +lemon-tinted, stood in the Calle Real and called. She was +bare-armed—but what of that?

+

"It's her!" said William Trotter, looking. "She's come back! I'm +obliged; but I can't take the job. Thanks, just the same. Ain't it +funny how we can't do nothing for ourselves, but we can do wonders +for the other fellow? You was about to get me with your financial +proposition; but we've all got our weak points. Timotea's mine. +And, say!" Trotter had turned to leave, but he retraced the step +or two that he had taken. "I like to have left you without saying +good-bye," said he. "It kind of rattles you when they go away +unexpected for a month and come back the same way. Shake hands. So +long! Say, do you remember them gunshots we heard a while ago up +at the cuartel? Well, I knew what they was, but I didn't mention +it. It was Clifford Wainwright being shot by a squad of soldiers +against a stone wall for giving away secrets of state to that +Nicamala republic. Oh, yes, it was rum that did it. He backslided +and got his. I guess we all have our weak points, and can't do +much toward helping ourselves. Mine's waiting for me. I'd have +liked to have that job with your brother, but—we've all got our +weak points. So long!"

+

IV

+

A big black Carib carried me on his back through the surf to the +ship's boat. On the way the purser handed me a letter that he had +brought for me at the last moment from the post-office in Aguas +Frescas. It was from my brother. He requested me to meet him at +the St. Charles Hotel in New Orleans and accept a position with +his house—in either cotton, sugar, or sheetings, and with five +thousand dollars a year as my salary.

+

When I arrived at the Crescent City I hurried away—far away from +the St. Charles to a dim chambre garnie in Bienville Street. +And there, looking down from my attic window from time to time at +the old, yellow, absinthe house across the street, I wrote this +story to buy my bread and butter.

+

"Can thim that helps others help thimselves?"

+

THE MARIONETTES

+
+

[Originally published in The Black +Cat for April, 1902, The Short Story Publishing +Co.]

+
+

The policeman was standing at the corner of Twenty-fourth Street +and a prodigiously dark alley near where the elevated railroad +crosses the street. The time was two o'clock in the morning; the +outlook a stretch of cold, drizzling, unsociable blackness until +the dawn.

+

A man, wearing a long overcoat, with his hat tilted down in front, +and carrying something in one hand, walked softly but rapidly out +of the black alley. The policeman accosted him civilly, but with +the assured air that is linked with conscious authority. The hour, +the alley's musty reputation, the pedestrian's haste, the burden +he carried—these easily combined into the "suspicious +circumstances" that required illumination at the officer's hands.

+

The "suspect" halted readily and tilted back his hat, exposing, in +the flicker of the electric lights, an emotionless, smooth +countenance with a rather long nose and steady dark eyes. +Thrusting his gloved hand into a side pocket of his overcoat, he +drew out a card and handed it to the policeman. Holding it to +catch the uncertain light, the officer read the name "Charles +Spencer James, M. D." The street and number of the address were of +a neighborhood so solid and respectable as to subdue even +curiosity. The policeman's downward glance at the article carried +in the doctor's hand—a handsome medicine case of black leather, +with small silver mountings—further endorsed the guarantee of the +card.

+

"All right, doctor," said the officer, stepping aside, with an air +of bulky affability. "Orders are to be extra careful. Good many +burglars and hold-ups lately. Bad night to be out. Not so cold, +but—clammy."

+

With a formal inclination of his head, and a word or two +corroborative of the officer's estimate of the weather, Doctor +James continued his somewhat rapid progress. Three times that +night had a patrolman accepted his professional card and the sight +of his paragon of a medicine case as vouchers for his honesty of +person and purpose. Had any one of those officers seen fit, on the +morrow, to test the evidence of that card he would have found it +borne out by the doctor's name on a handsome doorplate, his +presence, calm and well dressed, in his well-equipped +office—provided it were not too early, Doctor James being a late +riser—and the testimony of the neighborhood to his good +citizenship, his devotion to his family, and his success as a +practitioner the two years he had lived among them.

+

Therefore, it would have much surprised any one of those zealous +guardians of the peace could they have taken a peep into that +immaculate medicine case. Upon opening it, the first article to be +seen would have been an elegant set of the latest conceived tools +used by the "box man," as the ingenious safe burglar now +denominates himself. Specially designed and constructed were the +implements—the short but powerful "jimmy," the collection of +curiously fashioned keys, the blued drills and punches of the +finest temper—capable of eating their way into chilled steel as a +mouse eats into a cheese, and the clamps that fasten like a leech +to the polished door of a safe and pull out the combination knob +as a dentist extracts a tooth. In a little pouch in the inner side +of the "medicine" case was a four-ounce vial of nitroglycerine, +now half empty. Underneath the tools was a mass of crumpled +banknotes and a few handfuls of gold coin, the money, altogether, +amounting to eight hundred and thirty dollars.

+

To a very limited circle of friends Doctor James was known as "The +Swell 'Greek.'" Half of the mysterious term was a tribute to his +cool and gentlemanlike manners; the other half denoted, in the +argot of the brotherhood, the leader, the planner, the one who, by +the power and prestige of his address and position, secured the +information upon which they based their plans and desperate +enterprises.

+

Of this elect circle the other members were Skitsie Morgan and Gum +Decker, expert "box men," and Leopold Pretzfelder, a jeweller +downtown, who manipulated the "sparklers" and other ornaments +collected by the working trio. All good and loyal men, as +loose-tongued as Memnon and as fickle as the North Star.

+

That night's work had not been considered by the firm to have +yielded more than a moderate repayal for their pains. An old-style +two-story side-bolt safe in the dingy office of a very wealthy +old-style dry-goods firm on a Saturday night should have excreted +more than twenty-five hundred dollars. But that was all they +found, and they had divided it, the three of them, into equal +shares upon the spot, as was their custom. Ten or twelve thousand +was what they expected. But one of the proprietors had proved to +be just a trifle too old-style. Just after dark he had carried +home in a shirt box most of the funds on hand.

+

Doctor James proceeded up Twenty-fourth Street, which was, to all +appearance, depopulated. Even the theatrical folk, who affect this +district as a place of residence, were long since abed. The +drizzle had accumulated upon the street; puddles of it among the +stones received the fire of the arc lights, and returned it, +shattered into a myriad liquid spangles. A captious wind, +shower-soaked and chilling, coughed from the laryngeal flues +between the houses.

+

As the practitioner's foot struck even with the corner of a tall +brick residence of more pretension than its fellows the front door +popped open, and a bawling negress clattered down the steps to the +pavement. Some medley of words came from her mouth, addressed, +like as not, to herself—the recourse of her race when alone and +beset by evil. She looked to be one of that old vassal class of +the South—voluble, familiar, loyal, irrepressible; her person +pictured it—fat, neat, aproned, kerchiefed.

+

This sudden apparition, spewed from the silent house, reached the +bottom of the steps as Doctor James came opposite. Her brain +transferring its energies from sound to sight, she ceased her +clamor and fixed her pop-eyes upon the case the doctor carried.

+

"Bress de Lawd!" was the benison the sight drew from her. "Is you +a doctor, suh?"

+

"Yes, I am a physician," said Doctor James, pausing.

+

"Den fo' God's sake come and see Mister Chandler, suh. He done had +a fit or sump'n. He layin' jist like he wuz dead. Miss Amy sont me +to git a doctor. Lawd knows whar old Cindy'd a skeared one up +from, if you, suh, hadn't come along. Ef old Mars' knowed one +ten-hundredth part of dese doin's dey'd be shootin' gwine on, +suh—pistol shootin'—leb'm feet marked off on de ground, and +ev'ybody a-duellin'. And dat po' lamb, Miss Amy—"

+

"Lead the way," said Doctor James, setting his foot upon the step, +"if you want me as a doctor. As an auditor I'm not open to +engagements."

+

The negress preceded him into the house and up a flight of thickly +carpeted stairs. Twice they came to dimly lighted branching +hallways. At the second one the now panting conductress turned +down a hall, stopping at a door and opening it.

+

"I done brought de doctor, Miss Amy."

+

Doctor James entered the room, and bowed slightly to a young lady +standing by the side of a bed. He set his medicine case upon a +chair, removed his overcoat, throwing it over the case and the +back of the chair, and advanced with quiet self-possession to the +bedside.

+

There lay a man, sprawling as he had fallen—a man dressed richly +in the prevailing mode, with only his shoe removed; lying relaxed, +and as still as the dead.

+

There emanated from Doctor James an aura of calm force and reserve +strength that was as manna in the desert to the weak and desolate +among his patrons. Always had women, especially, been attracted by +something in his sick-room manner. It was not the indulgent +suavity of the fashionable healer, but a manner of poise, of +sureness, of ability to overcome fate, of deference and protection +and devotion. There was an exploring magnetism in his steadfast, +luminous brown eves; a latent authority in the impassive, even +priestly, tranquillity of his smooth countenance that outwardly +fitted him for the part of confidant and consoler. Sometimes, at +his first professional visit, women would tell him where they hid +their diamonds at night from the burglars.

+

With the ease of much practice, Doctor James's unroving eyes +estimated the order and quality of the room's furnishings. The +appointments were rich and costly. The same glance had secured +cognizance of the lady's appearance. She was small and scarcely +past twenty. Her face possessed the title to a winsome prettiness, +now obscured by (you would say) rather a fixed melancholy than the +more violent imprint of a sudden sorrow. Upon her forehead, above +one eyebrow, was a livid bruise, suffered, the physician's eye +told him, within the past six hours.

+

Doctor James's fingers went to the man's wrist. His almost vocal +eyes questioned the lady.

+

"I am Mrs. Chandler," she responded, speaking with the plaintive +Southern slur and intonation. "My husband was taken suddenly ill +about ten minutes before you came. He has had attacks of heart +trouble before—some of them were very bad." His clothed state and +the late hour seemed to prompt her to further explanation. "He had +been out late; to—a supper, I believe."

+

Doctor James now turned his attention to his patient. In whichever +of his "professions" he happened to be engaged he was wont to +honor the "case" or the "job" with his whole interest.

+

The sick man appeared to be about thirty. His countenance bore a +look of boldness and dissipation, but was not without a symmetry +of feature and the fine lines drawn by a taste and indulgence in +humor that gave the redeeming touch. There was an odor of spilled +wine about his clothes.

+

The physician laid back his outer garments, and then, with a +penknife, slit the shirt-front from collar to waist. The obstacles +cleared, he laid his ear to the heart and listened intently.

+

"Mitral regurgitation?" he said, softly, when he rose. The words +ended with the rising inflection of uncertainty. Again he listened +long; and this time he said, "Mitral insufficiency," with the +accent of an assured diagnosis.

+

"Madam," he began, in the reassuring tones that had so often +allayed anxiety, "there is a probability—" As he slowly turned +his head to face the lady, he saw her fall, white and swooning, +into the arms of the old negress.

+

"Po' lamb! po' lamb! Has dey done killed Aunt Cindy's own blessed +child? May de Lawd' stroy wid his wrath dem what stole her away; +what break dat angel heart; what left—"

+

"Lift her feet," said Doctor James, assisting to support the +drooping form. "Where is her room? She must be put to bed."

+

"In here, suh." The woman nodded her kerchiefed head toward a +door. "Dat's Miss Amy's room."

+

They carried her in there, and laid her on the bed. Her pulse was +faint, but regular. She passed from the swoon, without recovering +consciousness, into a profound slumber.

+

"She is quite exhausted," said the physician. "Sleep is a good +remedy. When she wakes, give her a toddy—with an egg in it, if +she can take it. How did she get that bruise upon her forehead?"

+

"She done got a lick there, suh. De po' lamb fell—No, suh"—the +old woman's racial mutability swept her into a sudden flare of +indignation—"old Cindy ain't gwineter lie for dat debble. He +done it, suh. May de Lawd wither de hand what—dar now! Cindy +promise her sweet lamb she ain't gwine tell. Miss Amy got hurt, +suh, on de head."

+

Doctor James stepped to a stand where a handsome lamp burned, and +turned the flame low.

+

"Stay here with your mistress," he ordered, "and keep quiet so she +will sleep. If she wakes, give her the toddy. If she grows any +weaker, let me know. There is something strange about it."

+

"Dar's mo' strange t'ings dan dat 'round here," began the negress, +but the physician hushed her in a seldom employed peremptory, +concentrated voice with which he had often allayed hysteria +itself. He returned to the other room, closing the door softly +behind him. The man on the bed had not moved, but his eyes were +open. His lips seemed to form words. Doctor James bent his head to +listen. "The money! the money!" was what they were whispering.

+

"Can you understand what I say?" asked the doctor, speaking low, +but distinctly.

+

The head nodded slightly.

+

"I am a physician, sent for by your wife. You are Mr. Chandler, I +am told. You are quite ill. You must not excite or distress +yourself at all."

+

The patient's eyes seemed to beckon to him. The doctor stooped to +catch the same faint words.

+

"The money—the twenty thousand dollars."

+

"Where is this money?—in the bank?"

+

The eyes expressed a negative. "Tell her"—the whisper was growing +fainter—"the twenty thousand dollars—her money"—his eyes +wandered about the room.

+

"You have placed this money somewhere?"—Doctor James's voice was +toiling like a siren's to conjure the secret from the man's +failing intelligence—"Is it in this room?"

+

He thought he saw a fluttering assent in the dimming eyes. The +pulse under his fingers was as fine and small as a silk thread.

+

There arose in Doctor James's brain and heart the instincts of his +other profession. Promptly, as he acted in everything, he decided +to learn the whereabouts of this money, and at the calculated and +certain cost of a human life.

+

Drawing from his pocket a little pad of prescription blanks, he +scribbled upon one of them a formula suited, according to the best +practice, to the needs of the sufferer. Going to the door of the +inner room, he softly called the old woman, gave her the +prescription, and bade her take it to some drug store and fetch +the medicine.

+

When she had gone, muttering to herself, the doctor stepped to the +bedside of the lady. She still slept soundly; her pulse was a +little stronger; her forehead was cool, save where the +inflammation of the bruise extended, and a slight moisture covered +it. Unless disturbed, she would yet sleep for hours. He found the +key in the door, and locked it after him when he returned.

+

Doctor James looked at his watch. He could call half an hour his +own, since before that time the old woman could scarcely return +from her mission. Then he sought and found water in a pitcher and +a glass tumbler. Opening his medicine case he took out the vial +containing the nitroglycerine—"the oil," as his brethren of the +brace-and-bit term it.

+

One drop of the faint yellow, thickish liquid he let fall in the +tumbler. He took out his silver hypodermic syringe case, and +screwed the needle into its place, Carefully measuring each +modicum of water in the graduated glass barrel of the syringe, he +diluted the one drop with nearly half a tumbler of water.

+

Two hours earlier that night Doctor James had, with that syringe, +injected the undiluted liquid into a hole drilled in the lock of a +safe, and had destroyed, with one dull explosion, the machinery +that controlled the movement of the bolts. He now purposed, with +the same means, to shiver the prime machinery of a human being—to +rend its heart—and each shock was for the sake of the money to +follow.

+

The same means, but in a different guise. Whereas, that was the +giant in its rude, primary dynamic strength, this was the +courtier, whose no less deadly arms were concealed by velvet and +lace. For the liquid in the tumbler and in the syringe that the +physician carefully filled was now a solution of glonoin, the most +powerful heart stimulant known to medical science. Two ounces had +riven the solid door of the iron safe; with one fiftieth part of a +minim he was now about to still forever the intricate mechanism of +a human life.

+

But not immediately. It was not so intended. First there would be +a quick increase of vitality; a powerful impetus given to every +organ and faculty. The heart would respond bravely to the fatal +spur; the blood in the veins return more rapidly to its source.

+

But, as Doctor James well knew, over-stimulation in this form of +heart disease means death, as sure as by a rifle shot. When the +clogged arteries should suffer congestion from the increased flow +of blood pumped into them by the power of the burglar's "oil," +they would rapidly become "no thoroughfare," and the fountain of +life would cease to flow.

+

The physician bared the chest of the unconscious Chandler. Easily +and skilfully he injected, subcutaneously, the contents of the +syringe into the muscles of the region over the heart. True to his +neat habits in both professions, he next carefully dried his +needle and re-inserted the fine wire that threaded it when not in +use.

+

In three minutes Chandler opened his eyes, and spoke, in a voice +faint but audible, inquiring who attended upon him. Doctor James +again explained his presence there.

+

"Where is my wife?" asked the patient.

+

"She is asleep—from exhaustion and worry," said the doctor. "I +would not awaken her, unless—"

+

"It isn't—necessary." Chandler spoke with spaces between his +words caused by his short breath that some demon was driving too +fast. "She wouldn't—thank you to disturb her—on my—account."

+

Doctor James drew a chair to the bedside. Conversation must not be +squandered.

+

"A few minutes ago," he began, in the grave, candid tones of his +other profession, "you were trying to tell me something regarding +some money. I do not seek your confidence, but it is my duty to +advise you that anxiety and worry will work against your recovery. +If you have any communication to make about this—to relieve your +mind about this—twenty thousand dollars, I think was the amount +you mentioned—you would better do so."

+

Chandler could not turn his head, but he rolled his eyes in the +direction of the speaker.

+

"Did I—say where this—money is?"

+

"No," answered the physician. "I only inferred, from your scarcely +intelligible words, that you felt a solicitude concerning its +safety. If it is in this room—"

+

Doctor James paused. Did he only seem to perceive a flicker of +understanding, a gleam of suspicion upon the ironical features of +his patient? Had he seemed too eager? Had he said too much? +Chandler's next words restored his confidence.

+

"Where—should it be," he gasped, "but in—the safe—there?"

+

With his eyes he indicated a corner of the room, where now, for +the first time, the doctor perceived a small iron safe, +half-concealed by the trailing end of a window curtain.

+

Rising, he took the sick man's wrist. His pulse was beating in +great throbs, with ominous intervals between.

+

"Lift your arm," said Doctor James.

+

"You know—I can't move, Doctor."

+

The physician stepped swiftly to the hall door, opened it, and +listened. All was still. Without further circumvention he went to +the safe, and examined it. Of a primitive make and simple design, +it afforded little more security than protection against +light-fingered servants. To his skill it was a mere toy, a thing +of straw and paste-board. The money was as good as in his hands. +With his clamps he could draw the knob, punch the tumblers and +open the door in two minutes. Perhaps, in another way, he might +open it in one.

+

Kneeling upon the floor, he laid his ear to the combination plate, +and slowly turned the knob. As he had surmised, it was locked at +only a "day com."—upon one number. His keen ear caught the faint +warning click as the tumbler was disturbed; he used the clue—the +handle turned. He swung the door wide open.

+

The interior of the safe was bare—not even a scrap of paper +rested within the hollow iron cube.

+

Doctor James rose to his feet and walked back to the bed.

+

A thick dew had formed upon the dying man's brow, but there was a +mocking, grim smile on his lips and in his eyes.

+

"I never—saw it before," he said, painfully, "medicine +and—burglary wedded! Do you—make the—combination pay—dear +Doctor?"

+

Than that situation afforded, there was never a more rigorous test +of Doctor James's greatness. Trapped by the diabolic humor of his +victim into a position both ridiculous and unsafe, he maintained +his dignity as well as his presence of mind. Taking out his watch, +he waited for the man to die.

+

"You were—just a shade—too—anxious—about that money. But it +never was—in any danger—from you, dear Doctor. It's safe. +Perfectly safe. It's all—in the hands—of the bookmakers. +Twenty—thousand—Amy's money. I played it at the races—lost +every—cent of it. I've been a pretty bad boy, Burglar—excuse +me—Doctor, but I've been a square sport. I don't think—I ever +met—such an—eighteen-carat rascal as you are, Doctor—excuse +me—Burglar, in all my rounds. Is it contrary—to the ethics—of +your—gang, Burglar, to give a victim—excuse me—patient, a drink +of water?"

+

Doctor James brought him a drink. He could scarcely swallow it. +The reaction from the powerful drug was coming in regular, +intensifying waves. But his moribund fancy must have one more +grating fling.

+

"Gambler—drunkard—spendthrift—I've been those, but—a +doctor-burglar!"

+

The physician indulged himself to but one reply to the other's +caustic taunts. Bending low to catch Chandler's fast crystallizing +gaze, he pointed to the sleeping lady's door with a gesture so +stern and significant that the prostrate man half-lifted his head, +with his remaining strength, to see. He saw nothing; but he caught +the cold words of the doctor—the last sounds hie was to hear:

+

"I never yet—struck a woman."

+

It were vain to attempt to con such men. There is no curriculum +that can reckon with them in its ken. They +are offshoots from the types whereof men say, "He will do this," +or "He will do that." We only know that they exist; and that we +can observe them, and tell one another of their bare performances, +as children watch and speak of the marionettes.

+

Yet it were a droll study in egoism to consider these two—one an +assassin and a robber, standing above his victim; the other baser +in his offences, if a lesser law-breaker, lying, abhorred, in the +house of the wife he had persecuted, spoiled, and smitten, one a +tiger, the other a dog-wolf—to consider each of them sickening at +the foulness of the other; and each flourishing out of the mire of +his manifest guilt his own immaculate standard—of conduct, if not +of honor.

+

The one retort of Doctor James must have struck home to the +other's remaining shreds of shame and manhood, for it proved the +coup de grâce. A deep blush suffused his face—an +ignominious rosa mortis; the respiration ceased, and, with +scarcely a tremor, Chandler expired.

+

Close following upon his last breath came the negress, bringing +the medicine. With a hand gently pressing upon the closed eyelids, +Doctor James told her of the end. Not grief, but a hereditary +rapprochement with death in the abstract, moved her to a dismal, +watery snuffling, accompanied by her usual jeremiad.

+

"Dar now! It's in de Lawd's hands. He am de jedge ob de +transgressor, and de suppo't of dem in distress. He gwine hab +suppo't us now. Cindy done paid out de last quarter fer dis bottle +of physic, and it nebber come to no use."

+

"Do I understand," asked Doctor James, "that Mrs. Chandler has no +money?"

+

"Money, suh? You know what make Miss Amy fall down and so weak? +Stahvation, sub. Nothin' to eat in dis house but some crumbly +crackers in three days. Dat angel sell her finger rings and watch +mont's ago. Dis fine house, suh, wid de red cyarpets and shiny +bureaus, it's all hired; and de man talkin' scan'lous about de +rent. Dat debble—'scuse me, Lawd—he done in Yo' hands fer +jedgment, now—he made way wid everything."

+

The physician's silence encouraged her to continue. The history +that he gleaned from Cindy's disordered monologue was an old one, +of illusion, wilfulness, disaster, cruelty and pride. Standing out +from the blurred panorama of her gabble were little clear +pictures—an ideal home in the far South; a quickly repented +marriage; an unhappy season, full of wrongs and abuse, and, of +late, an inheritance of money that promised deliverance; its +seizure and waste by the dog-wolf during a two months' absence, +and his return in the midst of a scandalous carouse. Unobtruded, +but visible between every line, ran a pure white thread through +the smudged warp of the story—the simple, all-enduring, sublime +love of the old negress, following her mistress unswervingly +through everything to the end.

+

When at last she paused, the physician spoke, asking if the house +contained whiskey or liquor of any sort. There was, the old woman +informed him, half a bottle of brandy left in the sideboard by the +dog-wolf.

+

"Prepare a toddy as I told you," said Doctor James. "Wake your +mistress; have her drink it, and tell her what has happened."

+

Some ten minutes afterward, Mrs. Chandler entered, supported by +old Cindy's arm. She appeared to be a little stronger since her +sleep and the stimulant she had taken. Doctor James had covered, +with a sheet, the form upon the bed.

+

The lady turned her mournful eyes once, with a half-frightened +look, toward it, and pressed closer to her loyal protector. Her +eyes were dry and bright. Sorrow seemed to have done its utmost +with her. The fount of tears was dried; feeling itself paralyzed.

+

Doctor James was standing near the table, his overcoat donned, his +hat and medicine case in his hand. His face was calm and +impassive—practice had inured him to the sight of human +suffering. His lambent brown eyes alone expressed a discreet +professional sympathy.

+

He spoke kindly and briefly, stating that, as the hour was late, +and assistance, no doubt, difficult to procure, he would himself +send the proper persons to attend to the necessary finalities.

+

"One matter, in conclusion," said the doctor, pointing to the safe +with its still wide-open door. "Your husband, Mrs. Chandler, +toward the end, felt that he could not live; and directed me to +open that safe, giving me the number upon which the combination is +set. In case you may need to use it, you will remember that the +number is forty-one. Turn several times to the right; then to the +left once; stop at forty-one. He would not permit me to waken you, +though he knew the end was near.

+

"In that safe he said he had placed a sum of money—not large—but +enough to enable you to carry out his last request. That was that +you should return to your old home, and, in after days, when time +shall have made it easier, forgive his many sins against you."

+

He pointed to the table, where lay an orderly pile of banknotes, +surmounted by two stacks of gold coins.

+

"The money is there—as he described it—eight hundred and thirty +dollars. I beg to leave my card with you, in case I can be of any +service later on."

+

So, he had thought of her—and kindly—at the last! So late! And +yet the lie fanned into life one last spark of tenderness where +she had thought all was turned to ashes and dust. She cried aloud +"Rob! Rob!" She turned, and, upon the ready bosom of her true +servitor, diluted her grief in relieving tears. It is well to +think, also, that in the years to follow, the murderer's falsehood +shone like a little star above the grave of love, comforting her, +and gaining the forgiveness that is good in itself, whether asked +for or no.

+

Hushed and soothed upon the dark bosom, like a child, by a +crooning, babbling sympathy, at last she raised her head—but the +doctor was gone.

+

THE MARQUIS AND MISS SALLY

+
+

[Originally published in Everybody's +Magazine, June 1903.]

+
+

Without knowing it, Old Bill Bascom had the honor of being +overtaken by fate the same day with the Marquis of Borodale.

+

The Marquis lived in Regent Square, London. Old Bill lived on +Limping Doe Creek, Hardeman County, Texas. The cataclysm that +engulfed the Marquis took the form of a bursting bubble known as +the Central and South American Mahogany and Caoutchouc Monopoly. +Old Bill's Nemesis was in the no less perilous shape of a band of +civilized Indian cattle thieves from the Territory who ran off his +entire herd of four hundred head, and shot old Bill dead as he +trailed after them. To even up the consequences of the two +catastrophes, the Marquis, as soon as he found that all he +possessed would pay only fifteen shillings on the pound of his +indebtedness, shot himself.

+

Old Bill left a family of six motherless sons and daughters, who +found themselves without even a red steer left to eat, or a red +cent to buy one with.

+

The Marquis left one son, a young man, who had come to the States +and established a large and well-stocked ranch in the Panhandle of +Texas. When this young man learned the news he mounted his pony +and rode to town. There he placed everything he owned except his +horse, saddle, Winchester, and fifteen dollars in his pockets, in +the hands of his lawyers, with instructions to sell and forward +the proceeds to London to be applied upon the payment of his +father's debts. Then he mounted his pony and rode southward.

+

One day, arriving about the same time, but by different trails, +two young chaps rode up to the Diamond-Cross ranch, on the Little +Piedra, and asked for work. Both were dressed neatly and sprucely +in cowboy costume. One was a straight-set fellow, with delicate, +handsome features, short, brown hair, and smooth face, sunburned +to a golden brown. The other applicant was stouter and +broad-shouldered, with fresh, red complexion, somewhat freckled, +reddish, curling hair, and a rather plain face, made attractive by +laughing eyes and a pleasant mouth.

+

The superintendent of the Diamond-Cross was of the opinion that he +could give them work. In fact, word had reached him that morning +that the camp cook—a most important member of the outfit—had +straddled his broncho and departed, being unable to withstand the +fire of fun and practical jokes of which he was, ex officio, the +legitimate target.

+

"Can either of you cook?" asked the superintendent.

+

"I can," said the reddish-haired fellow, promptly. "I've cooked in +camp quite a lot. I'm willing to take the job until you've got +something else to offer."

+

"Now, that's the way I like to hear a man talk," said the +superintendent, approvingly. "I'll give you a note to Saunders, +and he'll put you to work."

+

Thus the names of John Bascom and Charles Norwood were added to +the pay-roll of the Diamond-Cross. The two left for the round-up +camp immediately after dinner. Their directions were simple, but +sufficient: "Keep down the arroyo for fifteen miles till you get +there." Both being strangers from afar, young, spirited, and thus +thrown together by chance for a long ride, it is likely that the +comradeship that afterward existed so strongly between them began +that afternoon as they meandered along the little valley of the +Canada Verda.

+

They reached their destination just after sunset. The main camp of +the round-up was comfortably located on the bank of a long +water-hole, under a fine mott of timber. A number of small A tents +pitched upon grassy spots and the big wall tent for provisions +showed that the camp was intended to be occupied for a +considerable length of time.

+

The round-up had ridden in but a few moments before, hungry and +tired, to a supperless camp. The boys were engaged in an emulous +display of anathemas supposed to fit the case of the absconding +cook. While they were unsaddling and hobbling their ponies, the +newcomer rode in and inquired for Pink Saunders. The boss ol the +round-up came forth and was given the superintendent's note.

+

Pink Saunders, though a boss during working hours, was a humorist +in camp, where everybody, from cook to superintendent, is equal. +After reading the note he waved his hand toward the camp and +shouted, ceremoniously, at the top of his voice, "Gentlemen, allow +me to present to you the Marquis and Miss Sally."

+

At the words both the new arrivals betray confusion. The newly +employed cook started, with a surprised look on his face, but, +immediately recollecting that "Miss Sally" is the generic name for +the male cook in every west Texas cow camp, he recovered his +composure with a grin at his own expense.

+

His companion showed little less discomposure, even turning +angrily, with a bitten lip, and reaching for his saddle pommel, as +if to remount his pony; but "Miss Sally" touched his arm and said, +laughingly, "Come now. Marquis; that was quite a compliment from +Saunders. It's that distinguished air of yours and aristocratic +nose that made him call you that."

+

He began to unsaddle, and the Marquis, restored to equanimity, +followed his example. Rolling up his sleeves, Miss Sally sprang +for the grub wagon, shouting: "I'm the new cook b'thunder! Some of +you chaps rustle a little wood for a fire, and I'll guarantee you +a hot square meal inside of thirty minutes." Miss Sally's energy +and good-humor, as he ransacked the grub wagon for coffee, flour, +and bacon, won the good opinion of the camp instantly.

+

And also, in days following, the Marquis, after becoming better +acquainted, proved to be a cheerful, pleasant fellow, always a +little reserved, and taking no part in the rough camp frolics; but +the boys gradually came to respect this reserve—which fitted the +title Saunders had given him—and even to like him for it. +Saunders had assigned him to a place holding the herd during the +cuttings. He proved to be a skilful rider and as good with the +lariat or in the branding pen as most of them.

+

The Marquis and Miss Sally grew to be quite close comrades. After +supper was over, and everything cleaned up, you would generally +find them together, Miss Sally smoking his brier-root pipe, and +the Marquis plaiting a quirt or scraping rawhide for a new pair of +hobbles.

+

The superintendent did not forget his promise to keep an eye on +the cook. Several times, when visiting the camp, he held long +talks with him. He seemed to have taken a fancy to Miss Sally. One +afternoon he rode up, on his way back to the ranch from a tour of +the camps, and said to him:

+

"There'll be a man here in the morning to take your place. As soon +as he shows up you come to the ranch. I want you to take charge of +the ranch accounts and correspondence. I want somebody that I can +depend upon to keep things straight when I'm away. The wages'll be +all right. The Diamond-Cross'll hold its end up with a man who'll +look after its interests."

+

"All right," said Miss Sally, as quietly as if he had expected the +notice all along. "Any objections to my bringing my wife down to +the ranch?"

+

"You married?" said the superintendent, frowning a little. "You +didn't mention it when we were talking."

+

"Because I'm not," said the cook. "But I'd like to be. Thought I'd +wait till I got a job under roof. I couldn't ask her to live in a +cow camp."

+

"Right," agreed the superintendent. "A camp isn't quite the place +for a married man—but—well, there's plenty of room at the house, +and if you suit us as well as I think you will you can afford it. +You write to her to come on."

+

"All right," said Miss Sally again, "I'll ride in as soon as I am +relieved to-morrow."

+

It was a rather chilly night, and after supper the cow-punchers +were lounging about a big fire of dried mesquite chunks.

+

Their usual exchange of jokes and repartee had dwindled almost to +silence, but silence in a cow camp generally betokens the brewing +of mischief.

+

Miss Sally and the Marquis were seated upon a log, discussing the +relative merits of the lengthened or shortened stirrup in +long-distance riding. The Marquis arose presently and went to a +tree near by to examine some strips of rawhide he was seasoning +for making a lariat. Just as he left a little puff of wind blew +some scraps of tobacco from a cigarette that Dry-Creek Smithers +was rolling, into Miss Sally's eyes. While the cook was rubbing at +them, with tears flowing, "Phonograph" Davis—so called on account +of his strident voice—arose and began a speech.

+

"Fellers and citizens! I desire to perpound a interrogatory. What +is the most grievous spectacle what the human mind can +contemplate?"

+

A volley of answers responded to his question.

+

"A busted flush!"

+

"A Maverick when you ain't got your branding iron!"

+

"Yourself!"

+

"The hole in the end of some other feller's gun!"

+

"Shet up, you ignoramuses," said old Taller, the fat cow-puncher. +"Phony knows what it is. He's waitin' for to tell us."

+

"No, fellers and citizens," continued Phonograph. "Them spectacles +you've e-numerated air shore grievious, and way up yonder close to +the so-lution, but they ain't it. The most grievious spectacle air +that"—he pointed to Miss Sally, who was still rubbing his +streaming eyes—"a trustin' and a in-veegled female a-weepin' +tears on account of her heart bein' busted by a false deceiver. +Air we men or air we catamounts to gaze upon the blightin' of our +Miss Sally's affections by a a-risto-crat, which has come among us +with his superior beauty and his glitterin' title to give the +weeps to the lovely critter we air bound to pertect? Air we goin' +to act like men, or air we goin' to keep on eaten' soggy chuck +from her cryin' so plentiful over the bread-pan?"

+

"It's a gallopin' shame," said Dry-Creek, with a sniffle. "It +ain't human. I've noticed the varmint a-palaverin' round her +frequent. And him a Marquis! Ain't that a title, Phony?"

+

"It's somethin' like a king," the Brushy Creek Kid hastened to +explain, "only lower in the deck. Guess it comes in between the +Jack and the ten-spot."

+

"Don't miscontruct me," went on Phonograph, "as undervaluatin' the +a-ristocrats. Some of 'em air proper people and can travel right +along with the Watson boys. I've herded some with 'em myself. I've +viewed the elephant with the Mayor of Fort Worth, and I've +listened to the owl with the gen'ral passenger agent of the Katy, +and they can keep up with the percession from where you laid the +chunk. But when a Marquis monkeys with the innocent affections of +a cook-lady, may I inquire what the case seems to call for?"

+

"The leathers," shouted Dry-Creek Smithers.

+

"You hearn 'er, Charity!" was the Kid's form of corroboration.

+

"We've got your company," assented the cow-punchers, in chorus.

+

Before the Marquis realized their intention, two of them seized +him by each arm and led him up to the log. Phonograph Davis, +self-appointed to carry out the sentence, stood ready, with a pair +of stout leather leggings in his hands.

+

It was the first time they had ever laid hands on the Marquis +during their somewhat rude sports.

+

"What are you up to?" he asked, indignantly, with flashing eyes.

+

"Go easy, Marquis," whispered Rube Fellows, one of the boys that +held him. "It's all in fun. Take it good-natured and they'll let +you off light. They're only goin' to stretch you over the log and +tan you eight or ten times with the leggin's. 'Twon't hurt much."

+

The Marquis, with an exclamation of anger, his white teeth +gleaming, suddenly exhibited a surprising strength. He wrenched +with his arms so violently that the four men were swayed and +dragged many yards from the log. A cry of anger escaped him, and +then Miss Sally, his eyes cleared of the tobacco, saw, and he +immediately mixed with the struggling group.

+

But at that moment a loud "Hallo!" rang in their ears, and a +buckboard drawn by a team of galloping mustangs spun into the +campfire's circle of light. Every man turned to look, and what +they saw drove from their minds all thoughts of carrying out +Phonograph Davis's rather time-worn contribution to the evening's +amusement. Bigger game than the Marquis was at hand, and his +captors released him and stood staring at the approaching victim.

+

The buckboard and team belonged to Sam Holly, a cattleman from the +Big Muddy. Sam was driving, and with him was a stout, smooth-faced +man, wearing a frock coat and a high silk hat. That was the county +judge, Mr. Dave Hackett, candidate for reëlection. Sam was +escorting him about the county, among the camps, to shake up the +sovereign voters.

+

The men got out, hitched the team to a mesquite, and walked toward +the fire.

+

Instantly every man in camp, except the Marquis, Miss Sally, and +Pink Saunders, who had to play host, uttered a frightful yell of +assumed terror and fled on all sides into the darkness.

+

"Heavens alive!" exclaimed Hackett, "are we as ugly as that? How +do you do, Mr. Saunders? Glad to see you again. What are you doing +to my hat, Holly?"

+

"I was afraid of this hat," said Sam Holly, meditatively. He had +taken the hat from Hackett's head and was holding it in his hand, +looking dubiously around at the shadows beyond the firelight where +now absolute stillness reigned. "What do you think, Saunders?"

+

Pink grinned.

+

"Better elevate it some," he said, in the tone of one giving +disinterested advice. "The light ain't none too good. I wouldn't +want it on my head."

+

Holly stepped upon the hub of a hind wheel of the grub wagon and +hung the hat upon a limb of a live-oak. Scarcely had his foot +touched the ground when the crash of a dozen six-shooters split +the air, and the hat fell to the ground riddled with bullets.

+

A hissing noise was heard as if from a score of rattlesnakes, and +now the cow-punchers emerged on all sides from the darkness, +stepping high, with ludicrously exaggerated caution, and +"hist"-ing to one another to observe the utmost prudence in +approaching. They formed a solemn, wide circle about the hat, +gazing at it in manifest alarm, and seized every few moments by +little stampedes of panicky flight.

+

 "It's the varmint," said one in awed tones, "that flits up and +down in the low grounds at night, saying, 'Willie-wallo!'"

+

"It's the venomous Kypootum," proclaimed another. "It stings after +it's dead, and hollers after it's buried."

+

"It's the chief of the hairy tribe," said Phonograph Davis. "But +it's stone dead, now, boys."

+

"Don't you believe it," demurred Dry-Creek. "It's only +'possumin'.' It's the dreaded Highgollacum fantod from the forest. +There's only one way to destroy its life."

+

He led forward Old Taller, the 240-pound cow-puncher. Old Taller +placed the hat upright on the ground and solemnly sat upon it, +crushing it as flat as a pancake.

+

Hackett had viewed these proceedings with wide-open eyes. Sam +Holly saw that his anger was rising and said to him:

+

"Here's where you win or lose, Judge. There are sixty votes on the +Diamond Cross. The boys are trying your mettle. Take it as a joke, +and I don't think you'll regret it." And Hackett saw the point and +rose to the occasion.

+

Advancing to where the slayers of the wild beast were standing +above its remains and declaring it to be at last defunct, he said, +with deep earnestness:

+

"Boys, I must thank you for this gallant rescue. While driving +through the arroyo that cruel monster that you have so fearlessly +and repeatedly slaughtered sprang upon us from the tree tops. To +you I shall consider that I owe my life, and also, I hope, +reëlection to the office for which I am again a candidate. +Allow me to hand you my card."

+

The cow-punchers, always so sober-faced while engaged in their +monkey-shines, relaxed into a grin of approval.

+

But Phonograph Davis, his appetite for fun not yet appeased, had +something more up his sleeve.

+

"Pardner," he said, addressing Hackett with grave severity, "many +a camp would be down on you for turnin' loose a pernicious varmint +like that in it; but, bein' as we all escaped without loss of +life, we'll overlook it. You can play square with us if you'll do +it."

+

"How's that?" asked Hackett suspiciously.

+

"You're authorized to perform the sacred rights and lefts of +mattermony, air you not?"

+

"Well, yes," replied Hackett. "A marriage ceremony conducted by me +would be legal."

+

"A wrong air to be righted in this here camp," said Phonography, +virtuously. "A a-ristocrat have slighted a 'umble but beautchoos +female wat's pinin' for his affections. It's the jooty of the camp +to drag forth the haughty descendant of a hundred—or maybe a +hundred and twenty-five—earls, even so at the p'int of a lariat, +and jine him to the weepin' lady. Fellows! roundup Miss Sally and +the Marquis; there's goin' to be a weddin'."

+

This whim of Phonograph's was received with whoops of +appreciation. The cow-punchers started to apprehend the principals +of the proposed ceremony.

+

"Kindly prompt me," said Hackett, wiping his forehead, though the +night was cool, "how far this thing is to be carried. And might I +expect any further portions of my raiment to be mistaken for wild +animals and killed?"

+

"The boys are livelier than usual to-night," said Saunders. "The +ones they are talking about marrying are two of the boys—a herd +rider and the cook. It's another joke. You and Sam will have to +sleep here to-night anyway; p'rhaps you'd better see 'em through +with it. Maybe they'll quiet down after that."

+

The matchmakers found Miss Sally seated on the tongue of the grub +wagon, calmly smoking his pipe. The Marquis was leaning idly +against one of the trees under which the supply tent was pitched.

+

Into this tent they were both hustled, and Phonograph, as master +of ceremonies, gave orders for the preparations.

+

"You, Dry-Creek and Jimmy, and Ben and Taller—hump yourselves to +the wildwood and rustle flowers for the blow-out—mesquite'll +do—and get that Spanish dagger blossom at the corner of the horse +corral for the bride to pack. You, Limpy, get out that red and +yaller blanket of your'n for Miss Sally's skyirt. Marquis, you'll +do 'thout fixin'; nobody don't ever look at the groom."

+

During their absurd preparation, the two principals were left +alone for a few moments in the tent. The Marquis suddenly showed +wild perturbation.

+

"This foolishness must not go on," he said, turning to Miss Sally +a face white in the light of the lantern, hanging to the +ridge-pole.

+

"Why not?" said the cook, with an amused smile. "It's fun for the +boys; and they've always let you off pretty light in their +frolics. I don't mind it."

+

"But you don't understand," persisted the Marquis, pleadingly. +"That man is county judge, and his acts are binding. I can't—oh, +you don't know—"

+

The cook stepped forward and took the Marquis's hands.

+

"Sally Bascom," he said, "I KNOW!"

+

"You know!" faltered the Marquis, trembling. "And you—want to—"

+

"More than I ever wanted anything. Will you—here come the boys!"

+

The cow-punchers crowded in, laden with armfuls of decorations.

+

"Perfifious coyote!" said Phonograph, sternly, addressing the +Marquis. "Air you willing to patch up the damage you've did this +ere slab-sided but trustin' bunch o' calico by single-footin' easy +to the altar, or will we have to rope ye, and drag you thar?"

+

The Marquis pushed back his hat, and leaned jauntily against some +high-piled sacks of beans. His cheeks were flushed, and his eyes +were shining.

+

"Go on with the rat killin'," said he.

+

A little while after a procession approached the tree under which +Hackett, Holly, and Saunders were sitting smoking.

+

Limpy Walker was in the lead, extracting a doleful tune from his +concertina. Next came the bride and groom. The cook wore the +gorgeous Navajo blanket tied around his waist and carried in one +band the waxen-white Spanish dagger blossom as large as a +peck-measure and weighing fifteen pounds. His hat was ornamented +with mesquite branches and yellow ratama blooms. A resurrected +mosquito bar served as a veil. After them stumbled Phonograph +Davis, in the character of the bride's father, weeping into a +saddle blanket with sobs that could be heard a mile away. The +cow-punchers followed by twos, loudly commenting upon the bride's +appearance, in a supposed imitation of the audiences at +fashionable weddings.

+

Hackett rose as the procession halted before him, and after a +little lecture upon matrimony, asked:

+

"What are your names?"

+

"Sally and Charles," answered the cook.

+

"Join hands, Charles and Sally."

+

Perhaps there never was a stranger wedding. For, wedding it was, +though only two of those present knew it. When the ceremony was +over, the cow-punchers gave one yell of congratulation and +immediately abandoned their foolery for the night. Blankets were +unrolled and sleep became the paramount question.

+

The cook (divested of his decorations) and the Marquis lingered +for a moment in the shadow of the grub wagon. The Marquis leaned +her head against his shoulder.

+

"I didn't know what else to do," she was saying. "Father was gone, +and we kids had to rustle. I had helped him so much with the +cattle that I thought I'd turn cowboy. There wasn't anything else +I could make a living at. I wasn't much stuck on it though, after +I got here, and I'd have left only—"

+

"Only what?"

+

"You know. Tell me something. When did you first—what made you—"

+

"Oh, it was as soon as we struck the camp, when Saunders bawled +out 'The Marquis and Miss Sally!' I saw how rattled you got at the +name, and I had my sus—"

+

"Cheeky!" whispered the Marquis. "And why should you think that I +thought he was calling me 'Miss Sally'?"

+

"Because," answered the cook, calmly, "I was the Marquis. My +father was the Marquis of Borodale. But you'll excuse that, won't +you, Sally? It really isn't my fault, you know."

+

A FOG IN SANTONE

+
+

[Published in The Cosmopolitan +, October, 1912. Probably written in 1904, or shortly after +O. Henry's first successes in New York.]

+
+

The drug clerk looks sharply at the white face half concealed by +the high-turned overcoat collar.

+

"I would rather not supply you," he said doubtfully. "I sold you a +dozen morphine tablets less than an hour ago."

+

The customer smiles wanly. "The fault is in your crooked streets. +I didn't intend to call upon you twice, but I guess I got tangled +up. Excuse me."

+

He draws his collar higher, and moves out, slowly. He stops under +an electric light at the corner, and juggles absorbedly with three +or four little pasteboard boxes. "Thirty-six," he announces to +himself. "More than plenty." For a gray mist had swept upon +Santone that night, an opaque terror that laid a hand to the +throat of each of the city's guests. It was computed that three +thousand invalids were hibernating in the town. They had come from +far and wide, for here, among these contracted river-sliced +streets, the goddess Ozone has elected to linger.

+

Purest atmosphere, sir, on earth! You might think from the river +winding through our town that we are malarial, but, no, sir! +Repeated experiments made both by the Government and local experts +show that our air contains nothing deleterious—nothing but ozone, +sir, pure ozone. Litmus paper tests made all along the river +show—but you can read it all in the prospectuses; or the +Santonian will recite it for you, word by word.

+

We may achieve climate, but weather is thrust upon us. Santone, +then, cannot be blamed for this cold gray fog that came and kissed +the lips of the three thousand, and then delivered them to the +cross. That night the tubercles, whose ravages hope holds in +check, multiplied. The writhing fingers of the pale mist did not +go thence bloodless. Many of the wooers of ozone capitulated with +the enemy that night, turning their faces to the wall in that +dumb, isolated apathy that so terrifies their watchers. On the red +stream of Hemorrhagia a few souls drifted away, leaving behind +pathetic heaps, white and chill as the fog itself. Two or three +came to view this atmospheric wraith as the ghost of impossible +joys, sent to whisper to them of the egregious folly it is to +inhale breath into the lungs, only to exhale it again, and these +used whatever came handy to their relief, pistols, gas or the +beneficent muriate.

+

The purchaser of the morphia wanders into the fog, and at length, +finds himself upon a little iron bridge, one of the score or more +in the heart of the city, under which the small tortuous river +flows. He leans on the rail and gasps, for here the mist has +concentrated, lying like a foot-pad to garrote such of the Three +Thousand as creep that way. The iron bridge guys rattle to the +strain of his cough, a mocking phthisical rattle, seeming to say +to him: "Clickety-clack! just a little rusty cold, sir—but not +from our river. Litmus paper all along the banks and nothing but +ozone. Clacket-y-clack!"

+

The Memphis man at last recovers sufficiently to be aware of +another overcoated man ten feet away, leaning on the rail, and +just coming out of a paroxysm. There is a freemasonry among the +Three Thousand that does away with formalities and introductions. +A cough is your card; a hemorrhage a letter of credit. The Memphis +man, being nearer recovered, speaks first.

+

"Goodall. Memphis—pulmonary tuberculosis—guess last stages." The +Three Thousand economize on words. Words are breath and they need +breath to write checks for the doctors.

+

"Hurd," gasps the other. "Hurd; of T'leder. T'leder, Ah-hia. +Catarrhal bronkeetis. Name's Dennis, too—doctor says. Says I'll +live four weeks if I—take care of myself. Got your walking papers +yet?"

+

"My doctor," says Goodall of Memphis, a little boastingly, "gives +me three months."

+

"Oh," remarks the man from Toledo, filling up great gaps in his +conversation with wheezes, "damn the difference. What's months! +Expect to—cut mine down to one week—and die in a hack—a four +wheeler, not a cough. Be considerable moanin' of the bars when I +put out to sea. I've patronized 'em pretty freely since I struck +my—present gait. Say, Goodall of Memphis—if your doctor has set +your pegs so close—why don't you—get on a big spree and go—to +the devil quick and easy—like I'm doing?"

+

"A spree," says Goodall, as one who entertains a new idea, "I +never did such a thing. I was thinking of another way, but—"

+

"Come on," invites the Ohioan, "and have some drinks. I've been at +it—for two days, but the inf—ernal stuff won't bite like it used +to. Goodall of Memphis, what's your respiration?"

+

"Twenty-four."

+

"Daily—temperature?"

+

"Hundred and four."

+

"You can do it in two days. It'll take me a—week. Tank up, friend +Goodall—have all the fun you can; then—off you go, in the middle +of a jag, and s-s-save trouble and expense. I'm a s-son of a gun +if this ain't a health resort—for your whiskers! A Lake Erie +fog'd get lost here in two minutes."

+

"You said something about a drink," says Goodall.

+

A few minutes later they line up at a glittering bar, and hang +upon the arm rest. The bartender, blond, heavy, well-groomed, sets +out their drinks, instantly perceiving that he serves two of the +Three Thousand. He observes that one is a middle-aged man, +well-dressed, with a lined and sunken face; the other a mere boy +who is chiefly eyes and overcoat. Disguising well the tedium +begotten by many repetitions, the server of drinks begins to chant +the sanitary saga of Santone. "Rather a moist night, gentlemen, +for our town. A little fog from our river, but nothing to hurt. +Repeated Tests."

+

"Damn your litmus papers," gasps Toledo—"without any—personal +offense intended."

+

"We've heard of 'em before. Let 'em turn red, white and blue. What +we want is a repeated test of that—whiskey. Come again. I paid +for the last round, Goodall of Memphis."

+

The bottle oscillates from one to the other, continues to do so, +and is not removed from the counter. The bartender sees two +emaciated invalids dispose of enough Kentucky Belle to floor a +dozen cowboys, without displaying any emotion save a sad and +contemplative interest in the peregrinations of the bottle. So he +is moved to manifest a solicitude as to the consequences.

+

"Not on your Uncle Mark Hanna," responds Toledo, "will we get +drunk. We've been—vaccinated with whiskey—and—cod liver oil. +What would send you to the police station—only gives us a thirst. +S-s-set out another bottle."

+

It is slow work trying to meet death by that route. Some quicker +way must be found. They leave the saloon and plunge again into the +mist. The sidewalks are mere flanges at the base of the houses; +the street a cold ravine, the fog filling it like a freshet. Not +far away is the Mexican quarter. Conducted as if by wires along +the heavy air comes a guitar's tinkle, and the demoralizing voice +of some señorita singing:

+
+

"En las tardes sombrillos del invierroEn el prado a Marar me reclinoY maldigo mi fausto destino—Una vida la mas infeliz."

+
+

The words of it they do not understand—neither Toledo nor +Memphis, but words are the least important things in life. The +music tears the breasts of the seekers after Nepenthe, inciting +Toledo to remark:

+

"Those kids of mine—I wonder—by God, Mr. Goodall of Memphis, we +had too little of that whiskey! No slow music in mine, if you +please. It makes you disremember to forget."

+

Hurd of Toledo, here pulls out his watch, and says: "I'm a son of +a gun! Got an engagement for a hack ride out to San Pedro Springs +at eleven. Forgot it. A fellow from Noo York, and me, and the +Castillo sisters at Rhinegelder's Garden. That Noo York chap's a +lucky dog—got one whole lung—good for a year yet. Plenty of +money, too. He pays for everything. I can't afford—to miss the +jamboree. Sorry you ain't going along. Good-by, Goodall of +Memphis."

+

He rounds the corner and shuffles away, casting off thus easily +the ties of acquaintanceship as the moribund do, the season of +dissolution being man's supreme hour of egoism and selfishness. +But he turns and calls back through the fog to the other: "I say, +Goodall of Memphis! If you get there before I do, tell 'em Hurd's +a-comin' too. Hurd, of T'leder, Ah-hia."

+

Thus Goodall's tempter deserts him. That youth, uncomplaining and +uncaring, takes a spell at coughing, and, recovered, wanders +desultorily on down the street, the name of which he neither knows +nor recks. At a certain point he perceives swinging doors, and +hears, filtering between them a noise of wind and string +instruments. Two men enter from the street as he arrives, and he +follows them in. There is a kind of ante-chamber, plentifully set +with palms and cactuses and oleanders. At little marble-topped +tables some people sit, while soft-shod attendants bring the beer. +All is orderly, clean, melancholy, gay, of the German method of +pleasure. At his right is the foot of a stairway. A man there +holds out his hand. Goodall extends his, full of silver, the man +selects therefrom a coin. Goodall goes upstairs and sees there two +galleries extending along the sides of a concert hall which he now +perceives to lie below and beyond the anteroom he first entered. +These galleries are divided into boxes or stalls, which bestow +with the aid of hanging lace curtains, a certain privacy upon +their occupants.

+

Passing with aimless feet down the aisle contiguous to these saucy +and discreet compartments, he is half checked by the sight in one +of them of a young woman, alone and seated in an attitude of +reflection. This young woman becomes aware of his approach. A +smile from her brings him to a standstill, and her subsequent +invitation draws him, though hesitating, to the other chair in the +box, a little table between them.

+

Goodall is only nineteen. There are some whom, when the terrible +god Phthisis wishes to destroy he first makes beautiful; and the +boy is one of these. His face is wax, and an awful pulchritude is +born of the menacing flame in his cheeks. His eyes reflect an +unearthly vista engendered by the certainty of his doom. As it is +forbidden man to guess accurately concerning his fate, it is +inevitable that he shall tremble at the slightest lifting of the +veil.

+

The young woman is well-dressed, and exhibits a beauty of +distinctly feminine and tender sort; an Eve-like comeliness that +scarcely seems predestined to fade.

+

It is immaterial, the steps by which the two mount to a certain +plane of good understanding; they are short and few, as befits the +occasion.

+

A button against the wall of the partition is frequently disturbed +and a waiter comes and goes at signal.

+

Pensive beauty would nothing of wine; two thick plaits of her +blond hair hang almost to the floor; she is a lineal descendant of +the Lorelei. So the waiter brings the brew; effervescent, icy, +greenish golden. The orchestra on the stage is playing "Oh, +Rachel." The youngsters have exchanged a good bit of information. +She calls him, "Walter" and he calls her "Miss Rosa."

+

Goodall's tongue is loosened and he has told her everything about +himself, about his home in Tennessee, the old pillared mansion +under the oaks, the stables, the hunting; the friends he has; down +to the chickens, and the box bushes bordering the walks. About his +coming South for the climate, hoping to escape the hereditary foe +of his family. All about his three months on a ranch; the deer +hunts, the rattlers, and the rollicking in the cow camps. Then of +his advent to Santone, where he had indirectly learned, from a +great specialist, that his life's calendar probably contains but +two more leaves. And then of this death-white, choking night which +has come and strangled his fortitude and sent him out to seek a +port amid its depressing billows.

+

"My weekly letter from home failed to come," he told her, "and I +was pretty blue. I knew I had to go before long and I was tired of +waiting. I went out and bought morphine at every drug store where +they would sell me a few tablets. I got thirty-six quarter grains, +and was going back to my room and take them, but I met a queer +fellow on a bridge, who had a new idea."

+

Goodall fillips a little pasteboard box upon the table. "I put 'em +all together in there."

+

Miss Rosa, being a woman, must raise the lid, and gave a slight +shiver at the innocent looking triturates. "Horrid things! but +those little, white bits—they could never kill one!"

+

Indeed they could. Walter knew better. Nine grains of morphia! +Why, half the amount might.

+

Miss Rosa demands to know about Mr. Hurd, of Toledo, and is told. +She laughs like a delighted child. "What a funny fellow! But tell +me more about your home and your sisters, Walter. I know enough +about Texas and tarantulas and cowboys."

+

The theme is dear, just now, to his mood, and he lays before her +the simple details of a true home; the little ties and endearments +that so fill the exile's heart. Of his sisters, one, Alice, +furnishes him a theme he loves to dwell upon.

+

"She is like you, Miss Rosa," he says. "Maybe not quite so pretty, +but, just as nice, and good, and—"

+

"There! Walter," says Miss Rosa sharply, "now talk about something +else."

+

But a shadow falls upon the wall outside, preceding a big, softly +treading man, finely dressed, who pauses a second before the +curtains and then passes on. Presently comes the waiter with a +message: "Mr. Rolfe says—"

+

"Tell Rolfe I'm engaged."

+

"I don't know why it is," says Goodall, of Memphis, "but I don't +feel as bad as I did. An hour ago I wanted to die, but since I've +met you, Miss Rosa, I'd like so much to live."

+

The young woman whirls around the table, lays an arm behind his +neck and kisses him on the cheek.

+

"You must, dear boy," she says. "I know what was the matter. It +was the miserable foggy weather that has lowered your spirit and +mine too—a little. But look, now."

+

With a little spring she has drawn back the curtains. A window is +in the wall opposite, and lo! the mist is cleared away. The +indulgent moon is out again, revoyaging the plumbless sky. Roof +and parapet and spire are softly pearl enamelled. Twice, thrice +the retrieved river flashes back, between the houses, the light of +the firmament. A tonic day will dawn, sweet and prosperous.

+

"Talk of death when the world is so beautiful!" says Miss Rosa, +laying her hand on his shoulder. "Do something to please me, +Walter. Go home to your rest and say: 'I mean to get better,' and +do it."

+

"If you ask it," says the boy, with a smile, "I will."

+

The waiter brings full glasses. Did they ring? No; but it is well. +He may leave them. A farewell glass. Miss Rosa says: "To your +better health, Walter." He says: "To our next meeting."

+

His eyes look no longer into the void, but gaze upon the +antithesis of death. His foot is set in an undiscovered country +to-night. He is obedient, ready to go.

+

"Good night," she says.

+

"I never kissed a girl before," he confesses, "except my sisters."

+

"You didn't this time," she laughs, "I kissed you—good night."

+

"When shall I see you again," he persists.

+

"You promised me to go home," she frowns, "and get well. Perhaps +we shall meet again soon. Good night."

+

He hesitates, his hat in hand. She smiles broadly and kisses him +once more upon the forehead. She watches him far down the aisle, +then sits again at the table.

+

The shadow falls once more against the wall. This time the big, +softly stepping man parts the curtains and looks in. Miss Rosa's +eyes meet his and for half a minute they remain thus, silent, +fighting a battle with that king of weapons. Presently the big man +drops the curtains and passes on.

+

The orchestra ceases playing suddenly, and an important voice can +be heard loudly talking in one of the boxes farther down the +aisle. No doubt some citizen entertains there some visitor to the +town, and Miss Rosa leans back in her chair and smiles at some of +the words she catches:

+

"Purest atmosphere—in the world—litmus paper all long—nothing +hurtful—our city—nothing but pure ozone."

+

The waiter returns for the tray and glasses. As he enters, the +girl crushes a little empty pasteboard box in her hand and throws +it in a corner. She is stirring something in her glass with her +hatpin.

+

"Why, Miss Rosa," says the waiter with the civil familiarity he +uses—"putting salt in your beer this early in the night!"

+

THE FRIENDLY CALL

+
+

[Published in "Monthly Magazine +Section," July, 1910.]

+
+

When I used to sell hardware in the West, I often "made" a little +town called Saltillo, in Colorado. I was always certain of +securing a small or a large order from Simon Bell, who kept a +general store there. Bell was one of those six-foot, low-voiced +products, formed from a union of the West and the South. I liked +him. To look at him you would think he should be robbing stage +coaches or juggling gold mines with both hands; but he would sell +you a paper of tacks or a spool of thread, with ten times more +patience and courtesy than any saleslady in a city department +store.

+

I had a twofold object in my last visit to Saltillo. One was to +sell a bill of goods; the other to advise Bell of a chance that I +knew of by which I was certain he could make a small fortune.

+

In Mountain City, a town on the Union Pacific, five times larger +than Saltillo, a mercantile firm was about to go to the wall. It +had a lively and growing custom, but was on the edge of +dissolution and ruin. Mismanagement and the gambling habits of one +of the partners explained it. The condition of the firm was not +yet public property. I had my knowledge of it from a private +source. I knew that, if the ready cash were offered, the stock and +good will could be bought for about one fourth their value.

+

On arriving in Saltillo I went to Bell's store. He nodded to me, +smiled his broad, lingering smile, went on leisurely selling some +candy to a little girl, then came around the counter and shook +hands.

+

"Well," he said (his invariably preliminary jocosity at every +call I made), "I suppose you are out here making kodak pictures of +the mountains. It's the wrong time of the year to buy any +hardware, of course."

+

I told Bell about the bargain in Mountain City. If he wanted to +take advantage of it, I would rather have missed a sale than have +him overstocked in Saltillo.

+

"It sounds good," he said, with enthusiasm. "I'd like to branch +out and do a bigger business, and I'm obliged to you for +mentioning it. But—well, you come and stay at my house to-night +and I'll think about it."

+

It was then after sundown and time for the larger stores in +Saltillo to close. The clerks in Bell's put away their books, +whirled the combination of the safe, put on their coats and hats +and left for their homes. Bell padlocked the big, double wooden +front doors, and we stood, for a moment, breathing the keen, fresh +mountain air coming across the foothills.

+

A big man walked down the street and stopped in front of the high +porch of the store. His long, black moustache, black eyebrows, and +curly black hair contrasted queerly with his light, pink +complexion, which belonged, by rights, to a blonde. He was about +forty, and wore a white vest, a white hat, a watch chain made of +five-dollar gold pieces linked together, and a rather well-fitting +two-piece gray suit of the cut that college boys of eighteen are +wont to affect. He glanced at me distrustfully, and then at Bell +with coldness and, I thought, something of enmity in his +expression.

+

"Well," asked Bell, as if he were addressing a stranger, "did you +fix up that matter?"

+

"Did I!" the man answered, in a resentful tone. "What do you +suppose I've been here two weeks for? The business is to be +settled to-night. Does that suit you, or have you got something to +kick about?"

+

"It's all right," said Bell. "I knew you'd do it."

+

"Of course, you did," said the magnificent stranger. "Haven't I +done it before?"

+

"You have," admitted Bell. "And so have I. How do you find it at +the hotel?"

+

"Rocky grub. But I ain't kicking. Say—can you give me any +pointers about managing that—affair? It's my first deal in that +line of business, you know."

+

"No, I can't," answered Bell, after some thought. "I've tried all +kinds of ways. You'll have to try some of your own."

+

"Tried soft soap?"

+

"Barrels of it."

+

"Tried a saddle girth with a buckle on the end of it?"

+

"Never none. Started to once; and here's what I got."

+

Bill held out his right hand. Even in the deepening twilight, I +could see on the back of it a long, white scar that might have +been made by a claw or a knife or some sharp-edged tool.

+

"Oh, well," said the florid man, carelessly, "I'll know what to do +later on."

+

He walked away without another word. When he had gone ten steps he +turned and called to Bell:

+

"You keep well out of the way when the goods are delivered, so +there won't be any hitch in the business."

+

"All right," answered Bell, "I'll attend to my end of the line."

+

This talk was scarcely clear in its meaning to me; but as it did +not concern me, I did not let it weigh upon my mind. But the +singularity of the other man's appearance lingered with me for a +while; and as we walked toward Bell's house I remarked to him:

+

"Your customer seems to be a surly kind of fellow—not one that +you'd like to be snowed in with in a camp on a hunting trip."

+

"He is that," assented Bell, heartily. "He reminds me of a +rattlesnake that's been poisoned by the bite of a tarantula."

+

"He doesn't look like a citizen of Saltillo," I went on.

+

"No," said Bell, "he lives in Sacramento. He's down here on a +little business trip. His name is George Ringo, and he's been my +best friend—in fact the only friend I ever had—for twenty +years."

+

I was too surprised to make any further comment.

+

Bell lived in a comfortable, plain, square, two-story white house +on the edge of the little town. I waited in the parlor—a room +depressingly genteel—furnished with red plush, straw matting, +looped-up lace curtains, and a glass case large enough to contain +a mummy, full of mineral specimens.

+

While I waited, I heard, upstairs, that unmistakable sound +instantly recognized the world over—a bickering woman's voice, +rising as her anger and fury grew. I could hear, between the +gusts, the temperate rumble of Bell's tones, striving to oil the +troubled waters.

+

The storm subsided soon; but not before I had heard the woman say, +in a lower, concentrated tone, rather more carrying than her +high-pitched railings: "This is the last time. I tell you—the +last time. Oh, you will understand."

+

The household seemed to consist of only Bell and his wife and a +servant or two. I was introduced to Mrs. Bell at supper.

+

At first sight she seemed to be a handsome woman, but I soon +perceived that her charm had been spoiled. An uncontrolled +petulance, I thought, and emotional egotism, an absence of poise +and a habitual dissatisfaction had marred her womanhood. During +the meal, she showed that false gayety, spurious kindliness and +reactionary softness that mark the woman addicted to tantrums. +Withal, she was a woman who might be attractive to many men.

+

After supper, Bell and I took our chairs outside, set them on the +grass in the moonlight and smoked. The full moon is a witch. In +her light, truthful men dig up for you nuggets of purer gold; +while liars squeeze out brighter colors from the tubes of their +invention. I saw Bell's broad, slow smile come out upon his face +and linger there.

+

"I reckon you think George and me are a funny kind of friends," he +said. "The fact is we never did take much interest in each other's +company. But his idea and mine, of what a friend should be, was +always synonymous and we lived up to it, strict, all these years. +Now, I'll give you an idea of what our idea is.

+

"A man don't need but one friend. The fellow who drinks your +liquor and hangs around you, slapping you on the back and taking +up your time, telling you how much he likes you, ain't a friend, +even if you did play marbles at school and fish in the same creek +with him. As long as you don't need a friend one of that kind may +answer. But a friend, to my mind, is one you can deal with on a +strict reciprocity basis like me and George have always done.

+

"A good many years ago, him and me was connected in a number of +ways. We put our capital together and run a line of freight wagons +in New Mexico, and we mined some and gambled a few. And then, we +got into trouble of one or two kinds; and I reckon that got us on +a better understandable basis than anything else did, unless it +was the fact that we never had much personal use for each other's +ways. George is the vainest man I ever see, and the biggest brag. +He could blow the biggest geyser in the Yosemite valley back into +its hole with one whisper. I am a quiet man, and fond of +studiousness and thought. The more we used to see each other, +personally, the less we seemed to like to be together. If he ever +had slapped me on the back and snivelled over me like I've seen +men do to what they called their friends, I know I'd have had a +rough-and-tumble with him on the spot. Same way with George. He +hated my ways as bad as I did his. When we were mining, we lived +in separate tents, so as not to intrude our obnoxiousness on each +other.

+

"But after a long time, we begun to know each of us could depend +on the other when we were in a pinch, up to his last dollar, word +of honor or perjury, bullet, or drop of blood we had in the world. +We never even spoke of it to each other, because that would have +spoiled it. But we tried it out, time after time, until we came to +know. I've grabbed my hat and jumped a freight and rode 200 miles +to identify him when he was about to be hung by mistake, in Idaho, +for a train robber. Once, I laid sick of typhoid in a tent in +Texas, without a dollar or a change of clothes, and sent for +George in Boise City. He came on the next train. The first thing +he did before speaking to me, was to hang up a little looking +glass on the side of the tent and curl his moustache and rub some +hair dye on his head. His hair is naturally a light reddish. Then +he gave me the most scientific cussing I ever had, and took off +his coat.

+

"'If you wasn't a Moses-meek little Mary's lamb, you wouldn't have +been took down this way,' says he. 'Haven't you got gumption +enough not to drink swamp water or fall down and scream whenever +you have a little colic or feel a mosquito bite you?' He made me a +little mad.

+

"'You've got the bedside manners of a Piute medicine man,' says I. +'And I wish you'd go away and let me die a natural death. I'm +sorry I sent for you.'

+

"'I've a mind to,' says George, 'for nobody cares whether you live +or die. But now I've been tricked into coming, I might as well +stay until this little attack of indigestion or nettle rash or +whatever it is, passes away.'

+

"Two weeks afterward, when I was beginning to get around again, +the doctor laughed and said he was sure that my friend's keeping +me mad all the time did more than his drugs to cure me.

+

"So that's the way George and me was friends. There wasn't any +sentiment about it—it was just give and take, and each of us knew +that the other was ready for the call at any time.

+

"I remember, once, I played a sort of joke on George, just to try +him. I felt a little mean about it afterward, because I never +ought to have doubted he'd do it.

+

"We was both living in a little town in the San Luis valley, +running some flocks of sheep and a few cattle. We were partners, +but, as usual, we didn't live together. I had an old aunt, out +from the East, visiting for the summer, so I rented a little +cottage. She soon had a couple of cows and some pigs and chickens +to make the place look like home. George lived alone in a little +cabin half a mile out of town.

+

"One day a calf that we had, died. That night I broke its bones, +dumped it into a coarse sack and tied it up with wire. I put on an +old shirt, tore a sleeve 'most out of it, and the collar half off, +tangled up my hair, put some red ink on my hands and spashed some +of it over my shirt and face. I must have looked like I'd been +having the fight of my life. I put the sack in a wagon and drove +out to George's cabin. When I halloed, he came out in a yellow +dressing-gown, a Turkish cap and patent leather shoes. George +always was a great dresser.

+

"I dumped the bundle to the ground.

+

"Sh-sh!' says I, kind of wild in my way. 'Take that and bury it, +George, out somewhere behind your house—bury it just like it is. +And don—'

+

"'Don't get excited,' says George. 'And for the Lord's sake go and +wash your hands and face and put on a clean shirt.'

+

"And he lights his pipe, while I drive away at a gallop. The next +morning he drops around to our cottage, where my aunt was fiddling +with her flowers and truck in the front yard. He bends himself and +bows and makes compliments as he could do, when so disposed, and +begs a rose bush from her, saying he had turned up a little land +back of his cabin, and wanted to plant something on it by way of +usefulness and ornament. So my aunt, flattered, pulls up one of +her biggest by the roots and gives it to him. Afterward I see it +growing where he planted it, in a place where the grass had been +cleared off and the dirt levelled. But neither George nor me ever +spoke of it to each other again."

+

The moon rose higher, possibly drawing water from the sea, pixies +from their dells and certainly more confidences from Simms Bell, +the friend of a friend.

+

"There come a time, not long afterward," he went on, "when I was +able to do a good turn for George Ringo. George had made a little +pile of money in beeves and he was up in Denver, and he showed up +when I saw him, wearing deer-skin vests, yellow shoes, clothes +like the awnings in front of drug stores, and his hair dyed so +blue that it looked black in the dark. He wrote me to come up +there, quick—that he needed me, and to bring the best outfit of +clothes I had. I had 'em on when I got the letter, so I left on +the next train. George was—"

+

Bell stopped for half a minute, listening intently.

+

"I thought I heard a team coming down the road," +he explained. "George was at a summer resort on a lake +near Denver and was putting on as many airs as he knew +how. He had rented a little two-room cottage, and +had a Chihauhau dog and a hammock and eight different kinds of +walking sticks.

+

"'Simms,' he says to me, 'there's a widow woman here that's +pestering the soul out of me with her intentions. I can't get out +of her way. It ain't that she ain't handsome and agreeable, in a +sort of style, but her attentions is serious, and I ain't ready +for to marry nobody and settle down. I can't go to no festivity +nor sit on the hotel piazza or mix in any of the society +round-ups, but what she cuts me out of the herd and puts her daily +brand on me. I like this here place,' goes on George, 'and I'm +making a hit here in the most censorious circles, so I don't want +to have to run away from it. So I sent for you.'

+

"'What do you want me to do?' I asks George.

+

"'Why,' says he, 'I want you to head her off. I want you to cut me +out. I want you to come to the rescue. Suppose you seen a wildcat +about for to eat me, what would you do?'

+

"'Go for it,' says I.

+

"'Correct,' says George. 'Then go for this Mrs. De Clinton the +same.'

+

"'How am I to do it?' I asks. 'By force and awfulness or in some +gentler and less lurid manner?'

+

"'Court her,' George says, 'get her off my trail. Feed her. Take +her out in boats. Hang around her and stick to her. Get her mashed +on you if you can. Some women are pretty big fools. Who knows but +what she might take a fancy to you.'

+

"'Had you ever thought,' I asks, 'of repressing your fatal +fascinations in her presence; of squeezing a harsh note in the +melody of your siren voice, of veiling your beauty—in other +words, of giving her the bounce yourself?'

+

"George sees no essence of sarcasm in my remark. He twists his +moustache and looks at the points of his shoes.

+

"'Well, Simms,' he said, 'you know how I am about the ladies. I +can't hurt none of their feelings. I'm, by nature, polite and +esteemful of their intents and purposes. This Mrs. De Clinton +don't appear to be the suitable sort for me. Besides, I ain't a +marrying man by all means.'

+

"'All right,' said I, 'I'll do the best I can in the case.'

+

"So I bought a new outfit of clothes and a book on etiquette and +made a dead set for Mrs. De Clinton. She was a fine-looking woman, +cheerful and gay. At first, I almost had to hobble her to keep her +from loping around at George's heels; but finally I got her so she +seemed glad to go riding with me and sailing on the lake; and she +seemed real hurt on the mornings when I forgot to send her a bunch +of flowers. Still, I didn't like the way she looked at George, +sometimes, out of the corner of her eye. George was having a fine +time now, going with the whole bunch just as he pleased. Yes'm," +continued Bell, "she certainly was a fine-looking woman at that +time. She's changed some since, as you might have noticed at the +supper table."

+

"What!" I exclaimed.

+

"I married Mrs. De Clinton," went on Bell. "One evening while we +were up at the lake. When I told George about it, he opened his +mouth and I thought he was going to break our traditions and say +something grateful, but he swallowed it back.

+

"'All right,' says he, playing with his dog. 'I hope you won't +have too much trouble. Myself, I'm not never going to marry.'

+

"That was three years ago," said Bell. "We came here to live. For +a year we got along medium fine. And then everything changed. For +two years I've been having something that rhymes first-class with +my name. You heard the row upstairs this evening? That was a merry +welcome compared to the usual average. She's tired of me and of +this little town life and she rages all day, like a panther in a +cage. I stood it until two weeks ago and then I had to send out +The Call. I located George in Sacramento. He started the day he +got my wire."

+

Mrs. Bell came out of the house swiftly toward us. Some strong +excitement or anxiety seemed to possess her, but she smiled a +faint hostess smile, and tried to keep her voice calm.

+

"The dew is falling," she said, "and it's growing rather late. +Wouldn't you gentlemen rather come into the house?"

+

Bell took some cigars from his pocket and answered: "It's most too +fine a night to turn in yet. I think Mr. Ames and I will walk out +along the road a mile or so and have another smoke. I want to talk +with him about some goods that I want to buy."

+

"Up the road or down the road?" asked Mrs. Bell.

+

"Down," said Bell.

+

I thought she breathed a sigh of relief.

+

When we had gone a hundred yards and the house became concealed by +trees, Bell guided me into the thick grove that lined the road and +back through them toward the house again. We stopped within twenty +yards of the house, concealed by the dark shadows. I wondered at +this maneuver. And then I heard in the distance coming down the +road beyond the house, the regular hoofbeats of a team of horses. +Bell held his watch in a ray of moonlight.

+

"On time, within a minute," he said. "That's George's way."

+

The team slowed up as it drew near the house and stopped in a +patch of black shadows. We saw the figure of a woman carrying a +heavy valise move swiftly from the other side of the house, and +hurry to the waiting vehicle. Then it rolled away briskly in the +direction from which it had come.

+

I looked at Bell inquiringly, I suppose. I certainly asked him no +question.

+

"She's running away with George," said Bell, simply. "He's kept me +posted about the progress of the scheme all along. She'll get a +divorce in six months and then George will marry her. He never +helps anybody halfway. It's all arranged between them."

+

I began to wonder what friendship was, after all.

+

When we went into the house, Bell began to talk easily on other +subjects; and I took his cue. By and by the big chance to buy out +the business in Mountain City came back to my mind and I began to +urge it upon him. Now that he was free, it would be easier for him +to make the move; and he was sure of a splendid bargain.

+

Bell was silent for some minutes, but when I looked at him I +fancied that he was thinking of something else—that he was not +considering the project.

+

"Why, no, Mr. Ames," he said, after a while, "I can't make that +deal. I'm awful thankful to you, though, for telling me about it. +But I've got to stay here. I can't go to Mountain City."

+

"Why?" I asked.

+

"Missis Bell," he replied, "won't live in Mountain City, She hates +the place and wouldn't go there. I've got to keep right on here in +Saltillo."

+

"Mrs. Bell!" I exclaimed, too puzzled to conjecture what he meant.

+

"I ought to explain," said Bell. "I know George and I know Mrs. +Bell. He's impatient in his ways. He can't stand things that fret +him, long, like I can. Six months, I give them—six months of +married life, and there'll be another disunion. Mrs. Bell will +come back to me. There's no other place for her to go. I've got to +stay here and wait. At the end of six months, I'll have to grab a +satchel and catch the first train. For George will be sending out +The Call."

+

A DINNER AT –––– +[3]

+
+

[The story referred to in this skit appears +in "The Trimmed Lamp" under the same title—"The Badge of +Policeman O'Roon."]

+
+

The Adventures of an +Author With His Own Hero

+

All that day—in fact from the moment of his creation—Van Sweller +had conducted himself fairly well in my eyes. Of course I had had +to make many concessions; but in return he had been no less +considerate. Once or twice we had had sharp, brief contentions +over certain points of behavior; but, prevailingly, give and take +had been our rule.

+

His morning toilet provoked our first tilt. Van Sweller went about +it confidently.

+

"The usual thing, I suppose, old chap," he said, with a smile and +a yawn. "I ring for a b. and s., and then I have my tub. I splash +a good deal in the water, of course. You are aware that there are +two ways in which I can receive Tommy Carmichael when he looks in +to have a chat about polo. I can talk to him through the bathroom +door, or I can be picking at a grilled bone which my man has +brought in. Which would you prefer?"

+

I smiled with diabolic satisfaction at his coming discomfiture.

+

"Neither," I said. "You will make your appearance on the scene +when a gentleman should—after you are fully dressed, which +indubitably private function shall take place behind closed doors. +And I will feel indebted to you if, after you do appear, your +deportment and manners are such that it will not be necessary to +inform the public, in order to appease its apprehension, that you +have taken a bath."

+

Van Sweller slightly elevated his brows.

+

"Oh, very well," he said, a trifle piqued. "I +rather imagine it concerns you more than it +does me. Cut the 'tub' by all means, if you think best. But it has +been the usual thing, you know."

+

This was my victory; but after Van Sweller emerged from his +apartments in the "Beaujolie" I was vanquished in a dozen small +but well-contested skirmishes. I allowed him a cigar; but routed +him on the question of naming its brand. But he worsted me when I +objected to giving him a "coat unmistakably English in its cut." I +allowed him to "stroll down Broadway," and even permitted "passers +by" (God knows there's nowhere to pass but by) to "turn their +heads and gaze with evident admiration at his erect figure." I +demeaned myself, and, as a barber, gave him a "smooth, dark face +with its keen, frank eye, and firm jaw."

+

Later on he looked in at the club and saw Freddy Vavasour, polo +team captain, dawdling over grilled bone No. 1.

+

"Dear old boy," began Van Sweller; but in an instant I had seized +him by the collar and dragged him aside with the scantiest +courtesy.

+

"For heaven's sake talk like a man," I said, sternly. "Do you +think it is manly to use those mushy and inane forms of address? +That man is neither dear nor old nor a boy."

+

To my surprise Van Sweller turned upon me a look of frank +pleasure.

+

"I am glad to hear you say that," he said, heartily. "I used those +words because I have been forced to say them so often. They really +are contemptible. Thanks for correcting me, dear old boy."

+

Still I must admit that Van Sweller's conduct in the park that +morning was almost without flaw. The courage, the dash, the +modesty, the skill, and fidelity that he displayed atoned for +everything.

+

This is the way the story runs. Van Sweller has been a gentleman +member of the "Rugged Riders," the company that made a war with a +foreign country famous. Among his comrades was Lawrence O'Roon, a +man whom Van Sweller liked. A strange thing—and a hazardous one +in fiction—was that Van Sweller and O'Roon resembled each other +mightily in face, form, and general appearance. After the war Van +Sweller pulled wires, and O'Roon was made a mounted policeman.

+

Now, one night in New York there are commemorations and libations +by old comrades, and in the morning, Mounted Policeman O'Roon, +unused to potent liquids—another premise hazardous in +fiction—finds the earth bucking and bounding like a bronco, with +no stirrup into which he may insert foot and save his honor and +his badge.

+

Noblesse oblige? Surely. So out along the driveways and bridle +paths trots Hudson Van Sweller in the uniform of his incapacitated +comrade, as like unto him as one French pea is unto a petit +pois.

+

It is, of course, jolly larks for Van Sweller, who has wealth and +social position enough for him to masquerade safely even as a +police commissioner doing his duty, if he wished to do so. But +society, not given to scanning the countenances of mounted +policemen, sees nothing unusual in the officer on the beat.

+

And then comes the runaway.

+

That is a fine scene—the swaying victoria, the impetuous, daft +horses plunging through the line of scattering vehicles, the +driver stupidly holding his broken reins, and the ivory-white face +of Amy Ffolliott, as she clings desperately with each slender +hand. Fear has come and gone: it has left her expression pensive +and just a little pleading, for life is not so bitter.

+

And then the clatter and swoop of Mounted Policeman Van Sweller! +Oh, it was—but the story has not yet been printed. When it is you +shall learn bow he sent his bay like a bullet after the imperilled +victoria. A Crichton, a Crœsus, and a Centaur in one, he hurls +the invincible combination into the chase.

+

When the story is printed you will admire the breathless scene +where Van Sweller checks the headlong team. And then he looks into +Amy Ffolliott's eyes and sees two things—the possibilities of a +happiness he has long sought, and a nascent promise of it. He is +unknown to her; but he stands in her sight illuminated by the +hero's potent glory, she his and he hers by all the golden, fond, +unreasonable laws of love and light literature.

+

Ay, that is a rich moment. And it will stir you to find Van +Sweller in that fruitful nick of time thinking of his comrade +O'Roon, who is cursing his gyrating bed and incapable legs in an +unsteady room in a West Side hotel while Van Sweller holds his +badge and his honor.

+

Van Sweller hears Miss Ffolliott's voice thrillingly asking the +name of her preserver. If Hudson Van Sweller, in policeman's +uniform, has saved the life of palpitating beauty in the +park—where is Mounted Policeman O'Roon, in whose territory the +deed is done? How quickly by a word can the hero reveal himself, +thus discarding his masquerade of ineligibility and doubling the +romance! But there is his friend!

+

Van Sweller touches his cap. "It's nothing, Miss," he says, +sturdily; "that's what we are paid for—to do our duty." And away +he rides. But the story does not end there.

+

As I have said, Van Sweller carried off the park scene to my +decided satisfaction. Even to me he was a hero when he foreswore, +for the sake of his friend, the romantic promise of his adventure. +It was later in the day, amongst the more exacting conventions +that encompass the society hero, when we had our liveliest +disagreement. At noon he went to O'Roon's room and found him far +enough recovered to return to his post, which he at once did.

+

At about six o'clock in the afternoon Van Sweller fingered his +watch, and flashed at me a brief look full of such shrewd cunning +that I suspected him at once.

+

"Time to dress for dinner, old man," he said, with exaggerated +carelessness.

+

"Very well," I answered, without giving him a clew to my +suspicions; "I will go with you to your rooms and see that you do +the thing properly. I suppose that every author must be a valet to +his own hero."

+

He affected cheerful acceptance of my somewhat officious proposal +to accompany him. I could see that he was annoyed by it, and that +fact fastened deeper in my mind the conviction that he was +meditating some act of treachery.

+

When he had reached his apartments he said to me, with a too +patronizing air: "There are, as you perhaps know, quite a number +of little distinguishing touches to be had out of the dressing +process. Some writers rely almost wholly upon them. I suppose that +I am to ring for my man, and that he is to enter noiselessly, with +an expressionless countenance."

+

"He may enter," I said, with decision, "and only enter. Valets do +not usually enter a room shouting college songs or with St. +Vitus's dance in their faces; so the contrary may be assumed +without fatuous or gratuitous asseveration."

+

"I must ask you to pardon me," continued Van Sweller, gracefully, +"for annoying you with questions, but some of your methods are a +little new to me. Shall I don a full-dress suit with an immaculate +white tie—or is there another tradition to be upset?"

+

"You will wear," I replied, "evening dress, such as a gentleman +wears. If it is full, your tailor should be responsible for its +bagginess. And I will leave it to whatever erudition you are +supposed to possess whether a white tie is rendered any whiter by +being immaculate. And I will leave it to the consciences of you +and your man whether a tie that is not white, and therefore not +immaculate, could possibly form any part of a gentleman's evening +dress. If not, then the perfect tie is included and understood in +the term 'dress,' and its expressed addition predicates either a +redundancy of speech or the spectacle of a man wearing two ties at +once."

+

With this mild but deserved rebuke I left Van Sweller in his +dressing-room, and waited for him in his library.

+

About an hour later his valet came out, and I heard him telephone +for an electric cab. Then out came Van Sweller, smiling, but with +that sly, secretive design in his eye that was puzzling me.

+

"I believe," he said easily, as he smoothed a glove, "that I +will drop in at –––– +[4] for +dinner."

+

I sprang up, angrily, at his words. This, then, was the paltry +trick he had been scheming to play upon me. I faced him with a +look so grim that even his patrician poise was flustered.

+

"You will never do so," I exclaimed, "with my permission. What +kind of a return is this," I continued, hotly, "for the favors I +have granted you? I gave you a 'Van' to your name when I might +have called you 'Perkins' or 'Simpson.' I have humbled myself so +far as to brag of your polo ponies, your automobiles, and the iron +muscles that you acquired when you were stroke-oar of your +'varsity eight,' or 'eleven,' whichever it is. I created you for +the hero of this story; and I will not submit to having you queer +it. I have tried to make you a typical young New York gentleman of +the highest social station and breeding. You have no reason to +complain of my treatment to you. Amy Ffolliott, the girl you are +to win, is a prize for any man to be thankful for, and cannot be +equalled for beauty—provided the story is illustrated by the +right artist. I do not understand why you should try to spoil +everything. I had thought you were a gentleman."

+

"What it is you are objecting to, old man?" asked Van Sweller, in +a surprised tone.

+

"To your dining at –––– +[5]," +I answered. "The pleasure would be yours, no doubt, +but the responsibility would +fall upon me. You intend deliberately to make me out a tout for a +restaurant. Where you dine to-night has not the slightest +connection with the thread of our story. You know very well that +the plot requires that you be in front of the Alhambra Opera House +at 11:30 where you are to rescue Miss Ffolliott a second time as +the fire engine crashes into her cab. Until that time your +movements are immaterial to the reader. Why can't you dine out of +sight somewhere, as many a hero does, instead of insisting upon an +inapposite and vulgar exhibition of yourself?"

+

"My dear fellow," said Van Sweller, politely, but with a stubborn +tightening of his lips, "I'm sorry it doesn't please you, but +there's no help for it. Even a character in a story has rights +that an author cannot ignore. The hero of a story of New York +social life must dine at –––– +[6] +at least once during its action."

+

"'Must,'" I echoed, disdainfully; "why 'must'? Who demands it?"

+

"The magazine editors," answered Van Sweller, giving me a glance +of significant warning.

+

"But why?" I persisted.

+

"To please subscribers around Kankakee, Ill.," said Van Sweller, +without hesitation.

+

"How do you know these things?" I inquired, with sudden suspicion. +"You never came into existence until this morning. You are only a +character in fiction, anyway. I, myself, created you. How is it +possible for you to know anything?"

+

"Pardon me for referring to it," said Van Sweller, with a +sympathetic smile, "but I have been the hero of hundreds of +stories of this kind."

+

I felt a slow flush creeping into my face.

+

"I thought…" I stammered; "I was hoping… that +is… Oh, well, of course an absolutely original conception +in fiction is impossible in these days."

+

"Metropolitan types," continued Van Sweller, kindly, "do not offer +a hold for much originality. I've sauntered through every story in +pretty much the same way. Now and then the women writers have made +me cut some rather strange capers, for a gentleman; but the men +generally pass me along from one to another without much change. +But never yet, in any story, have I failed to dine +at –––– +[7]."

+

"You will fail this time," I said, emphatically.

+

"Perhaps so," admitted Van Sweller, looking out of the window into +the street below, "but if so it will be for the first time. The +authors all send me there. I fancy that many of them would have +liked to accompany me, but for the little matter of the expense."

+

"I say I will be touting for no restaurant," I repeated, loudly. +"You are subject to my will, and I declare that you shall not +appear of record this evening until the time arrives for you to +rescue Miss Ffolliott again. If the reading public cannot conceive +that you have dined during that interval at some one of the +thousands of establishments provided for that purpose that do not +receive literary advertisement it may suppose, for aught I care, +that you have gone fasting."

+

"Thank you," said Van Sweller, rather coolly, "you are hardly +courteous. But take care! it is at your own risk that you attempt +to disregard a fundamental principle in metropolitan fiction—one +that is dear alike to author and reader. I shall, of course attend +to my duty when it comes time to rescue your heroine; but I warn +you that it will be your loss if you fail to send me to-night to +dine at –––– +[8]."

+

"I will take the consequences if there are to be any," I replied. +"I am not yet come to be sandwich man for an eating-house."

+

I walked over to a table where I had left my cane and gloves. I +heard the whirr of the alarm in the cab below and I turned +quickly. Van Sweller was gone.

+

I rushed down the stairs and out to the curb. An empty hansom was +just passing. I hailed the driver excitedly.

+

"See that auto cab halfway down the block?" I shouted. "Follow it. +Don't lose sight of it for an instant, and I will give you two +dollars!"

+

If I only had been one of the characters in my story instead of +myself I could easily have offered $10 or $25 or even $100. But $2 +was all I felt justified in expending, with fiction at its present +rates.

+

The cab driver, instead of lashing his animal into a foam, +proceeded at a deliberate trot that suggested a by-the-hour +arrangement.

+

But I suspected Van Sweller's design; and when we lost sight of +his cab I ordered my driver to proceed at once to +–––– +[9].

+

I found Van Sweller at a table under a palm, just glancing over +the menu, with a hopeful waiter hovering at his elbow.

+

"Come with me," I said, inexorably. "You will not give me the slip +again. Under my eye you shall remain until 11:30."

+

Van Sweller countermanded the order for his dinner, and arose to +accompany me. He could scarcely do less. A fictitious character is +but poorly equipped for resisting a hungry but live author who +comes to drag him forth from a restaurant. All he said was: "You +were just in time; but I think you are making a mistake. You +cannot afford to ignore the wishes of the great reading public."

+

I took Van Sweller to my own rooms—to my room. He had never seen +anything like it before.

+

"Sit on that trunk," I said to him, "while I observe whether the +landlady is stalking us. If she is not, I will get things at a +delicatessen store below, and cook something for you in a pan over +the gas jet. It will not be so bad. Of course nothing of this will +appear in the story."

+

"Jove! old man!" said Van Sweller, looking about him with +interest, "this is a jolly little closet you live in! Where the +devil do you sleep?—Oh, that pulls down! And I say—what is this +under the corner of the carpet?—Oh, a frying pan! I see—clever +idea! Fancy cooking over the gas! What larks it will be!"

+

"Think of anything you could eat?" I asked; "try a chop, or what?"

+

"Anything," said Van Sweller, enthusiastically, "except a grilled +bone."

+

Two weeks afterward the postman brought me a large, fat envelope. +I opened it, and took out something that I had seen before, and +this typewritten letter from a magazine that encourages society +fiction:

+
+

Your short story, "The Badge of Policeman O'Roon," is herewith + returned.

+

We are sorry that it has been unfavorably passed upon; but it +seems to lack in some of the essential requirements of our +publication.

+

The story is splendidly constructed; its style is strong and +inimitable, and its action and character-drawing deserve the +highest praise. As a story per se it has merit beyond anything +that we have read for some time. But, as we have said, it fails +to come up to some of the standards we have set.

+

Could you not re-write the story, and inject into it the social +atmosphere, and return it to us for further consideration? It is +suggested to you that you have the hero, Van Sweller, drop in for +luncheon or dinner once or twice at –––– +[10] +or at the –––– +[11] +which will be in line with the changes desired.

+

Very truly yours,The Editors.

+
+

SOUND AND FURY

+
+

[O. Henry wrote this for Ainslee's +Magazine, where it appeared in March, 1903.]

+
+
+

PERSONS OF THE DRAMA

+ + + +
Mr. PenneAn Author
Miss Lore          An Amanuensis
+
+

SceneWorkroom +of Mr. Penne's popular novel factory.

+

Mr. Penne—Good morning, Miss Lore. +Glad to see you so prompt. We should finish that June installment for +the Epoch to-day. Leverett is crowding me for it. Are you +quite ready? We will resume where we left off yesterday. +(Dictates.) "Kate, with a sigh, rose from his knees, and—"

+

Miss Lore—Excuse me; you mean +"rose from her knees," instead of "his," don't you?

+

Mr. Penne—Er—no—"his," if you +please. It is the love scene in +the garden. (Dictates.) "Rose from his knees where, blushing +with youth's bewitching coyness, she had rested for a moment after +Cortland had declared his love. The hour was one of supreme and +tender joy. When Kate—scene that Cortland never—"

+

Miss Lore—Excuse me; but wouldn't +it be more grammatical to say +"when Kate saw," instead of "seen"?

+

Mr. Penne—The context will +explain. (Dictates.) "When Kate—scene +that Cortland never forgot—came tripping across the lawn it +seemed to him the fairest sight that earth had ever offered to his +gaze."

+

Miss Lore—Oh!

+

Mr. Penne (dictates)—"Kate +had abandoned herself to the joy of +her new-found love so completely, that no shadow of her former +grief was cast upon it. Cortland, with his arm firmly entwined +about her waist, knew nothing of her sighs—"

+

Miss Lore—Goodness! If he +couldn't tell her size with his arm around—

+

Mr. Penne (frowning)—"Of +her sighs and tears of the previous night."

+

Miss Lore—Oh!

+

Mr. Penne (dictates)—"To +Cortland the chief charm of this girl +was her look of innocence and unworldiness. Never had nun—"

+

Miss Lore—How about +changing that to "never had any?"

+

Mr. Penne +(emphatically)—"Never had nun in cloistered cell a face +more sweet and pure."

+

Miss Lore—Oh!

+

Mr. Penne (dictates)—"But +now Kate must hasten back to the house +lest her absence be discovered. After a fond farewell she turned +and sped lightly away. Cortland's gaze followed her. He watched +her rise—"

+

Miss Lore—Excuse me, Mr. +Penne; but how could he watch her eyes +while her back was turned toward him?

+

Mr. Penne (with extreme +politeness)—Possibly you would gather my +meaning more intelligently if you would wait for the conclusion of +the sentence. (Dictates.) "Watched her rise as gracefully +as a fawn as she mounted the eastern terrace."

+

Miss Lore—Oh!

+

Mr. Penne (dictates)—"And +yet Cortland's position was so far +above that of this rustic maiden that he dreaded to consider the +social upheaval that would ensue should he marry her. In no +uncertain tones the traditional voices of his caste and world +cried out loudly to him to let her go. What should follow—"

+

Miss Lore (looking up +with a start)—I'm sure I can't say, Mr. Penne. +Unless (with a giggle) you would want to add "Gallegher."

+

Mr. Penne (coldly)—Pardon +me. I was not seeking to impose upon +you the task of a collaborator. Kindly consider the question a +part of the text.

+

Miss Lore—Oh!

+

Mr. Penne (dictates)—"On +one side was love and Kate; on the other +side his heritage of social position and family pride. Would love +win? Love, that the poets tell us will last forever! (Perceives +that Miss Lore looks fatigued, and looks at his watch.) That's a +good long stretch. Perhaps we'd better knock off a bit."

+

(Miss Lore does not reply.)

+

Mr. Penne—I said, Miss +Lore, we've been at it quite a long time— +wouldn't you like to knock off for a while?

+

Miss Lore—Oh! Were you +addressing me before? I put what you said +down. I thought it belonged in the story. It seemed to fit +in all right. Oh, no; I'm not tired.

+

Mr. Penne—Very well, +then, we will continue. (Dictates.) "In +spite of these qualms and doubts, Cortland was a happy man. That +night at the club he silently toasted Kate's bright eyes in a +bumper of the rarest vintage. Afterward he set out for a stroll +with, as Kate on—"

+

Miss Lore—Excuse me, +Mr. Penne, for venturing a suggestion; but +don't you think you might state that in a less coarse manner?

+

Mr. Penne +(astounded)—Wh-wh—I'm afraid I fail to understand you.

+

Miss Lore—His condition. +Why not say he was "full" or +"intoxicated"? It would sound much more elegant than the way you +express it.

+

Mr. Penne (still darkly +wandering)—Will you kindly point out, +Miss Lore, where I have intimated that Cortland was "full," if you +prefer that word?

+

Miss Lore (calmly +consulting her stenographic notes)—It is right +here, word for word. (Reads.) "Afterward he set out for a stroll +with a skate on."

+

Mr. Penne (with +peculiar emphasis)—Ah! And now will you kindly +take down the expurgated phrase? (Dictates.) "Afterward +he set out for a stroll with, as Kate on one occasion had +fancifully told him, her spirit leaning upon his arm."

+

Miss Lore—Oh!

+

Mr. Penne +(dictates)—Chapter thirty-four. Heading—"What Kate +Found in the Garden." "That fragrant summer morning brought +gracious tasks to all. The bees were at the honeysuckle blossoms +on the porch. Kate, singing a little song, was training the +riotous branches of her favorite woodbine. The sun, himself, had +rows—"

+

Miss Lore—Shall +I say "had risen"?

+

Mr. Penne (very +slowly and with desperate +deliberation)—"The—sun—himself—had—rows—of—blushing—pinks—and—hollyhocks—and—hyacinths—waiting—that—he—might—dry—their—dew-drenched—cups."

+

Miss Lore—Oh!

+

Mr. Penne (dictates)—"The +earliest trolley, scattering the birds +from its pathway like some marauding cat, brought Cortland over +from Oldport. He had forgotten his fair—"

+

Miss Lore—Hm! Wonder how +he got the conductor to—

+

Mr. Penne +(very loudly)—"Forgotten his fair and roseate visions +of the night in the practical light of the sober morn."

+

Miss Lore—Oh!

+

Mr. Penne +(dictates)—"He greeted her with his usual smile and +manner. 'See the waves,' he cried, pointing to the heaving waters +of the sea, 'ever wooing and returning to the rockbound shore.'" +"'Ready to break,' Kate said, with—"

+

Miss Lore—My! One +evening he has his arm around her, and the next +morning he's ready to break her head! Just like a man!

+

Mr. Penne (with +suspicious calmness)—There are times, Miss Lore, +when a man becomes so far exasperated that even a woman—But +suppose we finish the sentence. (Dictates.) "'Ready to break,' +Kate said, with the thrilling look of a soul-awakened woman, 'into +foam and spray, destroying themselves upon the shore they love so +well."

+

Miss Lore—Oh!

+

Mr. Penne +(dictates)—"Cortland, in Kate's presence heard faintly +the voice of caution. Thirty years had not cooled his ardor. It +was in his power to bestow great gifts upon this girl. He still +retained the beliefs that he had at twenty." (To Miss Lore, +wearily) I think that will be enough for the present.

+

Miss Lore +(wisely)—Well, if he had the twenty that he believed he +had, it might buy her a rather nice one.

+

Mr. Penne +(faintly)—The last sentence was my own. We will +discontinue for the day, Miss Lore.

+

Miss Lore—Shall +I come again to-morrow?

+

Mr. Penne (helpless +under the spell)—If you will be so good.

+

(Exit Miss Lore.)

+

ASBESTOS CURTAIN

+

TICTOCQ

+
+

[These two farcical stories about Tictocq +appeared in The Rolling Stone. They are reprinted here +with all of their local references because, written hurriedly +and for neighborly reading, they nevertheless have an interest +for the admirer of O. Henry. They were written in +1894.]

+
+
+

THE GREAT FRENCH DETECTIVE, IN +AUSTIN

+
+A Successful Political Intrigue +

CHAPTER I

+

It is not generally known that Tictocq, the famous French +detective, was in Austin last week. He registered at the Avenue +Hotel under an assumed name, and his quiet and reserved manners +singled him out at once for one not to be singled out.

+

No one knows why he came to Austin, but to one or two he +vouchsafed the information that his mission was an important one +from the French Government.

+

One report is that the French Minister of State has discovered an +old statute among the laws of the empire, resulting from a treaty +between the Emperor Charlemagne and Governor Roberts which +expressly provides for the north gate of the Capital grounds being +kept open, but this is merely a conjecture.

+

Last Wednesday afternoon a well-dressed gentleman knocked at the +door of Tictocq's room in the hotel.

+

The detective opened the door.

+

"Monsieur Tictocq, I believe," said the gentleman.

+

"You will see on the register that I sign my name Q. X. Jones," +said Tictocq, "and gentlemen would understand that I wish to be +known as such. If you do not like being referred to as no +gentleman, I will give you satisfaction any time after July 1st, +and fight Steve O'Donnell, John McDonald, and Ignatius Donnelly in +the meantime if you desire."

+

"I do not mind it in the least," said the gentleman. "In fact, I +am accustomed to it. I am Chairman of the Democratic Executive +Committee, Platform No. 2, and I have a friend in trouble. I knew +you were Tictocq from your resemblance to yourself."

+

"Entrez vous," said the detective.

+

The gentleman entered and was handed a chair.

+

"I am a man of few words," said Tictoq. "I will help your friend +if possible. Our countries are great friends. We have given you +Lafayette and French fried potatoes. You have given us California +champagne and—taken back Ward McAllister. State your case."

+

"I will be very brief," said the visitor. "In room No. 76 in this +hotel is stopping a prominent Populist Candidate. He is alone. +Last night some one stole his socks. They cannot be found. If they +are not recovered, his party will attribute their loss to the +Democracy. They will make great capital of the burglary, although +I am sure it was not a political move at all. The socks must be +recovered. You are the only man that can do it."

+

Tictocq bowed.

+

"Am I to have carte blanche to question every person connected +with the hotel?"

+

"The proprietor has already been spoken to. Everything and +everybody is at your service."

+

Tictocq consulted his watch.

+

"Come to this room to-morrow afternoon at 6 o'clock +with the landlord, the Populist Candidate, +and any other witnesses elected from both parties, and I will +return the socks."

+

"Bien, Monsieur; schlafen sie wohl."

+

"Au revoir."

+

The Chairman of the Democratic Executive Committee, Platform No.2, +bowed courteously and withdrew.

+
+

Tictocq sent for the bell boy.

+

"Did you go to room 76 last night?"

+

"Yes, sir."

+

"Who was there?"

+

"An old hayseed what come on the 7:25."

+

"What did he want?"

+

"The bouncer."

+

"What for?"

+

"To put the light out."

+

"Did you take anything while in the room?"

+

"No, he didn't ask me."

+

"What is your name?"

+

"Jim."

+

"You can go."

+

CHAPTER II

+

The drawing-rooms of one of the most magnificent private +residences in Austin are a blaze of lights. Carriages line the +streets in front, and from gate to doorway is spread a velvet +carpet, on which the delicate feet of the guests may tread.

+

The occasion is the entrée into society of one +of the fairest buds in the City of the Violet +Crown. The rooms are filled with the +culture, the beauty, the youth and fashion of society. Austin +society is acknowledged to be the wittiest, the most select, and +the highest bred to be found southwest of Kansas City.

+

Mrs. Rutabaga St. Vitus, the hostess, is accustomed to draw around +her a circle of talent, and beauty, rarely equalled anywhere. Her +evenings come nearer approaching the dignity of a salon than any +occasion, except, perhaps, a Tony Faust and Marguerite reception +at the Iron Front.

+

Miss St. Vitus, whose advent into society's maze was heralded by +such an auspicious display of hospitality, is a slender brunette, +with large, lustrous eyes, a winning smile, and a charming +ingénue manner. She wears a china silk, cut princesse, +with diamond ornaments, and a couple of towels inserted +in the back to conceal prominence of shoulder blades. +She is chatting easily and +naturally on a plush covered tête-à-tête +with Harold St. Clair, the agent for a Minneapolis +pants company. Her friend and schoolmate, Elsie Hicks, +who married three drummers in one day, a week or two +before, and won a wager of two dozen bottles of +Budweiser from the handsome and talented young hack-driver, Bum +Smithers, is promenading in and out the low French windows with +Ethelbert Windup, the popular young candidate for hide inspector, +whose name is familiar to every one who reads police court +reports.

+

Somewhere, concealed by shrubbery, a band is playing, and during +the pauses in conversation, onions can be smelt frying in the +kitchen.

+

Happy laughter rings out from ruby lips, handsome faces grow +tender as they bend over white necks and drooping beads; timid +eyes convey things that lips dare not speak, and beneath silken +bodice and broadcloth, hearts beat time to the sweet notes of +"Love's Young Dream."

+

"And where have you been for some time past, you recreant +cavalier?" says Miss St. Vitus to Harold St. Clair. "Have you been +worshipping at another shrine? Are you recreant to your whilom +friends? Speak, Sir Knight, and defend yourself."

+

"Oh, come off," says Harold, in his deep, musical baritone; "I've +been having a devil of a time fitting pants on a lot of bow-legged +jays from the cotton-patch. Got knobs on their legs, some of 'em +big as gourds, and all expect a fit. Did you every try to measure +a bow-legged—I mean—can't you imagine what a jam-swizzled time I +have getting pants to fit 'em? Business dull too, nobody wants 'em +over three dollars."

+

"You witty boy," says Miss St. Vitus. "Just as full of bon mots +and clever sayings as ever. What do you take now?"

+

"Oh, beer."

+

"Give me your arm and let's go into the drawing-room and draw a +cork. I'm chewing a little cotton myself."

+

Arm in arm, the handsome couple pass across the room, the cynosure +of all eyes. Luderic Hetherington, the rising and gifted +night-watchman at the Lone Star slaughter house, and Mabel Grubb, +the daughter of the millionaire owner of the Humped-backed Camel +saloon, are standing under the oleanders as they go by.

+

"She is very beautiful," says Luderic.

+

"Rats," says Mabel.

+

A keen observer would have noted all this time the figure of a +solitary man who seemed to avoid the company but by adroit +changing of his position, and perfectly cool and self-possessed +manner, avoided drawing any especial attention to himself.

+

The lion of the evening is Herr Professor Ludwig von Bum, the +pianist.

+

He had been found drinking beer in a saloon on East Pecan Street +by Colonel St. Vitus about a week before, and according to the +Austin custom in such cases, was invited home by the colonel, and +the next day accepted into society, with large music classes at +his service.

+

Professor von Bum is playing the lovely symphony in G minor from +Beethoven's "Songs Without Music." The grand chords fill the room +with exquisite harmony. He plays the extremely difficult passages +in the obligato home run in a masterly manner, and when he +finishes with that grand te deum with arpeggios on the side, there +is that complete hush in the room that is dearer to the artist's +heart than the loudest applause.

+

The professor looks around.

+

The room is empty.

+

Empty with the exception of Tictocq, the great French detective, +who springs from behind a mass of tropical plants to his side.

+

The professor rises in alarm.

+

"Hush," says Tictocq: "Make no noise at all. You have already made +enough."

+

Footsteps are heard outside.

+

"Be quick," says Tictocq: "give me those socks. There is not a +moment to spare."

+

"Vas sagst du?"

+

"Ah, he confesses," says Tictocq. "No socks will do but those you +carried off from the Populist Candidate's room."

+

The company is returning, no longer hearing the music.

+

Tictooq hesitates not. He seizes the professor, throws him upon +the floor, tears off his shoes and socks, and escapes with the +latter through the open window into the garden.

+

CHAPTER III

+

Tictocq's room in the Avenue Hotel.

+

A knock is heard at the door.

+

Tictocq opens it and looks at his watch.

+

"Ah," he says, "it is just six. Entrez, Messieurs."

+

The messieurs entrez. There are seven of them; the Populist +Candidate who is there by invitation, not knowing for what +purpose; the chairman of the Democratic Executive Committee, +platform No. 2, the hotel proprietor, and three or four Democrats +and Populists, as near as could be found out.

+

"I don't know," begins the Populist Candidate, "what in the +h––––"

+

"Excuse me," says Tictocq, firmly. "You will oblige me by keeping +silent until I make my report. I have been employed in this case, +and I have unravelled it. For the honor of France I request that I +be heard with attention."

+

"Certainly," says the chairman; "we will be pleased to listen."

+

Tictocq stands in the centre of the room. The electric light burns +brightly above him. He seems the incarnation of alertness, vigor, +cleverness, and cunning.

+

The company seat themselves in chairs along the wall.

+

"When informed of the robbery," begins Tictocq, "I first +questioned the bell boy. He knew nothing. I went to the police +headquarters. They knew nothing. I invited one of them to the bar +to drink. He said there used to be a little colored boy in the +Tenth Ward who stole things and kept them for recovery by the +police, but failed to be at the place agreed upon for arrest one +time, and had been sent to jail.

+

"I then began to think. I reasoned. No man, said I, would carry a +Populist's socks in his pocket without wrapping them up. He would +not want to do so in the hotel. He would want a paper. Where would +he get one? At the Statesman office, of course. I went there. +A young man with his hair combed down on his forehead sat behind the +desk. I knew he was writing society items, for a young lady's +slipper, a piece of cake, a fan, a half emptied bottle of +cocktail, a bunch of roses, and a police whistle lay on the desk +before him.

+

"'Can you tell me if a man purchased a paper here in the last three +months?' I said.

+

"'Yes,' he replied; 'we sold one last night.

+

"'Can you describe the man?'

+

"'Accurately. He had blue whiskers, a wart between his shoulder +blades, a touch of colic, and an occupation tax on his breath.'

+

"'Which way did he go?'

+

"'Out.'

+

"I then went—"

+

"Wait a minute," said the Populist Candidate, rising; "I don't see +why in the h––––"

+

"Once more I must beg that you will be silent," said Tictocq, +rather sharply. "You should not interrupt me in the midst of my +report."

+

"I made one false arrest," continued Tictocq. "I was passing two +finely dressed gentlemen on the street, when one of them remarked +that he had 'stole his socks.' I handcuffed him and dragged him to +a lighted store, when his companion explained to me that he was +somewhat intoxicated and his tongue was not entirely manageable. +He had been speaking of some business transaction, and what he +intended to say was that he had 'sold his stocks.'

+

"I then released him.

+

"An hour afterward I passed a saloon, and saw this Professor von +Bum drinking beer at a table. I knew him in Paris. I said 'here is +my man.' He worshipped Wagner, lived on limburger cheese, beer, +and credit, and would have stolen anybody's socks. I shadowed him +to the reception at Colonel St. Vitus's, and in an opportune +moment I seized him and tore the socks from his feet. There they +are."

+

With a dramatic gesture, Tictocq threw a pair of dingy socks upon +the table, folded his arms, and threw back his head.

+

With a loud cry of rage, the Populist Candidate sprang once more +to his feet.

+

"Gol darn it! I WILL say what I want to. I—"

+

The two other Populists in the room gazed at him coldly and +sternly.

+

"Is this tale true?" they demanded of the Candidate.

+

"No, by gosh, it ain't!" he replied, pointing a trembling finger +at the Democratic Chairman. "There stands the man who has +concocted the whole scheme. It is an infernal, unfair political +trick to lose votes for our party. How far has thing gone?" he +added, turning savagely to the detective.

+

"All the newspapers have my written report on the matter, and the +Statesman will have it in plate matter next week," said +Tictocq, complacently.

+

"All is lost!" said the Populists, turning toward the door.

+

"For God's sake, my friends," pleaded the Candidate, following +them; "listen to me; I swear before high heaven that I never wore +a pair of socks in my life. It is all a devilish campaign lie."

+

The Populists turn their backs.

+

"The damage is already done," they said. "The people have heard +the story. You have yet time to withdraw decently before the +race."

+

All left the room except Tictocq and the Democrats.

+

"Let's all go down and open a bottle of fizz on the Finance +Committee," said the Chairman of the Executive Committee, Platform +No. 2.

+

TRACKED TO DOOM

+
+

ORTHE MYSTERY OF THE RUE DE PEYCHAUD

+
+

'Tis midnight in Paris.

+

A myriad of lamps that line the Champs Elysées and the +Rouge et Noir, cast their reflection in the dark waters of +the Seine as it flows gloomily past the Place Vendôme +and the black walls of the Convent Notadam.

+

The great French capital is astir.

+

It is the hour when crime and vice and wickedness reign.

+

Hundreds of fiacres drive madly through the streets conveying +women, flashing with jewels and as beautiful as dreams, from opera +and concert, and the little bijou supper rooms of the Café +Tout le Temps are filled with laughing groups, while bon mots, +persiflage and repartee fly upon the air—the jewels of thought +and conversation.

+

Luxury and poverty brush each other in the streets. The homeless +gamin, begging a sou with which to purchase a bed, and the +spendthrift roué, scattering golden louis d'or, +tread the same pavement.

+

When other cities sleep, Paris has just begun her wild revelry.

+

The first scene of our story is a cellar beneath the Rue de +Peychaud.

+

The room is filled with smoke of pipes, and is stifling with the +reeking breath of its inmates. A single flaring gas jet dimly +lights the scene, which is one Rembrandt or Moreland and Keisel +would have loved to paint.

+

A garçon is selling absinthe to such of the motley +crowd as have a few sous, dealing it out in niggardly portions +in broken teacups.

+

Leaning against the bar is Carnaignole Cusheau—generally known as +the Gray Wolf.

+

He is the worst man in Paris.

+

He is more than four feet ten in height, and his sharp, ferocious +looking face and the mass of long, tangled gray hair that covers +his face and head, have earned for him the name he bears.

+

His striped blouse is wide open at the neck and falls outside of +his dingy leather trousers. The handle of a deadly looking knife +protrudes from his belt. One stroke of its blade would open a box +of the finest French sardines.

+

"Voilà, Gray Wolf," cries Couteau, the bartender. "How +many victims to-day? There is no blood upon your hands. Has the +Gray Wolf forgotten how to bite?"

+

"Sacrè Bleu, Mille Tonnerre, by George," hisses the +Gray Wolf. "Monsieur Couteau, you are bold indeed to speak +to me thus.

+

"By Ventre St. Gris! I have not even dined to-day. Spoils indeed. +There is no living in Paris now. But one rich American have I +garroted in a fortnight.

+

"Bah! those Democrats. They have ruined the country. With their +income tax and their free trade, they have destroyed the +millionaire business. Carrambo! Diable! +D––––n it!"

+

"Hist!" suddenly says Chamounix the rag-picker, who is worth +20,000,000 francs, "some one comes!"

+

The cellar door opened and a man crept softly down the rickety +steps. The crowd watches him with silent awe.

+

He went to the bar, laid his card on the counter, bought a drink +of absinthe, and then drawing from his pocket a little mirror, set +it up on the counter and proceeded to don a false beard and hair +and paint his face into wrinkles, until he closely resembled an +old man seventy-one years of age.

+

He then went into a dark corner and watched the crowd of people +with sharp, ferret-like eyes.

+

Gray Wolf slipped cautiously to the bar and examined the card left +by the newcomer.

+

"Holy Saint Bridget!" he exclaims. "It is Tictocq, the detective."

+

Ten minutes later a beautiful woman enters the cellar. Tenderly +nurtured, and accustomed to every luxury that money could procure, +she had, when a young vivandière at the Convent of +Saint Susan de la Montarde, run away with the Gray Wolf, +fascinated by his many crimes and the knowledge that his +business never allowed him to scrape his feet in the hall +or snore.

+

"Parbleu, Marie," snarls the Gray Wolf. "Que voulez vous? +Avez-vous le beau cheval de mon frère, oule joli +chien de votre père?"

+

"No, no, Gray Wolf," shouts the motley group of assassins, rogues +and pickpockets, even their hardened hearts appalled at his +fearful words. "Mon Dieu! You cannot be so cruel!"

+

"Tiens!" shouts the Gray Wolf, now maddened to desperation, and +drawing his gleaming knife. "Voilà! Canaille! Tout +le monde, carte blanche enbonpoint sauve que +peut entre nous revenez nous a nous moutons!"

+

The horrified sans-culottes shrink back in terror as +the Gray Wolf seizes Maria by the hair and cuts her into +twenty-nine pieces, each exactly the same size.

+

As he stands with reeking hands above the corpse, amid a deep +silence, the old, gray-bearded man who has been watching the scene +springs forward, tears off his false beard and locks, and Tictocq, +the famous French detective, stands before them.

+

Spellbound and immovable, the denizens of the cellar gaze at the +greatest modern detective as he goes about the customary duties of +his office.

+

He first measures the distance from the murdered woman to a point +on the wall, then he takes down the name of the bartender and the +day of the month and the year. Then drawing from his pocket a +powerful microscope, he examines a little of the blood that stands +upon the floor in little pools.

+

"Mon Dieu!" he mutters, "it is as I feared—human blood."

+

He then enters rapidly in a memorandum book the result of his +investigations, and leaves the cellar.

+

Tictocq bends his rapid steps in the direction of the headquarters +of the Paris gendarmerie, but suddenly pausing, he strikes his +hand upon his brow with a gesture of impatience.

+

"Mille tonnerre," he mutters. "I should have asked the name of +that man with the knife in his hand."

+
+

It is reception night at the palace of the Duchess Valerie du +Bellairs.

+

The apartments are flooded with a mellow light from paraffine +candles in solid silver candelabra.

+

The company is the most aristocratic and wealthy in Paris.

+

Three or four brass bands are playing behind a +portière between the coal shed, and also behind time. +Footmen in gay-laced livery bring in beer noiselessly +and carry out apple-peelings dropped by the guests.

+

Valerie, seventh Duchess du Bellairs, leans back on a solid gold +ottoman on eiderdown cushions, surrounded by the wittiest, the +bravest, and the handsomest courtiers in the capital.

+

"Ah, madame," said the Prince Champvilliers, of Palais Royale, +corner of Seventy-third Street, "as Montesquiaux says, 'Rien de +plus bon tutti frutti'—Youth seems your inheritance. You are +to-night the most beautiful, the wittiest in your own salon. I can +scarce believe my own senses, when I remember that thirty-one +years ago you—"

+

"Saw it off!" says the Duchess peremptorily.

+

The Prince bows low, and drawing a jewelled dagger, stabs himself +to the heart.

+

"The displeasure of your grace is worse than death," he says, as +he takes his overcoat and hat from a corner of the mantelpiece and +leaves the room.

+

"Voilà," says Bèebè Francillon, +fanning herself languidly. "That is the way with men. +Flatter them, and they kiss your hand. Loose but a +moment the silken leash that holds them captive +through their vanity and self-opinionativeness, +and the son-of-a-gun gets on his ear at once. +The devil go with him, I say."

+

"Ah, mon Princesse," sighs the Count Pumpernickel, stooping and +whispering with eloquent eyes into her ear. "You are too hard upon +us. Balzac says, 'All women are not to themselves what no one else +is to another.' Do you not agree with him?"

+

"Cheese it!" says the Princess. "Philosophy palls upon me. I'll +shake you."

+

"Hosses?" says the Count.

+

Arm and arm they go out to the salon au Beurre.

+

Armande de Fleury, the young pianissimo danseuse from the Folies +Bergère is about to sing.

+

She slightly clears her throat and lays a voluptuous cud of +chewing gum upon the piano as the first notes of the accompaniment +ring through the salon.

+

As she prepares to sing, the Duchess du Bellairs grasps the arm of +her ottoman in a vice-like grip, and she watches with an +expression of almost anguished suspense.

+

She scarcely breathes.

+

Then, as Armande de Fleury, before uttering a note, reels, wavers, +turns white as snow and falls dead upon the floor, the Duchess +breathes a sigh of relief.

+

The Duchess had poisoned her.

+

Then the guests crowd about the piano, gazing with bated breath, +and shuddering as they look upon the music rack and observe that +the song that Armande came so near singing is "Sweet Marie."

+

Twenty minutes later a dark and muffled figure was seen to emerge +from a recess in the mullioned wall of the Arc de Triomphe and +pass rapidly northward.

+

It was no other than Tictocq, the detective.

+

The network of evidence was fast being drawn about the murderer of +Marie Cusheau.

+
+

It is midnight on the steeple of the Cathedral of Notadam.

+

It is also the same time at other given points in the vicinity.

+

The spire of the Cathedral is 20,000 feet above the pavement, and +a casual observer, by making a rapid mathematical calculation, +would have readily perceived that this Cathedral is, at least, +double the height of others that measure only 10,000 feet.

+

At the summit of the spire there is a little wooden platform on +which there is room for but one man to stand.

+

Crouching on this precarious footing, which swayed, dizzily with +every breeze that blew, was a man closely muffled, and disguised +as a wholesale grocer.

+

Old François Beongfallong, the great astronomer, who +is studying the sidereal spheres from +his attic window in the Rue de Bologny, +shudders as he turns his telescope upon the solitary figure upon +the spire.

+

"Sacrè Bleu!" he hisses between his new celluloid +teeth. "It is Tictocq, the detective. I wonder whom he +is following now?"

+

While Tictocq is watching with lynx-like eyes the hill of +Montmartre, he suddenly hears a heavy breathing beside him, and +turning, gazes into the ferocious eyes of the Gray Wolf.

+

Carnaignole Cusheau had put on his W. U. Tel. Co. climbers and +climbed the steeple.

+

"Parbleu, monsieur," says Tictocq. "To whom am I indebted for the +honor of this visit?"

+

The Gray Wolf smiled softly and depreciatingly.

+

"You are Tictocq, the detective?" he said.

+

"I am."

+

"Then listen. I am the murderer of Marie Cusheau. She was my wife +and she had cold feet and ate onions. What was I to do? Yet life +is sweet to me. I do not wish to be guillotined. I have heard that +you are on my track. Is it true that the case is in your hands?"

+

"It is."

+

"Thank le bon Dieu, then, I am saved."

+

The Gray Wolf carefully adjusts the climbers on his feet and +descends the spire.

+

Tictocq takes out his notebook and writes in it.

+

"At last," he says, "I have a clue."

+
+

Monsieur le Compte Carnaignole Cusheau, once known as the Gray +Wolf, stands in the magnificent drawing-room of his palace on East +47th Street.

+

Three days after his confession to Tictocq, he happened to look in +the pockets of a discarded pair of pants and found twenty million +francs in gold.

+

Suddenly the door opens and Tictocq, the detective, with a dozen +gensd'arme, enters the room.

+

"You are my prisoner," says the detective.

+

"On what charge?"

+

"The murder of Marie Cusheau on the night of August 17th."

+

"Your proofs?"

+

"I saw you do it, and your own confession on the spire of +Notadam."

+

The Count laughed and took a paper from his pocket. "Read this," +he said, "here is proof that Marie Cusheau died of heart failure."

+

Tictocq looked at the paper.

+

It was a check for 100,000 francs.

+

Tictocq dismissed the gensd'arme with a wave of his hand.

+

"We have made a mistake, monsieurs," he said, but as he turns to +leave the room, Count Carnaignole stops him.

+

"One moment, monsieur."

+

The Count Carnaignole tears from his own face a false beard and +reveals the flashing eyes and well-known features of Tictocq, the +detective.

+

Then, springing forward, he snatches a wig and false eyebrows from +his visitor, and the Gray Wolf, grinding his teeth in rage, stands +before him.

+

The murderer of Marie Cusheau was never discovered.

+

A SNAPSHOT AT THE PRESIDENT

+
+

[This is the kind of waggish editorial O. Henry +was writing in 1894 for the readers of The Rolling Stone. +The reader will do well to remember that the paper was for local +consumption and that the allusions are to a very special place +and time.]

+
+
+

(It will be remembered that about a month +ago there were special rates offered to the public +for a round trip to the City of Washington. The price +of the ticket being exceedingly low, we +secured a loan of twenty dollars from a public-spirited citizen +of Austin, by mortgaging our press and cow, with the additional +security of our brother's name and a slight draught on Major +Hutchinson for $4,000.

+

We purchased a round trip ticket, +two loaves of Vienna bread, and +quite a large piece of cheese, which we handed to a member of our +reportorial staff, with instructions to go to Washington, +interview President Cleveland, and get a scoop, if possible, on +all other Texas papers.

+

Our reporter came in yesterday morning, +via the Manor dirt road, with a large piece of folded cotton +bagging tied under each foot.

+

It seems that he lost his ticket +in Washington, and having divided +the Vienna bread and cheese with some disappointed office seekers +who were coming home by the same route, he arrived home hungry, +desiring food, and with quite an appetite.

+

Although somewhat late, we give his description +of his interview with President Cleveland.)

+
+

I am chief reporter on the staff of The Rolling Stone.

+

About a month ago the managing editor came into the room where we +were both sitting engaged in conversation and said:

+

"Oh, by the way, go to Washington and interview President +Cleveland."

+

"All right," said I. "Take care of yourself."

+

Five minutes later I was seated in a palatial drawing-room car +bounding up and down quite a good deal on the elastic +plush-covered seat.

+

I shall not linger upon the incidents of the journey. I was given +carte blanche to provide myself with every comfort, and to spare +no expense that I could meet. For the regalement of my inside the +preparations had been lavish. Both Vienna and Germany had been +called upon to furnish dainty viands suitable to my palate.

+

I changed cars and shirts once only on the journey. A stranger +wanted me to also change a two-dollar bill, but I haughtily +declined.

+

The scenery along the entire road to Washington is diversified. +You find a portion of it on one hand by looking out of the window, +and upon turning the gaze upon the other side the eye is surprised +and delighted by discovering some more of it.

+

There were a great many Knights of Pythias on the train. One of +them insisted upon my giving him the grip I had with me, but he +was unsuccessful.

+

On arriving in Washington, which city I instantly recognized from +reading the history of George, I left the car so hastily that I +forgot to fee Mr. Pullman's representative.

+

I went immediately to the Capitol.

+

In a spirit of jeu d'esprit I had had made a globular +representation of a "rolling stone." It was of wood, painted a +dark color, and about the size of a small cannon ball. I had +attached to it a twisted pendant about three inches long to +indicate moss. I had resolved to use this in place of a card, +thinking people would readily recognize it as an emblem of my +paper.

+

I had studied the arrangement of the Capitol, and walked directly +to Mr. Cleveland's private office.

+

I met a servant in the hall, and held up my card to him smilingly.

+

I saw his hair rise on his head, and he ran like a deer to the +door, and, lying down, rolled down the long flight of steps into +the yard.

+

"Ah," said I to myself, "he is one of our delinquent subscribers."

+

A little farther along I met the President's private secretary, +who had been writing a tariff letter and cleaning a duck gun for +Mr. Cleveland.

+

When I showed him the emblem of my paper he sprang out of a high +window into a hothouse filled with rare flowers.

+

This somewhat surprised me.

+

I examined myself. My hat was on straight, and there was nothing +at all alarming about my appearance.

+

I went into the President's private office.

+

He was alone. He was conversing with Tom Ochiltree. Mr. Ochiltree +saw my little sphere, and with a loud scream rushed out of the +room.

+

President Cleveland slowly turned his eyes upon me.

+

He also saw what I had in my hand, and said in a husky voice:

+

"Wait a moment, please."

+

He searched his coat pocket, and presently found a piece of paper +on which some words were written.

+

He laid this on his desk and rose to his feet, raised one hand +above him, and said in deep tones:

+

"I die for Free Trade, my country, and—and—all that sort of +thing."

+

I saw him jerk a string, and a camera snapped on another table, +taking our picture as we stood.

+

"Don't die in the House, Mr. President," I said. "Go over into the +Senate Chamber."

+

"Peace, murderer!" he said. "Let your bomb do its deadly work."

+

"I'm no bum," I said, with spirit. "I represent The Rolling Stone, +of Austin, Texas, and this I hold in my hand does the same thing, +but, it seems, unsuccessfully."

+

The President sank back in his chair greatly relieved.

+

"I thought you were a dynamiter," he said. "Let me see; Texas! +Texas!" He walked to a large wall map of the United States, and +placing his finger thereon at about the location of Idaho, ran it +down in a zigzag, doubtful way until he reached Texas.

+

"Oh, yes, here it is. I have so many things on my mind, I +sometimes forget what I should know well.

+

"Let's see; Texas? Oh, yes, that's the State where Ida Wells and a +lot of colored people lynched a socialist named Hogg for raising a +riot at a camp-meeting. So you are from Texas. I know a man from +Texas named Dave Culberson. How is Dave and his family? Has Dave +got any children?"

+

"He has a boy in Austin," I said, "working around the Capitol."

+

"Who is President of Texas now?"

+

"I don't exactly—"

+

"Oh, excuse me. I forgot again. I thought I heard some talk of +its having been made a Republic again."

+

"Now, Mr. Cleveland," I said, "you answer some of my questions."

+

A curious film came over the President's eyes. He sat stiffly in +his chair like an automaton.

+

"Proceed," he said.

+

"What do you think of the political future of this country?"

+

"I will state that political exigencies demand emergentistical +promptitude, and while the United States is indissoluble in +conception and invisible in intent, treason and internecine +disagreement have ruptured the consanguinity of patriotism, and—"

+

"One moment, Mr. President," I interrupted; "would you mind +changing that cylinder? I could have gotten all that from the +American Press Association if I had wanted plate matter. Do you +wear flannels? What is your favorite poet, brand of catsup, bird, +flower, and what are you going to do when you are out of a job?"

+

"Young man," said Mr. Cleveland, sternly, "you are going a little +too far. My private affairs do not concern the public."

+

I begged his pardon, and he recovered his good humor in a moment.

+

"You Texans have a great representative in Senator Mills," he +said. "I think the greatest two speeches I ever heard were his +address before the Senate advocating the removal of the tariff on +salt and increasing it on chloride of sodium."

+

"Tom Ochiltree is also from our State," I said.

+

"Oh, no, he isn't. You must be mistaken," replied Mr. Cleveland, +"for he says he is. I really must go down to Texas some time, and +see the State. I want to go up into the Panhandle and see if it is +really shaped like it is on the map."

+

"Well, I must be going," said I.

+

"When you get back to Texas," said the President, rising, "you +must write to me. Your visit has awakened in me quite an interest +in your State which I fear I have not given the attention it +deserves. There are many historical and otherwise interesting +places that you have revived in my recollection—the Alamo, where +Davy Jones fell; Goliad, Sam Houston's surrender to Montezuma, the +petrified boom found near Austin, five-cent cotton and the Siamese +Democratic platform born in Dallas. I should so much like to see +the gals in Galveston, and go to the wake in Waco. I am glad I met +you. Turn to the left as you enter the hall and keep straight on +out." I made a low bow to signify that the interview was at an +end, and withdrew immediately. I had no difficulty +in leaving the building as soon as I was outside.

+

I hurried downtown in order to obtain refreshments at some place +where viands had been placed upon the free list.

+

I shall not describe my journey back to Austin. I lost my return +ticket somewhere in the White House, and was forced to return home +in a manner not especially beneficial to my shoes. Everybody was +well in Washington when I left, and all send their love.

+

AN UNFINISHED CHRISTMAS STORY

+
+

[Probably begun several years before his +death. Published, as it here appears, in Short Stories, +January, 1911.]

+
+

Now, a Christmas story should be one. For a good many years the +ingenious writers have been putting forth tales for the holiday +numbers that employed every subtle, evasive, indirect and +strategic scheme they could invent to disguise the Christmas +flavor. So far has this new practice been carried that nowadays +when you read a story in a holiday magazine the only way you can +tell it is a Christmas story is to look at the footnote which +reads: ["The incidents in the above story happened on December +25th.—Ed."]

+

There is progress in this; but it is all very sad. There are just +as many real Christmas stories as ever, if we would only dig 'em +up. Me, I am for the Scrooge and Marley Christmas story, and the +Annie and Willie's prayer poem, and the long lost son coming home +on the stroke of twelve to the poorly thatched cottage with his +arms full of talking dolls and popcorn balls and—Zip! you hear +the second mortgage on the cottage go flying off it into the deep +snow.

+

So, this is to warn you that there is no subterfuge about this +story—and you might come upon stockings hung to the mantel and +plum puddings and hark! the chimes! and wealthy misers loosening +up and handing over penny whistles to lame newsboys if you read +further.

+

Once I knocked at a door (I have so many things to tell you I keep +on losing sight of the story). It was the front door of a +furnished room house in West 'Teenth Street. I was looking for a +young illustrator named Paley originally and irrevocably from +Terre Haute. Paley doesn't enter even into the first serial rights +of this Christmas story; I mention him simply in explaining why I +came to knock at the door—some people have so much curiosity.

+

The door was opened by the landlady. I had seen hundreds like her. +And I had smelled before that cold, dank, furnished draught of air +that hurried by her to escape immurement in the furnished house.

+

She was stout, and her face and lands were as white as though she +had been drowned in a barrel of vinegar. One hand held together at +her throat a buttonless flannel dressing sacque whose lines had +been cut by no tape or butterick known to mortal woman. Beneath +this a too-long, flowered, black sateen skirt was draped about +her, reaching the floor in stiff wrinkles and folds.

+

The rest of her was yellow. Her hair, in some bygone age, had been +dipped in the fountain of folly presided over by the merry nymph +Hydrogen; but now, except at the roots, it had returned to its +natural grim and grizzled white.

+

Her eyes and teeth and finger nails were yellow. Her chops hung +low and shook when she moved. The look on her face was exactly +that smileless look of fatal melancholy that you may have seen on +the countenance of a hound left sitting on the doorstep of a +deserted cabin.

+

I inquired for Paley. After a long look of cold suspicion the +landlady spoke, and her voice matched the dingy roughness of her +flannel sacque.

+

Paley? Was I sure that was the name? And wasn't it, likely, Mr. +Sanderson I meant, in the third floor rear? No; it was Paley I +wanted. Again that frozen, shrewd, steady study of my soul from +her pale-yellow, unwinking eyes, trying to penetrate my mask of +deception and rout out my true motives from my lying lips. There +was a Mr. Tompkins in the front hall bedroom two flights up. +Perhaps it was he I was seeking. He worked of nights; he never +came in till seven in the morning. Or if it was really Mr. Tucker +(thinly disguised as Paley) that I was hunting I would have to +call between five and—

+

But no; I held firmly to Paley. There was no such name among her +lodgers. Click! the door closed swiftly in my face; and I heard +through the panels the clanking of chains and bolts.

+

I went down the steps and stopped to consider. The number of this +house was 43. I was sure Paley had said 43—or perhaps it was 45 +or 47—I decided to try 47, the second house farther along.

+

I rang the bell. The door opened; and there stood the same woman. +I wasn't confronted by just a resemblance—it was the same +woman holding together the same old sacque at her throat +and looking at me with the same yellow eyes as if she had +never seen me before on +earth. I saw on the knuckle of her second finger the same +red-and-black spot made, probably, by a recent burn against a hot +stove.

+

I stood speechless and gaping while one with moderate haste might +have told fifty. I couldn't have spoken Paley's name even if I had +remembered it. I did the only thing that a brave man who believes +there are mysterious forces in nature that we do not yet fully +comprehend could have done in the circumstances. I backed down the +steps to the sidewalk and then hurried away frontward, fully +understanding how incidents like that must bother the psychical +research people and the census takers.

+

Of course I heard an explanation of it afterward, as we always do +about inexplicable things.

+

The landlady was Mrs. Kannon; and she leased three adjoining +houses, which she made into one by cutting arched doorways through +the walls. She sat in the middle house and answered the three +bells.

+

I wonder why I have maundered so slowly through the prologue. I +have it! it was simply to say to you, in the form of introduction +rife through the Middle West: "Shake hands with Mrs. Kannon."

+

For, it was in her triple house that the Christmas story happened; +and it was there where I picked up the incontrovertible facts from +the gossip of many roomers and met Stickney—and saw the necktie.

+

Christmas came that year on Thursday, and snow came with it.

+

Stickney (Harry Clarence Fowler Stickney to whomsoever his full +baptismal cognominal burdens may be of interest) reached his +address at six-thirty Wednesday afternoon. "Address" is New +Yorkese for "home." Stickney roomed at 45 West 'Teenth Street, +third floor rear hall room. He was twenty years and four months +old, and he worked in a cameras-of-all-kinds, photographic +supplies and films-developed store. I don't know what kind of work +he did in the store; but you must have seen him. He is the young +man who always comes behind the counter to wait on you and lets +you talk for five minutes, telling him what you want. When you are +done, he calls the proprietor at the top of his voice to wait on +you, and walks away whistling between his teeth.

+

I don't want to bother about describing to you his appearance; +but, if you are a man reader, I will say that Stickncy looked +precisely like the young chap that you always find sitting in your +chair smoking a cigarette after you have missed a shot while +playing pool—not billiards but pool—when you want to sit down +yourself.

+

There are some to whom Christmas gives no Christmassy essence. Of +course, prosperous people and comfortable people who have homes or +flats or rooms with meals, and even people who live in apartment +houses with hotel service get something of the Christmas flavor. +They give one another presents with the cost mark scratched off +with a penknife; and they hang holly wreaths in the front windows +and when they are asked whether they prefer light or dark meat +from the turkey they say: "Both, please," and giggle and have lots +of fun. And the very poorest people have the best time of it. The +Army gives 'em a dinner, and the 10 +a. m. issue of the Night Final +edition of the newspaper with the largest circulation in the city +leaves a basket at their door full of an apple, a Lake Ronkonkoma +squab, a scrambled eggplant and a bunch of Kalamazoo bleached +parsley. The poorer you are the more Christmas does for you.

+

But, I'll tell you to what kind of a mortal Christmas seems to be +only the day before the twenty-sixth day of December. It's the +chap in the big city earning sixteen dollars a week, with no +friends and few acquaintances, who finds himself with only fifty +cents in his pocket on Christmas eve. He can't accept charity; he +can't borrow; he knows no one who would invite him to dinner. I +have a fancy that when the shepherds left their flocks to follow +the star of Bethlehem there was a bandy-legged young fellow among +them who was just learning the sheep business. So they said to +him, "Bobby, we're going to investigate this star route and see +what's in it. If it should turn out to be the first Christmas day +we don't want to miss it. And, as you are not a wise man, and as +you couldn't possibly purchase a present to take along, suppose +you stay behind and mind the sheep."

+

So as we may say, Harry Stickney was a direct descendant of the +shepherd who was left behind to take care of the flocks.

+

Getting back to facts, Stickney rang the doorbell of 45. He had a +habit of forgetting his latchkey.

+

Instantly the door opened and there stood Mrs. Kannon, clutching +her sacque together at the throat and gorgonizing him with her +opaque, yellow eyes.

+

(To give you good measure, here is a story within a story. Once a +roomer in 47 who had the Scotch habit—not kilts, but a habit of +drinking Scotch—began to figure to himself what might happen if +two persons should ring the doorbells of 43 and 47 at the same +time. Visions of two halves of Mrs. Kannon appearing respectively +and simultaneously at the two entrances, each clutching at a side +of an open, flapping sacque that could never meet, overpowered +him. Bellevue got him.)

+

"Evening," said Stickney cheerlessly, as he distributed little +piles of muddy slush along the hall matting. "Think we'll have +snow?"

+

"You left your key," said—

+
+

[Here the manuscript ends.]

+
+

THE UNPROFITABLE SERVANT

+
+

[Left unfinished, and published as it +here appears in Everybody's Magazine, December, +1911.]

+
+

I am the richer by the acquaintance of four newspaper men. Singly, +they are my encyclopedias, friends, mentors, and sometimes +bankers. But now and then it happens that all of them will pitch +upon the same printworthy incident of the passing earthly panorama +and will send in reportorial constructions thereof to their +respective journals. It is then that, for me, it is to laugh. For +it seems that to each of them, trained and skilled as he may be, +the same occurrence presents a different facet of the cut diamond, +life.

+

One will have it (let us say) that Mme. André +Macarté's apartment was looted by six +burglars, who descended via the fire-escape and +bore away a ruby tiara valued at two thousand dollars and a +five-hundred-dollar prize Spitz dog, which (in violation of the +expectoration ordinance) was making free with the halls of the +Wuttapesituckquesunoowetunquah Apartments.

+

My second "chiel" will take notes to the effect that +while a friendly game of pinochle was in progress in the tenement +rooms of Mrs. Andy McCarty, a lady guest named Ruby O'Hara threw a +burglar down six flights of stairs, where he was pinioned and held +by a two-thousand-dollar English bulldog amid a crowd of five +hundred excited spectators.

+

My third chronicler and friend will gather the news threads of the +happening in his own happy way; setting forth on the page for you +to read that the house of Antonio Macartini was blown up at 6 +a. m., by the +Black Hand Society, on his refusing to leave two +thousand dollars at a certain street corner, killing a pet +five-hundred-dollar Pomeranian belonging to Alderman Rubitara's +little daughter (see photo and diagram opposite).

+

Number four of my history-makers will simply construe from the +premises the story that while an audience of two thousand +enthusiasts was listening to a Rubinstein concert on Sixth Street, +a woman who said she was Mrs. Andrew M. Carter threw a brick +through a plate-glass window valued at five hundred dollars. The +Carter woman claimed that some one in the building had stolen her +dog.

+

Now, the discrepancies in these registrations of the day's doings +need do no one hurt. Surely, one newspaper is enough for any man +to prop against his morning water-bottle to fend off the smiling +hatred of his wife's glance. If he be foolish enough to read four +he is no wiser than a Higher Critic.

+

I remember (probably as well as you do) having read the parable of +the talents. A prominent citizen, about to journey into a far +country, first hands over to his servants his goods. To one he +gives five talents; to another two; to another one—to every man +according to his several ability, as the text has it. There are +two versions of this parable, as you well know. There may be +more—I do not know.

+

When the p. c. returns he requires an accounting. Two servants +have put their talents out at usury and gained one hundred per +cent. Good. The unprofitable one simply digs up the talent +deposited with him and hands it out on demand. A pattern of +behavior for trust companies and banks, surely! In one version we +read that he had wrapped it in a napkin and laid it away. But the +commentator informs us that the talent mentioned was composed of +750 ounces of silver—about $900 worth. So the chronicler who +mentioned the napkin, had either to reduce the amount of the +deposit or do a lot of explaining about the size of the napery +used in those davs. Therefore in his version we note that he uses +the word "pound" instead of "talent."

+

A pound of silver may very well be laid away—and carried away—in +a napkin, as any hotel or restaurant man will tell you.

+

But let us get away from our mutton.

+

When the returned nobleman finds that the one-talented servant has +nothing to hand over except the original fund entrusted to him, he +is as angry as a multi-millionaire would be if some one should +hide under his bed and make a noise like an assessment. He orders +the unprofitable servant cast into outer darkness, after first +taking away his talent and giving it to the one-hundred-per cent. +financier, and breathing strange saws, saying: "From him that hath +not shall be taken away even that which he hath." Which is the +same as to say: "Nothing from nothing leaves nothing."

+

And now closer draw the threads of parable, precept allegory, and +narrative, leading nowhere if you will, or else weaving themselves +into the little fiction story about Cliff McGowan and his one +talent. There is but a definition to follow; and then the homely +actors trip on.

+

Talent: A gift, endowment or faculty; some peculiar ability, +power, or accomplishment, natural or acquired. (A metaphor +borrowed from the parable in Matt. XXV. 14-30.)

+

In New York City to-day there are (estimated) 125,000 living +creatures training for the stage. This does not include seals, +pigs, dogs, elephants, prize-fighters, Carmens, mind-readers, or +Japanese wrestlers. The bulk of them are in the ranks of the Four +Million. Out of this number will survive a thousand.

+

Nine hundred of these will have attained their fulness of fame +when they shall dubiously indicate with the point of a hatpin a +blurred figure in a flashlight photograph of a stage tout ensemble +with the proud commentary: "That's me."

+

Eighty, in the pinkest of (male) Louis XIV court costumes, shall +welcome the Queen of the (mythical) Pawpaw Isles in a few +well-memorized words, turning a tip-tilted nose upon the nine +hundred.

+

Ten, in tiny lace caps, shall dust Ibsen furniture for six minutes +after the rising of the curtain.

+

Nine shall attain the circuits, besieging with muscle, skill, eye, +hand, voice, wit, brain, heel and toe the ultimate high walls of +stardom.

+

One shall inherit Broadway. Sic venit gloria mundi.

+

Cliff McGowan and Mac McGowan were cousins. They lived on the West +Side and were talented. Singing, dancing, imitations, trick +bicycle riding, boxing, German and Irish dialect comedy, and a +little sleight-of-hand and balancing of wheat straws and +wheelbarrows on the ends of their chins came as easy to them as it +is for you to fix your rat so it won't show or to dodge a creditor +through the swinging-doors of a well-lighted café—according as +you may belong to the one or the other division of the greatest +prestidigitators—the people. They were slim, pale, consummately +self-possessed youths, whose fingernails were always +irreproachably (and clothes seams reproachfully) shiny. Their +conversation was in sentences so short that they made Kipling's +seem as long as court citations.

+

Having the temperament, they did no work. Any afternoon you could +find them on Eighth Avenue either in front of Spinelli's barber +shop, Mike Dugan's place, or the Limerick Hotel, rubbing their +forefinger nails with dingy silk handkerchiefs. At any time, if +you had happened to be standing, undecisive, near a pool-table, +and Cliff and Mac had, casually, as it were, drawn near, +mentioning something disinterestedly, about a game, well, indeed, +would it have been for you had you gone your way, unresponsive. +Which assertion, carefully considered, is a study in tense, +punctuation, and advice to strangers.

+

Of all kinships it is likely that the closest is that of cousin. +Between cousins there exist the ties of race, name, and +favor—ties thicker than water, and yet not coagulated with the +jealous precipitations of brotherhood or the enjoining obligations +of the matrimonial yoke. You can bestow upon a cousin almost the +interest and affection that you would give to a stranger; you need +not feel toward him the contempt and embarrassment that you have +for one of your father's sons—it is the closer clan-feeling that +sometimes makes the branch of a tree stronger than its trunk.

+

Thus were the two McGowans bonded. They enjoyed a quiet celebrity +in their district, which was a strip west of Eighth Avenue with +the Pump for its pivot. Their talents were praised in a hundred +"joints"; their friendship was famed even in a neighborhood where +men had been known to fight off the wives of their friends—when +domestic onslaught was being made upon their friends by the wives +of their friends. (Thus do the limitations of English force us to +repetends.)

+

So, side by side, grim, sallow, lowering, inseparable, undefeated, +the cousins fought their way into the temple of Art—art with a +big A, which causes to intervene a lesson in geometry.

+

One night at about eleven o'clock Del Delano dropped into Mike's +place on Eighth Avenue. From that moment, instead of remaining a +Place, the café became a Resort. It was as though King Edward had +condescended to mingle with ten-spots of a different suit; or Joe +Gans had casually strolled in to look over the Tuskegee School; or +Mr. Shaw, of England, had accepted an invitation to read +selections from "Rena, the Snow-bird" at an unveiling of the +proposed monument to James Owen O'Connor at Chinquapin Falls, +Mississippi. In spite of these comparisons, you will have to be +told why the patronizing of a third-rate saloon on the West Side +by the said Del Delano conferred such a specific honor upon the +place.

+

Del Delano could not make his feet behave; and so the world paid +him $300 a week to see them misconduct themselves on the +vaudeville stage. To make the matter plain to you (and to swell +the number of words), he was the best fancy dancer on any of the +circuits between Ottawa and Corpus Christi. With his eyes fixed on +vacancy and his feet apparently fixed on nothing, he "nightly +charmed thousands," as his press-agent incorrectly stated. Even +taking night performance and matinée together, he scarcely +could have charmed more than eighteen hundred, including +those who left after Zora, the Nautch girl, had squeezed +herself through a hoop twelve inches in diameter, and +those who were waiting for the moving pictures.

+

But Del Delano was the West Side's favorite; and nowhere is there +a more loyal Side. Five years before our story was submitted to +the editors, Del had crawled from some Tenth Avenue basement like +a lean rat and had bitten his way into the Big Cheese. Patched, +half-starved, cuffless, and as scornful of the Hook as an +interpreter of Ibsen, he had danced his way into health (as you +and I view it) and fame in sixteen minutes on Amateur Night at +Creary's (Variety) Theatre in Eighth Avenue. A bookmaker (one of +the kind that talent wins with instead of losing) sat in the +audience, asleep, dreaming of an impossible pick-up among the +amateurs. After a snore, a glass of beer from the handsome waiter, +and a temporary blindness caused by the diamonds of a transmontane +blonde in Box E, the bookmaker woke up long enough to engage Del +Delano for a three-weeks' trial engagement fused with a +trained-dog short-circuit covering the three Washingtons—Heights, +Statue, and Square.

+

By the time this story was read and accepted, Del Delano was +drawing his three-hundred dollars a week, which, divided by seven +(Sunday acts not in costume being permissible), dispels the +delusion entertained by most of us that we have seen better days. +You can easily imagine the worshipful agitation of Eighth Avenue +whenever Del Delano honored it with a visit after his +terpsichorean act in a historically great and vilely ventilated +Broadway theatre. If the West Side could claim forty-two minutes +out of his forty-two weeks' bookings every year, it was an +occasion for bonfires and repainting of the Pump. And now you know +why Mike's saloon is a Resort, and no longer a simple Place.

+

Del Delano entered Mike's alone. So nearly concealed in a +fur-lined overcoat and a derby two sizes too large for him was +Prince Lightfoot that you saw of his face only his pale, +hatchet-edged features and a pair of unwinking, cold, light blue +eyes. Nearly every man lounging at Mike's bar recognized the +renowned product of the West Side. To those who did not, wisdom +was conveyed by prodding elbows and growls of one-sided +introduction.

+

Upon Charley, one of the bartenders, both fame and fortune +descended simultaneously. He had once been honored by shaking +hands with the great Delano at a Seventh Avenue boxing bout. So +with lungs of brass he now cried: "Hallo, Del, old man; what'll it +be?"

+

Mike, the proprietor, who was cranking the cash register, heard. +On the next day he raised Charley's wages five a week.

+

Del Delano drank a pony beer, paying for it carelessly out of his +nightly earnings of $42.85-5/7. He nodded amiably +but coldly at the long line of Mike's patrons and strolled past +them into the rear room of the café. For he heard in there sounds +pertaining to his own art—the light, stirring staccato of a +buck-and-wing dance.

+

In the back room Mac McGowan was giving a private exhibition of +the genius of his feet. A few young men sat at tables looking on +critically while they amused themselves seriously with beer. They +nodded approval at some new fancy steps of Mac's own invention.

+

At the sight of the great Del Delano, the amateur's feet +stuttered, blundered, clicked a few times, and ceased to move. The +tongues of one's shoes become tied in the presence of the Master. +Mac's sallow face took on a slight flush.

+

From the uncertain cavity between Del Delano's hat brim and the +lapels of his high fur coat collar came a thin puff of cigarette +smoke and then a voice:

+

"Do that last step over again, kid. And don't hold your arms quite +so stiff. Now, then!"

+

Once more Mac went through his paces. According to the traditions +of the man dancer, his entire being was transformed into mere feet +and legs. His gaze and expression became cataleptic; his body, +unbending above the waist, but as light as a cork, bobbed like the +same cork dancing on the ripples of a running brook. The beat of +his heels and toes pleased you like a snare-drum obligato. The +performance ended with an amazing clatter of leather against wood +that culminated in a sudden flat-footed stamp, leaving the dancer +erect and as motionless as a pillar of the colonial portico of a +mansion in a Kentucky prohibition town. Mac felt that he had done +his best and that Del Delano would turn his back upon him in +derisive scorn.

+

An approximate silence followed, broken only by the mewing of a +café cat and the hubbub and uproar of a few million citizens and +transportation facilities outside.

+

Mac turned a hopeless but nervy eye upon Del Delano's face. In it +he read disgust, admiration, envy, indifference, approval, +disappointment, praise, and contempt.

+

Thus, in the countenances of those we hate or love we find what we +most desire or fear to see. Which is an assertion equalling in its +wisdom and chiaroscuro the most famous sayings of the most foolish +philosophers that the world has ever known.

+

Del Delano retired within his overcoat and hat. In two minutes he +emerged and turned his left side to Mac. Then he spoke.

+

"You've got a foot movement, kid, like a baby hippopotamus trying +to side-step a jab from a humming-bird. And you hold yourself like +a truck driver having his picture taken in a Third Avenue +photograph gallery. And you haven't got any method or style. And +your knees are about as limber as a couple of Yale pass-keys. And +you strike the eye as weighing, let us say, 450 pounds while you +work. But, say, would you mind giving me your name?"

+

"McGowan," said the humbled amateur—"Mac McGowan."

+

Delano the Great slowly lighted a cigarette and continued, through +its smoke:

+

"In other words, you're rotten. You can't dance. But I'll tell you +one thing you've got."

+

"Throw it all off of your system while you're at it," said Mac. +"What've I got?"

+

"Genius," said Del Delano. "Except myself, it's up to you to be +the best fancy dancer in the United States, Europe, Asia, and the +colonial possessions of all three."

+

"Smoke up!" said Mac McGowan.

+

"Genius," repeated the Master—"you've got a talent for genius. +Your brains are in your feet, where a dancer's ought to be. You've +been self-taught until you're almost ruined, but not quite. What +you need is a trainer. I'll take you in hand and put you at the +top of the profession. There's room there for the two of us. You +may beat me," said the Master, casting upon him a cold, savage +look combining so much rivalry, affection, justice, and human hate +that it stamped him at once as one of the little great ones of the +earth—"you may beat me; but I doubt it. I've got the start and +the pull. But at the top is where you belong. Your name, you say, +is Robinson?"

+

"McGowan," repeated the amateur, "Mac McGowan."

+

"It don't matter," said Delano. "Suppose you walk up to my hotel +with me. I'd like to talk to you. Your footwork is the worst I +ever saw, Madigan—but—well, I'd like to talk to you. You may not +think so, but I'm not so stuck up. I came off of the West Side +myself. That overcoat cost me eight hundred dollars; but the +collar ain't so high but what I can see over it. I taught myself +to dance, and I put in most of nine years at it before I shook a +foot in public. But I had genius. I didn't go too far wrong in +teaching myself as you've done. You've got the rottenest method +and style of anybody I ever saw."

+

"Oh, I don't think much of the few little steps I take," said Mac, +with hypocritical lightness.

+

"Don't talk like a package of self-raising buckwheat flour," said +Del Delano. "You've had a talent handed to you by the Proposition +Higher Up; and it's up to you to do the proper thing with it. I'd +like to have you go up to my hotel for a talk, if you will."

+

In his rooms in the King Clovis Hotel, Del Delano put on a scarlet +house coat bordered with gold braid and set out Apollinaris and a +box of sweet crackers.

+

Mac's eye wandered.

+

"Forget it," said Del. "Drink and tobacco may be all right for a +man who makes his living with his hands; but they won't do if +you're depending on your head or your feet. If one end of you gets +tangled, so does the other. That's why beer and cigarettes don't +hurt piano players and picture painters. But you've got to cut 'em +out if you want to do mental or pedal work. Now, have a cracker, +and then we'll talk some."

+

"All right," said Mac. "I take it as an honor, of course, for you +to notice my hopping around. Of course I'd like to do something in +a professional line. Of course I can sing a little and do card +tricks and Irish and German comedy stuff, and of course I'm not so +bad on the trapeze and comic bicycle stunts and Hebrew monologues +and—"

+

"One moment," interrupted Del Delano, "before we begin. I said you +couldn't dance. Well, that wasn't quite right. You've only got two +or three bad tricks in your method. You're handy with your feet, +and you belong at the top, where I am. I'll put you there. I've +got six weeks continuous in New York; and in four I can shape up +your style till the booking agents will fight one another to get +you. And I'll do it, too. I'm of, from, and for the West Side. +'Del Delano' looks good on bill-boards, but the family name's +Crowley. Now, Mackintosh—McGowan, I mean—you've got your +chance—fifty times a better one than I had."

+

"I'd be a shine to turn it down," said Mac. "And I hope you +understand I appreciate it. Me and my cousin Cliff McGowan was +thinking of getting a try-out at Creary's on amateur night a month +from to-morrow."

+

"Good stuff!" said Delano. "I got mine there. Junius T. Rollins, +the booker for Kuhn & Dooley, jumped on the stage and engaged me +after my dance. And the boards were an inch deep in nickels and +dimes and quarters. There wasn't but nine penny pieces found in +the lot."

+

"I ought to tell you," said Mac, after two minutes of pensiveness, +"that my cousin Cliff can beat me dancing. We've always been what +you might call pals. If you'd take him up instead of me, now, it +might be better. He's invented a lot of steps that I can't cut."

+

"Forget it," said Delano. "Mondays, Wednesdays, Fridays, and +Saturdays of every week from now till amateur night, a month off, +I'll coach you. I'll make you as good as I am; and nobody could do +more for you. My act's over every night at 10:15. Half an hour +later I'll take you up and drill you till twelve. I'll put you at +the top of the bunch, right where I am. You've got talent. Your +style's bum; but you've got the genius. You let me manage it. I'm +from the West Side myself, and I'd rather see one of the same gang +win out before I would an East-Sider, or any of the Flatbush or +Hackensack Meadow kind of butt-iners. I'll see that Junius Rollins +is present on your Friday night; and if he don't climb over the +footlights and offer you fifty a week as a starter, I'll let you +draw it down from my own salary every Monday night. Now, am I +talking on the level or am I not?"

+

Amateur night at Creary's Eighth Avenue Theatre is cut by the same +pattern as amateur nights elsewhere. After the regular performance +the humblest talent may, by previous arrangement with the +management, make its debut upon the public stage. Ambitious +non-professionals, mostly self-instructed, display their skill and +powers of entertainment along the broadest lines. They may sing, +dance, mimic, juggle, contort, recite, or disport themselves along +any of the ragged boundary lines of Art. From the ranks of these +anxious tyros are chosen the professionals that adorn or otherwise +make conspicuous the full-blown stage. Press-agents delight in +recounting to open-mouthed and close-eared reporters stories of +the humble beginnings of the brilliant stars whose orbits they +control.

+

Such and such a prima donna (they will tell you) made her initial +bow to the public while turning handsprings on an amateur night. +One great matinée favorite made his debut on a +generous Friday evening singing coon songs of his own +composition. A tragedian famous on two continents and +an island first attracted attention by an amateur +impersonation of a newly landed Scandinavian peasant +girl. One Broadway comedian that turns 'em away got a booking on a +Friday night by reciting (seriously) the graveyard scene in +"Hamlet."

+

Thus they get their chance. Amateur night is a kindly boon. It is +charity divested of almsgiving. It is a brotherly hand reached +down by members of the best united band of coworkers in the world +to raise up less fortunate ones without labelling them beggars. It +gives you the chance, if you can grasp it, to step for a few +minutes before some badly painted scenery and, during the playing +by the orchestra of some ten or twelve bars of music, and while +the soles of your shoes may be clearly holding to the uppers, to +secure a salary equal to a Congressman's or any orthodox +minister's. Could an ambitious student of literature or financial +methods get a chance like that by spending twenty minutes in a +Carnegie library? I do not not trow so.

+

But shall we look in at Creary's? Let us say that the specific +Friday night had arrived on which the fortunate Mac McGowan was to +justify the flattering predictions of his distinguished patron +and, incidentally, drop his silver talent into the slit of the +slot-machine of fame and fortune that gives up reputation and +dough. I offer, sure of your acquiescence, that we now forswear +hypocritical philosophy and bigoted comment, permitting the story +to finish itself in the dress of material allegations—a medium +more worthy, when held to the line, than the most laborious +creations of the word-milliners…

+
+

[Page of (O. Henry's) manuscript missing +here.]

+
+

…easily among the wings +with his patron, the great Del Delano. For, +whatever footlights shone in the City-That-Would-Be-Amused, the +freedom of their unshaded side was Del's. And if he should take up +an amateur—see? and bring him around—see? and, winking one of +his cold blue eyes, say to the manager: "Take it from me—he's got +the goods—see?" you wouldn't expect that amateur to sit on an +unpainted bench sudorifically awaiting his turn, would you? So Mac +strolled around largely with the nonpareil; and the seven waited, +clammily, on the bench.

+

A giant in shirt-sleeves, with a grim, kind face in which many +stitches had been taken by surgeons from time to time, +i. e., with a long stick, looped at the end. +He was the man with the Hook. The +manager, with his close-smoothed blond hair, his one-sided smile, +and his abnormally easy manner, pored with patient condescension +over the difficult program of the amateurs. The last of the +professional turns—the Grand March of the Happy Huzzard—had been +completed; the last wrinkle and darn of their blue silkolene +cotton tights had vanished from the stage. The man in the +orchestra who played the kettle-drum, cymbals, triangle, +sandpaper, whang-doodle, hoof-beats, and catcalls, and fired the +pistol shots, had wiped his brow. The illegal holiday of the +Romans had arrived.

+

While the orchestra plays the famous waltz from "The Dismal Wife," +let us bestow two hundred words upon the psychology of the +audience.

+

The orchestra floor was filled by People. The boxes contained +Persons. In the galleries was the Foreordained Verdict. The claque +was there as it had originated in the Stone Age and was afterward +adapted by the French. Every Micky and Maggie who sat upon +Creary's amateur bench, wise beyond their talents, knew that their +success or doom lay already meted out to them by that crowded, +whistling, roaring mass of Romans in the three galleries. They +knew that the winning or the losing of the game for each one lay +in the strength of the "gang" aloft that could turn the applause +to its favorite. On a Broadway first night a wooer of fame may win +it from the ticket buyers over the heads of the cognoscenti. But +not so at Creary's. The amateur's fate is arithmetical. The number +of his supporting admirers present at his try-out decides it in +advance. But how these outlying Friday nights put to a certain +shame the Mondays, Tuesdays, Wednesdays, Thursdays, Saturdays, and +matinées of the Broadway stage you should +know…

+
+

[Here the manuscript ends.]

+
+

ARISTOCRACY VERSUS HASH

+
+

[From The Rolling Stone.]

+
+

The snake reporter of The Rolling Stone was wandering up the +avenue last night on his way home from the Y.M.C.A. rooms when he +was approached by a gaunt, hungry-looking man with wild eyes and +dishevelled hair. He accosted the reporter in a hollow, weak +voice.

+

"'Can you tell me, Sir, where I can find in this town a family of +scrubs?'

+

"'I don't understand exactly.'

+

"'Let me tell you how it is,' said the stranger, inserting his +forefinger in the reporter's buttonhole and badly damaging his +chrysanthemum. 'I am a representative from Soapstone County, and I +and my family are houseless, homeless, and shelterless. We have +not tasted food for over a week. I brought my family with me, as I +have indigestion and could not get around much with the boys. Some +days ago I started out to find a boarding house, as I cannot +afford to put up at a hotel. I found a nice aristocratic-looking +place, that suited me, and went in and asked for the proprietress. +A very stately lady with a Roman nose came in the room. She had +one hand laid across her stom—across her waist, and the other +held a lace handkerchief. I told her I wanted board for myself and +family, and she condescended to take us. I asked for her terms, +and she said $300 per week.

+

"'I had two dollars in my pocket and I gave her that for a fine +teapot that I broke when I fell over the table when she spoke.'

+

"'You appear surprised,' says she. 'You will please remembah that +I am the widow of Governor Riddle of Georgiah; my family is very +highly connected; I give you board as a favah; I nevah considah +money any equivalent for the advantage of my society, I—'

+

"'Well, I got out of there, and I went to some other places. The +next lady was a cousin of General Mahone of Virginia, and wanted +four dollars an hour for a back room with a pink motto and a +Burnet granite bed in it. The next one was an aunt of Davy +Crockett, and asked eight dollars a day for a room furnished in +imitation of the Alamo, with prunes for breakfast and one hour's +conversation with her for dinner. Another one said she was a +descendant of Benedict Arnold on her father's side and Captain +Kidd on the other.

+

"'She took more after Captain Kidd.

+

"'She only had one meal and prayers a day, and counted her society +worth $100 a week.

+

"'I found nine widows of Supreme Judges, twelve relicts of +Governors and Generals, and twenty-two ruins left by various happy +Colonels, Professors, and Majors, who valued their aristocratic +worth from $90 to $900 per week, with weak-kneed hash and dried +apples on the side. I admire people of fine descent, but my +stomach yearns for pork and beans instead of culture. Am I not +right?'

+

"'Your words,' said the reporter, 'convince me that you have +uttered what you have said.'

+

"'Thanks. You see how it is. I am not wealthy; I have only my per +diem and my perquisites, and I cannot afford to pay for high +lineage and moldy ancestors. A little corned beef goes further +with me than a coronet, and when I am cold a coat of arms does not +warm me.'

+

"'I greatly fear, 'said the reporter, with a playful hiccough, +'that you have run against a high-toned town. Most all the +first-class boarding houses here are run by ladies of the old +Southern families, the very first in the land.'

+

"'I am now desperate,' said the Representative, as he chewed a +tack awhile, thinking it was a clove. 'I want to find a boarding +house where the proprietress was an orphan found in a livery +stable, whose father was a dago from East Austin, and whose +grandfather was never placed on the map. I want a scrubby, ornery, +low-down, snuff-dipping, back-woodsy, piebald gang, who never +heard of finger bowls or Ward McAllister, but who can get up a +mess of hot cornbread and Irish stew at regular market +quotations.'

+

"'Is there such a place in Austin?'

+

"The snake reporter sadly shook his head. 'I do not know,' he +said, 'but I will shake you for the beer.'

+

"Ten minutes later the slate in the Blue Ruin saloon bore two +additional characters: 10."

+

THE PRISONER OF ZEMBLA

+
+

[From The Rolling Stone.]

+
+

So the king fell into a furious rage, so that none durst go near +him for fear, and he gave out that since the Princess Ostla had +disobeyed him there would be a great tourney, and to the knight +who should prove himself of the greatest valor he would give the +hand of the princess.

+

And he sent forth a herald to proclaim that he would do this.

+

And the herald went about the country making his desire known, +blowing a great tin horn and riding a noble steed that pranced and +gambolled; and the villagers gazed upon him and said: "Lo, that is +one of them tin horn gamblers concerning which the chroniclers +have told us."

+

And when the day came, the king sat in the grandstand, holding the +gage of battle in his band, and by his side sat the Princess +Ostla, looking very pale and beautiful, but with mournful eyes +from which she scarce could keep the tears. And the knights which +came to the tourney gazed upon the princess in wonder at her +beauty, and each swore to win so that he could marry her and board +with the king. Suddenly the heart of the princess gave a great +bound, for she saw among the knights one of the poor students with +whom she had been in love.

+

The knights mounted and rode in a line past the grandstand, and +the king stopped the poor student, who had the worst horse and the +poorest caparisons of any of the knights and said:

+

"Sir Knight, prithee tell me of what that marvellous shacky and +rusty-looking armor of thine is made?"

+

"Oh, king," said the young knight, "seeing that we are about to +engage in a big fight, I would call it scrap iron, wouldn't you?"

+

"Ods Bodkins!" said the king. "The youth hath a pretty wit."

+

About this time the Princess Ostla, who began to feel better at +the sight of her lover, slipped a piece of gum into her mouth and +closed her teeth upon it, and even smiled a little and showed the +beautiful pearls with which her mouth was set. Whereupon, as soon +as the knights perceived this, 217 of them went over to the king's +treasurer and settled for their horse feed and went home.

+

"It seems very hard," said the princess, "that I cannot marry when +I chews."

+

But two of the knights were left, one of them being the princess' +lover.

+

"Here's enough for a fight, anyhow," said the king. "Come hither, +O knights, will ye joust for the hand of this fair lady?"

+

"We joust will," said the knights.

+

The two knights fought for two hours, and at length the princess' +lover prevailed and stretched the other upon the ground. The +victorious knight made his horse caracole before the king, and +bowed low in his saddle.

+

On the Princess Ostla's cheeks was a rosy flush; in her eyes the +light of excitement vied with the soft glow of love; her lips were +parted, her lovely hair unbound, and she grasped the arms of her +chair and leaned forward with heaving bosom and happy smile to +hear the words of her lover.

+

"You have foughten well, sir knight," said the king. "And if there +is any boon you crave you have but to name it."

+

"Then," said the knight, "I will ask you this: I have bought the +patent rights in your kingdom for Schneider's celebrated monkey +wrench, and I want a letter from you endorsing it."

+

"You shall have it," said the king, "but I must tell you that +there is not a monkey in my kingdom."

+

With a yell of rage the victorious knight threw himself on his +horse and rode away at a furious gallop.

+

The king was about to speak, when a horrible suspicion flashed +upon him and he fell dead upon the grandstand.

+

"My God!" he cried. "He has forgotten to take the princess with +him!"

+

A STRANGE STORY

+
+

[From The Rolling Stone.]

+
+

In the northern part of Austin there once dwelt an honest family +by the name of Smothers. The family consisted of John Smothers, +his wife, himself, their little daughter, five years of age, and +her parents, making six people toward the population of the city +when counted for a special write-up, but only three by actual +count.

+

One night after supper the little girl was seized with a severe +colic, and John Smothers hurried down town to get some medicine.

+

He never came back.

+

The little girl recovered and in time grew up to womanhood.

+

The mother grieved very much over her husband's disappearance, and +it was nearly three months before she married again, and moved to +San Antonio.

+

The little girl also married in time, and after a few years had +rolled around, she also had a little girl five years of age.

+

She still lived in the same house where they dwelt when her father +had left and never returned.

+

One night by a remarkable coincidence her little girl was taken +with cramp colic on the anniversary of the disappearance of John +Smothers, who would now have been her grandfather if he had been +alive and had a steady job.

+

"I will go downtown and get some medicine for her," said John +Smith (for it was none other than he whom she had married).

+

"No, no, dear John," cried his wife. "You, too, might disappear +forever, and then forget to come back."

+

So John Smith did not go, and together they sat by the bedside of +little Pansy (for that was Pansy's name).

+

After a little Pansy seemed to grow worse, and John Smith again +attempted to go for medicine, but his wife would not let him.

+

Suddenly the door opened, and an old man, stooped and bent, with +long white hair, entered the room.

+

"Hello, here is grandpa," said Pansy. She had recognized him +before any of the others.

+

The old man drew a bottle of medicine from his pocket and gave +Pansy a spoonful.

+

She got well immediately.

+

"I was a little late," said John Smothers, "as I waited for a +street car."

+

FICKLE FORTUNE OR HOW GLADYS HUSTLED

+
+

[From The Rolling Stone.]

+
+

"Press me no more Mr. Snooper," said Gladys Vavasour-Smith. "I can +never be yours."

+

"You have led me to believe different, Gladys," said Bertram D. +Snooper.

+

The setting sun was flooding with golden light the oriel windows +of a magnificent mansion situated in one of the most aristocratic +streets west of the brick yard.

+

Bertram D. Snooper, a poor but ambitious and talented young +lawyer, had just lost his first suit. He had dared to aspire to +the hand of Gladys Vavasour-Smith, the beautiful and talented +daughter of one of the oldest and proudest families in the county. +The bluest blood flowed in her veins. Her grandfather had sawed +wood for the Hornsbys and an aunt on her mother's side had married +a man who had been kicked by General Lee's mule.

+

The lines about Bertram D. Snooper's hands and mouth were drawn +tighter as he paced to and fro, waiting for a reply to the +question he intended to ask Gladys as soon as he thought of one.

+

At last an idea occurred to him.

+

"Why will you not marry me?" he asked in an inaudible tone.

+

"Because," said Gladys firmly, speaking easily with great +difficulty, "the progression and enlightenment that the woman of +to-day possesses demand that the man shall bring to the marriage +altar a heart and body as free from the debasing and hereditary +iniquities that now no longer exist except in the chimerical +imagination of enslaved custom."

+

"It is as I expected," said Bertram, wiping his heated brow on the +window curtain. "You have been reading books."

+

"Besides that," continued Gladys, ignoring the deadly charge, "you +have no money."

+

The blood of the Snoopers rose hastily and mantled the cheek of +Bertram D. He put on his coat and moved proudly to the door.

+

"Stay here till I return," he said, "I will be back in fifteen +years."

+

When he had finished speaking he ceased and left the room.

+

When he had gone, Gladys felt an uncontrollable yearning take +possession of her. She said slowly, rather to herself than for +publication, "I wonder if there was any of that cold cabbage left +from dinner."

+

She then left the room.

+

When she did so, a dark-complexioned man with black hair and +gloomy, desperate looking clothes, came out of the fireplace where +he had been concealed and stated:

+

"Aha! I have you in my power at last, Bertram D. Snooper. Gladys +Vavasour-Smith shall be mine. I am in the possession of secrets +that not a soul in the world suspects. I have papers to prove that +Bertram Snooper is the heir to the Tom Bean estate, +[12] +and I have discovered that Gladys' +grandfather who sawed wood for the Hornsby's was also a cook in +Major Rhoads Fisher's command during the war. Therefore, the +family repudiate her, and she will marry me in order to drag their +proud name down in the dust. Ha, ha, ha!"

+

As the reader has doubtless long ago discovered, this man was no +other than Henry R. Grasty. Mr. Grasty then proceeded to gloat +some more, and then with a sardonic laugh left for New York.

+
+

Fifteen years have elapsed.

+

Of course, our readers will understand that this is only supposed +to the the case.

+

It really took less than a minute to make the little stars that +represent an interval of time.

+

We could not afford to stop a piece in the middle and wait fifteen +years before continuing it.

+

We hope this explanation will suffice. We are careful not to +create any wrong impressions.

+

Gladys Vavasour-Smith and Henry R. Grasty stood at the marriage +altar.

+

Mr. Grasty had evidently worked his rabbit's foot successfully, +although he was quite a while in doing so.

+

Just as the preacher was about to pronounce the fatal words on +which he would have realized ten dollars and had the laugh on Mr. +Grasty, the steeple of the church fell off and Bertram D. Snooper +entered.

+

The preacher fell to the ground with a dull thud. He could ill +afford to lose ten dollars. He was hastily removed and a cheaper +one secured.

+

Bertram D. Snooper held a Statesman in his hand.

+

"Aha!" he said, "I thought I would surprise you. I just got in +this morning. Here is a paper noticing my arrival."

+

He handed it to Henry R. Grasty.

+

Mr. Grasty looked at the paper and turned deadly pale. It was +dated three weeks after Mr. Snooper's arrival.

+

"Foiled again!" he hissed.

+

"Speak, Bertram D. Snooper," said Gladys, "why have you come +between me and Henry?"

+

"I have just discovered that I am the sole heir to Tom Bean's +estate and am worth two million dollars."

+

With a glad cry Gladys threw herself in Bertram's arms.

+

Henry R. Grasty drew from his breast pocket a large tin box and +opened it, took therefrom 467 pages of closely written foolscap.

+

"What you say is true, Mr. Snooper, but I ask you to read that," +he said, handing it to Bertram Snooper.

+

Mr. Snooper had no sooner read the document than he uttered a +piercing shriek and bit off a large chew of tobacco.

+

"All is lost," he said.

+

"What is that document?" asked Gladys. "Governor Hogg's message?"

+

"It is not as bad as that," said Bertram, "but it deprives me of +my entire fortune. But I care not for that, Gladys, since I have +won you."

+

"What is it? Speak, I implore you," said Gladys.

+

"Those papers," said Henry R. Grasty, "are the proofs of my +appointment as administrator of the Tom Bean estate."

+

With a loving cry Gladys threw herself in Henry R. Grasty's arms.

+
+

Twenty minutes later Bertram D. Snooper was seen deliberately to +enter a beer saloon on Seventeenth Street.

+

AN APOLOGY

+
+

[This appeared in The Rolling Stone +shortly before it "suspended publication" never to +resume.]

+
+

The person who sweeps the office, translates letters from foreign +countries, deciphers communications from graduates of business +colleges, and does most of the writing for this paper, has been +confined for the past two weeks to the under side of a large red +quilt, with a joint caucus of la grippe and measles.

+

We have missed two issues of The Rolling Stone, and are now +slightly convalescent, for which we desire to apologize and +express our regrets.

+

Everybody's term of subscription will be extended enough to cover +all missed issues, and we hope soon to report that the goose +remains suspended at a favorable altitude. People who have tried +to run a funny paper and entertain a congregation of large piebald +measles at the same time will understand something of the tact, +finesse, and hot sassafras tea required to do so. We expect to get +out the paper regularly from this time on, but are forced to be +very careful, as improper treatment and deleterious after-effects +of measles, combined with the high price of paper and presswork, +have been known to cause a relapse. Any one not getting their +paper regularly will please come down and see about it, bringing +with them a ham or any little delicacy relished by invalids.

+

LORD OAKHURST'S CURSE

+
+

[This story was sent to Dr. Beall of +Greensboro, N. C., in a letter in 1883, and so is one of O. +Henry's earliest attempts at writing.]

+
+

I

+

Lord Oakhurst lay dying in the oak chamber in the eastern wing of +Oakhurst Castle. Through the open window in the calm of the summer +evening, came the sweet fragrance of the early violets and budding +trees, and to the dying man it seemed as if earth's loveliness and +beauty were never so apparent as on this bright June day, his last +day of life.

+

His young wife, whom he loved with a devotion and strength that +the presence of the king of terrors himself could not alter, moved +about the apartment, weeping and sorrowful, sometimes arranging +the sick man's pillow and inquiring of him in low, mournful tones +if anything could be done to give him comfort, and again, with +stifled sobs, eating some chocolate caramels which she carried in +the pocket of her apron. The servants went to and fro with that +quiet and subdued tread which prevails in a house where death is +an expected guest, and even the crash of broken china and shivered +glass, which announced their approach, seemed to fall upon the ear +with less violence and sound than usual.

+

Lord Oakhurst was thinking of days gone by, when he wooed and won +his beautiful young wife, who was then but a charming and innocent +girl. How clearly and minutely those scenes rose up at the call of +his memory. He seemed to be standing once more beneath the old +chestnut grove where they had plighted their troth in the twilight +under the stars; while the rare fragrance of the June roses and +the smell of supper came gently by on the breeze. There he had +told her his love; how that his whole happiness and future joy lay +in the hope that he might win her for a bride; that if she would +trust her future to his care the devotedness of his lifetime +should be hers, and his only thought would be to make her life one +long day of sunshine and peanut candy.

+

How plainly he remembered how she had, with girlish shyness and +coyness, at first hesitated, and murmured something to herself +about "an old bald-beaded galoot," but when he told her that to +him life without her would be a blasted mockery, and that his +income was £50,000 a year, she threw herself on to him and froze +there with the tenacity of a tick on a brindled cow, and said, +with tears of joy, "Hen-ery, I am thine."

+

And now he was dying. In a few short hours his spirit would rise +up at the call of the Destroyer and, quitting his poor, weak, +earthly frame, would go forth into that dim and dreaded Unknown +Land, and solve with certainty that Mystery which revealeth itself +not to mortal man.

+

II

+

A carriage drove rapidly up the avenue and stopped at the door. +Sir Everhard FitzArmond, the famous London physician, who had been +telegraphed for, alighted and quickly ascended the marble steps. +Lady Oakhurst met him at the door, her lovely face expressing +great anxiety and grief. "Oh, Sir Everhard, I am so glad you have +come. He seems to be sinking rapidly. Did you bring the cream +almonds I mentioned in the telegram?"

+

Sir Everhard did not reply, but silently handed her a package, +and, slipping a couple of cloves into his mouth, ascended the +stairs that led to Lord Oakhurst's apartment. Lady Oakhurst +followed.

+

Sir Everhard approached the bedside of his patient and laid his +hand gently on this sick man's diagnosis. A shade of feeling +passed over his professional countenance as he gravely and +solemnly pronounced these words: "Madam, your husband has +croaked."

+

Lady Oakhurst at first did not comprehend his technical language, +and her lovely mouth let up for a moment on the cream almonds. But +soon his meaning flashed upon her, and she seized an axe that her +husband was accustomed to keep by his bedside to mangle his +servants with, and struck open Lord Oakhurst's cabinet containing +his private papers, and with eager hands opened the document which +she took therefrom. Then, with a wild, unearthly shriek that would +have made a steam piano go out behind a barn and kick itself in +despair, she fell senseless to the floor.

+

Sir Everhard FitzArmond picked up the paper and read its contents. +It was Lord Oakhurst's will, bequeathing all his property to a +scientific institution which should have for its object the +invention of a means for extracting peach brandy from sawdust.

+

Sir Everhard glanced quickly around the room. No one was in sight. +Dropping the will, he rapidly transferred some valuable ornaments +and rare specimens of gold and silver filigree work from the +centre table to his pockets, and rang the bell for the servants.

+

III—THE CURSE

+

Sir Everhard FitzArmond descended the stairway of Oakhurst Castle +and passed out into the avenue that led from the doorway to the +great iron gates of the park. Lord Oakhurst had been a great +sportsman during his life and always kept a well-stocked kennel of +curs, which now rushed out from their hiding places and with loud +yelps sprang upon the physician, burying their fangs in his lower +limbs and seriously damaging his apparel.

+

Sir Everllard, startled out of his professional dignity and usual +indifference to human suffering, by the personal application of +feeling, gave vent to a most horrible and blighting CURSE and ran +with great swiftness to his carriage and drove off toward the +city.

+

BEXAR SCRIP NO. 2692

+
+

[From The Rolling Stone, Saturday, +March 5, 1894.]

+
+

Whenever you visit Austin you should by all means go to see the +General Land Office.

+

As you pass up the avenue you turn sharp round the corner of the +court house, and on a steep hill before you you see a +mediæval castle.

+

You think of the Rhine; the "castled crag of Drachenfels"; the +Lorelei; and the vine-clad slopes of Germany. And German it is in +every line of its architecture and design.

+

The plan was drawn by an old draftsman from the "Vaterland," whose +heart still loved the scenes of his native land, and it is said he +reproduced the design of a certain castle near his birthplace, +with remarkable fidelity.

+

Under the present administration a new coat of paint has +vulgarized its ancient and venerable walls. Modern tiles have +replaced the limestone slabs of its floors, worn in hollows by the +tread of thousands of feet, and smart and gaudy fixtures have +usurped the place of the time-worn furniture that has been +consecrated by the touch of hands that Texas will never cease to +honor.

+

But even now, when you enter the building, you lower your voice, +and time turns backward for you, for the atmosphere which you +breathe is cold with the exudation of buried generations.

+

The building is stone with a coating of concrete; the walls are +immensely thick; it is cool in the summer and warm in the winter; +it is isolated and sombre; standing apart from the other state +buildings, sullen and decaying, brooding on the past.

+

Twenty years ago it was much the same as now; twenty years from +now the garish newness will be worn off and it will return to its +appearance of gloomy decadence.

+

People living in other states can form no conception of the +vastness and importance of the work performed and the significance +of the millions of records and papers composing the archives of +this office.

+

The title deeds, patents, transfers and legal documents connected +with every foot of land owned in the state of Texas are filed +here.

+

Volumes could be filled with accounts of the knavery, the +double-dealing, the cross purposes, the perjury, the lies, the +bribery, the alteration and erasing, the suppressing and +destroying of papers, the various schemes and plots that for the +sake of the almighty dollar have left their stains upon the +records of the General Land Office.

+

No reference is made to the employees. No more faithful, competent +and efficient force of men exists in the clerical portions of any +government, but there is—or was, for their day is now over—a +class of land speculators commonly called land sharks, +unscrupulous and greedy, who have left their trail in every +department of this office, in the shape of titles destroyed, +patents cancelled, homes demolished and torn away, forged +transfers and lying affidavits.

+

Before the modern tiles were laid upon the floors, there were deep +hollows in the limestone slabs, worn by the countless feet that +daily trod uneasily through its echoing corridors, pressing from +file room to business room, from commissioner's sanctum to record +books and back again.

+

The honest but ignorant settler, bent on saving the little plot of +land he called home, elbowed the wary land shark who was searching +the records for evidence to oust him; the lordly cattle baron, +relying on his influence and money, stood at the Commissioner's +desk side by side with the preëmptor, whose little potato patch +lay like a minute speck of island in the vast, billowy sea, of his +princely pastures, and played the old game of "freeze-out," which +is as old as Cain and Abel.

+

The trail of the serpent is through it all.

+

Honest, earnest men have wrought for generations striving to +disentangle the shameful coil that certain years of fraud and +infamy have wound. Look at the files and see the countless +endorsements of those in authority:

+

"Transfer doubtful—locked up."

+

"Certificate a forgery—locked up."

+

"Signature a forgery."

+

"Patent refused—duplicate patented elsewhere."

+

"Field notes forged."

+

"Certificates stolen from office"—and soon ad infinitum.

+

The record books, spread upon long tables, in the big room +upstairs, are open to the examination of all. Open them, and you +will find the dark and greasy finger prints of half a century's +handling. The quick hand of the land grabber has fluttered the +leaves a million times; the damp clutch of the perturbed tiller of +the soil has left traces of his calling on the ragged leaves.

+

Interest centres in the file room.

+

This is a large room, built as a vault, fireproof, and entered by +but a single door.

+

There is "No Admission" on the portal; and the precious files are +handed out by a clerk in charge only on presentation of an order +signed by the Commissioner or chief clerk.

+

In years past too much laxity prevailed in its management, and the +files were handled by all comers, simply on their request, and +returned at their will, or not at all.

+

In these days most of the mischief was done. In the file room, +there are about –––– files, each in +a paper wrapper, and +comprising the title papers of a particular tract of land.

+

You ask the clerk in charge for the papers relating to any survey +in Texas. They are arranged simply in districts and numbers.

+

He disappears from the door, you hear the sliding of a tin box, +the lid snaps, and the file is in your hand.

+

Go up there some day and call for Bexar Scrip No. 2692.

+

The file clerk stares at you for a second, says shortly:

+

"Out of file."

+

It has been missing twenty years.

+

The history of that file has never been written before.

+

Twenty years ago there was a shrewd land agent living in Austin +who devoted his undoubted talents and vast knowledge of land +titles, and the laws governing them, to the locating of surveys +made by illegal certificates, or improperly made, and otherwise of +no value through non-compliance with the statutes, or whatever +flaws his ingenious and unscrupulous mind could unearth.

+

He found a fatal defect in the title of the land as on file in +Bexar Scrip No. 2692 and placed a new certificate upon the survey +in his own name.

+

The law was on his side.

+

Every sentiment of justice, of right, and humanity was against +him.

+

The certificate by virtue of which the original survey had been +made was missing.

+

It was not be found in the file, and no memorandum or date on the +wrapper to show that it had ever been filed.

+

Under the law the land was vacant, unappropriated public domain, +and open to location.

+

The land was occupied by a widow and her only son, and she +supposed her title good.

+

The railroad had surveyed a new line through the property, and it +had doubled in value.

+

Sharp, the land agent, did not communicate with her in any way +until he had filed his papers, rushed his claim through the +departments and into the patent room for patenting.

+

Then he wrote her a letter, offering her the choice of buying from +him or vacating at once.

+

He received no reply.

+

One day he was looking through some files and came across the +missing certificate. Some one, probably an employee of the office, +had by mistake, after making some examination, placed it in the +wrong file, and curiously enough another inadvertence, in there +being no record of its filing on the wrapper, had completed the +appearance of its having never been filed.

+

Sharp called for the file in which it belonged and scrutinized it +carefully, fearing he might have overlooked some endorsement +regarding its return to the office.

+

On the back of the certificate was plainly endorsed the date of +filing, according to law, and signed by the chief clerk.

+

If this certificate should be seen by the examining clerk, his own +claim, when it came up for patenting, would not be worth the paper +on which it was written.

+

Sharp glanced furtively around. A young man, or rather a boy about +eighteen years of age, stood a few feet away regarding him closely +with keen black eyes. Sharp, a little confused, thrust the +certificate into the file where it properly belonged and began +gathering up the other papers.

+

The boy came up and leaned on the desk beside him.

+

"A right interesting office, sir!" he said. "I have never been in +here before. All those papers, now, they are about lands, are they +not? The titles and deeds, and such things?"

+

"Yes," said Sharp. "They are supposed to contain all the title +papers."

+

"This one, now," said the boy, taking up Bexar Scrip No. 2692, +"what land does this represent the title of? Ah, I see 'Six +hundred and forty acres in B–––– country? +Absalom Harris, original +grantee.' Please tell me, I am so ignorant of these things, how +can you tell a good survey from a bad one. I am told that there +are a great many illegal and fraudulent surveys in this office. I +suppose this one is all right?"

+

"No," said Sharp. "The certificate is missing. It is invalid."

+

"That paper I just saw you place in that file, I suppose is +something else—field notes, or a transfer probably?"

+

"Yes," said Sharp, hurriedly, "corrected field notes. Excuse me, I +am a little pressed for time."

+

The boy was watching him with bright, alert eyes.

+

It would never do to leave the certificate in the file; but he +could not take it out with that inquisitive boy watching him.

+

He turned to the file room, with a dozen or more files in his +hands, and accidentally dropped part of them on the floor. As he +stooped to pick them up he swiftly thrust Bexar Scrip No. 2692 in +the inside breast pocket of his coat.

+

This happened at just half-past four o'clock, and when the file +clerk took the files he threw them in a pile in his room, came out +and locked the door.

+

The clerks were moving out of the doors in long, straggling lines.

+

It was closing time.

+

Sharp did not desire to take the file from the Land Office.

+

The boy might have seen him place the file in his pocket, and the +penalty of the law for such an act was very severe.

+

Some distance back from the file room was the draftsman's room now +entirely vacated by its occupants.

+

Sharp dropped behind the outgoing stream of men, and slipped slyly +into this room.

+

The clerks trooped noisily down the iron stairway, singing, +whistling, and talking.

+

Below, the night watchman awaited their exit, ready to close and +bar the two great doors to the south and cast.

+

It is his duty to take careful note each day that no one remains +in the building after the hour of closing.

+

Sharp waited until all sounds had ceased.

+

It was his intention to linger until everything was quiet, and +then to remove the certificate from the file, and throw the latter +carelessly on some draftsman's desk as if it had been left there +during the business of the day.

+

He knew also that he must remove the certificate from the office +or destroy it, as the chance finding of it by a clerk would lead +to its immediately being restored to its proper place, and the +consequent discovery that his location over the old survey was +absolutely worthless.

+

As he moved cautiously along the stone floor the loud barking of +the little black dog, kept by the watchman, told that his sharp +ears had heard the sounds of his steps.

+

The great, hollow rooms echoed loudly, move as lightly +as he could.

+

Sharp sat down at a desk and laid the file before him.

+

In all his queer practices and cunning tricks +he had not yet included any act that was downright criminal.

+

He had always kept on the safe side of the law, +but in the deed he was about to commit there was no +compromise to be made with what little conscience he had left.

+

There is no well-defined boundary line between honesty and +dishonesty.

+

The frontiers of one blend with the outside limits of the other, +and he who attempts to tread this dangerous ground may be +sometimes in one domain and sometimes in the other; so the only +safe road is the broad highway that leads straight through and has +been well defined by line and compass.

+

Sharp was a man of what is called high standing in the community. +That is, his word in a trade was as good as any man's; his check +was as good as so much cash, and so regarded; he went to church +regularly; went in good society and owed no man anything.

+

He was regarded as a sure winner in any land trade he chose to +make, but that was his occupation.

+

The act he was about to commit now would place him forever in the +ranks of those who chose evil for their portion—if it was found +out.

+

More than that, it would rob a widow and her son of property soon +to be of great value, which, if not legally theirs, was theirs +certainly by every claim of justice.

+

But he had gone too far to hesitate.

+

His own survey was in the patent room for patenting. His own title +was about to be perfected by the State's own hand.

+

The certificate must be destroyed.

+

He leaned his head on his hands for a moment, and as he did so a +sound behind him caused his heart to leap with guilty fear, but +before he could rise, a hand came over his shoulder and grasped +the file.

+

He rose quickly, as white as paper, rattling his chair loudly on +the stone floor.

+

The boy who land spoken to him earlier stood contemplating him +with contemptuous and flashing eyes, and quietly placed the file +in the left breast pocket of his coat.

+

"So, Mr. Sharp, by nature as well as by name," he said, "it seems +that I was right in waiting behind the door in order to see you +safely out. You will appreciate the pleasure I feel in having done +so when I tell you my name is Harris. My mother owns the land on +which you have filed, and if there is any justice in Texas she +shall hold it. I am not certain, but I think I saw you place a +paper in this file this afternoon, and it is barely possible that +it may be of value to me. I was also impressed with the idea that +you desired to remove it again, but had not the opportunity. +Anyway, I shall keep it until to-morrow and let the Commissioner +decide."

+

Far back among Mr. Sharp's ancestors there must have been some of +the old berserker blood, for his caution, his presence of mind +left him, and left him possessed of a blind, devilish, unreasoning +rage that showed itself in a moment in the white glitter of his +eye.

+

"Give me that file, boy," he said, thickly, holding out his hand.

+

"I am no such fool, Mr. Sharp," said the youth. "This file shall +be laid before the Commissioner to-morrow for examination. If he +finds—Help! Help!"

+

Sharp was upon him like a tiger and bore him to the floor. The boy +was strong and vigorous, but the suddenness of the attack gave him +no chance to resist. He struggled up again to his feet, but it was +an animal, with blazing eyes and cruel-looking teeth that fought +him, instead of a man.

+

Mr. Sharp, a man of high standing and good report, was battling +for his reputation.

+

Presently there was a dull sound, and another, and still one more, +and a blade flashing white and then red, and Edward Harris dropped +down like some stuffed effigy of a man, that boys make for sport, +with his limbs all crumpled and lax, on the stone floor of the +Land Office.

+

The old watchman was deaf, and heard nothing.

+

The little dog barked at the foot of the stairs until his master +made him come into his room.

+

Sharp stood there for several minutes holding in his hand his +bloody clasp knife, listening to the cooing of the pigeons on the +roof, and the loud ticking of the clock above the receiver's desk.

+

A map rustled on the wall and his blood turned to ice; a rat ran +across some strewn papers, and his scalp prickled, and he could +scarcely moisten his dry lips with his tongue.

+

Between the file room and the draftsman's room there is a door +that opens on a small dark spiral stairway that winds from the +lower floor to the ceiling at the top of the house.

+

This stairway was not used then, nor is it now.

+

It is unnecessary, inconvenient, dusty, and dark as night, and was +a blunder of the architect who designed the building.

+

This stairway ends above at the tent-shaped space between the roof +and the joists.

+

That space is dark and forbidding, and being useless is rarely +visited.

+

Sharp opened this door and gazed for a moment up this narrow +cobwebbed stairway.

+
+

After dark that night a man opened cautiously one of the lower +windows of the Land Office, crept out with great circumspection +and disappeared in the shadows.

+
+

One afternoon, a week after this time, Sharp lingered behind again +after the clerks had left and the office closed. The next morning +the first comers noticed a broad mark in the dust on the upstairs +floor, and the same mark was observed below stairs near a window.

+

It appeared as if some heavy and rather bulky object had been +dragged along through the limestone dust. A memorandum book with +"E. Harris" written on the flyleaf was picked up on the stairs, +but nothing particular was thought of any of these signs.

+

Circulars and advertisements appeared for a long time in the +papers asking for information concerning Edward Harris, who left +his mother's home on a certain date and had never been heard of +since.

+

After a while these things were succeeded by affairs of more +recent interest, and faded from the public mind.

+
+

Sharp died two years ago, respected and regretted. The last two +years of his life were clouded with a settled melancholy for which +his friends could assign no reason. The bulk of his comfortable +fortune was made from the land he obtained by fraud and crime.

+

The disappearance of the file was a mystery that created some +commotion in the Land Office, but he got his patent.

+
+

It is a well-known tradition in Austin and vicinity that there is +a buried treasure of great value somewhere on the banks of Shoal +Creek, about a mile west of the city.

+

Three young men living in Austin recently became possessed of what +they thought was a clue of the whereabouts of the treasure, and +Thursday night they repaired to the place after dark and plied the +pickaxe and shovel with great diligence for about three hours.

+

At the end of that time their efforts were rewarded by the finding +of a box buried about four feet below the surface, which they +hastened to open.

+

The light of a lantern disclosed to their view the fleshless bones +of a human skeleton with clothing still wrapping its uncanny +limbs.

+

They immediately left the scene and notified the proper +authorities of their ghastly find.

+

On closer examination, in the left breast pocket of the skeleton's +coat, there was found a flat, oblong packet of papers, cut through +and through in three places by a knife blade, and so completely +soaked and clotted with blood that it had become an almost +indistinguishable mass.

+

With the aid of a microscope and the exercise of a little +imagination this much can be made out of the letter; at the top of +the papers:

+

B–xa–  +––rip  N– 2–92.

+

QUERIES AND ANSWERS

+
+

[From The Rolling Stone, June 23, +1894.]

+
+

Can you inform me where I +can buy an interest in a newspaper of +some kind? I have some money and would be glad to invest it in +something of the sort, if some one would allow me to put in my +capital against his experience.

+

College Graduate.

+

Telegraph us your address at once, day message. Keep telegraphing +every ten minutes at our expense until we see you. Will start on +first train after receiving your wire.

+
+

 

Who was the author of the +line, "Breathes there a man with soul so dead?"

+

G. F.

+

This was written by a visitor to the State Saengerfest of 1892 +while conversing with a member who had just eaten a large slice of +limburger cheese.

+
+

 

Where can I get the +"Testimony of the Rocks"?

+

Geologist.

+

See the reports of the campaign committees after the election in +November.

+
+

 

Please state what the seven +wonders of the world are. I know five +of them, I think, but can't find out the other two.

+

Scholar.

+

The Temple of Diana, at Lexington, Ky.; the Great Wall of China; +Judge Von Rosenberg (the Colossus of Roads); the Hanging Gardens +at Albany; a San Antonio Sunday school; Mrs. Frank Leslie, and the +Populist party.

+
+

 

What day did Christmas come +on in the year 1847?

+

Constant Reader.

+

The 25th of December.

+
+

 

What does an F. F. V. mean?

+

Ignorant.

+

What does he mean by what? If he takes you by the arm and tells +you how much you are like a brother of his in Richmond, he means +Feel For Your Vest, for he wants to borrow a five. If he holds his +head high and don't speak to you on the street he means that he +already owes you ten and is Following a Fresh Victim.

+
+

 

Please decide a bet for us. +My friend says that the sentence, "The +negro bought the watermelon of the farmer" is correct, and I +say it should be "The negro bought the watermelon from the farmer." +Which is correct?

+

R.

+

Neither. It should read, "The negro stole the watermelon from the +farmer."

+
+

 

When do the Texas game laws +go into effect?

+

Hunter.

+

When you sit down at the table.

+
+

 

Do you know where I can +trade a section of fine Panhandle land for a pair of pants with +a good title?

+

Land Agent.

+

We do not. You can't raise anything on land in that section. A man +can always raise a dollar on a good pair of pants.

+
+

 

Name in order the three best +newspapers in Texas.

+

Advertiser.

+

Well, the Galveston News runs about second, and the San +Antonio Express third. Let us hear from you again.

+
+

 

Has a married woman any +rights in Texas?

+

Prospector.

+

Hush, Mr. Prospector. Not quite so loud, if you please. Come up to +the office some afternoon, and if everything seems quiet, come +inside, and look at our eye, and our suspenders hanging on to one +button, and feel the lump on the top of our head. Yes, she has +some rights of her own, and everybody else's she can scoop in.

+
+

 

Who was the author of the +sayings, "A public office is a public +trust," and "I would rather be right than President"?

+

Eli Perkins.

+
+

 

Is the Lakeside Improvement +Company making anything out of their own town tract on the lake?

+

Inquisitive.

+

Yes, lots.

+

Footnotes

+
+

+Footnote 1:

+

O. Henry

+

(return)

+
+
+

+Footnote 2:

+

Mother of O. Henry

+

(return)

+
+
+

+Footnote 3:

+

See advertising column, "Where to Dine Well," in the + daily newspapers.

+

(return)

+
+
+

+Footnote 4:

+

See advertising column, "Where to Dine Well," in the + daily newspapers.

+

(return)

+
+
+

+Footnote 5:

+

See advertising column, "Where to Dine Well," in the + daily newspapers.

+

(return)

+
+
+

+Footnote 6:

+

See advertising column, "Where to Dine Well," in the + daily newspapers.

+

(return)

+
+
+

+Footnote 7:

+

See advertising column, "Where to Dine Well," in the + daily newspapers.

+

(return)

+
+
+

+Footnote 8:

+

See advertising column, "Where to Dine Well," in the + daily newspapers.

+

(return)

+
+
+

+Footnote 9:

+

See advertising column, "Where to Dine Well," in the + daily newspapers.

+

(return)

+
+
+

+Footnote 10:

+

See advertising column, "Where to Dine Well," in the + daily newspapers.

+

(return)

+
+
+

+Footnote 11:

+

See advertising column, "Where to Dine Well," in the + daily newspapers.

+

(return)

+
+
+

+Footnote 12:

+

An estate famous in Texas legal history. It took many, many + years for adjustment and a large part of the property was, of + course, consumed as expenses of litigation.

+

(return)

+
+
diff --git a/src/epub/text/colophon.xhtml b/src/epub/text/colophon.xhtml new file mode 100644 index 0000000..02c565a --- /dev/null +++ b/src/epub/text/colophon.xhtml @@ -0,0 +1,42 @@ + + + + Colophon + + + + +
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+

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