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[StrictlyBus] [Editorial] Modernize hyphenation and spelling
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<p>But let us revenue to our lamb chops.</p>
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<p>Old Tom Crowley was a caliph. He had $42,000,000 in preferred stocks and bonds with solid gold edges. In these times, to be called a caliph you must have money. The old-style caliph business as conducted by <abbr>Mr.</abbr> Rashid is not safe. If you hold up a person nowadays in a bazaar or a Turkish bath or a side street, and inquire into his private and personal affairs, the police court’ll get you.</p>
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<p>Old Tom was tired of clubs, theatres, dinners, friends, music, money and everything. That’s what makes a caliph—you must get to despise everything that money can buy, and then go out and try to want something that you can’t pay for.</p>
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<p>“I’ll take a little trot around town all by myself,” thought old Tom, “and try if I can stir up anything new. Let’s see—it seems I’ve read about a king or a Cardiff giant or something in old times who used to go about with false whiskers on, making Persian dates with folks he hadn’t been introduced to. That don’t listen like a bad idea. I certainly have got a case of humdrumness and fatigue on for the ones I do know. That old Cardiff used to pick up cases of trouble as he ran upon ’em and give ’em gold—sequins, I think it was—and make ’em marry or got ’em good Government jobs. Now, I’d like something of that sort. My money is as good as his was even if the magazines do ask me every month where I got it. Yes, I guess I’ll do a little Cardiff business to-night, and see how it goes.”</p>
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<p>“I’ll take a little trot around town all by myself,” thought old Tom, “and try if I can stir up anything new. Let’s see—it seems I’ve read about a king or a Cardiff giant or something in old times who used to go about with false whiskers on, making Persian dates with folks he hadn’t been introduced to. That don’t listen like a bad idea. I certainly have got a case of humdrumness and fatigue on for the ones I do know. That old Cardiff used to pick up cases of trouble as he ran upon ’em and give ’em gold—sequins, I think it was—and make ’em marry or got ’em good Government jobs. Now, I’d like something of that sort. My money is as good as his was even if the magazines do ask me every month where I got it. Yes, I guess I’ll do a little Cardiff business tonight, and see how it goes.”</p>
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<p>Plainly dressed, old Tom Crowley left his Madison Avenue palace, and walked westward and then south. As he stepped to the sidewalk, Fate, who holds the ends of the strings in the central offices of all the enchanted cities pulled a thread, and a young man twenty blocks away looked at a wall clock, and then put on his coat.</p>
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<p>James Turner worked in one of those little hat-cleaning establishments on Sixth Avenue in which a fire alarm rings when you push the door open, and where they clean your hat while you wait—two days. James stood all day at an electric machine that turned hats around faster than the best brands of champagne ever could have done. Overlooking your mild impertinence in feeling a curiosity about the personal appearance of a stranger, I will give you a modified description of him. Weight, 118; complexion, hair and brain, light; height, five feet six; age, about twenty-three; dressed in a $10 suit of greenish-blue serge; pockets containing two keys and sixty-three cents in change.</p>
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<p>But do not misconjecture because this description sounds like a General Alarm that James was either lost or a dead one.</p>
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@ -20,9 +20,9 @@
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<i xml:lang="fr">Allons!</i>
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</p>
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<p>James stood all day at his work. His feet were tender and extremely susceptible to impositions being put upon or below them. All day long they burned and smarted, causing him much suffering and inconvenience. But he was earning twelve dollars per week, which he needed to support his feet whether his feet would support him or not.</p>
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<p>James Turner had his own conception of what happiness was, just as you and I have ours. Your delight is to gad about the world in yachts and motor-cars and to hurl ducats at wild fowl. Mine is to smoke a pipe at evenfall and watch a badger, a rattlesnake, and an owl go into their common prairie home one by one.</p>
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<p>James Turner’s idea of bliss was different; but it was his. He would go directly to his boarding-house when his day’s work was done. After his supper of small steak, Bessemer potatoes, stooed (not stewed) apples and infusion of chicory, he would ascend to his fifth-floor-back hall room. Then he would take off his shoes and socks, place the soles of his burning feet against the cold bars of his iron bed, and read Clark Russell’s sea yarns. The delicious relief of the cool metal applied to his smarting soles was his nightly joy. His favorite novels never palled upon him; the sea and the adventures of its navigators were his sole intellectual passion. No millionaire was ever happier than James Turner taking his ease.</p>
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<p>When James left the hat-cleaning shop he walked three blocks out of his way home to look over the goods of a second-hand bookstall. On the sidewalk stands he had more than once picked up a paper-covered volume of Clark Russell at half price.</p>
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<p>James Turner had his own conception of what happiness was, just as you and I have ours. Your delight is to gad about the world in yachts and motorcars and to hurl ducats at wild fowl. Mine is to smoke a pipe at evenfall and watch a badger, a rattlesnake, and an owl go into their common prairie home one by one.</p>
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<p>James Turner’s idea of bliss was different; but it was his. He would go directly to his boardinghouse when his day’s work was done. After his supper of small steak, Bessemer potatoes, stooed (not stewed) apples and infusion of chicory, he would ascend to his fifth-floor-back hall room. Then he would take off his shoes and socks, place the soles of his burning feet against the cold bars of his iron bed, and read Clark Russell’s sea yarns. The delicious relief of the cool metal applied to his smarting soles was his nightly joy. His favorite novels never palled upon him; the sea and the adventures of its navigators were his sole intellectual passion. No millionaire was ever happier than James Turner taking his ease.</p>
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<p>When James left the hat-cleaning shop he walked three blocks out of his way home to look over the goods of a secondhand bookstall. On the sidewalk stands he had more than once picked up a paper-covered volume of Clark Russell at half price.</p>
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<p>While he was bending with a scholarly stoop over the marked-down miscellany of cast-off literature, old Tom the caliph sauntered by. His discerning eye, made keen by twenty years’ experience in the manufacture of laundry soap (save the wrappers!) recognized instantly the poor and discerning scholar, a worthy object of his caliphanous mood. He descended the two shallow stone steps that led from the sidewalk, and addressed without hesitation the object of his designed munificence. His first words were no worse than salutatory and tentative.</p>
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<p>James Turner looked up coldly, with “Sartor Resartus” in one hand and “A Mad Marriage” in the other.</p>
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<p>“Beat it,” said he. “I don’t want to buy any coat hangers or town lots in Hankipoo, New Jersey. Run along, now, and play with your Teddy bear.”</p>
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<h2 epub:type="title">A Bird of Bagdad</h2>
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<p>Without a doubt much of the spirit and genius of the Caliph Harun Al Rashid descended to the Margrave August Michael von Paulsen Quigg.</p>
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<p>Quigg’s restaurant is in Fourth Avenue—that street that the city seems to have forgotten in its growth. Fourth Avenue—born and bred in the Bowery—staggers northward full of good resolutions.</p>
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<p>Where it crosses Fourteenth Street it struts for a brief moment proudly in the glare of the museums and cheap theatres. It may yet become a fit mate for its high-born sister boulevard to the west, or its roaring, polyglot, broad-waisted cousin to the east. It passes Union Square; and here the hoofs of the dray horses seem to thunder in unison, recalling the tread of marching hosts—Hooray! But now come the silent and terrible mountains—buildings square as forts, high as the clouds, shutting out the sky, where thousands of slaves bend over desks all day. On the ground floors are only little fruit shops and laundries and book shops, where you see copies of “Littell’s Living Age” and G. W. M. Reynold’s novels in the windows. And next—poor Fourth Avenue!—the street glides into a mediaeval solitude. On each side are shops devoted to “Antiques.”</p>
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<p>Where it crosses Fourteenth Street it struts for a brief moment proudly in the glare of the museums and cheap theatres. It may yet become a fit mate for its highborn sister boulevard to the west, or its roaring, polyglot, broad-waisted cousin to the east. It passes Union Square; and here the hoofs of the dray horses seem to thunder in unison, recalling the tread of marching hosts—Hooray! But now come the silent and terrible mountains—buildings square as forts, high as the clouds, shutting out the sky, where thousands of slaves bend over desks all day. On the ground floors are only little fruit shops and laundries and book shops, where you see copies of “Littell’s Living Age” and G. W. M. Reynold’s novels in the windows. And next—poor Fourth Avenue!—the street glides into a medieval solitude. On each side are shops devoted to “Antiques.”</p>
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<p>Let us say it is night. Men in rusty armor stand in the windows and menace the hurrying cars with raised, rusty iron gauntlets. Hauberks and helms, blunderbusses, Cromwellian breastplates, matchlocks, creeses, and the swords and daggers of an army of dead-and-gone gallants gleam dully in the ghostly light. Here and there from a corner saloon (lit with Jack-o’-lanterns or phosphorus), stagger forth shuddering, home-bound citizens, nerved by the tankards within to their fearsome journey adown that eldrich avenue lined with the bloodstained weapons of the fighting dead. What street could live inclosed by these mortuary relics, and trod by these spectral citizens in whose sunken hearts scarce one good whoop or tra-la-la remained?</p>
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<p>Not Fourth Avenue. Not after the tinsel but enlivening glories of the Little Rialto—not after the echoing drum-beats of Union Square. There need be no tears, ladies and gentlemen; ’tis but the suicide of a street. With a shriek and a crash Fourth Avenue dives headlong into the tunnel at Thirty-fourth and is never seen again.</p>
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<p>Near the sad scene of the thoroughfare’s dissolution stood the modest restaurant of Quigg. It stands there yet if you care to view its crumbling red-brick front, its show window heaped with oranges, tomatoes, layer cakes, pies, canned asparagus—its papier-mâché lobster and two Maltese kittens asleep on a bunch of lettuce—if you care to sit at one of the little tables upon whose cloth has been traced in the yellowest of coffee stains the trail of the Japanese advance—to sit there with one eye on your umbrella and the other upon the bogus bottle from which you drop the counterfeit sauce foisted upon us by the cursed charlatan who assumes to be our dear old lord and friend, the “Nobleman in India.”</p>
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<p>Not Fourth Avenue. Not after the tinsel but enlivening glories of the Little Rialto—not after the echoing drumbeats of Union Square. There need be no tears, ladies and gentlemen; ’tis but the suicide of a street. With a shriek and a crash Fourth Avenue dives headlong into the tunnel at Thirty-fourth and is never seen again.</p>
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<p>Near the sad scene of the thoroughfare’s dissolution stood the modest restaurant of Quigg. It stands there yet if you care to view its crumbling redbrick front, its show window heaped with oranges, tomatoes, layer cakes, pies, canned asparagus—its papier-mâché lobster and two Maltese kittens asleep on a bunch of lettuce—if you care to sit at one of the little tables upon whose cloth has been traced in the yellowest of coffee stains the trail of the Japanese advance—to sit there with one eye on your umbrella and the other upon the bogus bottle from which you drop the counterfeit sauce foisted upon us by the cursed charlatan who assumes to be our dear old lord and friend, the “Nobleman in India.”</p>
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<p>Quigg’s title came through his mother. One of her ancestors was a Margravine of Saxony. His father was a Tammany brave. On account of the dilution of his heredity he found that he could neither become a reigning potentate nor get a job in the City Hall. So he opened a restaurant. He was a man full of thought and reading. The business gave him a living, though he gave it little attention. One side of his house bequeathed to him a poetic and romantic adventure. The other gave him the restless spirit that made him seek adventure. By day he was Quigg, the restaurateur. By night he was the Margrave—the Caliph—the Prince of Bohemia—going about the city in search of the odd, the mysterious, the inexplicable, the recondite.</p>
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<p>One night at 9, at which hour the restaurant closed, Quigg set forth upon his quest. There was a mingling of the foreign, the military and the artistic in his appearance as he buttoned his coat high up under his short-trimmed brown and gray beard and turned westward toward the more central life conduits of the city. In his pocket he had stored an assortment of cards, written upon, without which he never stirred out of doors. Each of those cards was good at his own restaurant for its face value. Some called simply for a bowl of soup or sandwiches and coffee; others entitled their bearer to one, two, three or more days of full meals; a few were for single regular meals; a very few were, in effect, meal tickets good for a week.</p>
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<p>Of riches and power Margrave Quigg had none; but he had a Caliph’s heart—it may be forgiven him if his head fell short of the measure of Harun Al Rashid’s. Perhaps some of the gold pieces in Bagdad had put less warmth and hope into the complainants among the bazaars than had Quigg’s beef stew among the fishermen and one-eyed calenders of Manhattan.</p>
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</p>
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<p>“I work in Hildebrant’s saddle and harness shop down in Grant Street. I’ve worked there five years. I get $18 a week. That’s enough to marry on, ain’t it? Well, I’m not going to get married. Old Hildebrant is one of these funny Dutchmen—you know the kind—always getting off bum jokes. He’s got about a million riddles and things that he faked from Rogers Brothers’ great-grandfather. Bill Watson works there, too. Me and Bill have to stand for them chestnuts day after day. Why do we do it? Well, jobs ain’t to be picked off every Anheuser bush—And then there’s Laura.</p>
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<p>“What? The old man’s daughter. Comes in the shop every day. About nineteen, and the picture of the blonde that sits on the palisades of the Rhine and charms the clam-diggers into the surf. Hair the color of straw matting, and eyes as black and shiny as the best harness blacking—think of that!</p>
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<p>“Me? well, it’s either me or Bill Watson. She treats us both equal. Bill is all to the psychopathic about her; and me?—well, you saw me plating the roadbed of the Great Maroon Way with silver to-night. That was on account of Laura. I was spiflicated, Your Highness, and I wot not of what I wouldst.</p>
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<p>“How? Why, old Hildebrandt says to me and Bill this afternoon: ‘Boys, one riddle have I for you gehabt haben. A young man who cannot riddles antworten, he is not so good by business for ein family to provide—is not that—hein?’ And he hands us a riddle—a conundrum, some calls it—and he chuckles interiorly and gives both of us till to-morrow morning to work out the answer to it. And he says whichever of us guesses the repartee end of it goes to his house o’ Wednesday night to his daughter’s birthday party. And it means Laura for whichever of us goes, for she’s naturally aching for a husband, and it’s either me or Bill Watson, for old Hildebrant likes us both, and wants her to marry somebody that’ll carry on the business after he’s stitched his last pair of traces.</p>
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<p>“Me? well, it’s either me or Bill Watson. She treats us both equal. Bill is all to the psychopathic about her; and me?—well, you saw me plating the roadbed of the Great Maroon Way with silver tonight. That was on account of Laura. I was spiflicated, Your Highness, and I wot not of what I wouldst.</p>
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<p>“How? Why, old Hildebrandt says to me and Bill this afternoon: ‘Boys, one riddle have I for you gehabt haben. A young man who cannot riddles antworten, he is not so good by business for ein family to provide—is not that—hein?’ And he hands us a riddle—a conundrum, some calls it—and he chuckles interiorly and gives both of us till tomorrow morning to work out the answer to it. And he says whichever of us guesses the repartee end of it goes to his house o’ Wednesday night to his daughter’s birthday party. And it means Laura for whichever of us goes, for she’s naturally aching for a husband, and it’s either me or Bill Watson, for old Hildebrant likes us both, and wants her to marry somebody that’ll carry on the business after he’s stitched his last pair of traces.</p>
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<p>“The riddle? Why, it was this: ‘What kind of a hen lays the longest? Think of that! What kind of a hen lays the longest? Ain’t it like a Dutchman to risk a man’s happiness on a fool proposition like that? Now, what’s the use? What I don’t know about hens would fill several incubators. You say you’re giving imitations of the old Arab guy that gave away—libraries in Bagdad. Well, now, can you whistle up a fairy that’ll solve this hen query, or not?”</p>
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<p>When the young man ceased the Margrave arose and paced to and fro by the park bench for several minutes. Finally he sat again, and said, in grave and impressive tones:</p>
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<p>“I must confess, sir, that during the eight years that I have spent in search of adventure and in relieving distress I have never encountered a more interesting or a more perplexing case. I fear that I have overlooked hens in my researches and observations. As to their habits, their times and manner of laying, their many varieties and cross-breedings, their span of life, their—”</p>
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<p>“Oh, don’t make an Ibsen drama of it!” interrupted the young man, flippantly. “Riddles—especially old Hildebrant’s riddles—don’t have to be worked out seriously. They are light themes such as Sim Ford and Harry Thurston Peck like to handle. But, somehow, I can’t strike just the answer. Bill Watson may, and he may not. To-morrow will tell. Well, Your Majesty, I’m glad anyhow that you butted in and whiled the time away. I guess <abbr>Mr.</abbr> Al Rashid himself would have bounced back if one of his constituents had conducted him up against this riddle. I’ll say good night. Peace fo’ yours, and what-you-may-call-its of Allah.”</p>
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<p>“Oh, don’t make an Ibsen drama of it!” interrupted the young man, flippantly. “Riddles—especially old Hildebrant’s riddles—don’t have to be worked out seriously. They are light themes such as Sim Ford and Harry Thurston Peck like to handle. But, somehow, I can’t strike just the answer. Bill Watson may, and he may not. Tomorrow will tell. Well, Your Majesty, I’m glad anyhow that you butted in and whiled the time away. I guess <abbr>Mr.</abbr> Al Rashid himself would have bounced back if one of his constituents had conducted him up against this riddle. I’ll say good night. Peace fo’ yours, and what-you-may-call-its of Allah.”</p>
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<p>The Margrave, still with a gloomy air, held out his hand.</p>
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<p>“I cannot express my regret,” he said, sadly. “Never before have I found myself unable to assist in some way. ‘What kind of a hen lays the longest? It is a baffling problem. There is a hen, I believe, called the Plymouth Rock that—”</p>
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<p>“Cut it out,” said the young man. “The Caliph trade is a mighty serious one. I don’t suppose you’d even see anything funny in a preacher’s defense of John D. Rockefeller. Well, good night, Your Nibs.”</p>
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<br/>
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<span>This from her mountainside,</span>
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<br/>
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<span>That from her burthened beach.</span>
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<span>That from her burdened beach.</span>
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</p>
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<cite>R. Kipling.</cite>
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</blockquote>
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</blockquote>
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<p>I stepped off the train at 8 P.m. Having searched the thesaurus in vain for adjectives, I must, as a substitution, hie me to comparison in the form of a recipe.</p>
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<p>Take a London fog 30 parts; malaria 10 parts; gas leaks 20 parts; dewdrops gathered in a brick yard at sunrise, 25 parts; odor of honeysuckle 15 parts. Mix.</p>
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<p>The mixture will give you an approximate conception of a Nashville drizzle. It is not so fragrant as a moth-ball nor as thick as pea-soup; but ’tis enough—’twill serve.</p>
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<p>The mixture will give you an approximate conception of a Nashville drizzle. It is not so fragrant as a mothball nor as thick as pea-soup; but ’tis enough—’twill serve.</p>
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<p>I went to a hotel in a tumbril. It required strong self-suppression for me to keep from climbing to the top of it and giving an imitation of Sidney Carton. The vehicle was drawn by beasts of a bygone era and driven by something dark and emancipated.</p>
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<p>I was sleepy and tired, so when I got to the hotel I hurriedly paid it the fifty cents it demanded (with approximate lagniappe, I assure you). I knew its habits; and I did not want to hear it prate about its old “marster” or anything that happened “befo’ de wah.”</p>
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<p>The hotel was one of the kind described as “renovated.” That means $20,000 worth of new marble pillars, tiling, electric lights and brass cuspidors in the lobby, and a new L. & N. time table and a lithograph of Lookout Mountain in each one of the great rooms above. The management was without reproach, the attention full of exquisite Southern courtesy, the service as slow as the progress of a snail and as good-humored as Rip Van Winkle. The food was worth traveling a thousand miles for. There is no other hotel in the world where you can get such chicken livers en brochette.</p>
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</blockquote>
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<p>All my life I have heard of, admired, and witnessed the fine marksmanship of the South in its peaceful conflicts in the tobacco-chewing regions. But in my hotel a surprise awaited me. There were twelve bright, new, imposing, capacious brass cuspidors in the great lobby, tall enough to be called urns and so wide-mouthed that the crack pitcher of a lady baseball team should have been able to throw a ball into one of them at five paces distant. But, although a terrible battle had raged and was still raging, the enemy had not suffered. Bright, new, imposing, capacious, untouched, they stood. But, shades of Jefferson Brick! the tile floor—the beautiful tile floor! I could not avoid thinking of the battle of Nashville, and trying to draw, as is my foolish habit, some deductions about hereditary marksmanship.</p>
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<p>Here I first saw Major (by misplaced courtesy) Wentworth Caswell. I knew him for a type the moment my eyes suffered from the sight of him. A rat has no geographical habitat. My old friend, A. Tennyson, said, as he so well said almost everything:</p>
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<blockquote epub:type="z3998:poem z3998:nonfiction">
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<blockquote epub:type="z3998:poem z3998:non-fiction">
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<p>
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<span>Prophet, curse me the blabbing lip,
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<br/></span>
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</blockquote>
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<p>Let us regard the word “British” as interchangeable ad lib. A rat is a rat.</p>
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<p>This man was hunting about the hotel lobby like a starved dog that had forgotten where he had buried a bone. He had a face of great acreage, red, pulpy, and with a kind of sleepy massiveness like that of Buddha. He possessed one single virtue—he was very smoothly shaven. The mark of the beast is not indelible upon a man until he goes about with a stubble. I think that if he had not used his razor that day I would have repulsed his advances, and the criminal calendar of the world would have been spared the addition of one murder.</p>
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<p>I happened to be standing within five feet of a cuspidor when Major Caswell opened fire upon it. I had been observant enough to perceive that the attacking force was using Gatlings instead of squirrel rifles; so I side-stepped so promptly that the major seized the opportunity to apologize to a noncombatant. He had the blabbing lip. In four minutes he had become my friend and had dragged me to the bar.</p>
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<p>I happened to be standing within five feet of a cuspidor when Major Caswell opened fire upon it. I had been observant enough to perceive that the attacking force was using Gatlings instead of squirrel rifles; so I sidestepped so promptly that the major seized the opportunity to apologize to a noncombatant. He had the blabbing lip. In four minutes he had become my friend and had dragged me to the bar.</p>
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<p>I desire to interpolate here that I am a Southerner. But I am not one by profession or trade. I eschew the string tie, the slouch hat, the Prince Albert, the number of bales of cotton destroyed by Sherman, and plug chewing. When the orchestra plays Dixie I do not cheer. I slide a little lower on the leather-cornered seat and, well, order another Würzburger and wish that Longstreet had—but what’s the use?</p>
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<p>Major Caswell banged the bar with his fist, and the first gun at Fort Sumter re-echoed. When he fired the last one at Appomattox I began to hope. But then he began on family trees, and demonstrated that Adam was only a third cousin of a collateral branch of the Caswell family. Genealogy disposed of, he took up, to my distaste, his private family matters. He spoke of his wife, traced her descent back to Eve, and profanely denied any possible rumor that she may have had relations in the land of Nod.</p>
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<p>Major Caswell banged the bar with his fist, and the first gun at Fort Sumter reechoed. When he fired the last one at Appomattox I began to hope. But then he began on family trees, and demonstrated that Adam was only a third cousin of a collateral branch of the Caswell family. Genealogy disposed of, he took up, to my distaste, his private family matters. He spoke of his wife, traced her descent back to Eve, and profanely denied any possible rumor that she may have had relations in the land of Nod.</p>
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<p>By this time I was beginning to suspect that he was trying to obscure by noise the fact that he had ordered the drinks, on the chance that I would be bewildered into paying for them. But when they were down he crashed a silver dollar loudly upon the bar. Then, of course, another serving was obligatory. And when I had paid for that I took leave of him brusquely; for I wanted no more of him. But before I had obtained my release he had prated loudly of an income that his wife received, and showed a handful of silver money.</p>
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<p>When I got my key at the desk the clerk said to me courteously: “If that man Caswell has annoyed you, and if you would like to make a complaint, we will have him ejected. He is a nuisance, a loafer, and without any known means of support, although he seems to have some money most the time. But we don’t seem to be able to hit upon any means of throwing him out legally.”</p>
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<p>“Why, no,” said I, after some reflection; “I don’t see my way clear to making a complaint. But I would like to place myself on record as asserting that I do not care for his company. Your town,” I continued, “seems to be a quiet one. What manner of entertainment, adventure, or excitement have you to offer to the stranger within your gates?”</p>
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<p>“Nothin’, suh, jus’ nothin’. Only it’s a lonesome kind of part of town and few folks ever has business out there. Step right in. The seats is clean—jes’ got back from a funeral, suh.”</p>
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<p>A mile and a half it must have been to our journey’s end. I could hear nothing but the fearful rattle of the ancient hack over the uneven brick paving; I could smell nothing but the drizzle, now further flavored with coal smoke and something like a mixture of tar and oleander blossoms. All I could see through the streaming windows were two rows of dim houses.</p>
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<blockquote>
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<p>The city has an area of 10 square miles; 181 miles of streets, of which 137 miles are paved; a system of water-works that cost $2,000,000, with 77 miles of mains.</p>
|
||||
<p>The city has an area of 10 square miles; 181 miles of streets, of which 137 miles are paved; a system of waterworks that cost $2,000,000, with 77 miles of mains.</p>
|
||||
</blockquote>
|
||||
<p>Eight-sixty-one Jessamine Street was a decayed mansion. Thirty yards back from the street it stood, outmerged in a splendid grove of trees and untrimmed shrubbery. A row of box bushes overflowed and almost hid the paling fence from sight; the gate was kept closed by a rope noose that encircled the gate post and the first paling of the gate. But when you got inside you saw that 861 was a shell, a shadow, a ghost of former grandeur and excellence. But in the story, I have not yet got inside.</p>
|
||||
<p>When the hack had ceased from rattling and the weary quadrupeds came to a rest I handed my jehu his fifty cents with an additional quarter, feeling a glow of conscious generosity, as I did so. He refused it.</p>
|
||||
@ -92,7 +92,7 @@
|
||||
<p>The grim face of King Cettiwayo softened. “Is you from the South, suh? I reckon it was them shoes of yourn fooled me. They is somethin’ sharp in the toes for a Southern gen’l’man to wear.”</p>
|
||||
<p>“Then the charge is fifty cents, I suppose?” said I inexorably.</p>
|
||||
<p>His former expression, a mingling of cupidity and hostility, returned, remained ten seconds, and vanished.</p>
|
||||
<p>“Boss,” he said, “fifty cents is right; but I <em>needs</em> two dollars, suh; I’m <em>obleeged</em> to have two dollars. I ain’t <em>demandin’</em> it now, suh; after I know whar you’s from; I’m jus’ sayin’ that I <em>has</em> to have two dollars to-night, and business is mighty po’.”</p>
|
||||
<p>“Boss,” he said, “fifty cents is right; but I <em>needs</em> two dollars, suh; I’m <em>obleeged</em> to have two dollars. I ain’t <em>demandin’</em> it now, suh; after I know whar you’s from; I’m jus’ sayin’ that I <em>has</em> to have two dollars tonight, and business is mighty po’.”</p>
|
||||
<p>Peace and confidence settled upon his heavy features. He had been luckier than he had hoped. Instead of having picked up a greenhorn, ignorant of rates, he had come upon an inheritance.</p>
|
||||
<p>“You confounded old rascal,” I said, reaching down to my pocket, “you ought to be turned over to the police.”</p>
|
||||
<p>For the first time I saw him smile. He knew; <em>he knew</em>. <b>He knew</b>.</p>
|
||||
@ -118,12 +118,12 @@
|
||||
<p>“Go up to <abbr>Mr.</abbr> Baker’s store on the corner, Impy,” she said, handing the girl the dollar bill, “and get a quarter of a pound of tea—the kind he always sends me—and ten cents worth of sugar cakes. Now, hurry. The supply of tea in the house happens to be exhausted,” she explained to me.</p>
|
||||
<p>Impy left by the back way. Before the scrape of her hard, bare feet had died away on the back porch, a wild shriek—I was sure it was hers—filled the hollow house. Then the deep, gruff tones of an angry man’s voice mingled with the girl’s further squeals and unintelligible words.</p>
|
||||
<p>Azalea Adair rose without surprise or emotion and disappeared. For two minutes I heard the hoarse rumble of the man’s voice; then something like an oath and a slight scuffle, and she returned calmly to her chair.</p>
|
||||
<p>“This is a roomy house,” she said, “and I have a tenant for part of it. I am sorry to have to rescind my invitation to tea. It was impossible to get the kind I always use at the store. Perhaps to-morrow, <abbr>Mr.</abbr> Baker will be able to supply me.”</p>
|
||||
<p>I was sure that Impy had not had time to leave the house. I inquired concerning street-car lines and took my leave. After I was well on my way I remembered that I had not learned Azalea Adair’s name. But to-morrow would do.</p>
|
||||
<p>“This is a roomy house,” she said, “and I have a tenant for part of it. I am sorry to have to rescind my invitation to tea. It was impossible to get the kind I always use at the store. Perhaps tomorrow, <abbr>Mr.</abbr> Baker will be able to supply me.”</p>
|
||||
<p>I was sure that Impy had not had time to leave the house. I inquired concerning streetcar lines and took my leave. After I was well on my way I remembered that I had not learned Azalea Adair’s name. But tomorrow would do.</p>
|
||||
<p>That same day I started in on the course of iniquity that this uneventful city forced upon me. I was in the town only two days, but in that time I managed to lie shamelessly by telegraph, and to be an accomplice—after the fact, if that is the correct legal term—to a murder.</p>
|
||||
<p>As I rounded the corner nearest my hotel the Afrite coachman of the polychromatic, nonpareil coat seized me, swung open the dungeony door of his peripatetic sarcophagus, flirted his feather duster and began his ritual: “Step right in, boss. Carriage is clean—jus’ got back from a funeral. Fifty cents to any—”</p>
|
||||
<p>And then he knew me and grinned broadly. “ ‘Scuse me, boss; you is de gen’l’man what rid out with me dis mawnin’. Thank you kindly, suh.”</p>
|
||||
<p>“I am going out to 861 again to-morrow afternoon at three,” said I, “and if you will be here, I’ll let you drive me. So you know Miss Adair?” I concluded, thinking of my dollar bill.</p>
|
||||
<p>“I am going out to 861 again tomorrow afternoon at three,” said I, “and if you will be here, I’ll let you drive me. So you know Miss Adair?” I concluded, thinking of my dollar bill.</p>
|
||||
<p>“I belonged to her father, Judge Adair, suh,” he replied.</p>
|
||||
<p>“I judge that she is pretty poor,” I said. “She hasn’t much money to speak of, has she?”</p>
|
||||
<p>For an instant I looked again at the fierce countenance of King Cettiwayo, and then he changed back to an extortionate old Negro hack driver.</p>
|
||||
@ -134,7 +134,7 @@
|
||||
<p>The answer that came back was: “Give it to her quick you duffer.”</p>
|
||||
<p>Just before dinner “Major” Wentworth Caswell bore down upon me with the greetings of a long-lost friend. I have seen few men whom I have so instantaneously hated, and of whom it was so difficult to be rid. I was standing at the bar when he invaded me; therefore I could not wave the white ribbon in his face. I would have paid gladly for the drinks, hoping, thereby, to escape another; but he was one of those despicable, roaring, advertising bibbers who must have brass bands and fireworks attend upon every cent that they waste in their follies.</p>
|
||||
<p>With an air of producing millions he drew two one-dollar bills from a pocket and dashed one of them upon the bar. I looked once more at the dollar bill with the upper right-hand corner missing, torn through the middle, and patched with a strip of blue tissue paper. It was my dollar bill again. It could have been no other.</p>
|
||||
<p>I went up to my room. The drizzle and the monotony of a dreary, eventless Southern town had made me tired and listless. I remember that just before I went to bed I mentally disposed of the mysterious dollar bill (which might have formed the clew to a tremendously fine detective story of San Francisco) by saying to myself sleepily: “Seems as if a lot of people here own stock in the Hack-Driver’s Trust. Pays dividends promptly, too. Wonder if—” Then I fell asleep.</p>
|
||||
<p>I went up to my room. The drizzle and the monotony of a dreary, eventless Southern town had made me tired and listless. I remember that just before I went to bed I mentally disposed of the mysterious dollar bill (which might have formed the clue to a tremendously fine detective story of San Francisco) by saying to myself sleepily: “Seems as if a lot of people here own stock in the Hack-Driver’s Trust. Pays dividends promptly, too. Wonder if—” Then I fell asleep.</p>
|
||||
<p>King Cettiwayo was at his post the next day, and rattled my bones over the stones out to 861. He was to wait and rattle me back again when I was ready.</p>
|
||||
<p>Azalea Adair looked paler and cleaner and frailer than she had looked on the day before. After she had signed the contract at eight cents per word she grew still paler and began to slip out of her chair. Without much trouble I managed to get her up on the antediluvian horsehair sofa and then I ran out to the sidewalk and yelled to the coffee-colored Pirate to bring a doctor. With a wisdom that I had not expected in him, he abandoned his team and struck off up the street afoot, realizing the value of speed. In ten minutes he returned with a grave, gray-haired and capable man of medicine. In a few words (worth much less than eight cents each) I explained to him my presence in the hollow house of mystery. He bowed with stately understanding, and turned to the old Negro.</p>
|
||||
<p>“Uncle Caesar,” he said calmly, “Run up to my house and ask Miss Lucy to give you a cream pitcher full of fresh milk and half a tumbler of port wine. And hurry back. Don’t drive—run. I want you to get back sometime this week.”</p>
|
||||
|
@ -23,14 +23,14 @@
|
||||
<p>There now! it’s over. Hardly had time to yawn, did you? I’ve seen biographies that—but let us dissemble.</p>
|
||||
<p>I want you to consider Jacob Spraggins, <abbr>Esq.</abbr>, after he had arrived at the seventh stage of his career. The stages meant are, first, humble origin; second, deserved promotion; third, stockholder; fourth, capitalist; fifth, trust magnate; sixth, rich malefactor; seventh, caliph; eighth, <i epub:type="z3998:grapheme">x</i>. The eighth stage shall be left to the higher mathematics.</p>
|
||||
<p>At fifty-five Jacob retired from active business. The income of a czar was still rolling in on him from coal, iron, real estate, oil, railroads, manufactories, and corporations, but none of it touched Jacob’s hands in a raw state. It was a sterilized increment, carefully cleaned and dusted and fumigated until it arrived at its ultimate stage of untainted, spotless checks in the white fingers of his private secretary. Jacob built a three-million-dollar palace on a corner lot fronting on Nabob Avenue, city of New Bagdad, and began to feel the mantle of the late H. A. Rashid descending upon him. Eventually Jacob slipped the mantle under his collar, tied it in a neat four-in-hand, and became a licensed harrier of our Mesopotamian proletariat.</p>
|
||||
<p>When a man’s income becomes so large that the butcher actually sends him the kind of steak he orders, he begins to think about his soul’s salvation. Now, the various stages or classes of rich men must not be forgotten. The capitalist can tell you to a dollar the amount of his wealth. The trust magnate “estimates” it. The rich malefactor hands you a cigar and denies that he has bought the P. D. & Q. The caliph merely smiles and talks about Hammerstein and the musical lasses. There is a record of tremendous altercation at breakfast in a “Where-to-Dine-Well” tavern between a magnate and his wife, the rift within the loot being that the wife calculated their fortune at a figure $3,000,000 higher than did her future divorcé. Oh, well, I, myself, heard a similar quarrel between a man and his wife because he found fifty cents less in his pockets than he thought he had. After all, we are all human—Count Tolstoi, R. Fitzsimmons, Peter Pan, and the rest of us.</p>
|
||||
<p>When a man’s income becomes so large that the butcher actually sends him the kind of steak he orders, he begins to think about his soul’s salvation. Now, the various stages or classes of rich men must not be forgotten. The capitalist can tell you to a dollar the amount of his wealth. The trust magnate “estimates” it. The rich malefactor hands you a cigar and denies that he has bought the P. D. & Q. The caliph merely smiles and talks about Hammerstein and the musical lasses. There is a record of tremendous altercation at breakfast in a “Where-to-Dine-Well” tavern between a magnate and his wife, the rift within the loot being that the wife calculated their fortune at a figure $3,000,000 higher than did her future divorcé. Oh, well, I, myself, heard a similar quarrel between a man and his wife because he found fifty cents less in his pockets than he thought he had. After all, we are all human—Count Tolstoy, R. Fitzsimmons, Peter Pan, and the rest of us.</p>
|
||||
<p>Don’t lose heart because the story seems to be degenerating into a sort of moral essay for intellectual readers.</p>
|
||||
<p>There will be dialogue and stage business pretty soon.</p>
|
||||
<p>When Jacob first began to compare the eyes of needles with the camels in the Zoo he decided upon organized charity. He had his secretary send a check for one million to the Universal Benevolent Association of the Globe. You may have looked down through a grating in front of a decayed warehouse for a nickel that you had dropped through. But that is neither here nor there. The Association acknowledged receipt of his favor of the 24th ult. with enclosure as stated. Separated by a double line, but still mighty close to the matter under the caption of “Oddities of the Day’s News” in an evening paper, Jacob Spraggins read that one “Jasper Spargyous” had “donated $100,000 to the U. B. A. of G.” A camel may have a stomach for each day in the week; but I dare not venture to accord him whiskers, for fear of the Great Displeasure at Washington; but if he have whiskers, surely not one of them will seem to have been inserted in the eye of a needle by that effort of that rich man to enter the K. of H. The right is reserved to reject any and all bids; signed, S. Peter, secretary and gatekeeper.</p>
|
||||
<p>Next, Jacob selected the best endowed college he could scare up and presented it with a $200,000 laboratory. The college did not maintain a scientific course, but it accepted the money and built an elaborate lavatory instead, which was no diversion of funds so far as Jacob ever discovered.</p>
|
||||
<p>The faculty met and invited Jacob to come over and take his A B C degree. Before sending the invitation they smiled, cut out the C, added the proper punctuation marks, and all was well.</p>
|
||||
<p>While walking on the campus before being capped and gowned, Jacob saw two professors strolling nearby. Their voices, long adapted to indoor acoustics, undesignedly reached his ear.</p>
|
||||
<p>“There goes the latest <i xml:lang="fr">chevalier d’industrie</i>,” said one of them, “to buy a sleeping powder from us. He gets his degree to-morrow.”</p>
|
||||
<p>“There goes the latest <i xml:lang="fr">chevalier d’industrie</i>,” said one of them, “to buy a sleeping powder from us. He gets his degree tomorrow.”</p>
|
||||
<p>“In foro conscientiae,” said the other. “Let’s ‘eave ‘arf a brick at ’im.”</p>
|
||||
<p>Jacob ignored the Latin, but the brick pleasantry was not too hard for him. There was no mandragora in the honorary draught of learning that he had bought. That was before the passage of the Pure Food and Drugs Act.</p>
|
||||
<p>Jacob wearied of philanthropy on a large scale.</p>
|
||||
@ -38,19 +38,19 @@
|
||||
<p>So Jacob followed his nose, which led him through unswept streets to the homes of the poorest.</p>
|
||||
<p>“The very thing!” said Jacob. “I will charter two river steamboats, pack them full of these unfortunate children and—say ten thousand dolls and drums and a thousand freezers of ice cream, and give them a delightful outing up the Sound. The sea breezes on that trip ought to blow the taint off some of this money that keeps coming in faster than I can work it off my mind.”</p>
|
||||
<p>Jacob must have leaked some of his benevolent intentions, for an immense person with a bald face and a mouth that looked as if it ought to have a “Drop Letters Here” sign over it hooked a finger around him and set him in a space between a barber’s pole and a stack of ash cans. Words came out of the post-office slit—smooth, husky words with gloves on ’em, but sounding as if they might turn to bare knuckles any moment.</p>
|
||||
<p>“Say, Sport, do you know where you are at? Well, dis is Mike O’Grady’s district you’re buttin’ into—see? Mike’s got de stomach-ache privilege for every kid in dis neighborhood—see? And if dere’s any picnics or red balloons to be dealt out here, Mike’s money pays for ’em—see? Don’t you butt in, or something’ll be handed to you. Youse d⸺ settlers and reformers with your social ologies and your millionaire detectives have got dis district in a hell of a fix, anyhow. With your college students and professors rough-housing de soda-water stands and dem rubber-neck coaches fillin’ de streets, de folks down here are ‘fraid to go out of de houses. Now, you leave ’em to Mike. Dey belongs to him, and he knows how to handle ’em. Keep on your own side of de town. Are you some wiser now, uncle, or do you want to scrap wit’ Mike O’Grady for de Santa Claus belt in dis district?”</p>
|
||||
<p>“Say, Sport, do you know where you are at? Well, dis is Mike O’Grady’s district you’re buttin’ into—see? Mike’s got de stomachache privilege for every kid in dis neighborhood—see? And if dere’s any picnics or red balloons to be dealt out here, Mike’s money pays for ’em—see? Don’t you butt in, or something’ll be handed to you. Youse d⸺ settlers and reformers with your social ologies and your millionaire detectives have got dis district in a hell of a fix, anyhow. With your college students and professors roughhousing de soda-water stands and dem rubberneck coaches fillin’ de streets, de folks down here are ‘fraid to go out of de houses. Now, you leave ’em to Mike. Dey belongs to him, and he knows how to handle ’em. Keep on your own side of de town. Are you some wiser now, uncle, or do you want to scrap wit’ Mike O’Grady for de Santa Claus belt in dis district?”</p>
|
||||
<p>Clearly, that spot in the moral vineyard was preempted. So Caliph Spraggins menaced no more the people in the bazaars of the East Side. To keep down his growing surplus he doubled his donations to organized charity, presented the Y. M. C. A. of his native town with a $10,000 collection of butterflies, and sent a check to the famine sufferers in China big enough to buy new emerald eyes and diamond-filled teeth for all their gods. But none of these charitable acts seemed to bring peace to the caliph’s heart. He tried to get a personal note into his benefactions by tipping bellboys and waiters $10 and $20 bills. He got well snickered at and derided for that by the minions who accept with respect gratuities commensurate to the service performed. He sought out an ambitious and talented but poor young woman, and bought for her the star part in a new comedy. He might have gotten rid of $50,000 more of his cumbersome money in this philanthropy if he had not neglected to write letters to her. But she lost the suit for lack of evidence, while his capital still kept piling up, and his <i xml:lang="la">optikos needleorum camelibus</i>—or rich man’s disease—was unrelieved.</p>
|
||||
<p>In Caliph Spraggins’s $3,000,000 home lived his sister Henrietta, who used to cook for the coal miners in a twenty-five-cent eating house in Coketown, Pa., and who now would have offered John Mitchell only two fingers of her hand to shake. And his daughter Celia, nineteen, back from boarding-school and from being polished off by private instructors in the restaurant languages and those études and things.</p>
|
||||
<p>Celia is the heroine. Lest the artist’s delineation of her charms on this very page humbug your fancy, take from me her authorized description. She was a nice-looking, awkward, loud, rather bashful, brown-haired girl, with a sallow complexion, bright eyes, and a perpetual smile. She had a wholesome, Spraggins-inherited love for plain food, loose clothing, and the society of the lower classes. She had too much health and youth to feel the burden of wealth. She had a wide mouth that kept the peppermint-pepsin tablets rattling like hail from the slot-machine wherever she went, and she could whistle hornpipes. Keep this picture in mind; and let the artist do his worst.</p>
|
||||
<p>Celia looked out of her window one day and gave her heart to the grocer’s young man. The receiver thereof was at that moment engaged in conceding immortality to his horse and calling down upon him the ultimate fate of the wicked; so he did not notice the transfer. A horse should stand still when you are lifting a crate of strictly new-laid eggs out of the wagon.</p>
|
||||
<p>Young lady reader, you would have liked that grocer’s young man yourself. But you wouldn’t have given him your heart, because you are saving it for a riding-master, or a shoe-manufacturer with a torpid liver, or something quiet but rich in gray tweeds at Palm Beach. Oh, I know about it. So I am glad the grocer’s young man was for Celia, and not for you.</p>
|
||||
<p>The grocer’s young man was slim and straight and as confident and easy in his movements as the man in the back of the magazines who wears the new frictionless roller suspenders. He wore a gray bicycle cap on the back of his head, and his hair was straw-colored and curly, and his sunburned face looked like one that smiled a good deal when he was not preaching the doctrine of everlasting punishment to delivery-wagon horses. He slung imported A1 fancy groceries about as though they were only the stuff he delivered at boarding-houses; and when he picked up his whip, your mind instantly recalled <abbr>Mr.</abbr> Tackett and his air with the buttonless foils.</p>
|
||||
<p>The grocer’s young man was slim and straight and as confident and easy in his movements as the man in the back of the magazines who wears the new frictionless roller suspenders. He wore a gray bicycle cap on the back of his head, and his hair was straw-colored and curly, and his sunburned face looked like one that smiled a good deal when he was not preaching the doctrine of everlasting punishment to delivery-wagon horses. He slung imported A1 fancy groceries about as though they were only the stuff he delivered at boardinghouses; and when he picked up his whip, your mind instantly recalled <abbr>Mr.</abbr> Tackett and his air with the buttonless foils.</p>
|
||||
<p>Tradesmen delivered their goods at a side gate at the rear of the house. The grocer’s wagon came about ten in the morning. For three days Celia watched the driver when he came, finding something new each time to admire in the lofty and almost contemptuous way he had of tossing around the choicest gifts of Pomona, Ceres, and the canning factories. Then she consulted Annette.</p>
|
||||
<p>To be explicit, Annette McCorkle, the second housemaid who deserves a paragraph herself. Annette Fletcherized large numbers of romantic novels which she obtained at a free public library branch (donated by one of the biggest caliphs in the business). She was Celia’s side-kicker and chum, though Aunt Henrietta didn’t know it, you may hazard a bean or two.</p>
|
||||
<p>“Oh, canary-bird seed!” exclaimed Annette. “Ain’t it a corkin’ situation? You a heiress, and fallin’ in love with him on sight! He’s a sweet boy, too, and above his business. But he ain’t susceptible like the common run of grocer’s assistants. He never pays no attention to me.”</p>
|
||||
<p>“He will to me,” said Celia.</p>
|
||||
<p>“Riches—” began Annette, unsheathing the not unjustifiable feminine sting.</p>
|
||||
<p>“Oh, you’re not so beautiful,” said Celia, with her wide, disarming smile. “Neither am I; but he sha’n’t know that there’s any money mixed up with my looks, such as they are. That’s fair. Now, I want you to lend me one of your caps and an apron, Annette.”</p>
|
||||
<p>“Oh, you’re not so beautiful,” said Celia, with her wide, disarming smile. “Neither am I; but he shan’t know that there’s any money mixed up with my looks, such as they are. That’s fair. Now, I want you to lend me one of your caps and an apron, Annette.”</p>
|
||||
<p>“Oh, marshmallows!” cried Annette. “I see. Ain’t it lovely? It’s just like ‘Lurline, the Left-Handed; or, A Buttonhole Maker’s Wrongs.’ I’ll bet he’ll turn out to be a count.”</p>
|
||||
<p>There was a long hallway (or “passageway,” as they call it in the land of the Colonels) with one side latticed, running along the rear of the house. The grocer’s young man went through this to deliver his goods. One morning he passed a girl in there with shining eyes, sallow complexion, and wide, smiling mouth, wearing a maid’s cap and apron. But as he was cumbered with a basket of Early Drumhead lettuce and Trophy tomatoes and three bunches of asparagus and six bottles of the most expensive Queen olives, he saw no more than that she was one of the maids.</p>
|
||||
<p>But on his way out he came up behind her, and she was whistling “Fisher’s Hornpipe” so loudly and clearly that all the piccolos in the world should have disjointed themselves and crept into their cases for shame.</p>
|
||||
@ -63,14 +63,14 @@
|
||||
<p>“No,” said Celia, “we don’t know anybody. We got rich too quick—that is, <abbr>Mr.</abbr> Spraggins did.”</p>
|
||||
<p>“I’ll make you acquainted,” said Thomas McLeod. “It’s a strathspey—the first cousin to a hornpipe.”</p>
|
||||
<p>If Celia’s whistling put the piccolos out of commission, Thomas McLeod’s surely made the biggest flutes hunt their holes. He could actually whistle <em>bass</em>.</p>
|
||||
<p>When he stopped Celia was ready to jump into his delivery wagon and ride with him clear to the end of the pier and on to the ferry-boat of the Charon line.</p>
|
||||
<p>“I’ll be around to-morrow at 10:15,” said Thomas, “with some spinach and a case of carbonic.”</p>
|
||||
<p>When he stopped Celia was ready to jump into his delivery wagon and ride with him clear to the end of the pier and on to the ferryboat of the Charon line.</p>
|
||||
<p>“I’ll be around tomorrow at 10:15,” said Thomas, “with some spinach and a case of carbonic.”</p>
|
||||
<p>“I’ll practice that what-you-may-call-it,” said Celia. “I can whistle a fine second.”</p>
|
||||
<p>The processes of courtship are personal, and do not belong to general literature. They should be chronicled in detail only in advertisements of iron tonics and in the secret by-laws of the Woman’s Auxiliary of the Ancient Order of the Rat Trap. But genteel writing may contain a description of certain stages of its progress without intruding upon the province of the <span epub:type="z3998:roman">X</span>-ray or of park policemen.</p>
|
||||
<p>The processes of courtship are personal, and do not belong to general literature. They should be chronicled in detail only in advertisements of iron tonics and in the secret bylaws of the Woman’s Auxiliary of the Ancient Order of the Rat Trap. But genteel writing may contain a description of certain stages of its progress without intruding upon the province of the <span epub:type="z3998:roman">X</span>-ray or of park policemen.</p>
|
||||
<p>A day came when Thomas McLeod and Celia lingered at the end of the latticed “passage.”</p>
|
||||
<p>“Sixteen a week isn’t much,” said Thomas, letting his cap rest on his shoulder blades.</p>
|
||||
<p>Celia looked through the lattice-work and whistled a dead march. Shopping with Aunt Henrietta the day before, she had paid that much for a dozen handkerchiefs.</p>
|
||||
<p>“Maybe I’ll get a raise next month,” said Thomas. “I’ll be around to-morrow at the same time with a bag of flour and the laundry soap.”</p>
|
||||
<p>Celia looked through the latticework and whistled a dead march. Shopping with Aunt Henrietta the day before, she had paid that much for a dozen handkerchiefs.</p>
|
||||
<p>“Maybe I’ll get a raise next month,” said Thomas. “I’ll be around tomorrow at the same time with a bag of flour and the laundry soap.”</p>
|
||||
<p>“All right,” said Celia. “Annette’s married cousin pays only $20 a month for a flat in the Bronx.”</p>
|
||||
<p>Never for a moment did she count on the Spraggins money. She knew Aunt Henrietta’s invincible pride of caste and pa’s mightiness as a Colossus of cash, and she understood that if she chose Thomas she and her grocer’s young man might go whistle for a living.</p>
|
||||
<p>Another day came, Thomas violating the dignity of Nabob Avenue with “The Devil’s Dream,” whistled keenly between his teeth.</p>
|
||||
@ -95,7 +95,7 @@
|
||||
<p>After the detectives had trailed false clues about three thousand dollars—I mean miles—they cornered Thomas at the grocery and got his confession that Hugh McLeod had been his grandfather, and that there were no other heirs. They arranged a meeting for him and old Jacob one morning in one of their offices.</p>
|
||||
<p>Jacob liked the young man very much. He liked the way he looked straight at him when he talked, and the way he threw his bicycle cap over the top of a rose-colored vase on the centre-table.</p>
|
||||
<p>There was a slight flaw in Jacob’s system of restitution. He did not consider that the act, to be perfect, should include confession. So he represented himself to be the agent of the purchaser of the land who had sent him to refund the sale price for the ease of his conscience.</p>
|
||||
<p>“Well, sir,” said Thomas, “this sounds to me like an illustrated post-card from South Boston with ‘We’re having a good time here’ written on it. I don’t know the game. Is this ten thousand dollars money, or do I have to save so many coupons to get it?”</p>
|
||||
<p>“Well, sir,” said Thomas, “this sounds to me like an illustrated postcard from South Boston with ‘We’re having a good time here’ written on it. I don’t know the game. Is this ten thousand dollars money, or do I have to save so many coupons to get it?”</p>
|
||||
<p>Old Jacob counted out to him twenty five-hundred-dollar bills.</p>
|
||||
<p>That was better, he thought, than a check. Thomas put them thoughtfully into his pocket.</p>
|
||||
<p>“Grandfather’s best thanks,” he said, “to the party who sends it.”</p>
|
||||
@ -106,11 +106,11 @@
|
||||
<p>“I told you he was a count,” she said, after relating. “He never would carry on with me.”</p>
|
||||
<p>“But you say he showed money,” said the cook.</p>
|
||||
<p>“Hundreds of thousands,” said Annette. “Carried around loose in his pockets. And he never would look at me.”</p>
|
||||
<p>“It was paid to me to-day,” Thomas was explaining to Celia outside. “It came from my grandfather’s estate. Say, Cele, what’s the use of waiting now? I’m going to quit the job to-night. Why can’t we get married next week?”</p>
|
||||
<p>“It was paid to me today,” Thomas was explaining to Celia outside. “It came from my grandfather’s estate. Say, Cele, what’s the use of waiting now? I’m going to quit the job tonight. Why can’t we get married next week?”</p>
|
||||
<p>“Tommy,” said Celia. “I’m no parlor maid. I’ve been fooling you. I’m Miss Spraggins—Celia Spraggins. The newspapers say I’ll be worth forty million dollars some day.”</p>
|
||||
<p>Thomas pulled his cap down straight on his head for the first time since we have known him.</p>
|
||||
<p>“I suppose then,” said he, “I suppose then you’ll not be marrying me next week. But you <em>can</em> whistle.”</p>
|
||||
<p>“No,” said Celia, “I’ll not be marrying you next week. My father would never let me marry a grocer’s clerk. But I’ll marry you to-night, Tommy, if you say so.”</p>
|
||||
<p>“No,” said Celia, “I’ll not be marrying you next week. My father would never let me marry a grocer’s clerk. But I’ll marry you tonight, Tommy, if you say so.”</p>
|
||||
<p>Old Jacob Spraggins came home at 9:30 <abbr class="time">a.m.</abbr>, in his motor car. The make of it you will have to surmise sorrowfully; I am giving you unsubsidized fiction; had it been a street car I could have told you its voltage and the number of wheels it had. Jacob called for his daughter; he had bought a ruby necklace for her, and wanted to hear her say what a kind, thoughtful, dear old dad he was.</p>
|
||||
<p>There was a brief search in the house for her, and then came Annette, glowing with the pure flame of truth and loyalty well mixed with envy and histrionics.</p>
|
||||
<p>“Oh, sir,” said she, wondering if she should kneel, “Miss Celia’s just this minute running away out of the side gate with a young man to be married. I couldn’t stop her, sir. They went in a cab.”</p>
|
||||
@ -134,7 +134,7 @@
|
||||
<p>“Waste basket.”</p>
|
||||
<p>“The Society for Providing Healthful Recreation for Working Girls wants $20,000 from you to lay out a golf course.”</p>
|
||||
<p>“Tell ’em to see an undertaker.”</p>
|
||||
<p>“Cut ’em all out,” went on Jacob. “I’ve quit being a good thing. I need every dollar I can scrape or save. I want you to write to the directors of every company that I’m interested in and recommend a 10 per cent. cut in salaries. And say—I noticed half a cake of soap lying in a corner of the hall as I came in. I want you to speak to the scrubwoman about waste. I’ve got no money to throw away. And say—we’ve got vinegar pretty well in hand, haven’t we?’</p>
|
||||
<p>“Cut ’em all out,” went on Jacob. “I’ve quit being a good thing. I need every dollar I can scrape or save. I want you to write to the directors of every company that I’m interested in and recommend a 10 percent cut in salaries. And say—I noticed half a cake of soap lying in a corner of the hall as I came in. I want you to speak to the scrubwoman about waste. I’ve got no money to throw away. And say—we’ve got vinegar pretty well in hand, haven’t we?’</p>
|
||||
<p>“The Globe Spice & Seasons Company,” said secretary, “controls the market at present.”</p>
|
||||
<p>“Raise vinegar two cents a gallon. Notify all our branches.”</p>
|
||||
<p>Suddenly Jacob Spraggins’s plump red face relaxed into a pulpy grin. He walked over to the secretary’s desk and showed a small red mark on his thick forefinger.</p>
|
||||
|
@ -14,7 +14,7 @@
|
||||
<p>“If you don’t slacken up, Bellford,” he said, “you’ll go suddenly to pieces. Either your nerves or your brain will give way. Tell me, does a week pass in which you do not read in the papers of a case of aphasia—of some man lost, wandering nameless, with his past and his identity blotted out—and all from that little brain clot made by overwork or worry?”</p>
|
||||
<p>“I always thought,” said I, “that the clot in those instances was really to be found on the brains of the newspaper reporters.”</p>
|
||||
<p>Doctor Volney shook his head.</p>
|
||||
<p>“The disease exists,” he said. “You need a change or a rest. Court-room, office and home—there is the only route you travel. For recreation you—read law books. Better take warning in time.”</p>
|
||||
<p>“The disease exists,” he said. “You need a change or a rest. Courtroom, office and home—there is the only route you travel. For recreation you—read law books. Better take warning in time.”</p>
|
||||
<p>“On Thursday nights,” I said, defensively, “my wife and I play cribbage. On Sundays she reads to me the weekly letter from her mother. That law books are not a recreation remains yet to be established.”</p>
|
||||
<p>That morning as I walked I was thinking of Doctor Volney’s words. I was feeling as well as I usually did—possibly in better spirits than usual.</p>
|
||||
<hr/>
|
||||
@ -47,13 +47,13 @@
|
||||
<p>I thought the hotel clerk looked at me five seconds too long. I had no baggage.</p>
|
||||
<p>“The Druggists’ Convention,” I said. “My trunk has somehow failed to arrive.” I drew out a roll of money.</p>
|
||||
<p>“Ah!” said he, showing an auriferous tooth, “we have quite a number of the Western delegates stopping here.” He struck a bell for the boy.</p>
|
||||
<p>I endeavored to give color to my rôle.</p>
|
||||
<p>I endeavored to give color to my role.</p>
|
||||
<p>“There is an important movement on foot among us Westerners,” I said, “in regard to a recommendation to the convention that the bottles containing the tartrate of antimony and potash, and the tartrate of sodium and potash be kept in a contiguous position on the shelf.”</p>
|
||||
<p>“Gentleman to three-fourteen,” said the clerk, hastily. I was whisked away to my room.</p>
|
||||
<p>The next day I bought a trunk and clothing, and began to live the life of Edward Pinkhammer. I did not tax my brain with endeavors to solve problems of the past.</p>
|
||||
<p>It was a piquant and sparkling cup that the great island city held up to my lips. I drank of it gratefully. The keys of Manhattan belong to him who is able to bear them. You must be either the city’s guest or its victim.</p>
|
||||
<p>The following few days were as gold and silver. Edward Pinkhammer, yet counting back to his birth by hours only, knew the rare joy of having come upon so diverting a world full-fledged and unrestrained. I sat entranced on the magic carpets provided in theatres and roof-gardens, that transported one into strange and delightful lands full of frolicsome music, pretty girls and grotesque drolly extravagant parodies upon human kind. I went here and there at my own dear will, bound by no limits of space, time or comportment. I dined in weird cabarets, at weirder tables d’hôte to the sound of Hungarian music and the wild shouts of mercurial artists and sculptors. Or, again, where the night life quivers in the electric glare like a kinetoscopic picture, and the millinery of the world, and its jewels, and the ones whom they adorn, and the men who make all three possible are met for good cheer and the spectacular effect. And among all these scenes that I have mentioned I learned one thing that I never knew before. And that is that the key to liberty is not in the hands of License, but Convention holds it. Comity has a toll-gate at which you must pay, or you may not enter the land of Freedom. In all the glitter, the seeming disorder, the parade, the abandon, I saw this law, unobtrusive, yet like iron, prevail. Therefore, in Manhattan you must obey these unwritten laws, and then you will be freest of the free. If you decline to be bound by them, you put on shackles.</p>
|
||||
<p>Sometimes, as my mood urged me, I would seek the stately, softly murmuring palm rooms, redolent with high-born life and delicate restraint, in which to dine. Again I would go down to the waterways in steamers packed with vociferous, bedecked, unchecked love-making clerks and shop-girls to their crude pleasures on the island shores. And there was always Broadway—glistening, opulent, wily, varying, desirable Broadway—growing upon one like an opium habit.</p>
|
||||
<p>The following few days were as gold and silver. Edward Pinkhammer, yet counting back to his birth by hours only, knew the rare joy of having come upon so diverting a world full-fledged and unrestrained. I sat entranced on the magic carpets provided in theatres and roof-gardens, that transported one into strange and delightful lands full of frolicsome music, pretty girls and grotesque drolly extravagant parodies upon human kind. I went here and there at my own dear will, bound by no limits of space, time or comportment. I dined in weird cabarets, at weirder tables d’hôte to the sound of Hungarian music and the wild shouts of mercurial artists and sculptors. Or, again, where the night life quivers in the electric glare like a kinetoscopic picture, and the millinery of the world, and its jewels, and the ones whom they adorn, and the men who make all three possible are met for good cheer and the spectacular effect. And among all these scenes that I have mentioned I learned one thing that I never knew before. And that is that the key to liberty is not in the hands of License, but Convention holds it. Comity has a tollgate at which you must pay, or you may not enter the land of Freedom. In all the glitter, the seeming disorder, the parade, the abandon, I saw this law, unobtrusive, yet like iron, prevail. Therefore, in Manhattan you must obey these unwritten laws, and then you will be freest of the free. If you decline to be bound by them, you put on shackles.</p>
|
||||
<p>Sometimes, as my mood urged me, I would seek the stately, softly murmuring palm rooms, redolent with highborn life and delicate restraint, in which to dine. Again I would go down to the waterways in steamers packed with vociferous, bedecked, unchecked lovemaking clerks and shop-girls to their crude pleasures on the island shores. And there was always Broadway—glistening, opulent, wily, varying, desirable Broadway—growing upon one like an opium habit.</p>
|
||||
<p>One afternoon as I entered my hotel a stout man with a big nose and a black mustache blocked my way in the corridor. When I would have passed around him, he greet me with offensive familiarity.</p>
|
||||
<p>“Hello, Bellford!” he cried, loudly. “What the deuce are you doing in New York? Didn’t know anything could drag you away from that old book den of yours. Is <abbr>Mrs.</abbr> B. along or is this a little business run alone, eh?”</p>
|
||||
<p>“You have made a mistake, sir,” I said, coldly, releasing my hand from his grasp. “My name is Pinkhammer. You will excuse me.”</p>
|
||||
@ -87,7 +87,7 @@
|
||||
<p>“My name is Edward Pinkhammer,” I said. “I came with the delegates to the Druggists’ National Convention. There is a movement on foot for arranging a new position for the bottles of tartrate of antimony and tartrate of potash, in which, very likely, you would take little interest.”</p>
|
||||
<p>A shining landau stopped before the entrance. The lady rose. I took her hand, and bowed.</p>
|
||||
<p>“I am deeply sorry,” I said to her, “that I cannot remember. I could explain, but fear you would not understand. You will not concede Pinkhammer; and I really cannot at all conceive of the—the roses and other things.”</p>
|
||||
<p>“Good-by, <abbr>Mr.</abbr> Bellford,” she said, with her happy, sorrowful smile, as she stepped into her carriage.</p>
|
||||
<p>“Goodbye, <abbr>Mr.</abbr> Bellford,” she said, with her happy, sorrowful smile, as she stepped into her carriage.</p>
|
||||
<p>I attended the theatre that night. When I returned to my hotel, a quiet man in dark clothes, who seemed interested in rubbing his finger nails with a silk handkerchief, appeared, magically, at my side.</p>
|
||||
<p>“<abbr>Mr.</abbr> Pinkhammer,” he said, giving the bulk of his attention to his forefinger, “may I request you to step aside with me for a little conversation? There is a room here.”</p>
|
||||
<p>“Certainly,” I answered.</p>
|
||||
|
@ -14,7 +14,7 @@
|
||||
<p>“Paresis or superannuated?” I asks him.</p>
|
||||
<p>“Hello, Billy,” says Silver; “I’m glad to see you. Yes, it seemed to me that the West was accumulating a little too much wiseness. I’ve been saving New York for dessert. I know it’s a low-down trick to take things from these people. They only know this and that and pass to and fro and think ever and anon. I’d hate for my mother to know I was skinning these weak-minded ones. She raised me better.”</p>
|
||||
<p>“Is there a crush already in the waiting rooms of the old doctor that does skin grafting?” I asks.</p>
|
||||
<p>“Well, no,” says Silver; “you needn’t back Epidermis to win to-day. I’ve only been here a month. But I’m ready to begin; and the members of Willie Manhattan’s Sunday School class, each of whom has volunteered to contribute a portion of cuticle toward this rehabilitation, may as well send their photos to the <i epub:type="se:name.publication.newspaper">Evening Daily</i>.</p>
|
||||
<p>“Well, no,” says Silver; “you needn’t back Epidermis to win today. I’ve only been here a month. But I’m ready to begin; and the members of Willie Manhattan’s Sunday School class, each of whom has volunteered to contribute a portion of cuticle toward this rehabilitation, may as well send their photos to the <i epub:type="se:name.publication.newspaper">Evening Daily</i>.</p>
|
||||
<p>“I’ve been studying the town,” says Silver, “and reading the papers every day, and I know it as well as the cat in the City Hall knows an O’Sullivan. People here lie down on the floor and scream and kick when you are the least bit slow about taking money from them. Come up in my room and I’ll tell you. We’ll work the town together, Billy, for the sake of old times.”</p>
|
||||
<p>Silver takes me up in a hotel. He has a quantity of irrelevant objects lying about.</p>
|
||||
<p>“There’s more ways of getting money from these metropolitan hayseeds,” says Silver, “than there is of cooking rice in Charleston, S. C. They’ll bite at anything. The brains of most of ’em commute. The wiser they are in intelligence the less perception of cognizance they have. Why, didn’t a man the other day sell J. P. Morgan an oil portrait of Rockefeller, Jr., for Andrea del Sarto’s celebrated painting of the young Saint John!</p>
|
||||
@ -38,8 +38,8 @@
|
||||
<p>“Now, Pierpont,” cuts in Klein, “you forget!”</p>
|
||||
<p>“Excuse me, gents!” says Morgan; “since I’ve had the gout so bad I sometimes play a social game of cards at my house. Neither of you never knew One-eyed Peters, did you, while you was around Little Rock? He lived in Seattle, New Mexico.”</p>
|
||||
<p>Before we could answer, <abbr>Mr.</abbr> Morgan hammers on the floor with his cane and begins to walk up and down, swearing in a loud tone of voice.</p>
|
||||
<p>“They have been pounding your stocks to-day on the Street, Pierpont?” asks Klein, smiling.</p>
|
||||
<p>“Stocks! No!” roars <abbr>Mr.</abbr> Morgan. “It’s that picture I sent an agent to Europe to buy. I just thought about it. He cabled me to-day that it ain’t to be found in all Italy. I’d pay $50,000 to-morrow for that picture—yes, $75,000. I give the agent a la carte in purchasing it. I cannot understand why the art galleries will allow a De Vinchy to—”</p>
|
||||
<p>“They have been pounding your stocks today on the Street, Pierpont?” asks Klein, smiling.</p>
|
||||
<p>“Stocks! No!” roars <abbr>Mr.</abbr> Morgan. “It’s that picture I sent an agent to Europe to buy. I just thought about it. He cabled me today that it ain’t to be found in all Italy. I’d pay $50,000 tomorrow for that picture—yes, $75,000. I give the agent à la carte in purchasing it. I cannot understand why the art galleries will allow a De Vinchy to—”</p>
|
||||
<p>“Why, <abbr>Mr.</abbr> Morgan,” says klein; “I thought you owned all of the De Vinchy paintings.”</p>
|
||||
<p>“What is the picture like, <abbr>Mr.</abbr> Morgan?” asks Silver. “It must be as big as the side of the Flatiron Building.”</p>
|
||||
<p>“I’m afraid your art education is on the bum, <abbr>Mr.</abbr> Silver,” says Morgan. “The picture is 27 inches by 42; and it is called ‘Love’s Idle Hour.’ It represents a number of cloak models doing the two-step on the bank of a purple river. The cablegram said it might have been brought to this country. My collection will never be complete without that picture. Well, so long, gents; us financiers must keep early hours.”</p>
|
||||
|
@ -9,11 +9,11 @@
|
||||
<section id="compliments-of-the-season" epub:type="chapter">
|
||||
<h2 epub:type="title">Compliments of the Season</h2>
|
||||
<p>There are no more Christmas stories to write. Fiction is exhausted; and newspaper items, the next best, are manufactured by clever young journalists who have married early and have an engagingly pessimistic view of life. Therefore, for seasonable diversion, we are reduced to very questionable sources—facts and philosophy. We will begin with—whichever you choose to call it.</p>
|
||||
<p>Children are pestilential little animals with which we have to cope under a bewildering variety of conditions. Especially when childish sorrows overwhelm them are we put to our wits’ end. We exhaust our paltry store of consolation; and then beat them, sobbing, to sleep. Then we grovel in the dust of a million years, and ask God why. Thus we call out of the rat-trap. As for the children, no one understands them except old maids, hunchbacks, and shepherd dogs.</p>
|
||||
<p>Children are pestilential little animals with which we have to cope under a bewildering variety of conditions. Especially when childish sorrows overwhelm them are we put to our wits’ end. We exhaust our paltry store of consolation; and then beat them, sobbing, to sleep. Then we grovel in the dust of a million years, and ask God why. Thus we call out of the rattrap. As for the children, no one understands them except old maids, hunchbacks, and shepherd dogs.</p>
|
||||
<p>Now comes the facts in the case of the Rag-Doll, the Tatterdemalion, and the Twenty-fifth of December.</p>
|
||||
<p>On the tenth of that month the Child of the Millionaire lost her rag-doll. There were many servants in the Millionaire’s palace on the Hudson, and these ransacked the house and grounds, but without finding the lost treasure. The child was a girl of five, and one of those perverse little beasts that often wound the sensibilities of wealthy parents by fixing their affections upon some vulgar, inexpensive toy instead of upon diamond-studded automobiles and pony phaetons.</p>
|
||||
<p>The Child grieved sorely and truly, a thing inexplicable to the Millionaire, to whom the rag-doll market was about as interesting as Bay State Gas; and to the Lady, the Child’s mother, who was all form—that is, nearly all, as you shall see.</p>
|
||||
<p>The Child cried inconsolably, and grew hollow-eyed, knock-kneed, spindling, and corykilverty in many other respects. The Millionaire smiled and tapped his coffers confidently. The pick of the output of the French and German toymakers was rushed by special delivery to the mansion; but Rachel refused to be comforted. She was weeping for her rag child, and was for a high protective tariff against all foreign foolishness. Then doctors with the finest bedside manners and stop-watches were called in. One by one they chattered futilely about peptomanganate of iron and sea voyages and hypophosphites until their stop-watches showed that Bill Rendered was under the wire for show or place. Then, as men, they advised that the rag-doll be found as soon as possible and restored to its mourning parent. The Child sniffed at therapeutics, chewed a thumb, and wailed for her Betsy. And all this time cablegrams were coming from Santa Claus saying that he would soon be here and enjoining us to show a true Christian spirit and let up on the pool-rooms and tontine policies and platoon systems long enough to give him a welcome. Everywhere the spirit of Christmas was diffusing itself. The banks were refusing loans, the pawn-brokers had doubled their gang of helpers, people bumped your shins on the streets with red sleds, Thomas and Jeremiah bubbled before you on the bars while you waited on one foot, holly-wreaths of hospitality were hung in windows of the stores, they who had ’em were getting their furs. You hardly knew which was the best bet in balls—three, high, moth, or snow. It was no time at which to lose the rag-doll or your heart.</p>
|
||||
<p>The Child cried inconsolably, and grew hollow-eyed, knock-kneed, spindling, and corykilverty in many other respects. The Millionaire smiled and tapped his coffers confidently. The pick of the output of the French and German toymakers was rushed by special delivery to the mansion; but Rachel refused to be comforted. She was weeping for her rag child, and was for a high protective tariff against all foreign foolishness. Then doctors with the finest bedside manners and stopwatches were called in. One by one they chattered futilely about peptomanganate of iron and sea voyages and hypophosphites until their stopwatches showed that Bill Rendered was under the wire for show or place. Then, as men, they advised that the rag-doll be found as soon as possible and restored to its mourning parent. The Child sniffed at therapeutics, chewed a thumb, and wailed for her Betsy. And all this time cablegrams were coming from Santa Claus saying that he would soon be here and enjoining us to show a true Christian spirit and let up on the poolrooms and tontine policies and platoon systems long enough to give him a welcome. Everywhere the spirit of Christmas was diffusing itself. The banks were refusing loans, the pawnbrokers had doubled their gang of helpers, people bumped your shins on the streets with red sleds, Thomas and Jeremiah bubbled before you on the bars while you waited on one foot, holly-wreaths of hospitality were hung in windows of the stores, they who had ’em were getting their furs. You hardly knew which was the best bet in balls—three, high, moth, or snow. It was no time at which to lose the rag-doll or your heart.</p>
|
||||
<p>If Doctor Watson’s investigating friend had been called in to solve this mysterious disappearance he might have observed on the Millionaire’s wall a copy of “The Vampire.” That would have quickly suggested, by induction, “A rag and a bone and a hank of hair.” “Flip,” a Scotch terrier, next to the rag-doll in the Child’s heart, frisked through the halls. The hank of hair! Aha! <span epub:type="z3998:roman">X</span>, the unfound quantity, represented the rag-doll. But, the bone? Well, when dogs find bones they—Done! It were an easy and a fruitful task to examine Flip’s forefeet. Look, Watson! Earth—dried earth between the toes. Of course, the dog—but Sherlock was not there. Therefore it devolves. But topography and architecture must intervene.</p>
|
||||
<p>The Millionaire’s palace occupied a lordly space. In front of it was a lawn close-mowed as a South Ireland man’s face two days after a shave. At one side of it, and fronting on another street was a pleasaunce trimmed to a leaf, and the garage and stables. The Scotch pup had ravished the rag-doll from the nursery, dragged it to a corner of the lawn, dug a hole, and buried it after the manner of careless undertakers. There you have the mystery solved, and no checks to write for the hypodermical wizard or fi’-pun notes to toss to the sergeant. Then let’s get down to the heart of the thing, tiresome readers—the Christmas heart of the thing.</p>
|
||||
<p>Fuzzy was drunk—not riotously or helplessly or loquaciously, as you or I might get, but decently, appropriately, and inoffensively, as becomes a gentleman down on his luck.</p>
|
||||
@ -37,7 +37,7 @@
|
||||
<p>“Money,” said Fuzzy, with husky firmness, “cannot buy her.”</p>
|
||||
<p>He was intoxicated with the artist’s first sweet cup of attainment. To set a faded-blue, earth-stained rag-doll on a bar, to hold mimic converse with it, and to find his heart leaping with the sense of plaudits earned and his throat scorching with free libations poured in his honor—could base coin buy him from such achievements? You will perceive that Fuzzy had the temperament.</p>
|
||||
<p>Fuzzy walked out with the gait of a trained sea-lion in search of other cafés to conquer.</p>
|
||||
<p>Though the dusk of twilight was hardly yet apparent, lights were beginning to spangle the city like pop-corn bursting in a deep skillet. Christmas Eve, impatiently expected, was peeping over the brink of the hour. Millions had prepared for its celebration. Towns would be painted red. You, yourself, have heard the horns and dodged the capers of the Saturnalians.</p>
|
||||
<p>Though the dusk of twilight was hardly yet apparent, lights were beginning to spangle the city like popcorn bursting in a deep skillet. Christmas Eve, impatiently expected, was peeping over the brink of the hour. Millions had prepared for its celebration. Towns would be painted red. You, yourself, have heard the horns and dodged the capers of the Saturnalians.</p>
|
||||
<p>“Pigeon” McCarthy, Black Riley, and “One-ear” Mike held a hasty converse outside Grogan’s. They were narrow-chested, pallid striplings, not fighters in the open, but more dangerous in their ways of warfare than the most terrible of Turks. Fuzzy, in a pitched battle, could have eaten the three of them. In a go-as-you-please encounter he was already doomed.</p>
|
||||
<p>They overtook him just as he and Betsy were entering Costigan’s Casino. They deflected him, and shoved the newspaper under his nose. Fuzzy could read—and more.</p>
|
||||
<p>“Boys,” said he, “you are certainly damn true friends. Give me a week to think it over.”</p>
|
||||
@ -53,12 +53,12 @@
|
||||
<p>“We can chuck him in the river,” said “Pigeon” McCarthy, “with a stone tied to his feet.”</p>
|
||||
<p>“Youse guys make me tired,” said “One-ear” Mike sadly. “Ain’t progress ever appealed to none of yez? Sprinkle a little gasoline on ’im, and drop ’im on the Drive—well?”</p>
|
||||
<p>Fuzzy entered the Millionaire’s gate and zigzagged toward the softly glowing entrance of the mansion. The three goblins came up to the gate and lingered—one on each side of it, one beyond the roadway. They fingered their cold metal and leather, confident.</p>
|
||||
<p>Fuzzy rang the door-bell, smiling foolishly and dreamily. An atavistic instinct prompted him to reach for the button of his right glove. But he wore no gloves; so his left hand dropped, embarrassed.</p>
|
||||
<p>Fuzzy rang the doorbell, smiling foolishly and dreamily. An atavistic instinct prompted him to reach for the button of his right glove. But he wore no gloves; so his left hand dropped, embarrassed.</p>
|
||||
<p>The particular menial whose duty it was to open doors to silks and laces shied at first sight of Fuzzy. But a second glance took in his passport, his card of admission, his surety of welcome—the lost rag-doll of the daughter of the house dangling under his arm.</p>
|
||||
<p>Fuzzy was admitted into a great hall, dim with the glow from unseen lights. The hireling went away and returned with a maid and the Child. The doll was restored to the mourning one. She clasped her lost darling to her breast; and then, with the inordinate selfishness and candor of childhood, stamped her foot and whined hatred and fear of the odious being who had rescued her from the depths of sorrow and despair. Fuzzy wriggled himself into an ingratiatory attitude and essayed the idiotic smile and blattering small talk that is supposed to charm the budding intellect of the young. The Child bawled, and was dragged away, hugging her Betsy close.</p>
|
||||
<p>There came the Secretary, pale, poised, polished, gliding in pumps, and worshipping pomp and ceremony. He counted out into Fuzzy’s hand ten ten-dollar bills; then dropped his eye upon the door, transferred it to James, its custodian, indicated the obnoxious earner of the reward with the other, and allowed his pumps to waft him away to secretarial regions.</p>
|
||||
<p>James gathered Fuzzy with his own commanding optic and swept him as far as the front door.</p>
|
||||
<p>When the money touched fuzzy’s dingy palm his first instinct was to take to his heels; but a second thought restrained him from that blunder of etiquette. It was his; it had been given him. It—and, oh, what an elysium it opened to the gaze of his mind’s eye! He had tumbled to the foot of the ladder; he was hungry, homeless, friendless, ragged, cold, drifting; and he held in his hand the key to a paradise of the mud-honey that he craved. The fairy doll had waved a wand with her rag-stuffed hand; and now wherever he might go the enchanted palaces with shining foot-rests and magic red fluids in gleaming glassware would be open to him.</p>
|
||||
<p>When the money touched fuzzy’s dingy palm his first instinct was to take to his heels; but a second thought restrained him from that blunder of etiquette. It was his; it had been given him. It—and, oh, what an elysium it opened to the gaze of his mind’s eye! He had tumbled to the foot of the ladder; he was hungry, homeless, friendless, ragged, cold, drifting; and he held in his hand the key to a paradise of the mud-honey that he craved. The fairy doll had waved a wand with her rag-stuffed hand; and now wherever he might go the enchanted palaces with shining footrests and magic red fluids in gleaming glassware would be open to him.</p>
|
||||
<p>He followed James to the door.</p>
|
||||
<p>He paused there as the flunky drew open the great mahogany portal for him to pass into the vestibule.</p>
|
||||
<p>Beyond the wrought-iron gates in the dark highway Black Riley and his two pals casually strolled, fingering under their coats the inevitably fatal weapons that were to make the reward of the rag-doll theirs.</p>
|
||||
|
@ -18,12 +18,12 @@
|
||||
<p>This goes to explain why Cork McManus went into Rooney’s one night and there looked upon the bright, stranger face of Romance for the first time in his precarious career.</p>
|
||||
<p>Until Tim Corrigan should return from his jaunt among Kings and Princes and hold up his big white finger in private offices, it was unsafe for Cork in any of the old haunts of his gang. So he lay, perdu, in the high rear room of a Capulet, reading pink sporting sheets and cursing the slow paddle wheels of the <i epub:type="se:vessel.ship">Kaiser Wilhelm</i>.</p>
|
||||
<p>It was on Thursday evening that Cork’s seclusion became intolerable to him. Never a hart panted for water fountain as he did for the cool touch of a drifting stein, for the firm security of a foot-rail in the hollow of his shoe and the quiet, hearty challenges of friendship and repartee along and across the shining bars. But he must avoid the district where he was known. The cops were looking for him everywhere, for news was scarce, and the newspapers were harping again on the failure of the police to suppress the gangs. If they got him before Corrigan came back, the big white finger could not be uplifted; it would be too late then. But Corrigan would be home the next day, so he felt sure there would be small danger in a little excursion that night among the crass pleasures that represented life to him.</p>
|
||||
<p>At half-past twelve McManus stood in a darkish cross-town street looking up at the name “Rooney’s,” picked out by incandescent lights against a signboard over a second-story window. He had heard of the place as a tough “hang-out”; with its frequenters and its locality he was unfamiliar. Guided by certain unerring indications common to all such resorts, he ascended the stairs and entered the large room over the café.</p>
|
||||
<p>At half-past twelve McManus stood in a darkish crosstown street looking up at the name “Rooney’s,” picked out by incandescent lights against a signboard over a second-story window. He had heard of the place as a tough “hangout”; with its frequenters and its locality he was unfamiliar. Guided by certain unerring indications common to all such resorts, he ascended the stairs and entered the large room over the café.</p>
|
||||
<p>Here were some twenty or thirty tables, at this time about half-filled with Rooney’s guests. Waiters served drinks. At one end a human pianola with drugged eyes hammered the keys with automatic and furious unprecision. At merciful intervals a waiter would roar or squeak a song—songs full of “<abbr>Mr.</abbr> Johnsons” and “babes” and “coons”—historical word guaranties of the genuineness of African melodies composed by red waistcoated young gentlemen, natives of the cotton fields and rice swamps of West Twenty-eighth Street.</p>
|
||||
<p>For one brief moment you must admire Rooney with me as he receives, seats, manipulates, and chaffs his guests. He is twenty-nine. He has Wellington’s nose, Dante’s chin, the cheek-bones of an Iroquois, the smile of Talleyrand, Corbett’s foot work, and the poise of an eleven-year-old East Side Central Park Queen of the May. He is assisted by a lieutenant known as Frank, a pudgy, easy chap, swell-dressed, who goes among the tables seeing that dull care does not intrude. Now, what is there about Rooney’s to inspire all this pother? It is more respectable by daylight; stout ladies with children and mittens and bundles and unpedigreed dogs drop up of afternoons for a stein and a chat. Even by gaslight the diversions are melancholy i’ the mouth—drink and rag-time, and an occasional surprise when the waiter swabs the suds from under your sticky glass. There is an answer. Transmigration! The soul of Sir Walter Raleigh has traveled from beneath his slashed doublet to a kindred home under Rooney’s visible plaid waistcoat. Rooney’s is twenty years ahead of the times. Rooney has removed the embargo. Rooney has spread his cloak upon the soggy crossing of public opinion, and any Elizabeth who treads upon it is as much a queen as another. Attend to the revelation of the secret. In Rooney’s ladies may smoke!</p>
|
||||
<p>For one brief moment you must admire Rooney with me as he receives, seats, manipulates, and chaffs his guests. He is twenty-nine. He has Wellington’s nose, Dante’s chin, the cheekbones of an Iroquois, the smile of Talleyrand, Corbett’s foot work, and the poise of an eleven-year-old East Side Central Park Queen of the May. He is assisted by a lieutenant known as Frank, a pudgy, easy chap, swell-dressed, who goes among the tables seeing that dull care does not intrude. Now, what is there about Rooney’s to inspire all this pother? It is more respectable by daylight; stout ladies with children and mittens and bundles and unpedigreed dogs drop up of afternoons for a stein and a chat. Even by gaslight the diversions are melancholy i’ the mouth—drink and ragtime, and an occasional surprise when the waiter swabs the suds from under your sticky glass. There is an answer. Transmigration! The soul of Sir Walter Raleigh has traveled from beneath his slashed doublet to a kindred home under Rooney’s visible plaid waistcoat. Rooney’s is twenty years ahead of the times. Rooney has removed the embargo. Rooney has spread his cloak upon the soggy crossing of public opinion, and any Elizabeth who treads upon it is as much a queen as another. Attend to the revelation of the secret. In Rooney’s ladies may smoke!</p>
|
||||
<p>McManus sat down at a vacant table. He paid for the glass of beer that he ordered, tilted his narrow-brimmed derby to the back of his brick-dust head, twined his feet among the rungs of his chair, and heaved a sigh of contentment from the breathing spaces of his innermost soul; for this mud honey was clarified sweetness to his taste. The sham gaiety, the hectic glow of counterfeit hospitality, the self-conscious, joyless laughter, the wine-born warmth, the loud music retrieving the hour from frequent whiles of awful and corroding silence, the presence of well-clothed and frank-eyed beneficiaries of Rooney’s removal of the restrictions laid upon the weed, the familiar blended odors of soaked lemon peel, flat beer, and <i xml:lang="fr">peau d’Espagne</i>—all these were manna to Cork McManus, hungry for his week in the desert of the Capulet’s high rear room.</p>
|
||||
<p>A girl, alone, entered Rooney’s, glanced around with leisurely swiftness, and sat opposite McManus at his table. Her eyes rested upon him for two seconds in the look with which woman reconnoitres all men whom she for the first time confronts. In that space of time she will decide upon one of two things—either to scream for the police, or that she may marry him later on.</p>
|
||||
<p>Her brief inspection concluded, the girl laid on the table a worn red morocco shopping bag with the inevitable top-gallant sail of frayed lace handkerchief flying from a corner of it. After she had ordered a small beer from the immediate waiter she took from her bag a box of cigarettes and lighted one with slightly exaggerated ease of manner. Then she looked again in the eyes of Cork McManus and smiled.</p>
|
||||
<p>Her brief inspection concluded, the girl laid on the table a worn red morocco shopping bag with the inevitable topgallant sail of frayed lace handkerchief flying from a corner of it. After she had ordered a small beer from the immediate waiter she took from her bag a box of cigarettes and lighted one with slightly exaggerated ease of manner. Then she looked again in the eyes of Cork McManus and smiled.</p>
|
||||
<p>Instantly the doom of each was sealed.</p>
|
||||
<p>The unqualified desire of a man to buy clothes and build fires for a woman for a whole lifetime at first sight of her is not uncommon among that humble portion of humanity that does not care for Bradstreet or coats-of-arms or Shaw’s plays. Love at first sight has occurred a time or two in high life; but, as a rule, the extempore mania is to be found among unsophisticated creatures such as the dove, the blue-tailed dingbat, and the ten-dollar-a-week clerk. Poets, subscribers to all fiction magazines, and schatchens, take notice.</p>
|
||||
<p>With the exchange of the mysterious magnetic current came to each of them the instant desire to lie, pretend, dazzle and deceive, which is the worst thing about the hypocritical disorder known as love.</p>
|
||||
@ -40,12 +40,12 @@
|
||||
<p>“I know it’s late,” she said, reaching for her bag; “but you know how you want a smoke when you want one. Ain’t Rooney’s all right? I never saw anything wrong here. This is twice I’ve been in. I work in a bookbindery on Third Avenue. A lot of us girls have been working overtime three nights a week. They won’t let you smoke there, of course. I just dropped in here on my way home for a puff. Ain’t it all right in here? If it ain’t, I won’t come any more.”</p>
|
||||
<p>“It’s a little bit late for you to be out alone anywhere,” said Cork. “I’m not wise to this particular joint; but anyhow you don’t want to have your picture taken in it for a present to your Sunday School teacher. Have one more beer, and then say I take you home.”</p>
|
||||
<p>“But I don’t know you,” said the girl, with fine scrupulosity. “I don’t accept the company of gentlemen I ain’t acquainted with. My aunt never would allow that.”</p>
|
||||
<p>“Why,” said Cork McManus, pulling his ear, “I’m the latest thing in suitings with side vents and bell skirt when it comes to escortin’ a lady. You bet you’ll find me all right, Ruby. And I’ll give you a tip as to who I am. My governor is one of the hottest cross-buns of the Wall Street push. Morgan’s cab horse casts a shoe every time the old man sticks his head out the window. Me! Well, I’m in trainin’ down the Street. The old man’s goin’ to put a seat on the Stock Exchange in my stockin’ my next birthday. But it all sounds like a lemon to me. What I like is golf and yachtin’ and—er—well, say a corkin’ fast ten-round bout between welter-weights with walkin’ gloves.”</p>
|
||||
<p>“Why,” said Cork McManus, pulling his ear, “I’m the latest thing in suitings with side vents and bell skirt when it comes to escortin’ a lady. You bet you’ll find me all right, Ruby. And I’ll give you a tip as to who I am. My governor is one of the hottest cross-buns of the Wall Street push. Morgan’s cab horse casts a shoe every time the old man sticks his head out the window. Me! Well, I’m in trainin’ down the Street. The old man’s goin’ to put a seat on the Stock Exchange in my stockin’ my next birthday. But it all sounds like a lemon to me. What I like is golf and yachtin’ and—er—well, say a corkin’ fast ten-round bout between welterweights with walkin’ gloves.”</p>
|
||||
<p>“I guess you can walk to the door with me,” said the girl hesitatingly, but with a certain pleased flutter. “Still I never heard anything extra good about Wall Street brokers, or sports who go to prize fights, either. Ain’t you got any other recommendations?”</p>
|
||||
<p>“I think you’re the swellest looker I’ve had my lamps on in little old New York,” said Cork impressively.</p>
|
||||
<p>“That’ll be about enough of that, now. Ain’t you the kidder!” She modified her chiding words by a deep, long, beaming, smile-embellished look at her cavalier. “We’ll drink our beer before we go, ha?”</p>
|
||||
<p>A waiter sang. The tobacco smoke grew denser, drifting and rising in spirals, waves, tilted layers, cumulus clouds, cataracts and suspended fogs like some fifth element created from the ribs of the ancient four. Laughter and chat grew louder, stimulated by Rooney’s liquids and Rooney’s gallant hospitality to Lady Nicotine.</p>
|
||||
<p>One o’clock struck. Down-stairs there was a sound of closing and locking doors. Frank pulled down the green shades of the front windows carefully. Rooney went below in the dark hall and stood at the front door, his cigarette cached in the hollow of his hand. Thenceforth whoever might seek admittance must present a countenance familiar to Rooney’s hawk’s eye—the countenance of a true sport.</p>
|
||||
<p>One o’clock struck. Downstairs there was a sound of closing and locking doors. Frank pulled down the green shades of the front windows carefully. Rooney went below in the dark hall and stood at the front door, his cigarette cached in the hollow of his hand. Thenceforth whoever might seek admittance must present a countenance familiar to Rooney’s hawk’s eye—the countenance of a true sport.</p>
|
||||
<p>Cork McManus and the bookbindery girl conversed absorbedly, with their elbows on the table. Their glasses of beer were pushed to one side, scarcely touched, with the foam on them sunken to a thin white scum. Since the stroke of one the stale pleasures of Rooney’s had become renovated and spiced; not by any addition to the list of distractions, but because from that moment the sweets became stolen ones. The flattest glass of beer acquired the tang of illegality; the mildest claret punch struck a knockout blow at law and order; the harmless and genial company became outlaws, defying authority and rule. For after the stroke of one in such places as Rooney’s, where neither bed nor board is to be had, drink may not be set before the thirsty of the city of the four million. It is the law.</p>
|
||||
<p>“Say,” said Cork McManus, almost covering the table with his eloquent chest and elbows, “was that dead straight about you workin’ in the bookbindery and livin’ at home—and just happenin’ in here—and—and all that spiel you gave me?”</p>
|
||||
<p>“Sure it was,” answered the girl with spirit. “Why, what do you think? Do you suppose I’d lie to you? Go down to the shop and ask ’em. I handed it to you on the level.”</p>
|
||||
@ -63,10 +63,10 @@
|
||||
<p>“Eddie, do you really like me?” The girl searched his hard but frank features eagerly with anxious eyes.</p>
|
||||
<p>“On the dead level.”</p>
|
||||
<p>“When are you coming to see me—where I live?”</p>
|
||||
<p>“Thursday—day after to-morrow evenin’. That suit you?”</p>
|
||||
<p>“Fine. I’ll be ready for you. Come about seven. Walk to the door with me to-night and I’ll show you where I live. Don’t forget, now. And don’t you go to see any other girls before then, mister! I bet you will, though.”</p>
|
||||
<p>“Thursday—day after tomorrow evenin’. That suit you?”</p>
|
||||
<p>“Fine. I’ll be ready for you. Come about seven. Walk to the door with me tonight and I’ll show you where I live. Don’t forget, now. And don’t you go to see any other girls before then, mister! I bet you will, though.”</p>
|
||||
<p>“On the dead level,” said Cork, “you make ’em all look like rag-dolls to me. Honest, you do. I know when I’m suited. On the dead level, I do.”</p>
|
||||
<p>Against the front door down-stairs repeated heavy blows were delivered. The loud crashes resounded in the room above. Only a trip-hammer or a policeman’s foot could have been the author of those sounds. Rooney jumped like a bullfrog to a corner of the room, turned off the electric lights and hurried swiftly below. The room was left utterly dark except for the winking red glow of cigars and cigarettes. A second volley of crashes came up from the assaulted door. A little, rustling, murmuring panic moved among the besieged guests. Frank, cool, smooth, reassuring, could be seen in the rosy glow of the burning tobacco, going from table to table.</p>
|
||||
<p>Against the front door downstairs repeated heavy blows were delivered. The loud crashes resounded in the room above. Only a trip-hammer or a policeman’s foot could have been the author of those sounds. Rooney jumped like a bullfrog to a corner of the room, turned off the electric lights and hurried swiftly below. The room was left utterly dark except for the winking red glow of cigars and cigarettes. A second volley of crashes came up from the assaulted door. A little, rustling, murmuring panic moved among the besieged guests. Frank, cool, smooth, reassuring, could be seen in the rosy glow of the burning tobacco, going from table to table.</p>
|
||||
<p>“All keep still!” was his caution. “Don’t talk or make any noise! Everything will be all right. Now, don’t feel the slightest alarm. We’ll take care of you all.”</p>
|
||||
<p>Ruby felt across the table until Cork’s firm hand closed upon hers. “Are you afraid, Eddie?” she whispered. “Are you afraid you’ll get a free ride?”</p>
|
||||
<p>“Nothin’ doin’ in the teeth-chatterin’ line,” said Cork. “I guess Rooney’s been slow with his envelope. Don’t you worry, girly; I’ll look out for you all right.”</p>
|
||||
@ -81,7 +81,7 @@
|
||||
<p>When they turned they found they were lost and in darkness. The last of the fleeing customers had descended. Half way across the yard they bore the ladder, stumbling, giggling, hurrying to place it against an adjoining low building over the roof of which their only route to safety.</p>
|
||||
<p>“We may as well sit down,” said Cork grimly. “Maybe Rooney will stand the cops off, anyhow.”</p>
|
||||
<p>They sat at a table; and their hands came together again.</p>
|
||||
<p>A number of men then entered the dark room, feeling their way about. One of them, Rooney himself, found the switch and turned on the electric light. The other man was a cop of the old régime—a big cop, a thick cop, a fuming, abrupt cop—not a pretty cop. He went up to the pair at the table and sneered familiarly at the girl.</p>
|
||||
<p>A number of men then entered the dark room, feeling their way about. One of them, Rooney himself, found the switch and turned on the electric light. The other man was a cop of the old regime—a big cop, a thick cop, a fuming, abrupt cop—not a pretty cop. He went up to the pair at the table and sneered familiarly at the girl.</p>
|
||||
<p>“What are youse doin’ in here?” he asked.</p>
|
||||
<p>“Dropped in for a smoke,” said Cork mildly.</p>
|
||||
<p>“Had any drinks?”</p>
|
||||
@ -100,20 +100,20 @@
|
||||
<p>She stooped low and reached down somewhere into a swirl of flirted draperies, heliotrope and black. An elastic snapped, she threw on the table toward Cork a folded wad of bills. The money slowly straightened itself with little leisurely jerks.</p>
|
||||
<p>“Take that, Jimmy, and let’s go,” said the girl. “I’m declarin’ the usual dividends, Maguire,” she said to the officer. “You had your usual five-dollar graft at the usual corner at ten.”</p>
|
||||
<p>“A lie!” said the cop, turning purple. “You go on my beat again and I’ll arrest you every time I see you.”</p>
|
||||
<p>“No, you won’t,” said the girl. “And I’ll tell you why. Witnesses saw me give you the money to-night, and last week, too. I’ve been getting fixed for you.”</p>
|
||||
<p>“No, you won’t,” said the girl. “And I’ll tell you why. Witnesses saw me give you the money tonight, and last week, too. I’ve been getting fixed for you.”</p>
|
||||
<p>Cork put the wad of money carefully into his pocket, and said: “Come on, Fanny; let’s have some chop suey before we go home.”</p>
|
||||
<p>“Clear out, quick, both of you, or I’ll—”</p>
|
||||
<p>The cop’s bluster trailed away into inconsequentiality.</p>
|
||||
<p>At the corner of the street the two halted. Cork handed back the money without a word. The girl took it and slipped it slowly into her hand-bag. Her expression was the same she had worn when she entered Rooney’s that night—she looked upon the world with defiance, suspicion and sullen wonder.</p>
|
||||
<p>“I guess I might as well say good-bye here,” she said dully. “You won’t want to see me again, of course. Will you—shake hands—<abbr>Mr.</abbr> McManus.”</p>
|
||||
<p>At the corner of the street the two halted. Cork handed back the money without a word. The girl took it and slipped it slowly into her handbag. Her expression was the same she had worn when she entered Rooney’s that night—she looked upon the world with defiance, suspicion and sullen wonder.</p>
|
||||
<p>“I guess I might as well say goodbye here,” she said dully. “You won’t want to see me again, of course. Will you—shake hands—<abbr>Mr.</abbr> McManus.”</p>
|
||||
<p>“I mightn’t have got wise if you hadn’t give the snap away,” said Cork. “Why did you do it?”</p>
|
||||
<p>“You’d have been pinched if I hadn’t. That’s why. Ain’t that reason enough?” Then she began to cry. “Honest, Eddie, I was goin’ to be the best girl in the world. I hated to be what I am; I hated men; I was ready almost to die when I saw you. And you seemed different from everybody else. And when I found you liked me, too, why, I thought I’d make you believe I was good, and I was goin’ to be good. When you asked to come to my house and see me, why, I’d have died rather than do anything wrong after that. But what’s the use of talking about it? I’ll say good-by, if you will, <abbr>Mr.</abbr> McManus.”</p>
|
||||
<p>“You’d have been pinched if I hadn’t. That’s why. Ain’t that reason enough?” Then she began to cry. “Honest, Eddie, I was goin’ to be the best girl in the world. I hated to be what I am; I hated men; I was ready almost to die when I saw you. And you seemed different from everybody else. And when I found you liked me, too, why, I thought I’d make you believe I was good, and I was goin’ to be good. When you asked to come to my house and see me, why, I’d have died rather than do anything wrong after that. But what’s the use of talking about it? I’ll say goodbye, if you will, <abbr>Mr.</abbr> McManus.”</p>
|
||||
<p>Cork was pulling at his ear. “I knifed Malone,” said he. “I was the one the cop wanted.”</p>
|
||||
<p>“Oh, that’s all right,” said the girl listlessly. “It didn’t make any difference about that.”</p>
|
||||
<p>“That was all hot air about Wall Street. I don’t do nothin’ but hang out with a tough gang on the East Side.”</p>
|
||||
<p>“That was all right, too,” repeated the girl. “It didn’t make any difference.”</p>
|
||||
<p>Cork straightened himself, and pulled his hat down low. “I could get a job at O’Brien’s,” he said aloud, but to himself.</p>
|
||||
<p>“Good-by,” said the girl.</p>
|
||||
<p>“Goodbye,” said the girl.</p>
|
||||
<p>“Come on,” said Cork, taking her arm. “I know a place.”</p>
|
||||
<p>Two blocks away he turned with her up the steps of a red brick house facing a little park.</p>
|
||||
<p>“What house is this?” she asked, drawing back. “Why are you going in there?”</p>
|
||||
@ -122,7 +122,7 @@
|
||||
<p>Half fainting, she reeled, and was caught in the bend of his arm. Cork’s right hand felt for the electric button and pressed it long.</p>
|
||||
<p>Another cop—how quickly they scent trouble when trouble is on the wing!—came along, saw them, and ran up the steps. “Here! What are you doing with that girl?” he called gruffly.</p>
|
||||
<p>“She’ll be all right in a minute,” said Cork. “It’s a straight deal.”</p>
|
||||
<p>“Reverend Jeremiah Jones,” read the cop from the door-plate with true detective cunning.</p>
|
||||
<p>“Reverend Jeremiah Jones,” read the cop from the doorplate with true detective cunning.</p>
|
||||
<p>“Correct,” said Cork. “On the dead level, we’re goin’ to get married.”</p>
|
||||
</section>
|
||||
</body>
|
||||
|
@ -12,7 +12,7 @@
|
||||
<p>The lenient air and the settings of the little park almost formed a pastoral; the color motif was green—the presiding shade at the creation of man and vegetation.</p>
|
||||
<p>The callow grass between the walks was the color of verdigris, a poisonous green, reminiscent of the horde of derelict humans that had breathed upon the soil during the summer and autumn. The bursting tree buds looked strangely familiar to those who had botanized among the garnishings of the fish course of a forty-cent dinner. The sky above was of that pale aquamarine tint that ballroom poets rhyme with “true” and “Sue” and “coo.” The one natural and frank color visible was the ostensible green of the newly painted benches—a shade between the color of a pickled cucumber and that of a last year’s fast-black cravenette raincoat. But, to the city-bred eye of Editor Westbrook, the landscape appeared a masterpiece.</p>
|
||||
<p>And now, whether you are of those who rush in, or of the gentle concourse that fears to tread, you must follow in a brief invasion of the editor’s mind.</p>
|
||||
<p>Editor Westbrook’s spirit was contented and serene. The April number of the <i>Minerva</i> had sold its entire edition before the tenth day of the month—a newsdealer in Keokuk had written that he could have sold fifty copies more if he had ’em. The owners of the magazine had raised his (the editor’s) salary; he had just installed in his home a jewel of a recently imported cook who was afraid of policemen; and the morning papers had published in full a speech he had made at a publishers’ banquet. Also there were echoing in his mind the jubilant notes of a splendid song that his charming young wife had sung to him before he left his up-town apartment that morning. She was taking enthusiastic interest in her music of late, practising early and diligently. When he had complimented her on the improvement in her voice she had fairly hugged him for joy at his praise. He felt, too, the benign, tonic medicament of the trained nurse, Spring, tripping softly adown the wards of the convalescent city.</p>
|
||||
<p>Editor Westbrook’s spirit was contented and serene. The April number of the <i>Minerva</i> had sold its entire edition before the tenth day of the month—a newsdealer in Keokuk had written that he could have sold fifty copies more if he had ’em. The owners of the magazine had raised his (the editor’s) salary; he had just installed in his home a jewel of a recently imported cook who was afraid of policemen; and the morning papers had published in full a speech he had made at a publishers’ banquet. Also there were echoing in his mind the jubilant notes of a splendid song that his charming young wife had sung to him before he left his uptown apartment that morning. She was taking enthusiastic interest in her music of late, practising early and diligently. When he had complimented her on the improvement in her voice she had fairly hugged him for joy at his praise. He felt, too, the benign, tonic medicament of the trained nurse, Spring, tripping softly adown the wards of the convalescent city.</p>
|
||||
<p>While Editor Westbrook was sauntering between the rows of park benches (already filling with vagrants and the guardians of lawless childhood) he felt his sleeve grasped and held. Suspecting that he was about to be panhandled, he turned a cold and unprofitable face, and saw that his captor was—Dawe—Shackleford Dawe, dingy, almost ragged, the genteel scarcely visible in him through the deeper lines of the shabby.</p>
|
||||
<p>While the editor is pulling himself out of his surprise, a flashlight biography of Dawe is offered.</p>
|
||||
<p>He was a fiction writer, and one of Westbrook’s old acquaintances. At one time they might have called each other old friends. Dawe had some money in those days, and lived in a decent apartment house near Westbrook’s. The two families often went to theatres and dinners together. <abbr>Mrs.</abbr> Dawe and <abbr>Mrs.</abbr> Westbrook became “dearest” friends. Then one day a little tentacle of the octopus, just to amuse itself, ingurgitated Dawe’s capital, and he moved to the Gramercy Park neighborhood where one, for a few groats per week, may sit upon one’s trunk under eight-branched chandeliers and opposite Carrara marble mantels and watch the mice play upon the floor. Dawe thought to live by writing fiction. Now and then he sold a story. He submitted many to Westbrook. The <i>Minerva</i> printed one or two of them; the rest were returned. Westbrook sent a careful and conscientious personal letter with each rejected manuscript, pointing out in detail his reasons for considering it unavailable. Editor Westbrook had his own clear conception of what constituted good fiction. So had Dawe. <abbr>Mrs.</abbr> Dawe was mainly concerned about the constituents of the scanty dishes of food that she managed to scrape together. One day Dawe had been spouting to her about the excellencies of certain French writers. At dinner they sat down to a dish that a hungry schoolboy could have encompassed at a gulp. Dawe commented.</p>
|
||||
@ -27,7 +27,7 @@
|
||||
<p>“How goes the writing?” asked the editor.</p>
|
||||
<p>“Look at me,” said Dawe, “for your answer. Now don’t put on that embarrassed, friendly-but-honest look and ask me why I don’t get a job as a wine agent or a cab driver. I’m in the fight to a finish. I know I can write good fiction and I’ll force you fellows to admit it yet. I’ll make you change the spelling of ‘regrets’ to ‘c-h-e-q-u-e’ before I’m done with you.”</p>
|
||||
<p>Editor Westbrook gazed through his nose-glasses with a sweetly sorrowful, omniscient, sympathetic, skeptical expression—the copyrighted expression of the editor beleagured by the unavailable contributor.</p>
|
||||
<p>“Have you read the last story I sent you—‘The Alarum of the Soul’?” asked Dawe.</p>
|
||||
<p>“Have you read the last story I sent you—‘The Alarm of the Soul’?” asked Dawe.</p>
|
||||
<p>“Carefully. I hesitated over that story, Shack, really I did. It had some good points. I was writing you a letter to send with it when it goes back to you. I regret—”</p>
|
||||
<p>“Never mind the regrets,” said Dawe, grimly. “There’s neither salve nor sting in ’em any more. What I want to know is <i>why</i>. Come now; out with the good points first.”</p>
|
||||
<p>“The story,” said Westbrook, deliberately, after a suppressed sigh, “is written around an almost original plot. Characterization—the best you have done. Construction—almost as good, except for a few weak joints which might be strengthened by a few changes and touches. It was a good story, except—”</p>
|
||||
@ -45,22 +45,22 @@
|
||||
<p>“Well, no,” said Editor Westbrook, with a slight frown. “But I can well imagine what she would say.”</p>
|
||||
<p>“So can I,” said Dawe.</p>
|
||||
<p>And now the fitting time had come for Editor Westbrook to play the oracle and silence his opinionated contributor. It was not for an unarrived fictionist to dictate words to be uttered by the heroes and heroines of the <i>Minerva Magazine</i>, contrary to the theories of the editor thereof.</p>
|
||||
<p>“My dear Shack,” said he, “if I know anything of life I know that every sudden, deep and tragic emotion in the human heart calls forth an apposite, concordant, conformable and proportionate expression of feeling. How much of this inevitable accord between expression and feeling should be attributed to nature, and how much to the influence of art, it would be difficult to say. The sublimely terrible roar of the lioness that has been deprived of her cubs is dramatically as far above her customary whine and purr as the kingly and transcendent utterances of Lear are above the level of his senile vaporings. But it is also true that all men and women have what may be called a sub-conscious dramatic sense that is awakened by a sufficiently deep and powerful emotion—a sense unconsciously acquired from literature and the stage that prompts them to express those emotions in language befitting their importance and histrionic value.”</p>
|
||||
<p>“My dear Shack,” said he, “if I know anything of life I know that every sudden, deep and tragic emotion in the human heart calls forth an apposite, concordant, conformable and proportionate expression of feeling. How much of this inevitable accord between expression and feeling should be attributed to nature, and how much to the influence of art, it would be difficult to say. The sublimely terrible roar of the lioness that has been deprived of her cubs is dramatically as far above her customary whine and purr as the kingly and transcendent utterances of Lear are above the level of his senile vaporings. But it is also true that all men and women have what may be called a subconscious dramatic sense that is awakened by a sufficiently deep and powerful emotion—a sense unconsciously acquired from literature and the stage that prompts them to express those emotions in language befitting their importance and histrionic value.”</p>
|
||||
<p>“And in the name of the seven sacred saddle-blankets of Sagittarius, where did the stage and literature get the stunt?” asked Dawe.</p>
|
||||
<p>“From life,” answered the editor, triumphantly.</p>
|
||||
<p>The story writer rose from the bench and gesticulated eloquently but dumbly. He was beggared for words with which to formulate adequately his dissent.</p>
|
||||
<p>On a bench nearby a frowzy loafer opened his red eyes and perceived that his moral support was due a downtrodden brother.</p>
|
||||
<p>“Punch him one, Jack,” he called hoarsely to Dawe. “W’at’s he come makin’ a noise like a penny arcade for amongst gen’lemen that comes in the square to set and think?”</p>
|
||||
<p>Editor Westbrook looked at his watch with an affected show of leisure.</p>
|
||||
<p>“Tell me,” asked Dawe, with truculent anxiety, “what especial faults in ‘The Alarum of the Soul’ caused you to throw it down?”</p>
|
||||
<p>“Tell me,” asked Dawe, with truculent anxiety, “what especial faults in ‘The Alarm of the Soul’ caused you to throw it down?”</p>
|
||||
<p>“When Gabriel Murray,” said Westbrook, “goes to his telephone and is told that his fiancée has been shot by a burglar, he says—I do not recall the exact words, but—”</p>
|
||||
<p>“I do,” said Dawe. “He says: ‘Damn Central; she always cuts me off.’ (And then to his friend) ‘Say, Tommy, does a thirty-two bullet make a big hole? It’s kind of hard luck, ain’t it? Could you get me a drink from the sideboard, Tommy? No; straight; nothing on the side.’ ”</p>
|
||||
<p>“And again,” continued the editor, without pausing for argument, “when Berenice opens the letter from her husband informing her that he has fled with the manicure girl, her words are—let me see—”</p>
|
||||
<p>“She says,” interposed the author: “ ‘Well, what do you think of that!’ ”</p>
|
||||
<p>“Absurdly inappropriate words,” said Westbrook, “presenting an anti-climax—plunging the story into hopeless bathos. Worse yet; they mirror life falsely. No human being ever uttered banal colloquialisms when confronted by sudden tragedy.”</p>
|
||||
<p>“Wrong,” said Dawe, closing his unshaven jaws doggedly. “I say no man or woman ever spouts ‘high-falutin’ talk when they go up against a real climax. They talk naturally and a little worse.”</p>
|
||||
<p>“Absurdly inappropriate words,” said Westbrook, “presenting an anticlimax—plunging the story into hopeless bathos. Worse yet; they mirror life falsely. No human being ever uttered banal colloquialisms when confronted by sudden tragedy.”</p>
|
||||
<p>“Wrong,” said Dawe, closing his unshaven jaws doggedly. “I say no man or woman ever spouts ‘highfalutin’ talk when they go up against a real climax. They talk naturally and a little worse.”</p>
|
||||
<p>The editor rose from the bench with his air of indulgence and inside information.</p>
|
||||
<p>“Say, Westbrook,” said Dawe, pinning him by the lapel, “would you have accepted ‘The Alarum of the Soul’ if you had believed that the actions and words of the characters were true to life in the parts of the story that we discussed?”</p>
|
||||
<p>“Say, Westbrook,” said Dawe, pinning him by the lapel, “would you have accepted ‘The Alarm of the Soul’ if you had believed that the actions and words of the characters were true to life in the parts of the story that we discussed?”</p>
|
||||
<p>“It is very likely that I would, if I believed that way,” said the editor. “But I have explained to you that I do not.”</p>
|
||||
<p>“If I could prove to you that I am right?”</p>
|
||||
<p>“I’m sorry, Shack, but I’m afraid I haven’t time to argue any further just now.”</p>
|
||||
@ -76,23 +76,23 @@
|
||||
<p>“Indeed, she is a charming and admirable life companion,” agreed the editor. “I remember what inseparable friends she and <abbr>Mrs.</abbr> Westbrook once were. We are both lucky chaps, Shack, to have such wives. You must bring <abbr>Mrs.</abbr> Dawe up some evening soon, and we’ll have one of those informal chafing-dish suppers that we used to enjoy so much.”</p>
|
||||
<p>“Later,” said Dawe. “When I get another shirt. And now I’ll tell you my scheme. When I was about to leave home after breakfast—if you can call tea and oatmeal breakfast—Louise told me she was going to visit her aunt in Eighty-ninth Street. She said she would return at three o’clock. She is always on time to a minute. It is now—”</p>
|
||||
<p>Dawe glanced toward the editor’s watch pocket.</p>
|
||||
<p>“Twenty-seven minutes to three,” said Westbrook, scanning his time-piece.</p>
|
||||
<p>“Twenty-seven minutes to three,” said Westbrook, scanning his timepiece.</p>
|
||||
<p>“We have just enough time,” said Dawe. “We will go to my flat at once. I will write a note, address it to her and leave it on the table where she will see it as she enters the door. You and I will be in the dining-room concealed by the portières. In that note I’ll say that I have fled from her forever with an affinity who understands the needs of my artistic soul as she never did. When she reads it we will observe her actions and hear her words. Then we will know which theory is the correct one—yours or mine.”</p>
|
||||
<p>“Oh, never!” exclaimed the editor, shaking his head. “That would be inexcusably cruel. I could not consent to have <abbr>Mrs.</abbr> Dawe’s feelings played upon in such a manner.”</p>
|
||||
<p>“Brace up,” said the writer. “I guess I think as much of her as you do. It’s for her benefit as well as mine. I’ve got to get a market for my stories in some way. It won’t hurt Louise. She’s healthy and sound. Her heart goes as strong as a ninety-eight-cent watch. It’ll last for only a minute, and then I’ll step out and explain to her. You really owe it to me to give me the chance, Westbrook.”</p>
|
||||
<p>Editor Westbrook at length yielded, though but half willingly. And in the half of him that consented lurked the vivisectionist that is in all of us. Let him who has not used the scalpel rise and stand in his place. Pity ’tis that there are not enough rabbits and guinea-pigs to go around.</p>
|
||||
<p>The two experimenters in Art left the Square and hurried eastward and then to the south until they arrived in the Gramercy neighborhood. Within its high iron railings the little park had put on its smart coat of vernal green, and was admiring itself in its fountain mirror. Outside the railings the hollow square of crumbling houses, shells of a bygone gentry, leaned as if in ghostly gossip over the forgotten doings of the vanished quality. <i>Sic transit gloria urbis</i>.</p>
|
||||
<p>A block or two north of the Park, Dawe steered the editor again eastward, then, after covering a short distance, into a lofty but narrow flathouse burdened with a floridly over-decorated façade. To the fifth story they toiled, and Dawe, panting, pushed his latch-key into the door of one of the front flats.</p>
|
||||
<p>A block or two north of the Park, Dawe steered the editor again eastward, then, after covering a short distance, into a lofty but narrow flathouse burdened with a floridly over-decorated façade. To the fifth story they toiled, and Dawe, panting, pushed his latchkey into the door of one of the front flats.</p>
|
||||
<p>When the door opened Editor Westbrook saw, with feelings of pity, how meanly and meagerly the rooms were furnished.</p>
|
||||
<p>“Get a chair, if you can find one,” said Dawe, “while I hunt up pen and ink. Hello, what’s this? Here’s a note from Louise. She must have left it there when she went out this morning.”</p>
|
||||
<p>He picked up an envelope that lay on the centre-table and tore it open. He began to read the letter that he drew out of it; and once having begun it aloud he so read it through to the end. These are the words that Editor Westbrook heard:</p>
|
||||
<blockquote epub:type="z3998:letter">
|
||||
<p>“<span epub:type="salutation">Dear Shackleford</span>: By the time you get this I will be about a hundred miles away and still a-going. I’ve got a place in the chorus of the Occidental Opera <abbr>Co.</abbr>, and we start on the road to-day at twelve o’clock. I didn’t want to starve to death, and so I decided to make my own living. I’m not coming back. <abbr>Mrs.</abbr> Westbrook is going with me. She said she was tired of living with a combination phonograph, iceberg and dictionary, and she’s not coming back, either. We’ve been practising the songs and dances for two months on the quiet. I hope you will be successful, and get along all right! Good-bye.</p>
|
||||
<p>“<span epub:type="salutation">Dear Shackleford</span>: By the time you get this I will be about a hundred miles away and still a-going. I’ve got a place in the chorus of the Occidental Opera <abbr>Co.</abbr>, and we start on the road today at twelve o’clock. I didn’t want to starve to death, and so I decided to make my own living. I’m not coming back. <abbr>Mrs.</abbr> Westbrook is going with me. She said she was tired of living with a combination phonograph, iceberg and dictionary, and she’s not coming back, either. We’ve been practising the songs and dances for two months on the quiet. I hope you will be successful, and get along all right! Goodbye.</p>
|
||||
<p epub:type="z3998:sender">“<span class="signature">Louise</span>.”</p>
|
||||
</blockquote>
|
||||
<p>Dawe dropped the letter, covered his face with his trembling hands, and cried out in a deep, vibrating voice:</p>
|
||||
<p>
|
||||
<em>“My God, why hast thou given me this cup to drink? Since she is false, then let Thy Heaven’s fairest gifts, faith and love, become the jesting by-words of traitors and fiends!”</em>
|
||||
<em>“My God, why hast thou given me this cup to drink? Since she is false, then let Thy Heaven’s fairest gifts, faith and love, become the jesting bywords of traitors and fiends!”</em>
|
||||
</p>
|
||||
<p>Editor Westbrook’s glasses fell to the floor. The fingers of one hand fumbled with a button on his coat as he blurted between his pale lips:</p>
|
||||
<p>
|
||||
|
@ -13,7 +13,7 @@
|
||||
<p>From this high view the city itself becomes degraded to an unintelligible mass of distorted buildings and impossible perspectives; the revered ocean is a duck pond; the earth itself a lost golf ball. All the minutiae of life are gone. The philosopher gazes into the infinite heavens above him, and allows his soul to expand to the influence of his new view. He feels that he is the heir to Eternity and the child of Time. Space, too, should be his by the right of his immortal heritage, and he thrills at the thought that some day his kind shall traverse those mysterious aerial roads between planet and planet. The tiny world beneath his feet upon which this towering structure of steel rests as a speck of dust upon a Himalayan mountain—it is but one of a countless number of such whirling atoms. What are the ambitions, the achievements, the paltry conquests and loves of those restless black insects below compared with the serene and awful immensity of the universe that lies above and around their insignificant city?</p>
|
||||
<p>It is guaranteed that the philosopher will have these thoughts. They have been expressly compiled from the philosophies of the world and set down with the proper interrogation point at the end of them to represent the invariable musings of deep thinkers on high places. And when the philosopher takes the elevator down his mind is broader, his heart is at peace, and his conception of the cosmogony of creation is as wide as the buckle of Orion’s summer belt.</p>
|
||||
<p>But if your name happened to be Daisy, and you worked in an Eighth Avenue candy store and lived in a little cold hall bedroom, five feet by eight, and earned $6 per week, and ate ten-cent lunches and were nineteen years old, and got up at 6.30 and worked till 9, and never had studied philosophy, maybe things wouldn’t look that way to you from the top of a skyscraper.</p>
|
||||
<p>Two sighed for the hand of Daisy, the unphilosophical. One was Joe, who kept the smallest store in New York. It was about the size of a tool-box of the D. P. W., and was stuck like a swallow’s nest against a corner of a down-town skyscraper. Its stock consisted of fruit, candies, newspapers, song books, cigarettes, and lemonade in season. When stern winter shook his congealed locks and Joe had to move himself and the fruit inside, there was exactly room in the store for the proprietor, his wares, a stove the size of a vinegar cruet, and one customer.</p>
|
||||
<p>Two sighed for the hand of Daisy, the unphilosophical. One was Joe, who kept the smallest store in New York. It was about the size of a toolbox of the D. P. W., and was stuck like a swallow’s nest against a corner of a downtown skyscraper. Its stock consisted of fruit, candies, newspapers, song books, cigarettes, and lemonade in season. When stern winter shook his congealed locks and Joe had to move himself and the fruit inside, there was exactly room in the store for the proprietor, his wares, a stove the size of a vinegar cruet, and one customer.</p>
|
||||
<p>Joe was not of the nation that keeps us forever in a furore with fugues and fruit. He was a capable American youth who was laying by money, and wanted Daisy to help him spend it. Three times he had asked her.</p>
|
||||
<p>“I got money saved up, Daisy,” was his love song; “and you know how bad I want you. That store of mine ain’t very big, but—”</p>
|
||||
<p>“Oh, ain’t it?” would be the antiphony of the unphilosophical one. “Why, I heard Wanamaker’s was trying to get you to sublet part of your floor space to them for next year.”</p>
|
||||
@ -23,7 +23,7 @@
|
||||
<p>“Store!”—a fine scorn was expressed by Daisy’s uptilted nose—“sardine box! Waitin’ for me, you say? Gee! you’d have to throw out about a hundred pounds of candy before I could get inside of it, Joe.”</p>
|
||||
<p>“I wouldn’t mind an even swap like that,” said Joe, complimentary.</p>
|
||||
<p>Daisy’s existence was limited in every way. She had to walk sideways between the counter and the shelves in the candy store. In her own hall bedroom coziness had been carried close to cohesiveness. The walls were so near to one another that the paper on them made a perfect Babel of noise. She could light the gas with one hand and close the door with the other without taking her eyes off the reflection of her brown pompadour in the mirror. She had Joe’s picture in a gilt frame on the dresser, and sometimes—but her next thought would always be of Joe’s funny little store tacked like a soap box to the corner of that great building, and away would go her sentiment in a breeze of laughter.</p>
|
||||
<p>Daisy’s other suitor followed Joe by several months. He came to board in the house where she lived. His name was Dabster, and he was a philosopher. Though young, attainments stood out upon him like continental labels on a Passaic (N. J.) suit-case. Knowledge he had kidnapped from cyclopedias and handbooks of useful information; but as for wisdom, when she passed he was left sniffling in the road without so much as the number of her motor car. He could and would tell you the proportion of water and muscle-making properties of peas and veal, the shortest verse in the Bible, the number of pounds of shingle nails required to fasten 256 shingles laid four inches to the weather, the population of Kankakee, Ill., the theories of Spinoza, the name of <abbr>Mr.</abbr> H. McKay Twombly’s second hall footman, the length of the Hoosac Tunnel, the best time to set a hen, the salary of the railway post-office messenger between Driftwood and Red Bank Furnace, Pa., and the number of bones in the foreleg of a cat.</p>
|
||||
<p>Daisy’s other suitor followed Joe by several months. He came to board in the house where she lived. His name was Dabster, and he was a philosopher. Though young, attainments stood out upon him like continental labels on a Passaic (N. J.) suitcase. Knowledge he had kidnapped from cyclopedias and handbooks of useful information; but as for wisdom, when she passed he was left sniffling in the road without so much as the number of her motor car. He could and would tell you the proportion of water and muscle-making properties of peas and veal, the shortest verse in the Bible, the number of pounds of shingle nails required to fasten 256 shingles laid four inches to the weather, the population of Kankakee, Ill., the theories of Spinoza, the name of <abbr>Mr.</abbr> H. McKay Twombly’s second hall footman, the length of the Hoosac Tunnel, the best time to set a hen, the salary of the railway post-office messenger between Driftwood and Red Bank Furnace, Pa., and the number of bones in the foreleg of a cat.</p>
|
||||
<p>The weight of learning was no handicap to Dabster. His statistics were the sprigs of parsley with which he garnished the feast of small talk that he would set before you if he conceived that to be your taste. And again he used them as breastworks in foraging at the boardinghouse. Firing at you a volley of figures concerning the weight of a lineal foot of bar-iron 5 × 2¾ inches, and the average annual rainfall at Fort Snelling, Minn., he would transfix with his fork the best piece of chicken on the dish while you were trying to rally sufficiently to ask him weakly why does a hen cross the road.</p>
|
||||
<p>Thus, brightly armed, and further equipped with a measure of good looks, of a hair-oily, shopping-district-at-three-in-the-afternoon kind, it seems that Joe, of the Lilliputian emporium, had a rival worthy of his steel. But Joe carried no steel. There wouldn’t have been room in his store to draw it if he had.</p>
|
||||
<p>One Saturday afternoon, about four o’clock, Daisy and <abbr>Mr.</abbr> Dabster stopped before Joe’s booth. Dabster wore a silk hat, and—well, Daisy was a woman, and that hat had no chance to get back in its box until Joe had seen it. A stick of pineapple chewing gum was the ostensible object of the call. Joe supplied it through the open side of his store. He did not pale or falter at sight of the hat.</p>
|
||||
@ -31,7 +31,7 @@
|
||||
<p>“H’m!” said Joe.</p>
|
||||
<p>“The panorama,” said <abbr>Mr.</abbr> Dabster, “exposed to the gaze from the top of a lofty building is not only sublime, but instructive. Miss Daisy has a decided pleasure in store for her.”</p>
|
||||
<p>“It’s windy up there, too, as well as here,” said Joe. “Are you dressed warm enough, Daise?”</p>
|
||||
<p>“Sure thing! I’m all lined,” said Daisy, smiling slyly at his clouded brow. “You look just like a mummy in a case, Joe. Ain’t you just put in an invoice of a pint of peanuts or another apple? Your stock looks awful over-stocked.”</p>
|
||||
<p>“Sure thing! I’m all lined,” said Daisy, smiling slyly at his clouded brow. “You look just like a mummy in a case, Joe. Ain’t you just put in an invoice of a pint of peanuts or another apple? Your stock looks awful overstocked.”</p>
|
||||
<p>Daisy giggled at her favorite joke; and Joe had to smile with her.</p>
|
||||
<p>“Your quarters are somewhat limited, <abbr>Mr.</abbr>—er—er,” remarked Dabster, “in comparison with the size of this building. I understand the area of its side to be about 340 by 100 feet. That would make you occupy a proportionate space as if half of Beloochistan were placed upon a territory as large as the United States east of the Rocky Mountains, with the Province of Ontario and Belgium added.”</p>
|
||||
<p>“Is that so, sport?” said Joe, genially. “You are Weisenheimer on figures, all right. How many square pounds of baled hay do you think a jackass could eat if he stopped brayin’ long enough to keep still a minute and five eighths?”</p>
|
||||
|
@ -18,7 +18,7 @@
|
||||
<p>The greatest treat an actor can have is to witness the pitiful performance with which all other actors desecrate the stage. In order to give himself this pleasure he will often forsake the sunniest Broadway corner between Thirty-fourth and Forty-fourth to attend a matinée offering by his less gifted brothers. Once during the lifetime of a minstrel joke one comes to scoff and remains to go through with that most difficult exercise of Thespian muscles—the audible contact of the palm of one hand against the palm of the other.</p>
|
||||
<p>One afternoon Bob Hart presented his solvent, serious, well-known vaudevillian face at the box-office window of a rival attraction and got his d. h. coupon for an orchestra seat.</p>
|
||||
<p>A, B, C, and D glowed successively on the announcement spaces and passed into oblivion, each plunging <abbr>Mr.</abbr> Hart deeper into gloom. Others of the audience shrieked, squirmed, whistled, and applauded; but Bob Hart, “All the Mustard and a Whole Show in Himself,” sat with his face as long and his hands as far apart as a boy holding a hank of yarn for his grandmother to wind into a ball.</p>
|
||||
<p>But when H came on, “The Mustard” suddenly sat up straight. H was the happy alphabetical prognosticator of Winona Cherry, in Character Songs and Impersonations. There were scarcely more than two bites to Cherry; but she delivered the merchandise tied with a pink cord and charged to the old man’s account. She first showed you a deliciously dewy and ginghamy country girl with a basket of property daisies who informed you ingenuously that there were other things to be learned at the old log school-house besides cipherin’ and nouns, especially “When the Teach-er Kept Me in.” Vanishing, with a quick flirt of gingham apron-strings, she reappeared in considerably less than a “trice” as a fluffy “Parisienne”—so near does Art bring the old red mill to the Moulin Rouge. And then—</p>
|
||||
<p>But when H came on, “The Mustard” suddenly sat up straight. H was the happy alphabetical prognosticator of Winona Cherry, in Character Songs and Impersonations. There were scarcely more than two bites to Cherry; but she delivered the merchandise tied with a pink cord and charged to the old man’s account. She first showed you a deliciously dewy and ginghamy country girl with a basket of property daisies who informed you ingenuously that there were other things to be learned at the old log schoolhouse besides cipherin’ and nouns, especially “When the Teacher Kept Me in.” Vanishing, with a quick flirt of gingham apron-strings, she reappeared in considerably less than a “trice” as a fluffy “Parisienne”—so near does Art bring the old red mill to the Moulin Rouge. And then—</p>
|
||||
<p>But you know the rest. And so did Bob Hart; but he saw somebody else. He thought he saw that Cherry was the only professional on the short order stage that he had seen who seemed exactly to fit the part of “Helen Grimes” in the sketch he had written and kept tucked away in the tray of his trunk. Of course Bob Hart, as well as every other normal actor, grocer, newspaper man, professor, curb broker, and farmer, has a play tucked away somewhere. They tuck ’em in trays of trunks, trunks of trees, desks, haymows, pigeonholes, inside pockets, safe-deposit vaults, handboxes, and coal cellars, waiting for <abbr>Mr.</abbr> Frohman to call. They belong among the fifty-seven different kinds.</p>
|
||||
<p>But Bob Hart’s sketch was not destined to end in a pickle jar. He called it “Mice Will Play.” He had kept it quiet and hidden away ever since he wrote it, waiting to find a partner who fitted his conception of “Helen Grimes.” And here was “Helen” herself, with all the innocent abandon, the youth, the sprightliness, and the flawless stage art that his critical taste demanded.</p>
|
||||
<p>After the act was over Hart found the manager in the box office, and got Cherry’s address. At five the next afternoon he called at the musty old house in the West Forties and sent up his professional card.</p>
|
||||
@ -32,10 +32,10 @@
|
||||
<p>“<abbr>Mr.</abbr> Hart,” said she, “I believe your sketch is going to win out. That Grimes part fits me like a shrinkable flannel after its first trip to a handless hand laundry. I can make it stand out like the colonel of the Forty-fourth Regiment at a Little Mothers’ Bazaar. And I’ve seen you work. I know what you can do with the other part. But business is business. How much do you get a week for the stunt you do now?”</p>
|
||||
<p>“Two hundred,” answered Hart.</p>
|
||||
<p>“I get one hundred for mine,” said Cherry. “That’s about the natural discount for a woman. But I live on it and put a few simoleons every week under the loose brick in the old kitchen hearth. The stage is all right. I love it; but there’s something else I love better—that’s a little country home, some day, with Plymouth Rock chickens and six ducks wandering around the yard.</p>
|
||||
<p>“Now, let me tell you, <abbr>Mr.</abbr> Hart, I am STRICTLY BUSINESS. If you want me to play the opposite part in your sketch, I’ll do it. And I believe we can make it go. And there’s something else I want to say: There’s no nonsense in my make-up; I’m <em>on the level</em>, and I’m on the stage for what it pays me, just as other girls work in stores and offices. I’m going to save my money to keep me when I’m past doing my stunts. No Old Ladies’ Home or Retreat for Imprudent Actresses for me.</p>
|
||||
<p>“If you want to make this a business partnership, <abbr>Mr.</abbr> Hart, with all nonsense cut out of it, I’m in on it. I know something about vaudeville teams in general; but this would have to be one in particular. I want you to know that I’m on the stage for what I can cart away from it every pay-day in a little manila envelope with nicotine stains on it, where the cashier has licked the flap. It’s kind of a hobby of mine to want to cravenette myself for plenty of rainy days in the future. I want you to know just how I am. I don’t know what an all-night restaurant looks like; I drink only weak tea; I never spoke to a man at a stage entrance in my life, and I’ve got money in five savings banks.”</p>
|
||||
<p>“Miss Cherry,” said Bob Hart in his smooth, serious tones, “you’re in on your own terms. I’ve got ‘strictly business’ pasted in my hat and stenciled on my make-up box. When I dream of nights I always see a five-room bungalow on the north shore of Long Island, with a Jap cooking clam broth and duckling in the kitchen, and me with the title deeds to the place in my pongee coat pocket, swinging in a hammock on the side porch, reading Stanley’s ‘Explorations into Africa.’ And nobody else around. You never was interested in Africa, was you, Miss Cherry?”</p>
|
||||
<p>“Not any,” said Cherry. “What I’m going to do with my money is to bank it. You can get four per cent. on deposits. Even at the salary I’ve been earning, I’ve figured out that in ten years I’d have an income of about $50 a month just from the interest alone. Well, I might invest some of the principal in a little business—say, trimming hats or a beauty parlor, and make more.”</p>
|
||||
<p>“Now, let me tell you, <abbr>Mr.</abbr> Hart, I am STRICTLY BUSINESS. If you want me to play the opposite part in your sketch, I’ll do it. And I believe we can make it go. And there’s something else I want to say: There’s no nonsense in my makeup; I’m <em>on the level</em>, and I’m on the stage for what it pays me, just as other girls work in stores and offices. I’m going to save my money to keep me when I’m past doing my stunts. No Old Ladies’ Home or Retreat for Imprudent Actresses for me.</p>
|
||||
<p>“If you want to make this a business partnership, <abbr>Mr.</abbr> Hart, with all nonsense cut out of it, I’m in on it. I know something about vaudeville teams in general; but this would have to be one in particular. I want you to know that I’m on the stage for what I can cart away from it every payday in a little manila envelope with nicotine stains on it, where the cashier has licked the flap. It’s kind of a hobby of mine to want to cravenette myself for plenty of rainy days in the future. I want you to know just how I am. I don’t know what an all-night restaurant looks like; I drink only weak tea; I never spoke to a man at a stage entrance in my life, and I’ve got money in five savings banks.”</p>
|
||||
<p>“Miss Cherry,” said Bob Hart in his smooth, serious tones, “you’re in on your own terms. I’ve got ‘strictly business’ pasted in my hat and stenciled on my makeup box. When I dream of nights I always see a five-room bungalow on the north shore of Long Island, with a Jap cooking clam broth and duckling in the kitchen, and me with the title deeds to the place in my pongee coat pocket, swinging in a hammock on the side porch, reading Stanley’s ‘Explorations into Africa.’ And nobody else around. You never was interested in Africa, was you, Miss Cherry?”</p>
|
||||
<p>“Not any,” said Cherry. “What I’m going to do with my money is to bank it. You can get four percent on deposits. Even at the salary I’ve been earning, I’ve figured out that in ten years I’d have an income of about $50 a month just from the interest alone. Well, I might invest some of the principal in a little business—say, trimming hats or a beauty parlor, and make more.”</p>
|
||||
<p>“Well,” said Hart, “You’ve got the proper idea all right, all right, anyhow. There are mighty few actors that amount to anything at all who couldn’t fix themselves for the wet days to come if they’d save their money instead of blowing it. I’m glad you’ve got the correct business idea of it, Miss Cherry. I think the same way; and I believe this sketch will more than double what both of us earn now when we get it shaped up.”</p>
|
||||
<p>The subsequent history of “Mice Will Play” is the history of all successful writings for the stage. Hart & Cherry cut it, pieced it, remodeled it, performed surgical operations on the dialogue and business, changed the lines, restored ’em, added more, cut ’em out, renamed it, gave it back the old name, rewrote it, substituted a dagger for the pistol, restored the pistol—put the sketch through all the known processes of condensation and improvement.</p>
|
||||
<p>They rehearsed it by the old-fashioned boardinghouse clock in the rarely used parlor until its warning click at five minutes to the hour would occur every time exactly half a second before the click of the unloaded revolver that Helen Grimes used in rehearsing the thrilling climax of the sketch.</p>
|
||||
@ -47,15 +47,15 @@
|
||||
<p>“Gawd knows I love him; but if he has done this deed—” you sabe, don’t you? And then there are some mean things said about the Fifth Avenue Girl—who doesn’t come on the stage—and can we blame her, with the vaudeville trust holding down prices until one actually must be buttoned in the back by a call boy, maids cost so much?</p>
|
||||
<p>But, wait. Here’s the climax. Helen Grimes, chaparralish as she can be, is goaded beyond imprudence. She convinces herself that Jack Valentine is not only a falsetto, but a financier. To lose at one fell swoop $647,000 and a lover in riding trousers with angles in the sides like the variations on the chart of a typhoid-fever patient is enough to make any perfect lady mad. So, then!</p>
|
||||
<p>They stand in the (ranch) library, which is furnished with mounted elk heads (didn’t the Elks have a fish fry in Amagensett once?), and the dénouement begins. I know of no more interesting time in the run of a play unless it be when the prologue ends.</p>
|
||||
<p>Helen thinks Jack has taken the money. Who else was there to take it? The box-office manager was at the front on his job; the orchestra hadn’t left their seats; and no man could get past “Old Jimmy,” the stage door-man, unless he could show a Skye terrier or an automobile as a guarantee of eligibility.</p>
|
||||
<p>Helen thinks Jack has taken the money. Who else was there to take it? The box-office manager was at the front on his job; the orchestra hadn’t left their seats; and no man could get past “Old Jimmy,” the stage doorman, unless he could show a Skye terrier or an automobile as a guarantee of eligibility.</p>
|
||||
<p>Goaded beyond imprudence (as before said), Helen says to Jack Valentine: “Robber and thief—and worse yet, stealer of trusting hearts, this should be your fate!”</p>
|
||||
<p>With that out she whips, of course, the trusty 32-caliber.</p>
|
||||
<p>“But I will be merciful,” goes on Helen. “You shall live—that will be your punishment. I will show you how easily I could have sent you to the death that you deserve. There is <em>her</em> picture on the mantel. I will send through her more beautiful face the bullet that should have pierced your craven heart.”</p>
|
||||
<p>And she does it. And there’s no fake blank cartridges or assistants pulling strings. Helen fires. The bullet—the actual bullet—goes through the face of the photograph—and then strikes the hidden spring of the sliding panel in the wall—and lo! the panel slides, and there is the missing $647,000 in convincing stacks of currency and bags of gold. It’s great. You know how it is. Cherry practised for two months at a target on the roof of her boarding house. It took good shooting. In the sketch she had to hit a brass disk only three inches in diameter, covered by wall paper in the panel; and she had to stand in exactly the same spot every night, and the photo had to be in exactly the same spot, and she had to shoot steady and true every time.</p>
|
||||
<p>Of course old “Arapahoe” had tucked the funds away there in the secret place; and, of course, Jack hadn’t taken anything except his salary (which really might have come under the head of “obtaining money under”; but that is neither here nor there); and, of course, the New York girl was really engaged to a concrete house contractor in the Bronx; and, necessarily, Jack and Helen ended in a half-Nelson—and there you are.</p>
|
||||
<p>After Hart and Cherry had gotten “Mice Will Play” flawless, they had a try-out at a vaudeville house that accommodates. The sketch was a house wrecker. It was one of those rare strokes of talent that inundates a theatre from the roof down. The gallery wept; and the orchestra seats, being dressed for it, swam in tears.</p>
|
||||
<p>After Hart and Cherry had gotten “Mice Will Play” flawless, they had a tryout at a vaudeville house that accommodates. The sketch was a house wrecker. It was one of those rare strokes of talent that inundates a theatre from the roof down. The gallery wept; and the orchestra seats, being dressed for it, swam in tears.</p>
|
||||
<p>After the show the booking agents signed blank checks and pressed fountain pens upon Hart and Cherry. Five hundred dollars a week was what it panned out.</p>
|
||||
<p>That night at 11:30 Bob Hart took off his hat and bade Cherry good night at her boarding-house door.</p>
|
||||
<p>That night at 11:30 Bob Hart took off his hat and bade Cherry good night at her boardinghouse door.</p>
|
||||
<p>“<abbr>Mr.</abbr> Hart,” said she thoughtfully, “come inside just a few minutes. We’ve got our chance now to make good and make money. What we want to do is to cut expenses every cent we can, and save all we can.”</p>
|
||||
<p>“Right,” said Bob. “It’s business with me. You’ve got your scheme for banking yours; and I dream every night of that bungalow with the Jap cook and nobody around to raise trouble. Anything to enlarge the net receipts will engage my attention.”</p>
|
||||
<p>“Come inside just a few minutes,” repeated Cherry, deeply thoughtful. “I’ve got a proposition to make to you that will reduce our expenses a lot and help you work out your own future and help me work out mine—and all on business principles.”</p>
|
||||
|
@ -13,7 +13,7 @@
|
||||
<p>The daily cyclone of Sixth Avenue’s rush hour swept him away from the company of his pardners true. The dust from a thousand rustling skirts filled his eyes. The mighty roar of trains rushing across the sky deafened him. The lightning-flash of twice ten hundred beaming eyes confused his vision.</p>
|
||||
<p>The storm was so sudden and tremendous that Greenbrier’s first impulse was to lie down and grab a root. And then he remembered that the disturbance was human, and not elemental; and he backed out of it with a grin into a doorway.</p>
|
||||
<p>The reporters had written that but for the wide-brimmed hats the West was not visible upon these gauchos of the North. Heaven sharpen their eyes! The suit of black diagonal, wrinkled in impossible places; the bright blue four-in-hand, factory tied; the low, turned-down collar, pattern of the days of Seymour and Blair, white glazed as the letters on the window of the open-day-and-night-except-Sunday restaurants; the out-curve at the knees from the saddle grip; the peculiar spread of the half-closed right thumb and fingers from the stiff hold upon the circling lasso; the deeply absorbed weather tan that the hottest sun of Cape May can never equal; the seldom-winking blue eyes that unconsciously divided the rushing crowds into fours, as though they were being counted out of a corral; the segregated loneliness and solemnity of expression, as of an Emperor or of one whose horizons have not intruded upon him nearer than a day’s ride—these brands of the West were set upon Greenbrier Nye. Oh, yes; he wore a broad-brimmed hat, gentle reader—just like those the Madison Square Post Office mail carriers wear when they go up to Bronx Park on Sunday afternoons.</p>
|
||||
<p>Suddenly Greenbrier Nye jumped into the drifting herd of metropolitan cattle, seized upon a man, dragged him out of the stream and gave him a buffet upon his collar-bone that sent him reeling against a wall.</p>
|
||||
<p>Suddenly Greenbrier Nye jumped into the drifting herd of metropolitan cattle, seized upon a man, dragged him out of the stream and gave him a buffet upon his collarbone that sent him reeling against a wall.</p>
|
||||
<p>The victim recovered his hat, with the angry look of a New Yorker who has suffered an outrage and intends to write to the Trib. about it. But he looked at his assailant, and knew that the blow was in consideration of love and affection after the manner of the West, which greets its friends with contumely and uproar and pounding fists, and receives its enemies in decorum and order, such as the judicious placing of the welcoming bullet demands.</p>
|
||||
<p>“God in the mountains!” cried Greenbrier, holding fast to the foreleg of his cull. “Can this be Longhorn Merritt?”</p>
|
||||
<p>The other man was—oh, look on Broadway any day for the pattern—business man—latest rolled-brim derby—good barber, business, digestion and tailor.</p>
|
||||
@ -31,12 +31,12 @@
|
||||
<p>“Right, old man,” laughed Merritt. “Waiter, bring an absinthe frappé and—what’s yours, Greenbrier?”</p>
|
||||
<p>“Whiskey straight,” mourned Nye. “Out of the neck of a bottle you used to take it, Longy—straight out of the neck of a bottle on a galloping pony—Arizona redeye, not this ab—oh, what’s the use? They’re on you.”</p>
|
||||
<p>Merritt slipped the wine card under his glass.</p>
|
||||
<p>“All right. I suppose you think I’m spoiled by the city. I’m as good a Westerner as you are, Greenbrier; but, somehow, I can’t make up my mind to go back out there. New York is comfortable—comfortable. I make a good living, and I live it. No more wet blankets and riding herd in snowstorms, and bacon and cold coffee, and blowouts once in six months for me. I reckon I’ll hang out here in the future. We’ll take in the theatre to-night, Greenbrier, and after that we’ll dine at—”</p>
|
||||
<p>“All right. I suppose you think I’m spoiled by the city. I’m as good a Westerner as you are, Greenbrier; but, somehow, I can’t make up my mind to go back out there. New York is comfortable—comfortable. I make a good living, and I live it. No more wet blankets and riding herd in snowstorms, and bacon and cold coffee, and blowouts once in six months for me. I reckon I’ll hang out here in the future. We’ll take in the theatre tonight, Greenbrier, and after that we’ll dine at—”</p>
|
||||
<p>“I’ll tell you what you are, Merritt,” said Greenbrier, laying one elbow in his salad and the other in his butter. “You are a concentrated, effete, unconditional, short-sleeved, gotch-eared Miss Sally Walker. God made you perpendicular and suitable to ride straddle and use cuss words in the original. Wherefore you have suffered his handiwork to elapse by removing yourself to New York and putting on little shoes tied with strings, and making faces when you talk. I’ve seen you rope and tie a steer in 42½. If you was to see one now you’d write to the Police Commissioner about it. And these flapdoodle drinks that you inoculate your system with—these little essences of cowslip with acorns in ’em, and paregoric flip—they ain’t anyways in assent with the cordiality of manhood. I hate to see you this way.”</p>
|
||||
<p>“Well, <abbr>Mr.</abbr> Greenbrier,” said Merritt, with apology in his tone, “in a way you are right. Sometimes I do feel like I was being raised on the bottle. But, I tell you, New York is comfortable—comfortable. There’s something about it—the sights and the crowds, and the way it changes every day, and the very air of it that seems to tie a one-mile-long stake rope around a man’s neck, with the other end fastened somewhere about Thirty-fourth Street. I don’t know what it is.”</p>
|
||||
<p>“God knows,” said Greenbrier sadly, “and I know. The East has gobbled you up. You was venison, and now you’re veal. You put me in mind of a japonica in a window. You’ve been signed, sealed and diskivered. Requiescat in hoc signo. You make me thirsty.”</p>
|
||||
<p>“A green chartreuse here,” said Merritt to the waiter.</p>
|
||||
<p>“Whiskey straight,” sighed Greenbrier, “and they’re on you, you renegade of the round-ups.”</p>
|
||||
<p>“Whiskey straight,” sighed Greenbrier, “and they’re on you, you renegade of the roundups.”</p>
|
||||
<p>“Guilty, with an application for mercy,” said Merritt. “You don’t know how it is, Greenbrier. It’s so comfortable here that—”</p>
|
||||
<p>“Please loan me your smelling salts,” pleaded Greenbrier. “If I hadn’t seen you once bluff three bluffers from Mazatzal City with an empty gun in Phoenix—”</p>
|
||||
<p>Greenbrier’s voice died away in pure grief.</p>
|
||||
@ -48,7 +48,7 @@
|
||||
<p>Merritt put forth exertions on the dinner. Greenbrier was his old friend, and he liked him. He persuaded him to drink a cocktail.</p>
|
||||
<p>“I take the horehound tea,” said Greenbrier, “for old times’ sake. But I’d prefer whiskey straight. They’re on you.”</p>
|
||||
<p>“Right!” said Merritt. “Now, run your eye down that bill of fare and see if it seems to hitch on any of these items.”</p>
|
||||
<p>“Lay me on my lava bed!” said Greenbrier, with bulging eyes. “All these specimens of nutriment in the grub wagon! What’s this? Horse with the heaves? I pass. But look along! Here’s truck for twenty round-ups all spelled out in different directions. Wait till I see.”</p>
|
||||
<p>“Lay me on my lava bed!” said Greenbrier, with bulging eyes. “All these specimens of nutriment in the grub wagon! What’s this? Horse with the heaves? I pass. But look along! Here’s truck for twenty roundups all spelled out in different directions. Wait till I see.”</p>
|
||||
<p>The viands ordered, Merritt turned to the wine list.</p>
|
||||
<p>“This Medoc isn’t bad,” he suggested.</p>
|
||||
<p>“You’re the doc,” said Greenbrier. “I’d rather have whiskey straight. It’s on you.”</p>
|
||||
|
@ -8,21 +8,21 @@
|
||||
<body epub:type="bodymatter z3998:fiction">
|
||||
<section id="the-duel" epub:type="chapter">
|
||||
<h2 epub:type="title">The Duel</h2>
|
||||
<p>The gods, lying beside their nectar on ‘Lympus and peeping over the edge of the cliff, perceive a difference in cities. Although it would seem that to their vision towns must appear as large or small ant-hills without special characteristics, yet it is not so. Studying the habits of ants from so great a height should be but a mild diversion when coupled with the soft drink that mythology tells us is their only solace. But doubtless they have amused themselves by the comparison of villages and towns; and it will be no news to them (nor, perhaps, to many mortals), that in one particularity New York stands unique among the cities of the world. This shall be the theme of a little story addressed to the man who sits smoking with his Sabbath-slippered feet on another chair, and to the woman who snatches the paper for a moment while boiling greens or a narcotized baby leaves her free. With these I love to sit upon the ground and tell sad stories of the death of Kings.</p>
|
||||
<p>The gods, lying beside their nectar on ‘Lympus and peeping over the edge of the cliff, perceive a difference in cities. Although it would seem that to their vision towns must appear as large or small anthills without special characteristics, yet it is not so. Studying the habits of ants from so great a height should be but a mild diversion when coupled with the soft drink that mythology tells us is their only solace. But doubtless they have amused themselves by the comparison of villages and towns; and it will be no news to them (nor, perhaps, to many mortals), that in one particularity New York stands unique among the cities of the world. This shall be the theme of a little story addressed to the man who sits smoking with his Sabbath-slippered feet on another chair, and to the woman who snatches the paper for a moment while boiling greens or a narcotized baby leaves her free. With these I love to sit upon the ground and tell sad stories of the death of Kings.</p>
|
||||
<p>New York City is inhabited by 4,000,000 mysterious strangers; thus beating Bird Centre by three millions and half a dozen nine’s. They came here in various ways and for many reasons—Hendrik Hudson, the art schools, green goods, the stork, the annual dressmakers’ convention, the Pennsylvania Railroad, love of money, the stage, cheap excursion rates, brains, personal column ads., heavy walking shoes, ambition, freight trains—all these have had a hand in making up the population.</p>
|
||||
<p>But every man Jack when he first sets foot on the stones of Manhattan has got to fight. He has got to fight at once until either he or his adversary wins. There is no resting between rounds, for there are no rounds. It is slugging from the first. It is a fight to a finish.</p>
|
||||
<p>Your opponent is the City. You must do battle with it from the time the ferry-boat lands you on the island until either it is yours or it has conquered you. It is the same whether you have a million in your pocket or only the price of a week’s lodging.</p>
|
||||
<p>Your opponent is the City. You must do battle with it from the time the ferryboat lands you on the island until either it is yours or it has conquered you. It is the same whether you have a million in your pocket or only the price of a week’s lodging.</p>
|
||||
<p>The battle is to decide whether you shall become a New Yorker or turn the rankest outlander and Philistine. You must be one or the other. You cannot remain neutral. You must be for or against—lover or enemy—bosom friend or outcast. And, oh, the city is a general in the ring. Not only by blows does it seek to subdue you. It woos you to its heart with the subtlety of a siren. It is a combination of Delilah, green Chartreuse, Beethoven, chloral and John L. in his best days.</p>
|
||||
<p>In other cities you may wander and abide as a stranger man as long as you please. You may live in Chicago until your hair whitens, and be a citizen and still prate of beans if Boston mothered you, and without rebuke. You may become a civic pillar in any other town but Knickerbocker’s, and all the time publicly sneering at its buildings, comparing them with the architecture of Colonel Telfair’s residence in Jackson, Miss., whence you hail, and you will not be set upon. But in New York you must be either a New Yorker or an invader of a modern Troy, concealed in the wooden horse of your conceited provincialism. And this dreary preamble is only to introduce to you the unimportant figures of William and Jack.</p>
|
||||
<p>They came out of the West together, where they had been friends. They came to dig their fortunes out of the big city.</p>
|
||||
<p>Father Knickerbocker met them at the ferry, giving one a right-hander on the nose and the other an upper-cut with his left, just to let them know that the fight was on.</p>
|
||||
<p>Father Knickerbocker met them at the ferry, giving one a right-hander on the nose and the other an uppercut with his left, just to let them know that the fight was on.</p>
|
||||
<p>William was for business; Jack was for Art. Both were young and ambitious; so they countered and clinched. I think they were from Nebraska or possibly Missouri or Minnesota. Anyhow, they were out for success and scraps and scads, and they tackled the city like two Lochinvars with brass knucks and a pull at the City Hall.</p>
|
||||
<p>Four years afterward William and Jack met at luncheon. The business man blew in like a March wind, hurled his silk hat at a waiter, dropped into the chair that was pushed under him, seized the bill of fare, and had ordered as far as cheese before the artist had time to do more than nod. After the nod a humorous smile came into his eyes.</p>
|
||||
<p>“Billy,” he said, “you’re done for. The city has gobbled you up. It has taken you and cut you to its pattern and stamped you with its brand. You are so nearly like ten thousand men I have seen to-day that you couldn’t be picked out from them if it weren’t for your laundry marks.”</p>
|
||||
<p>“Billy,” he said, “you’re done for. The city has gobbled you up. It has taken you and cut you to its pattern and stamped you with its brand. You are so nearly like ten thousand men I have seen today that you couldn’t be picked out from them if it weren’t for your laundry marks.”</p>
|
||||
<p>“Camembert,” finished William. “What’s that? Oh, you’ve still got your hammer out for New York, have you? Well, little old Noisyville-on-the-Subway is good enough for me. It’s giving me mine. And, say, I used to think the West was the whole round world—only slightly flattened at the poles whenever Bryan ran. I used to yell myself hoarse about the free expense, and hang my hat on the horizon, and say cutting things in the grocery to little soap drummers from the East. But I’d never seen New York, then, Jack. Me for it from the rathskellers up. Sixth Avenue is the West to me now. Have you heard this fellow Crusoe sing? The desert isle for him, I say, but my wife made me go. Give me May Irwin or E. S. Willard any time.”</p>
|
||||
<p>“Poor Billy,” said the artist, delicately fingering a cigarette. “You remember, when we were on our way to the East how we talked about this great, wonderful city, and how we meant to conquer it and never let it get the best of us? We were going to be just the same fellows we had always been, and never let it master us. It has downed you, old man. You have changed from a maverick into a butterick.”</p>
|
||||
<p>“Don’t see exactly what you are driving at,” said William. “I don’t wear an alpaca coat with blue trousers and a seersucker vest on dress occasions, like I used to do at home. You talk about being cut to a pattern—well, ain’t the pattern all right? When you’re in Rome you’ve got to do as the Dagoes do. This town seems to me to have other alleged metropolises skinned to flag stations. According to the railroad schedule I’ve got in mind, Chicago and Saint Jo and Paris, France, are asterisk stops—which means you wave a red flag and get on every other Tuesday. I like this little suburb of Tarrytown-on-the-Hudson. There’s something or somebody doing all the time. I’m clearing $8,000 a year selling automatic pumps, and I’m living like kings-up. Why, yesterday, I was introduced to John W. Gates. I took an auto ride with a wine agent’s sister. I saw two men run over by a street car, and I seen Edna May play in the evening. Talk about the West, why, the other night I woke everybody up in the hotel hollering. I dreamed I was walking on a board sidewalk in Oshkosh. What have you got against this town, Jack? There’s only one thing in it that I don’t care for, and that’s a ferryboat.”</p>
|
||||
<p>The artist gazed dreamily at the cartridge paper on the wall. “This town,” said he, “is a leech. It drains the blood of the country. Whoever comes to it accepts a challenge to a duel. Abandoning the figure of the leech, it is a juggernaut, a Moloch, a monster to which the innocence, the genius, and the beauty of the land must pay tribute. Hand to hand every newcomer must struggle with the leviathan. You’ve lost, Billy. It shall never conquer me. I hate it as one hates sin or pestilence or—the color work in a ten-cent magazine. I despise its very vastness and power. It has the poorest millionaires, the littlest great men, the lowest skyscrapers, the dolefulest pleasures of any town I ever saw. It has caught you, old man, but I will never run beside its chariot wheels. It glosses itself as the Chinaman glosses his collars. Give me the domestic finish. I could stand a town ruled by wealth or one ruled by an aristocracy; but this is one controlled by its lowest ingredients. Claiming culture, it is the crudest; asseverating its pre-eminence, it is the basest; denying all outside values and virtue, it is the narrowest. Give me the pure and the open heart of the West country. I would go back there to-morrow if I could.”</p>
|
||||
<p>The artist gazed dreamily at the cartridge paper on the wall. “This town,” said he, “is a leech. It drains the blood of the country. Whoever comes to it accepts a challenge to a duel. Abandoning the figure of the leech, it is a juggernaut, a Moloch, a monster to which the innocence, the genius, and the beauty of the land must pay tribute. Hand to hand every newcomer must struggle with the leviathan. You’ve lost, Billy. It shall never conquer me. I hate it as one hates sin or pestilence or—the color work in a ten-cent magazine. I despise its very vastness and power. It has the poorest millionaires, the littlest great men, the lowest skyscrapers, the dolefulest pleasures of any town I ever saw. It has caught you, old man, but I will never run beside its chariot wheels. It glosses itself as the Chinaman glosses his collars. Give me the domestic finish. I could stand a town ruled by wealth or one ruled by an aristocracy; but this is one controlled by its lowest ingredients. Claiming culture, it is the crudest; asseverating its preeminence, it is the basest; denying all outside values and virtue, it is the narrowest. Give me the pure and the open heart of the West country. I would go back there tomorrow if I could.”</p>
|
||||
<p>“Don’t you like this filet mignon?” said William. “Shucks, now, what’s the use to knock the town! It’s the greatest ever. I couldn’t sell one automatic pump between Harrisburg and Tommy O’Keefe’s saloon, in Sacramento, where I sell twenty here. And have you seen Sara Bernhardt in ‘Andrew Mack’ yet?”</p>
|
||||
<p>“The town’s got you, Billy,” said Jack.</p>
|
||||
<p>“All right,” said William. “I’m going to buy a cottage on Lake Ronkonkoma next summer.”</p>
|
||||
|
@ -17,7 +17,7 @@
|
||||
</blockquote>
|
||||
<p>Think of it, tippler. It covers the ground from the sprouting rye to the Potter’s Field.</p>
|
||||
<p>A clean-profiled, erect young man in the rear rank of the bedless emulated the terrapin, drawing his head far down into the shell of his coat collar. It was a well-cut tweed coat; and the trousers still showed signs of having flattened themselves beneath the compelling goose. But, conscientiously, I must warn the milliner’s apprentice who reads this, expecting a Reginald Montressor in straits, to peruse no further. The young man was no other than Thomas McQuade, ex-coachman, discharged for drunkenness one month before, and now reduced to the grimy ranks of the one-night bed seekers.</p>
|
||||
<p>If you live in smaller New York you must know the Van Smuythe family carriage, drawn by the two 1,500-pound, 100 to 1-shot bays. The carriage is shaped like a bath-tub. In each end of it reclines an old lady Van Smuythe holding a black sunshade the size of a New Year’s Eve feather tickler. Before his downfall Thomas McQuade drove the Van Smuythe bays and was himself driven by Annie, the Van Smuythe lady’s maid. But it is one of the saddest things about romance that a tight shoe or an empty commissary or an aching tooth will make a temporary heretic of any Cupid-worshiper. And Thomas’s physical troubles were not few. Therefore, his soul was less vexed with thoughts of his lost lady’s maid than it was by the fancied presence of certain non-existent things that his racked nerves almost convinced him were flying, dancing, crawling, and wriggling on the asphalt and in the air above and around the dismal campus of the Bed Line army. Nearly four weeks of straight whisky and a diet limited to crackers, bologna, and pickles often guarantees a psycho-zoological sequel. Thus desperate, freezing, angry, beset by phantoms as he was, he felt the need of human sympathy and intercourse.</p>
|
||||
<p>If you live in smaller New York you must know the Van Smuythe family carriage, drawn by the two 1,500-pound, 100 to 1-shot bays. The carriage is shaped like a bathtub. In each end of it reclines an old lady Van Smuythe holding a black sunshade the size of a New Year’s Eve feather tickler. Before his downfall Thomas McQuade drove the Van Smuythe bays and was himself driven by Annie, the Van Smuythe lady’s maid. But it is one of the saddest things about romance that a tight shoe or an empty commissary or an aching tooth will make a temporary heretic of any Cupid-worshiper. And Thomas’s physical troubles were not few. Therefore, his soul was less vexed with thoughts of his lost lady’s maid than it was by the fancied presence of certain nonexistent things that his racked nerves almost convinced him were flying, dancing, crawling, and wriggling on the asphalt and in the air above and around the dismal campus of the Bed Line army. Nearly four weeks of straight whisky and a diet limited to crackers, bologna, and pickles often guarantees a psycho-zoological sequel. Thus desperate, freezing, angry, beset by phantoms as he was, he felt the need of human sympathy and intercourse.</p>
|
||||
<p>The Bed Liner standing at his right was a young man of about his own age, shabby but neat.</p>
|
||||
<p>“What’s the diagnosis of your case, Freddy?” asked Thomas, with the freemasonic familiarity of the damned—“Booze? That’s mine. You don’t look like a panhandler. Neither am I. A month ago I was pushing the lines over the backs of the finest team of Percheron buffaloes that ever made their mile down Fifth Avenue in 2.85. And look at me now! Say; how do you come to be at this bed bargain-counter rummage sale.”</p>
|
||||
<p>The other young man seemed to welcome the advances of the airy ex-coachman.</p>
|
||||
@ -47,7 +47,7 @@
|
||||
<p>“B’gee!” muttered Thomas, “this listens like a spook shop. Shouldn’t wonder if it ain’t one of these Moravian Nights’ adventures that you read about. Wonder what became of the furry guy.”</p>
|
||||
<p>Suddenly a stuffed owl that stood on an ebony perch near the illuminated globe slowly raised his wings and emitted from his eyes a brilliant electric glow.</p>
|
||||
<p>With a fright-born imprecation, Thomas seized a bronze statuette of Hebe from a cabinet near by and hurled it with all his might at the terrifying and impossible fowl. The owl and his perch went over with a crash. With the sound there was a click, and the room was flooded with light from a dozen frosted globes along the walls and ceiling. The gold portières parted and closed, and the mysterious automobilist entered the room. He was tall and wore evening dress of perfect cut and accurate taste. A Vandyke beard of glossy, golden brown, rather long and wavy hair, smoothly parted, and large, magnetic, orientally occult eyes gave him a most impressive and striking appearance. If you can conceive a Russian Grand Duke in a Rajah’s throne-room advancing to greet a visiting Emperor, you will gather something of the majesty of his manner. But Thomas McQuade was too near his <abbr>d.t.’s</abbr> to be mindful of his <i epub:type="z3998:grapheme">p’s</i> and <i epub:type="z3998:grapheme">q’s</i>. When he viewed this silken, polished, and somewhat terrifying host he thought vaguely of dentists.</p>
|
||||
<p>“Say, doc,” said he resentfully, “that’s a hot bird you keep on tap. I hope I didn’t break anything. But I’ve nearly got the williwalloos, and when he threw them 32-candle-power lamps of his on me, I took a snap-shot at him with that little brass Flatiron Girl that stood on the sideboard.”</p>
|
||||
<p>“Say, doc,” said he resentfully, “that’s a hot bird you keep on tap. I hope I didn’t break anything. But I’ve nearly got the williwalloos, and when he threw them 32-candlepower lamps of his on me, I took a snapshot at him with that little brass Flatiron Girl that stood on the sideboard.”</p>
|
||||
<p>“That is merely a mechanical toy,” said the gentleman with a wave of his hand. “May I ask you to be seated while I explain why I brought you to my house. Perhaps you would not understand nor be in sympathy with the psychological prompting that caused me to do so. So I will come to the point at once by venturing to refer to your admission that you know the Van Smuythe family, of Washington Square North.”</p>
|
||||
<p>“Any silver missing?” asked Thomas tartly. “Any joolry displaced? Of course I know ’em. Any of the old ladies’ sunshades disappeared? Well, I know ’em. And then what?”</p>
|
||||
<p>The Grand Duke rubbed his white hands together softly.</p>
|
||||
@ -79,7 +79,7 @@
|
||||
<p>“Crazy guy,” was his estimate of the mysterious automobilist. “Just wanted to have some fun kiddin’, I guess. He might have dug up a dollar, anyhow. Now I’ve got to hurry up and get back to that gang of bum bed hunters before they all get preached to sleep.”</p>
|
||||
<p>When Thomas reached the end of his two-mile walk he found the ranks of the homeless reduced to a squad of perhaps eight or ten. He took the proper place of a newcomer at the left end of the rear rank. In a file in front of him was the young man who had spoken to him of hospitals and something of a wife and child.</p>
|
||||
<p>“Sorry to see you back again,” said the young man, turning to speak to him. “I hoped you had struck something better than this.”</p>
|
||||
<p>“Me?” said Thomas. “Oh, I just took a run around the block to keep warm! I see the public ain’t lending to the Lord very fast to-night.”</p>
|
||||
<p>“Me?” said Thomas. “Oh, I just took a run around the block to keep warm! I see the public ain’t lending to the Lord very fast tonight.”</p>
|
||||
<p>“In this kind of weather,” said the young man, “charity avails itself of the proverb, and both begins and ends at home.”</p>
|
||||
<p>And the Preacher and his vehement lieutenant struck up a last hymn of petition to Providence and man. Those of the Bed Liners whose windpipes still registered above 32 degrees hopelessly and tunelessly joined in.</p>
|
||||
<p>In the middle of the second verse Thomas saw a sturdy girl with wind-tossed drapery battling against the breeze and coming straight toward him from the opposite sidewalk. “Annie!” he yelled, and ran toward her.</p>
|
||||
@ -91,9 +91,9 @@
|
||||
<p>“He’s a liar,” said Thomas. “I never had it. He never saw me have anybody’s telescope.”</p>
|
||||
<p>“And he said you came in a chariot with five wheels or something.”</p>
|
||||
<p>“Annie,” said Thoms solicitously, “you’re giving me the wheels now. If I had a chariot I’d have gone to bed in it long ago. And without any singing and preaching for a nightcap, either.”</p>
|
||||
<p>“Listen, you big fool. The Missis says she’ll take you back. I begged her to. But you must behave. And you can go up to the house to-night; and your old room over the stable is ready.”</p>
|
||||
<p>“Listen, you big fool. The Missis says she’ll take you back. I begged her to. But you must behave. And you can go up to the house tonight; and your old room over the stable is ready.”</p>
|
||||
<p>“Great!” said Thomas earnestly. “You are It, Annie. But when did these stunts happen?”</p>
|
||||
<p>“To-night at Professor Cherubusco’s. He sent his automobile for the Missis, and she took me along. I’ve been there with her before.”</p>
|
||||
<p>“Tonight at Professor Cherubusco’s. He sent his automobile for the Missis, and she took me along. I’ve been there with her before.”</p>
|
||||
<p>“What’s the professor’s line?”</p>
|
||||
<p>“He’s a clearvoyant and a witch. The Missis consults him. He knows everything. But he hasn’t done the Missis any good yet, though she’s paid him hundreds of dollars. But he told us that the stars told him we could find you here.”</p>
|
||||
<p>“What’s the old lady want this cherry-buster to do?”</p>
|
||||
@ -114,7 +114,7 @@
|
||||
<p>“They have,” said Thomas, feelingly. “And they’ll have ’em ten years from now. The life of the royal elephantibus truckhorseibus is one hundred and forty-nine years. I’m the coachman. Just got my reappointment five minutes ago. Let’s all ride up in a surface car—that is—er—if Annie will pay the fares.”</p>
|
||||
<p>On the Broadway car Annie handed each one of the prodigals a nickel to pay the conductor.</p>
|
||||
<p>“Seems to me you are mighty reckless the way you throw large sums of money around,” said Thomas sarcastically.</p>
|
||||
<p>“In that purse,” said Annie decidedly, “is exactly $11.85. I shall take every cent of it to-morrow and give it to professor Cherubusco, the greatest man in the world.”</p>
|
||||
<p>“In that purse,” said Annie decidedly, “is exactly $11.85. I shall take every cent of it tomorrow and give it to professor Cherubusco, the greatest man in the world.”</p>
|
||||
<p>“Well,” said Thomas, “I guess he must be a pretty fly guy to pipe off things the way he does. I’m glad his spooks told him where you could find me. If you’ll give me his address, some day I’ll go up there, myself, and shake his hand.”</p>
|
||||
<p>Presently Thomas moved tentatively in his seat, and thoughtfully felt an abrasion or two on his knees and his elbows.</p>
|
||||
<p>“Say, Annie,” said he confidentially, maybe it’s one of the last dreams of booze, but I’ve a kind of a recollection of riding in an automobile with a swell guy that took me to a house full of eagles and arc lights. He fed me on biscuits and hot air, and then kicked me down the front steps. If it was the <abbr>d.t.’s</abbr>, why am I so sore?”</p>
|
||||
|
@ -10,7 +10,7 @@
|
||||
<h2 epub:type="title">The Girl and the Graft</h2>
|
||||
<p>The other day I ran across my old friend Ferguson Pogue. Pogue is a conscientious grafter of the highest type. His headquarters is the Western Hemisphere, and his line of business is anything from speculating in town lots on the Great Staked Plains to selling wooden toys in Connecticut, made by hydraulic pressure from nutmegs ground to a pulp.</p>
|
||||
<p>Now and then when Pogue has made a good haul he comes to New York for a rest. He says the jug of wine and loaf of bread and Thou in the wilderness business is about as much rest and pleasure to him as sliding down the bumps at Coney would be to President Taft. “Give me,” says Pogue, “a big city for my vacation. Especially New York. I’m not much fond of New Yorkers, and Manhattan is about the only place on the globe where I don’t find any.”</p>
|
||||
<p>While in the metropolis Pogue can always be found at one of two places. One is a little second-hand book-shop on Fourth Avenue, where he reads books about his hobbies, Mahometanism and taxidermy. I found him at the other—his hall bedroom in Eighteenth Street—where he sat in his stocking feet trying to pluck “The Banks of the Wabash” out of a small zither. Four years he has practised this tune without arriving near enough to cast the longest trout line to the water’s edge. On the dresser lay a blued-steel Colt’s forty-five and a tight roll of tens and twenties large enough around to belong to the spring rattlesnake-story class. A chambermaid with a room-cleaning air fluttered nearby in the hall, unable to enter or to flee, scandalized by the stocking feet, aghast at the Colt’s, yet powerless, with her metropolitan instincts, to remove herself beyond the magic influence of the yellow-hued roll.</p>
|
||||
<p>While in the metropolis Pogue can always be found at one of two places. One is a little secondhand bookshop on Fourth Avenue, where he reads books about his hobbies, Mahometanism and taxidermy. I found him at the other—his hall bedroom in Eighteenth Street—where he sat in his stocking feet trying to pluck “The Banks of the Wabash” out of a small zither. Four years he has practised this tune without arriving near enough to cast the longest trout line to the water’s edge. On the dresser lay a blued-steel Colt’s forty-five and a tight roll of tens and twenties large enough around to belong to the spring rattlesnake-story class. A chambermaid with a room-cleaning air fluttered nearby in the hall, unable to enter or to flee, scandalized by the stocking feet, aghast at the Colt’s, yet powerless, with her metropolitan instincts, to remove herself beyond the magic influence of the yellow-hued roll.</p>
|
||||
<p>I sat on his trunk while Ferguson Pogue talked. No one could be franker or more candid in his conversation. Beside his expression the cry of Henry James for lacteal nourishment at the age of one month would have seemed like a Chaldean cryptogram. He told me stories of his profession with pride, for he considered it an art. And I was curious enough to ask him whether he had known any women who followed it.</p>
|
||||
<p>“Ladies?” said Pogue, with Western chivalry. “Well, not to any great extent. They don’t amount to much in special lines of graft, because they’re all so busy in general lines. What? Why, they have to. Who’s got the money in the world? The men. Did you ever know a man to give a woman a dollar without any consideration? A man will shell out his dust to another man free and easy and gratis. But if he drops a penny in one of the machines run by the Madam Eve’s Daughters’ Amalgamated Association and the pineapple chewing gum don’t fall out when he pulls the lever you can hear him kick to the superintendent four blocks away. Man is the hardest proposition a woman has to go up against. He’s the low-grade one, and she has to work overtime to make him pay. Two times out of five she’s salted. She can’t put in crushers and costly machinery. He’d notice ’em and be onto the game. They have to pan out what they get, and it hurts their tender hands. Some of ’em are natural sluice troughs and can carry out $1,000 to the ton. The dry-eyed ones have to depend on signed letters, false hair, sympathy, the kangaroo walk, cowhide whips, ability to cook, sentimental juries, conversational powers, silk underskirts, ancestry, rouge, anonymous letters, violet sachet powders, witnesses, revolvers, pneumatic forms, carbolic acid, moonlight, cold cream and the evening newspapers.”</p>
|
||||
<p>“You are outrageous, Ferg,” I said. “Surely there is none of this ‘graft’ as you call it, in a perfect and harmonious matrimonial union!”</p>
|
||||
@ -29,7 +29,7 @@
|
||||
<p>“ ‘Get anything out of that?’ I asks.</p>
|
||||
<p>“ ‘That reminds me,’ says he; ‘add $8.50 for pepsin. Yes, I got indigestion.’</p>
|
||||
<p>“ ‘How am I supposed to push along your scramble for prominence?’ I inquires. ‘Contrast?’</p>
|
||||
<p>“ ‘Something of that sort to-night,’ says Vaucross. ‘It grieves me; but I am forced to resort to eccentricity.’ And here he drops his napkin in his soup and rises up and bows to a gent who is devastating a potato under a palm across the room.</p>
|
||||
<p>“ ‘Something of that sort tonight,’ says Vaucross. ‘It grieves me; but I am forced to resort to eccentricity.’ And here he drops his napkin in his soup and rises up and bows to a gent who is devastating a potato under a palm across the room.</p>
|
||||
<p>“ ‘The Police Commissioner,’ says my climber, gratified. ‘Friend’, says I, in a hurry, ‘have ambitions but don’t kick a rung out of your ladder. When you use me as a stepping stone to salute the police you spoil my appetite on the grounds that I may be degraded and incriminated. Be thoughtful.’</p>
|
||||
<p>“At the Quaker City squab en casserole the idea about Artemisia Blye comes to me.</p>
|
||||
<p>“ ‘Suppose I can manage to get you in the papers,’ says I—‘a column or two every day in all of ’em and your picture in most of ’em for a week. How much would it be worth to you?’</p>
|
||||
@ -41,7 +41,7 @@
|
||||
<p>“This was the scheme the three of us concocted. It was business straight through. Vaucross was to rush Miss Blye with all the style and display and emotion he could for a month. Of course, that amounted to nothing as far as his ambitions were concerned. The sight of a man in a white tie and patent leather pumps pouring greenbacks through the large end of a cornucopia to purchase nutriment and heartsease for tall, willowy blondes in New York is as common a sight as blue turtles in delirium tremens. But he was to write her love letters—the worst kind of love letters, such as your wife publishes after you are dead—every day. At the end of the month he was to drop her, and she would bring suit for $100,000 for breach of promise.</p>
|
||||
<p>“Miss Artemisia was to get $10,000. If she won the suit that was all; and if she lost she was to get it anyhow. There was a signed contract to that effect.</p>
|
||||
<p>“Sometimes they had me out with ’em, but not often. I couldn’t keep up to their style. She used to pull out his notes and criticize them like bills of lading.</p>
|
||||
<p>“ ‘Say, you!’ she’d say. ‘What do you call this—letter to a Hardware Merchant from His Nephew on Learning that His Aunt Has Nettlerash? You Eastern duffers know as much about writing love letters as a Kansas grasshopper does about tugboats. “My dear Miss Blye!”—wouldn’t that put pink icing and a little red sugar bird on your bridal cake? How long do you expect to hold an audience in a court-room with that kind of stuff? You want to get down to business, and call me “Tweedlums Babe” and “Honeysuckle,” and sign yourself “Mama’s Own Big Bad Puggy Wuggy Boy” if you want any limelight to concentrate upon your sparse gray hairs. Get sappy.’</p>
|
||||
<p>“ ‘Say, you!’ she’d say. ‘What do you call this—letter to a Hardware Merchant from His Nephew on Learning that His Aunt Has Nettlerash? You Eastern duffers know as much about writing love letters as a Kansas grasshopper does about tugboats. “My dear Miss Blye!”—wouldn’t that put pink icing and a little red sugar bird on your bridal cake? How long do you expect to hold an audience in a courtroom with that kind of stuff? You want to get down to business, and call me “Tweedlums Babe” and “Honeysuckle,” and sign yourself “Mama’s Own Big Bad Puggy Wuggy Boy” if you want any limelight to concentrate upon your sparse gray hairs. Get sappy.’</p>
|
||||
<p>“After that Vaucross dipped his pen in the indelible tabasco. His notes read like something or other in the original. I could see a jury sitting up, and women tearing one another’s hats to hear ’em read. And I could see piling up for <abbr>Mr.</abbr> Vaucross as much notoriousness as Archbishop Cranmer or the Brooklyn Bridge or cheese-on-salad ever enjoyed. He seemed mighty pleased at the prospects.</p>
|
||||
<p>“They agreed on a night; and I stood on Fifth Avenue outside a solemn restaurant and watched ’em. A process-server walked in and handed Vaucross the papers at his table. Everybody looked at ’em; and he looked as proud as Cicero. I went back to my room and lit a five-cent cigar, for I knew the $10,000 was as good as ours.</p>
|
||||
<p>“About two hours later somebody knocked at my door. There stood Vaucross and Miss Artemisia, and she was clinging—yes, sir, clinging—to his arm. And they tells me they’d been out and got married. And they articulated some trivial cadences about love and such. And they laid down a bundle on the table and said ‘Good night’ and left.</p>
|
||||
|
@ -16,14 +16,14 @@
|
||||
<p>The critics have assailed every source of inspiration save one. To that one we are driven for our moral theme. When we levied upon the masters of old they gleefully dug up the parallels to our columns. When we strove to set forth real life they reproached us for trying to imitate Henry George, George Washington, Washington Irving, and Irving Bacheller. We wrote of the West and the East, and they accused us of both Jesse and Henry James. We wrote from our heart—and they said something about a disordered liver. We took a text from Matthew or—er—yes, Deuteronomy, but the preachers were hammering away at the inspiration idea before we could get into type. So, driven to the wall, we go for our subject-matter to the reliable, old, moral, unassailable vade mecum—the unabridged dictionary.</p>
|
||||
<p>Miss Merriam was cashier at Hinkle’s. Hinkle’s is one of the big downtown restaurants. It is in what the papers call the “financial district.” Each day from 12 o’clock to 2 Hinkle’s was full of hungry customers—messenger boys, stenographers, brokers, owners of mining stock, promoters, inventors with patents pending—and also people with money.</p>
|
||||
<p>The cashiership at Hinkle’s was no sinecure. Hinkle egged and toasted and griddle-caked and coffeed a good many customers; and he lunched (as good a word as “dined”) many more. It might be said that Hinkle’s breakfast crowd was a contingent, but his luncheon patronage amounted to a horde.</p>
|
||||
<p>Miss Merriam sat on a stool at a desk inclosed on three sides by a strong, high fencing of woven brass wire. Through an arched opening at the bottom you thrust your waiter’s check and the money, while your heart went pit-a-pat.</p>
|
||||
<p>Miss Merriam sat on a stool at a desk inclosed on three sides by a strong, high fencing of woven brass wire. Through an arched opening at the bottom you thrust your waiter’s check and the money, while your heart went pita-pat.</p>
|
||||
<p>For Miss Merriam was lovely and capable. She could take 45 cents out of a $2 bill and refuse an offer of marriage before you could—Next!—lost your chance—please don’t shove. She could keep cool and collected while she collected your check, give you the correct change, win your heart, indicate the toothpick stand, and rate you to a quarter of a cent better than Bradstreet could to a thousand in less time than it takes to pepper an egg with one of Hinkle’s casters.</p>
|
||||
<p>There is an old and dignified allusion to the “fierce light that beats upon a throne.” The light that beats upon the young lady cashier’s cage is also something fierce. The other fellow is responsible for the slang.</p>
|
||||
<p>Every male patron of Hinkle’s, from the <abbr>A.D.T.</abbr> boys up to the curbstone brokers, adored Miss Merriam. When they paid their checks they wooed her with every wile known to Cupid’s art. Between the meshes of the brass railing went smiles, winks, compliments, tender vows, invitations to dinner, sighs, languishing looks and merry banter that was wafted pointedly back by the gifted Miss Merriam.</p>
|
||||
<p>There is no coign of vantage more effective than the position of young lady cashier. She sits there, easily queen of the court of commerce; she is duchess of dollars and devoirs, countess of compliments and coin, leading lady of love and luncheon. You take from her a smile and a Canadian dime, and you go your way uncomplaining. You count the cheery word or two that she tosses you as misers count their treasures; and you pocket the change for a five uncomputed. Perhaps the brass-bound inaccessibility multiplies her charms—anyhow, she is a shirt-waisted angel, immaculate, trim, manicured, seductive, bright-eyed, ready, alert—Psyche, Circe, and Ate in one, separating you from your circulating medium after your sirloin medium.</p>
|
||||
<p>There is no coign of vantage more effective than the position of young lady cashier. She sits there, easily queen of the court of commerce; she is duchess of dollars and devoirs, countess of compliments and coin, leading lady of love and luncheon. You take from her a smile and a Canadian dime, and you go your way uncomplaining. You count the cheery word or two that she tosses you as misers count their treasures; and you pocket the change for a five uncomputed. Perhaps the brassbound inaccessibility multiplies her charms—anyhow, she is a shirt-waisted angel, immaculate, trim, manicured, seductive, bright-eyed, ready, alert—Psyche, Circe, and Ate in one, separating you from your circulating medium after your sirloin medium.</p>
|
||||
<p>The young men who broke bread at Hinkle’s never settled with the cashier without an exchange of badinage and open compliment. Many of them went to greater lengths and dropped promissory hints of theatre tickets and chocolates. The older men spoke plainly of orange blossoms, generally withering the tentative petals by after-allusions to Harlem flats. One broker, who had been squeezed by copper proposed to Miss Merriam more regularly than he ate.</p>
|
||||
<p>During a brisk luncheon hour Miss Merriam’s conversation, while she took money for checks, would run something like this:</p>
|
||||
<p>“Good morning, <abbr>Mr.</abbr> Haskins—sir?—it’s natural, thank you—don’t be quite so fresh … Hello, Johnny—ten, fifteen, twenty—chase along now or they’ll take the letters off your cap … Beg pardon—count it again, please—Oh, don’t mention it … Vaudeville?—thanks; not on your moving picture—I was to see Carter in Hedda Gabler on Wednesday night with <abbr>Mr.</abbr> Simmons … ‘Scuse me, I thought that was a quarter … Twenty-five and seventy-five’s a dollar—got that ham-and-cabbage habit yet. I see, Billy … Who are you addressing?—say—you’ll get all that’s coming to you in a minute … Oh, fudge! <abbr>Mr.</abbr> Bassett—you’re always fooling—no—? Well, maybe I’ll marry you some day—three, four and sixty-five is five … Kindly keep them remarks to yourself, if you please … Ten cents?—‘scuse me; the check calls for seventy—well, maybe it is a one instead of a seven … Oh, do you like it that way, <abbr>Mr.</abbr> Saunders?—some prefer a pomp; but they say this Cleo de Merody does suit refined features … and ten is fifty … Hike along there, buddy; don’t take this for a Coney Island ticket booth … Huh?—why, Macy’s—don’t it fit nice? Oh, no, it isn’t too cool—these light-weight fabrics is all the go this season … Come again, please—that’s the third time you’ve tried to—what?—forget it—that lead quarter is an old friend of mine … Sixty-five?—must have had your salary raised, <abbr>Mr.</abbr> Wilson … I seen you on Sixth Avenue Tuesday afternoon, <abbr>Mr.</abbr> De Forest—swell?—oh, my!—who is she? … What’s the matter with it?—why, it ain’t money—what?—Columbian half?—well, this ain’t South America … Yes, I like the mixed best—Friday?—awfully sorry, but I take my jiu-jitsu lesson on Friday—Thursday, then … Thanks—that’s sixteen times I’ve been told that this morning—I guess I must be beautiful … Cut that out, please—who do you think I am? … Why, <abbr>Mr.</abbr> Westbrook—do you really think so?—the idea!—one—eighty and twenty’s a dollar—thank you ever so much, but I don’t ever go automobile riding with gentlemen—your aunt?—well, that’s different—perhaps … Please don’t get fresh—your check was fifteen cents, I believe—kindly step aside and let … Hello, Ben—coming around Thursday evening?—there’s a gentleman going to send around a box of chocolates, and … forty and sixty is a dollar, and one is two …”</p>
|
||||
<p>“Good morning, <abbr>Mr.</abbr> Haskins—sir?—it’s natural, thank you—don’t be quite so fresh … Hello, Johnny—ten, fifteen, twenty—chase along now or they’ll take the letters off your cap … Beg pardon—count it again, please—Oh, don’t mention it … Vaudeville?—thanks; not on your moving picture—I was to see Carter in Hedda Gabler on Wednesday night with <abbr>Mr.</abbr> Simmons … ‘Scuse me, I thought that was a quarter … Twenty-five and seventy-five’s a dollar—got that ham-and-cabbage habit yet. I see, Billy … Who are you addressing?—say—you’ll get all that’s coming to you in a minute … Oh, fudge! <abbr>Mr.</abbr> Bassett—you’re always fooling—no—? Well, maybe I’ll marry you some day—three, four and sixty-five is five … Kindly keep them remarks to yourself, if you please … Ten cents?—‘scuse me; the check calls for seventy—well, maybe it is a one instead of a seven … Oh, do you like it that way, <abbr>Mr.</abbr> Saunders?—some prefer a pomp; but they say this Cleo de Merody does suit refined features … and ten is fifty … Hike along there, buddy; don’t take this for a Coney Island ticket booth … Huh?—why, Macy’s—don’t it fit nice? Oh, no, it isn’t too cool—these lightweight fabrics is all the go this season … Come again, please—that’s the third time you’ve tried to—what?—forget it—that lead quarter is an old friend of mine … Sixty-five?—must have had your salary raised, <abbr>Mr.</abbr> Wilson … I seen you on Sixth Avenue Tuesday afternoon, <abbr>Mr.</abbr> De Forest—swell?—oh, my!—who is she? … What’s the matter with it?—why, it ain’t money—what?—Columbian half?—well, this ain’t South America … Yes, I like the mixed best—Friday?—awfully sorry, but I take my jiujitsu lesson on Friday—Thursday, then … Thanks—that’s sixteen times I’ve been told that this morning—I guess I must be beautiful … Cut that out, please—who do you think I am? … Why, <abbr>Mr.</abbr> Westbrook—do you really think so?—the idea!—one—eighty and twenty’s a dollar—thank you ever so much, but I don’t ever go automobile riding with gentlemen—your aunt?—well, that’s different—perhaps … Please don’t get fresh—your check was fifteen cents, I believe—kindly step aside and let … Hello, Ben—coming around Thursday evening?—there’s a gentleman going to send around a box of chocolates, and … forty and sixty is a dollar, and one is two …”</p>
|
||||
<p>About the middle of one afternoon the dizzy goddess Vertigo—whose other name is Fortune—suddenly smote an old, wealthy and eccentric banker while he was walking past Hinkle’s, on his way to a street car. A wealthy and eccentric banker who rides in street cars is—move up, please; there are others.</p>
|
||||
<p>A Samaritan, a Pharisee, a man and a policeman who were first on the spot lifted Banker McRamsey and carried him into Hinkle’s restaurant. When the aged but indestructible banker opened his eyes he saw a beautiful vision bending over him with a pitiful, tender smile, bathing his forehead with beef tea and chafing his hands with something frappé out of a chafing-dish. <abbr>Mr.</abbr> McRamsey sighed, lost a vest button, gazed with deep gratitude upon his fair preserveress, and then recovered consciousness.</p>
|
||||
<p>To the Seaside Library all who are anticipating a romance! Banker McRamsey had an aged and respected wife, and his sentiments toward Miss Merriam were fatherly. He talked to her for half an hour with interest—not the kind that went with his talks during business hours. The next day he brought <abbr>Mrs.</abbr> McRamsey down to see her. The old couple were childless—they had only a married daughter living in Brooklyn.</p>
|
||||
|
@ -13,7 +13,7 @@
|
||||
<p>Westward and southward from the Thespian glare are one or two streets where a Spanish-American colony has huddled for a little tropical warmth in the nipping North. The centre of life in this precinct is “El Refugio,” a café and restaurant that caters to the volatile exiles from the South. Up from Chili, Bolivia, Colombia, the rolling republics of Central America and the ireful islands of the Western Indies flit the cloaked and sombreroed señores, who are scattered like burning lava by the political eruptions of their several countries. Hither they come to lay counterplots, to bide their time, to solicit funds, to enlist filibusterers, to smuggle out arms and ammunitions, to play the game at long taw. In El Refugio, they find the atmosphere in which they thrive.</p>
|
||||
<p>In the restaurant of El Refugio are served compounds delightful to the palate of the man from Capricorn or Cancer. Altruism must halt the story thus long. On, diner, weary of the culinary subterfuges of the Gallic chef, hie thee to El Refugio! There only will you find a fish—bluefish, shad or pompano from the Gulf—baked after the Spanish method. Tomatoes give it color, individuality and soul; chili colorado bestows upon it zest, originality and fervor; unknown herbs furnish piquancy and mystery, and—but its crowning glory deserves a new sentence. Around it, above it, beneath it, in its vicinity—but never in it—hovers an ethereal aura, an effluvium so rarefied and delicate that only the Society for Psychical Research could note its origin. Do not say that garlic is in the fish at El Refugio. It is not otherwise than as if the spirit of Garlic, flitting past, has wafted one kiss that lingers in the parsley-crowned dish as haunting as those kisses in life, “by hopeless fancy feigned on lips that are for others.” And then, when Conchito, the waiter, brings you a plate of brown frijoles and a carafe of wine that has never stood still between Oporto and El Refugio—ah, Dios!</p>
|
||||
<p>One day a Hamburg-American liner deposited upon Pier <abbr>No.</abbr> 55 Gen. Perrico Ximenes Villablanca Falcon, a passenger from Cartagena. The General was between a claybank and a bay in complexion, had a 42-inch waist and stood 5 feet 4 with his Du Barry heels. He had the mustache of a shooting-gallery proprietor, he wore the full dress of a Texas congressman and had the important aspect of an uninstructed delegate.</p>
|
||||
<p>Gen. Falcon had enough English under his hat to enable him to inquire his way to the street in which El Refugio stood. When he reached that neighborhood he saw a sign before a respectable red-brick house that read, “Hotel Español.” In the window was a card in Spanish, “Aqui se habla Español.” The General entered, sure of a congenial port.</p>
|
||||
<p>Gen. Falcon had enough English under his hat to enable him to inquire his way to the street in which El Refugio stood. When he reached that neighborhood he saw a sign before a respectable redbrick house that read, “Hotel Español.” In the window was a card in Spanish, “Aqui se habla Español.” The General entered, sure of a congenial port.</p>
|
||||
<p>In the cozy office was <abbr>Mrs.</abbr> O’Brien, the proprietress. She had blond—oh, unimpeachably blond hair. For the rest she was amiability, and ran largely to inches around. Gen. Falcon brushed the floor with his broad-brimmed hat, and emitted a quantity of Spanish, the syllables sounding like firecrackers gently popping their way down the string of a bunch.</p>
|
||||
<p>“Spanish or Dago?” asked <abbr>Mrs.</abbr> O’Brien, pleasantly.</p>
|
||||
<p>“I am a Colombian, madam,” said the General, proudly. “I speak the Spanish. The advisement in your window say the Spanish he is spoken here. How is that?”</p>
|
||||
@ -28,9 +28,9 @@
|
||||
<p>“I have a desire,” said the General, “to return to the hotel of O’Brien, in which I am stop. Caramba! señor, there is a loudness and rapidness of going and coming in the city of this Nueva York.”</p>
|
||||
<p><abbr>Mr.</abbr> Kelley’s politeness would not suffer the distinguished Colombian to brave the dangers of the return unaccompanied. At the door of the Hotel Español they paused. A little lower down on the opposite side of the street shone the modest illuminated sign of El Refugio. <abbr>Mr.</abbr> Kelley, to whom few streets were unfamiliar, knew the place exteriorly as a “Dago joint.” All foreigners <abbr>Mr.</abbr> Kelley classed under the two heads of “Dagoes” and Frenchmen. He proposed to the General that they repair thither and substantiate their acquaintance with a liquid foundation.</p>
|
||||
<p>An hour later found General Falcon and <abbr>Mr.</abbr> Kelley seated at a table in the conspirator’s corner of El Refugio. Bottles and glasses were between them. For the tenth time the General confided the secret of his mission to the Estados Unidos. He was here, he declared, to purchase arms—2,000 stands of Winchester rifles—for the Colombian revolutionists. He had drafts in his pocket drawn by the Cartagena Bank on its New York correspondent for $25,000. At other tables other revolutionists were shouting their political secrets to their fellow-plotters; but none was as loud as the General. He pounded the table; he hallooed for some wine; he roared to his friend that his errand was a secret one, and not to be hinted at to a living soul. <abbr>Mr.</abbr> Kelley himself was stirred to sympathetic enthusiasm. He grasped the General’s hand across the table.</p>
|
||||
<p>“Monseer,” he said, earnestly, “I don’t know where this country of yours is, but I’m for it. I guess it must be a branch of the United States, though, for the poetry guys and the schoolmarms call us Columbia, too, sometimes. It’s a lucky thing for you that you butted into me to-night. I’m the only man in New York that can get this gun deal through for you. The Secretary of War of the United States is me best friend. He’s in the city now, and I’ll see him for you to-morrow. In the meantime, monseer, you keep them drafts tight in your inside pocket. I’ll call for you to-morrow, and take you to see him. Say! that ain’t the District of Columbia you’re talking about, is it?” concluded <abbr>Mr.</abbr> Kelley, with a sudden qualm. “You can’t capture that with no 2,000 guns—it’s been tried with more.”</p>
|
||||
<p>“Monseer,” he said, earnestly, “I don’t know where this country of yours is, but I’m for it. I guess it must be a branch of the United States, though, for the poetry guys and the schoolmarms call us Columbia, too, sometimes. It’s a lucky thing for you that you butted into me tonight. I’m the only man in New York that can get this gun deal through for you. The Secretary of War of the United States is me best friend. He’s in the city now, and I’ll see him for you tomorrow. In the meantime, monseer, you keep them drafts tight in your inside pocket. I’ll call for you tomorrow, and take you to see him. Say! that ain’t the District of Columbia you’re talking about, is it?” concluded <abbr>Mr.</abbr> Kelley, with a sudden qualm. “You can’t capture that with no 2,000 guns—it’s been tried with more.”</p>
|
||||
<p>“No, no, no!” exclaimed the General. “It is the Republic of Colombia—it is a g-r-reat republic on the top side of America of the South. Yes. Yes.”</p>
|
||||
<p>“All right,” said <abbr>Mr.</abbr> Kelley, reassured. “Now suppose we trek along home and go by-by. I’ll write to the Secretary to-night and make a date with him. It’s a ticklish job to get guns out of New York. McClusky himself can’t do it.”</p>
|
||||
<p>“All right,” said <abbr>Mr.</abbr> Kelley, reassured. “Now suppose we trek along home and go by-by. I’ll write to the Secretary tonight and make a date with him. It’s a ticklish job to get guns out of New York. McClusky himself can’t do it.”</p>
|
||||
<p>They parted at the door of the Hotel Español. The General rolled his eyes at the moon and sighed.</p>
|
||||
<p>“It is a great country, your Nueva York,” he said. “Truly the cars in the streets devastate one, and the engine that cooks the nuts terribly makes a squeak in the ear. But, ah, Señor Kelley—the señoras with hair of much goldness, and admirable fatness—they are magnificas! Muy magnificas!”</p>
|
||||
<p>Kelley went to the nearest telephone booth and called up McCrary’s café, far up on Broadway. He asked for Jimmy Dunn.</p>
|
||||
@ -40,7 +40,7 @@
|
||||
<p>Jimmy Dunn was an A. M. of Crookdom. He was an artist in the confidence line. He never saw a bludgeon in his life; and he scorned knockout drops. In fact, he would have set nothing before an intended victim but the purest of drinks, if it had been possible to procure such a thing in New York. It was the ambition of “Spider” Kelley to elevate himself into Jimmy’s class.</p>
|
||||
<p>These two gentlemen held a conference that night at McCrary’s. Kelley explained.</p>
|
||||
<p>“He’s as easy as a gumshoe. He’s from the Island of Colombia, where there’s a strike, or a feud, or something going on, and they’ve sent him up here to buy 2,000 Winchesters to arbitrate the thing with. He showed me two drafts for $10,000 each, and one for $5,000 on a bank here. ‘S truth, Jimmy, I felt real mad with him because he didn’t have it in thousand-dollar bills, and hand it to me on a silver waiter. Now, we’ve got to wait till he goes to the bank and gets the money for us.”</p>
|
||||
<p>They talked it over for two hours, and then Dunn said; “Bring him to No. ⸻ Broadway, at four o’clock to-morrow afternoon.”</p>
|
||||
<p>They talked it over for two hours, and then Dunn said; “Bring him to No. ⸻ Broadway, at four o’clock tomorrow afternoon.”</p>
|
||||
<p>In due time Kelley called at the Hotel Español for the General. He found the wily warrior engaged in delectable conversation with <abbr>Mrs.</abbr> O’Brien.</p>
|
||||
<p>“The Secretary of War is waitin’ for us,” said Kelley.</p>
|
||||
<p>The General tore himself away with an effort.</p>
|
||||
@ -55,7 +55,7 @@
|
||||
<p>The orderly quickly returned with a printed paper. The Secretary studied it closely.</p>
|
||||
<p>“I find,” he said, “that in Warehouse 9, of Government stores, there is shipment of 2,000 stands of Winchester rifles that were ordered by the Sultan of Morocco, who forgot to send the cash with his order. Our rule is that legal-tender money must be paid down at the time of purchase. My dear Kelley, your friend, General Falcon, shall have this lot of arms, if he desires it, at the manufacturer’s price. And you will forgive me, I am sure, if I curtail our interview. I am expecting the Japanese Minister and Charles Murphy every moment!”</p>
|
||||
<p>As one result of this interview, the General was deeply grateful to his esteemed friend, <abbr>Mr.</abbr> Kelley. As another, the nimble Secretary of War was extremely busy during the next two days buying empty rifle cases and filling them with bricks, which were then stored in a warehouse rented for that purpose. As still another, when the General returned to the Hotel Español, <abbr>Mrs.</abbr> O’Brien went up to him, plucked a thread from his lapel, and said:</p>
|
||||
<p>“Say, señor, I don’t want to ‘butt in,’ but what does that monkey-faced, cat-eyed, rubber-necked tin horn tough want with you?”</p>
|
||||
<p>“Say, señor, I don’t want to ‘butt in,’ but what does that monkey-faced, cat-eyed, rubbernecked tin horn tough want with you?”</p>
|
||||
<p>“<i xml:lang="es">Sangre de mi vida!</i>” exclaimed the General. “Impossible it is that you speak of my good friend, Señor Kelley.”</p>
|
||||
<p>“Come into the summer garden,” said <abbr>Mrs.</abbr> O’Brien. “I want to have a talk with you.”</p>
|
||||
<p>Let us suppose that an hour has elapsed.</p>
|
||||
@ -66,12 +66,12 @@
|
||||
<p>“Oh, señor,” she sighed, happily, “ain’t you terrible!”</p>
|
||||
<p>Two days later was the time appointed for the delivery of the arms to the General. The boxes of supposed rifles were stacked in the rented warehouse, and the Secretary of War sat upon them, waiting for his friend Kelley to fetch the victim.</p>
|
||||
<p><abbr>Mr.</abbr> Kelley hurried, at the hour, to the Hotel Español. He found the General behind the desk adding up accounts.</p>
|
||||
<p>“I have decide,” said the General, “to buy not guns. I have to-day buy the insides of this hotel, and there shall be marrying of the General Perrico Ximenes Villablanca Falcon with la Madame O’Brien.”</p>
|
||||
<p>“I have decide,” said the General, “to buy not guns. I have today buy the insides of this hotel, and there shall be marrying of the General Perrico Ximenes Villablanca Falcon with la Madame O’Brien.”</p>
|
||||
<p><abbr>Mr.</abbr> Kelley almost strangled.</p>
|
||||
<p>“Say, you old bald-headed bottle of shoe polish,” he spluttered, “you’re a swindler—that’s what you are! You’ve bought a boarding house with money belonging to your infernal country, wherever it is.”</p>
|
||||
<p>“Ah,” said the General, footing up a column, “that is what you call politics. War and revolution they are not nice. Yes. It is not best that one shall always follow Minerva. No. It is of quite desirable to keep hotels and be with that Juno—that ox-eyed Juno. Ah! what hair of the gold it is that she have!”</p>
|
||||
<p><abbr>Mr.</abbr> Kelley choked again.</p>
|
||||
<p>“Ah, Senor Kelley!” said the General, feelingly and finally, “is it that you have never eaten of the corned beef hash that Madame O’Brien she make?”</p>
|
||||
<p>“Ah, Señor Kelley!” said the General, feelingly and finally, “is it that you have never eaten of the corned beef hash that Madame O’Brien she make?”</p>
|
||||
</section>
|
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</body>
|
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</html>
|
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|
@ -17,7 +17,7 @@
|
||||
<p>Conant wrote a poem and called it “The Doe and the Brook.” It was a fine specimen of the kind of work you would expect from a poet who had strayed with Amaryllis only as far as the florist’s windows, and whose sole ornithological discussion had been carried on with a waiter. Conant signed this poem, and we sent it to the same editor.</p>
|
||||
<p>But this has very little to do with the story.</p>
|
||||
<p>Just as the editor was reading the first line of the poem, on the next morning, a being stumbled off the West Shore ferryboat, and loped slowly up Forty-second Street.</p>
|
||||
<p>The invader was a young man with light blue eyes, a hanging lip and hair the exact color of the little orphan’s (afterward discovered to be the earl’s daughter) in one of <abbr>Mr.</abbr> Blaney’s plays. His trousers were corduroy, his coat short-sleeved, with buttons in the middle of his back. One bootleg was outside the corduroys. You looked expectantly, though in vain, at his straw hat for ear holes, its shape inaugurating the suspicion that it had been ravaged from a former equine possessor. In his hand was a valise—description of it is an impossible task; a Boston man would not have carried his lunch and law books to his office in it. And above one ear, in his hair, was a wisp of hay—the rustic’s letter of credit, his badge of innocence, the last clinging touch of the Garden of Eden lingering to shame the gold-brick men.</p>
|
||||
<p>The invader was a young man with light blue eyes, a hanging lip and hair the exact color of the little orphan’s (afterward discovered to be the earl’s daughter) in one of <abbr>Mr.</abbr> Blaney’s plays. His trousers were corduroy, his coat short-sleeved, with buttons in the middle of his back. One bootleg was outside the corduroys. You looked expectantly, though in vain, at his straw hat for ear holes, its shape inaugurating the suspicion that it had been ravaged from a former equine possessor. In his hand was a valise—description of it is an impossible task; a Boston man would not have carried his lunch and law books to his office in it. And above one ear, in his hair, was a wisp of hay—the rustic’s letter of credit, his badge of innocence, the last clinging touch of the Garden of Eden lingering to shame the goldbrick men.</p>
|
||||
<p>Knowingly, smilingly, the city crowds passed him by. They saw the raw stranger stand in the gutter and stretch his neck at the tall buildings. At this they ceased to smile, and even to look at him. It had been done so often. A few glanced at the antique valise to see what Coney “attraction” or brand of chewing gum he might be thus dinning into his memory. But for the most part he was ignored. Even the newsboys looked bored when he scampered like a circus clown out of the way of cabs and street cars.</p>
|
||||
<p>At Eighth Avenue stood “Bunco Harry,” with his dyed mustache and shiny, good-natured eyes. Harry was too good an artist not to be pained at the sight of an actor overdoing his part. He edged up to the countryman, who had stopped to open his mouth at a jewelry store window, and shook his head.</p>
|
||||
<p>“Too thick, pal,” he said, critically—“too thick by a couple of inches. I don’t know what your lay is; but you’ve got the properties too thick. That hay, now—why, they don’t even allow that on Proctor’s circuit any more.”</p>
|
||||
@ -28,7 +28,7 @@
|
||||
<p>“I’m glad I come across you, mister,” said Haylocks. “How’d you like to play a game or two of seven-up? I’ve got the keerds.”</p>
|
||||
<p>He fished them out of Noah’s valise—a rare, inimitable deck, greasy with bacon suppers and grimy with the soil of cornfields.</p>
|
||||
<p>“Bunco Harry” laughed loud and briefly.</p>
|
||||
<p>“Not for me, sport,” he said, firmly. “I don’t go against that make-up of yours for a cent. But I still say you’ve overdone it. The Reubs haven’t dressed like that since ’79. I doubt if you could work Brooklyn for a key-winding watch with that layout.”</p>
|
||||
<p>“Not for me, sport,” he said, firmly. “I don’t go against that makeup of yours for a cent. But I still say you’ve overdone it. The Reubs haven’t dressed like that since ’79. I doubt if you could work Brooklyn for a key-winding watch with that layout.”</p>
|
||||
<p>“Oh, you needn’t think I ain’t got the money,” boasted Haylocks. He drew forth a tightly rolled mass of bills as large as a teacup, and laid it on the table.</p>
|
||||
<p>“Got that for my share of grandmother’s farm,” he announced. “There’s $950 in that roll. Thought I’d come to the city and look around for a likely business to go into.”</p>
|
||||
<p>“Bunco Harry” took up the roll of money and looked at it with almost respect in his smiling eyes.</p>
|
||||
@ -38,7 +38,7 @@
|
||||
<p>Haylocks wandered on. Thirst probably assailed him again, for he dived into a dark groggery on a side street and bought beer. At first sight of him their eyes brightened; but when his insistent and exaggerated rusticity became apparent their expressions changed to wary suspicion.</p>
|
||||
<p>Haylocks swung his valise across the bar.</p>
|
||||
<p>“Keep that a while for me, mister,” he said, chewing at the end of a virulent claybank cigar. “I’ll be back after I knock around a spell. And keep your eye on it, for there’s $950 inside of it, though maybe you wouldn’t think so to look at me.”</p>
|
||||
<p>Somewhere outside a phonograph struck up a band piece, and Haylocks was off for it, his coat-tail buttons flopping in the middle of his back.</p>
|
||||
<p>Somewhere outside a phonograph struck up a band piece, and Haylocks was off for it, his coattail buttons flopping in the middle of his back.</p>
|
||||
<p>“Divvy, Mike,” said the men hanging upon the bar, winking openly at one another.</p>
|
||||
<p>“Honest, now,” said the bartender, kicking the valise to one side. “You don’t think I’d fall to that, do you? Anybody can see he ain’t no jay. One of McAdoo’s come-on squad, I guess. He’s a shine if he made himself up. There ain’t no parts of the country now where they dress like that since they run rural free delivery to Providence, Rhode Island. If he’s got nine-fifty in that valise it’s a ninety-eight cent Waterbury that’s stopped at ten minutes to ten.”</p>
|
||||
<p>When Haylocks had exhausted the resources of <abbr>Mr.</abbr> Edison to amuse he returned for his valise. And then down Broadway he gallivanted, culling the sights with his eager blue eyes. But still and evermore Broadway rejected him with curt glances and sardonic smiles. He was the oldest of the “gags” that the city must endure. He was so flagrantly impossible, so ultra rustic, so exaggerated beyond the most freakish products of the barnyard, the hayfield and the vaudeville stage, that he excited only weariness and suspicion. And the wisp of hay in his hair was so genuine, so fresh and redolent of the meadows, so clamorously rural that even a shell-game man would have put up his peas and folded his table at the sight of it.</p>
|
||||
|
@ -13,7 +13,7 @@
|
||||
<p>Especially did he shine in the matter of dress. In this he was the despair of imitators. Always correct, exquisitely groomed, and possessed of an unlimited wardrobe, he was conceded to be the best-dressed man in New York, and, therefore, in America. There was not a tailor in Gotham who would not have deemed it a precious boon to have been granted the privilege of making Bellchambers’ clothes without a cent of pay. As he wore them, they would have been a priceless advertisement. Trousers were his especial passion. Here nothing but perfection would he notice. He would have worn a patch as quickly as he would have overlooked a wrinkle. He kept a man in his apartments always busy pressing his ample supply. His friends said that three hours was the limit of time that he would wear these garments without exchanging.</p>
|
||||
<p>Bellchambers disappeared very suddenly. For three days his absence brought no alarm to his friends, and then they began to operate the usual methods of inquiry. All of them failed. He had left absolutely no trace behind. Then the search for a motive was instituted, but none was found. He had no enemies, he had no debts, there was no woman. There were several thousand dollars in his bank to his credit. He had never showed any tendency toward mental eccentricity; in fact, he was of a particularly calm and well-balanced temperament. Every means of tracing the vanished man was made use of, but without avail. It was one of those cases—more numerous in late years—where men seem to have gone out like the flame of a candle, leaving not even a trail of smoke as a witness.</p>
|
||||
<p>In May, Tom Eyres and Lancelot Gilliam, two of Bellchambers’ old friends, went for a little run on the other side. While pottering around in Italy and Switzerland, they happened, one day, to hear of a monastery in the Swiss Alps that promised something outside of the ordinary tourist-beguiling attractions. The monastery was almost inaccessible to the average sightseer, being on an extremely rugged and precipitous spur of the mountains. The attractions it possessed but did not advertise were, first, an exclusive and divine cordial made by the monks that was said to far surpass benedictine and chartreuse. Next a huge brass bell so purely and accurately cast that it had not ceased sounding since it was first rung three hundred years ago. Finally, it was asserted that no Englishman had ever set foot within its walls. Eyres and Gilliam decided that these three reports called for investigation.</p>
|
||||
<p>It took them two days with the aid of two guides to reach the monastery of <abbr>St.</abbr> Gondrau. It stood upon a frozen, wind-swept crag with the snow piled about it in treacherous, drifting masses. They were hospitably received by the brothers whose duty it was to entertain the infrequent guest. They drank of the precious cordial, finding it rarely potent and reviving. They listened to the great, ever-echoing bell, and learned that they were pioneer travelers, in those gray stone walls, over the Englishman whose restless feet have trodden nearly every corner of the earth.</p>
|
||||
<p>It took them two days with the aid of two guides to reach the monastery of <abbr>St.</abbr> Gondrau. It stood upon a frozen, windswept crag with the snow piled about it in treacherous, drifting masses. They were hospitably received by the brothers whose duty it was to entertain the infrequent guest. They drank of the precious cordial, finding it rarely potent and reviving. They listened to the great, ever-echoing bell, and learned that they were pioneer travelers, in those gray stone walls, over the Englishman whose restless feet have trodden nearly every corner of the earth.</p>
|
||||
<p>At three o’clock on the afternoon they arrived, the two young Gothamites stood with good Brother Cristofer in the great, cold hallway of the monastery to watch the monks march past on their way to the refectory. They came slowly, pacing by twos, with their heads bowed, treading noiselessly with sandaled feet upon the rough stone flags. As the procession slowly filed past, Eyres suddenly gripped Gilliam by the arm. “Look,” he whispered, eagerly, “at the one just opposite you now—the one on this side, with his hand at his waist—if that isn’t Johnny Bellchambers then I never saw him!”</p>
|
||||
<p>Gilliam saw and recognized the lost glass of fashion.</p>
|
||||
<p>“What the deuce,” said he, wonderingly, “is old Bell doing here? Tommy, it surely can’t be he! Never heard of Bell having a turn for the religious. Fact is, I’ve heard him say things when a four-in-hand didn’t seem to tie up just right that would bring him up for court-martial before any church.”</p>
|
||||
|
@ -25,13 +25,13 @@
|
||||
<p>“I will away,” said John Delaney, “to the furthermost parts of the earth. I cannot remain near you and know that you are another’s. I will to Africa, and there amid other scenes strive to for—”</p>
|
||||
<p>“For goodness sake, get out,” said Helen. “Somebody might come in.”</p>
|
||||
<p>He knelt upon one knee, and she extended him one white hand that he might give it a farewell kiss.</p>
|
||||
<p>Girls, was this choice boon of the great little god Cupid ever vouchsafed you—to have the fellow you want hard and fast, and have the one you don’t want come with a damp curl on his forehead and kneel to you and babble of Africa and love which, in spite of everything, shall forever bloom, an amaranth, in his heart? To know your power, and to feel the sweet security of your own happy state; to send the unlucky one, broken-hearted, to foreign climes, while you congratulate yourself as he presses his last kiss upon your knuckles, that your nails are well manicured—say, girls, it’s galluptious—don’t ever let it get by you.</p>
|
||||
<p>Girls, was this choice boon of the great little god Cupid ever vouchsafed you—to have the fellow you want hard and fast, and have the one you don’t want come with a damp curl on his forehead and kneel to you and babble of Africa and love which, in spite of everything, shall forever bloom, an amaranth, in his heart? To know your power, and to feel the sweet security of your own happy state; to send the unlucky one, brokenhearted, to foreign climes, while you congratulate yourself as he presses his last kiss upon your knuckles, that your nails are well manicured—say, girls, it’s galluptious—don’t ever let it get by you.</p>
|
||||
<p>And then, of course—how did you guess it?—the door opened and in stalked the bridegroom, jealous of slow-tying bonnet strings.</p>
|
||||
<p>The farewell kiss was imprinted upon Helen’s hand, and out of the window and down the fire-escape sprang John Delaney, Africa bound.</p>
|
||||
<p>A little slow music, if you please—faint violin, just a breath in the clarinet and a touch of the ‘cello. Imagine the scene. Frank, white-hot, with the cry of a man wounded to death bursting from him. Helen, rushing and clinging to him, trying to explain. He catches her wrists and tears them from his shoulders—once, twice, thrice he sways her this way and that—the stage manager will show you how—and throws her from him to the floor a huddled, crushed, moaning thing. Never, he cries, will he look upon her face again, and rushes from the house through the staring groups of astonished guests.</p>
|
||||
<p>And, now because it is the Thing instead of the Play, the audience must stroll out into the real lobby of the world and marry, die, grow gray, rich, poor, happy or sad during the intermission of twenty years which must precede the rising of the curtain again.</p>
|
||||
<p><abbr>Mrs.</abbr> Barry inherited the shop and the house. At thirty-eight she could have bested many an eighteen-year-old at a beauty show on points and general results. Only a few people remembered her wedding comedy, but she made of it no secret. She did not pack it in lavender or moth balls, nor did she sell it to a magazine.</p>
|
||||
<p>One day a middle-aged money-making lawyer, who bought his legal cap and ink of her, asked her across the counter to marry him.</p>
|
||||
<p>One day a middle-aged moneymaking lawyer, who bought his legal cap and ink of her, asked her across the counter to marry him.</p>
|
||||
<p>“I’m really much obliged to you,” said Helen, cheerfully, “but I married another man twenty years ago. He was more a goose than a man, but I think I love him yet. I have never seen him since about half an hour after the ceremony. Was it copying ink that you wanted or just writing fluid?”</p>
|
||||
<p>The lawyer bowed over the counter with old-time grace and left a respectful kiss on the back of her hand. Helen sighed. Parting salutes, however romantic, may be overdone. Here she was at thirty-eight, beautiful and admired; and all that she seemed to have got from her lovers were approaches and adieus. Worse still, in the last one she had lost a customer, too.</p>
|
||||
<p>Business languished, and she hung out a Room to Let card. Two large rooms on the third floor were prepared for desirable tenants. Roomers came, and went regretfully, for the house of <abbr>Mrs.</abbr> Barry was the abode of neatness, comfort and taste.</p>
|
||||
|
@ -10,7 +10,7 @@
|
||||
<h2 epub:type="title">The Venturers</h2>
|
||||
<p>Let the story wreck itself on the spreading rails of the <i epub:type="se:name.vehicle.train">Non Sequitur</i> Limited, if it will; first you must take your seat in the observation car “<i xml:lang="fr">Raison d’être</i>” for one moment. It is for no longer than to consider a brief essay on the subject—let us call it: “What’s Around the Corner.”</p>
|
||||
<p><i xml:lang="la">Omne mundus in duas partes divisum est</i>—men who wear rubbers and pay poll-taxes, and men who discover new continents. There are no more continents to discover; but by the time overshoes are out of date and the poll has developed into an income tax, the other half will be paralleling the canals of Mars with radium railways.</p>
|
||||
<p>Fortune, Chance, and Adventure are given as synonymous in the dictionaries. To the knowing each has a different meaning. Fortune is a prize to be won. Adventure is the road to it. Chance is what may lurk in the shadows at the roadside. The face of Fortune is radiant and alluring; that of Adventure is flushed and heroic. The face of Chance is the beautiful countenance—perfect because vague and dream-born—that we see in our tea-cups at breakfast while we growl over our chops and toast.</p>
|
||||
<p>Fortune, Chance, and Adventure are given as synonymous in the dictionaries. To the knowing each has a different meaning. Fortune is a prize to be won. Adventure is the road to it. Chance is what may lurk in the shadows at the roadside. The face of Fortune is radiant and alluring; that of Adventure is flushed and heroic. The face of Chance is the beautiful countenance—perfect because vague and dream-born—that we see in our teacups at breakfast while we growl over our chops and toast.</p>
|
||||
<p>The “Venturer” is one who keeps his eye on the hedgerows and wayside groves and meadows while he travels the road to Fortune. That is the difference between him and the Adventurer. Eating the forbidden fruit was the best record ever made by a Venturer. Trying to prove that it happened is the highest work of the Adventuresome. To be either is disturbing to the cosmogony of creation. So, as bracket-sawed and city-directoried citizens, let us light our pipes, chide the children and the cat, arrange ourselves in the willow rocker under the flickering gas jet at the coolest window and scan this little tale of two modern followers of Chance.</p>
|
||||
<hr/>
|
||||
<p>“Did you ever hear that story about the man from the West?” asked Billinger, in the little dark-oak room to your left as you penetrate the interior of the Powhatan Club.</p>
|
||||
@ -37,14 +37,14 @@
|
||||
<p>“I understand,” said Forster delightedly. “I’ve often wanted the way I feel put into words. You’ve done it. I want to take chances on what’s coming. Suppose we have a bottle of Moselle with the next course.”</p>
|
||||
<p>“Agreed,” said Ives. “I’m glad you catch my idea. It will increase the animosity of the house toward the loser. If it does not weary you, we will pursue the theme. Only a few times have I met a true venturer—one who does not ask a schedule and map from Fate when he begins a journey. But, as the world becomes more civilized and wiser, the more difficult it is to come upon an adventure the end of which you cannot foresee. In the Elizabethan days you could assault the watch, wring knockers from doors and have a jolly set-to with the blades in any convenient angle of a wall and ‘get away with it.’ Nowadays, if you speak disrespectfully to a policeman, all that is left to the most romantic fancy is to conjecture in what particular police station he will land you.”</p>
|
||||
<p>“I know—I know,” said Forster, nodding approval.</p>
|
||||
<p>“I returned to New York to-day,” continued Ives, “from a three years’ ramble around the globe. Things are not much better abroad than they are at home. The whole world seems to be overrun by conclusions. The only thing that interests me greatly is a premise. I’ve tried shooting big game in Africa. I know what an express rifle will do at so many yards; and when an elephant or a rhinoceros falls to the bullet, I enjoy it about as much as I did when I was kept in after school to do a sum in long division on the blackboard.”</p>
|
||||
<p>“I returned to New York today,” continued Ives, “from a three years’ ramble around the globe. Things are not much better abroad than they are at home. The whole world seems to be overrun by conclusions. The only thing that interests me greatly is a premise. I’ve tried shooting big game in Africa. I know what an express rifle will do at so many yards; and when an elephant or a rhinoceros falls to the bullet, I enjoy it about as much as I did when I was kept in after school to do a sum in long division on the blackboard.”</p>
|
||||
<p>“I know—I know,” said Forster.</p>
|
||||
<p>“There might be something in aeroplanes,” went on Ives, reflectively. “I’ve tried ballooning; but it seems to be merely a cut-and-dried affair of wind and ballast.”</p>
|
||||
<p>“Women,” suggested Forster, with a smile.</p>
|
||||
<p>“Three months ago,” said Ives. “I was pottering around in one of the bazaars in Constantinople. I noticed a lady, veiled, of course, but with a pair of especially fine eyes visible, who was examining some amber and pearl ornaments at one of the booths. With her was an attendant—a big Nubian, as black as coal. After a while the attendant drew nearer to me by degrees and slipped a scrap of paper into my hand. I looked at it when I got a chance. On it was scrawled hastily in pencil: ‘The arched gate of the Nightingale Garden at nine to-night.’ Does that appear to you to be an interesting premise, <abbr>Mr.</abbr> Forster?”</p>
|
||||
<p>“Three months ago,” said Ives. “I was pottering around in one of the bazaars in Constantinople. I noticed a lady, veiled, of course, but with a pair of especially fine eyes visible, who was examining some amber and pearl ornaments at one of the booths. With her was an attendant—a big Nubian, as black as coal. After a while the attendant drew nearer to me by degrees and slipped a scrap of paper into my hand. I looked at it when I got a chance. On it was scrawled hastily in pencil: ‘The arched gate of the Nightingale Garden at nine tonight.’ Does that appear to you to be an interesting premise, <abbr>Mr.</abbr> Forster?”</p>
|
||||
<p>“I made inquiries and learned that the Nightingale Garden was the property of an old Turk—a grand vizier, or something of the sort. Of course I prospected for the arched gate and was there at nine. The same Nubian attendant opened the gate promptly on time, and I went inside and sat on a bench by a perfumed fountain with the veiled lady. We had quite an extended chat. She was Myrtle Thompson, a lady journalist, who was writing up the Turkish harems for a Chicago newspaper. She said she noticed the New York cut of my clothes in the bazaar and wondered if I couldn’t work something into the metropolitan papers about it.”</p>
|
||||
<p>“I see,” said Forster. “I see.”</p>
|
||||
<p>“I’ve canoed through Canada,” said Ives, “down many rapids and over many falls. But I didn’t seem to get what I wanted out of it because I knew there were only two possible outcomes—I would either go to the bottom or arrive at the sea level. I’ve played all games at cards; but the mathematicians have spoiled that sport by computing the percentages. I’ve made acquaintances on trains, I’ve answered advertisements, I’ve rung strange door-bells, I’ve taken every chance that presented itself; but there has always been the conventional ending—the logical conclusion to the premise.”</p>
|
||||
<p>“I’ve canoed through Canada,” said Ives, “down many rapids and over many falls. But I didn’t seem to get what I wanted out of it because I knew there were only two possible outcomes—I would either go to the bottom or arrive at the sea level. I’ve played all games at cards; but the mathematicians have spoiled that sport by computing the percentages. I’ve made acquaintances on trains, I’ve answered advertisements, I’ve rung strange doorbells, I’ve taken every chance that presented itself; but there has always been the conventional ending—the logical conclusion to the premise.”</p>
|
||||
<p>“I know,” repeated Forster. “I’ve felt it all. But I’ve had few chances to take my chance at chances. Is there any life so devoid of impossibilities as life in this city? There seems to be a myriad of opportunities for testing the undeterminable; but not one in a thousand fails to land you where you expected it to stop. I wish the subways and street cars disappointed one as seldom.”</p>
|
||||
<p>“The sun has risen,” said Ives, “on the Arabian nights. There are no more caliphs. The fisherman’s vase is turned to a vacuum bottle, warranted to keep any genie boiling or frozen for forty-eight hours. Life moves by rote. Science has killed adventure. There are no more opportunities such as Columbus and the man who ate the first oyster had. The only certain thing is that there is nothing uncertain.”</p>
|
||||
<p>“Well,” said Forster, “my experience has been the limited one of a city man. I haven’t seen the world as you have; but it seems that we view it with the same opinion. But, I tell you I am grateful for even this little venture of ours into the borders of the haphazard. There may be at least one breathless moment when the bill for the dinner is presented. Perhaps, after all, the pilgrims who traveled without scrip or purse found a keener taste to life than did the knights of the Round Table who rode abroad with a retinue and King Arthur’s certified checks in the lining of their helmets. And now, if you’ve finished your coffee, suppose we match one of your insufficient coins for the impending blow of Fate. What have I up?”</p>
|
||||
@ -62,7 +62,7 @@
|
||||
<p>“The fact is,” said Forster, with a little embarrassed laugh, “I doubt whether I’m what they call a ‘game sport,’ which means the same as a ‘soldier of Fortune.’ I’ll have to make a confession. I’ve been dining at this hotel two or three times a week for more than a year. I always sign my checks.” And then, with a note of appreciation in his voice: “It was first-rate of you to stay to see me through with it when you knew I had no money, and that you might be scooped in, too.”</p>
|
||||
<p>“I guess I’ll confess, too,” said Ives, with a grin. “I own the hotel. I don’t run it, of course, but I always keep a suite on the third floor for my use when I happen to stray into town.”</p>
|
||||
<p>He called a waiter and said: “Is <abbr>Mr.</abbr> Gilmore still behind the desk? All right. Tell him that <abbr>Mr.</abbr> Ives is here, and ask him to have my rooms made ready and aired.”</p>
|
||||
<p>“Another venture cut short by the inevitable,” said Forster. “Is there a conundrum without an answer in the next number? But let’s hold to our subject just for a minute or two, if you will. It isn’t often that I meet a man who understands the flaws I pick in existence. I am engaged to be married a month from to-day.”</p>
|
||||
<p>“Another venture cut short by the inevitable,” said Forster. “Is there a conundrum without an answer in the next number? But let’s hold to our subject just for a minute or two, if you will. It isn’t often that I meet a man who understands the flaws I pick in existence. I am engaged to be married a month from today.”</p>
|
||||
<p>“I reserve comment,” said Ives.</p>
|
||||
<p>“Right; I am going to add to the assertion. I am devotedly fond of the lady; but I can’t decide whether to show up at the church or make a sneak for Alaska. It’s the same idea, you know, that we were discussing—it does for a fellow as far as possibilities are concerned. Everybody knows the routine—you get a kiss flavored with Ceylon tea after breakfast; you go to the office; you come back home and dress for dinner—theatre twice a week—bills—moping around most evenings trying to make conversation—a little quarrel occasionally—maybe sometimes a big one, and a separation—or else a settling down into a middle-aged contentment, which is worst of all.”</p>
|
||||
<p>“I know,” said Ives, nodding wisely.</p>
|
||||
@ -73,7 +73,7 @@
|
||||
<p>“Thursday?” suggested Forster.</p>
|
||||
<p>“At seven, if it’s convenient,” answered Ives.</p>
|
||||
<p>“Seven goes,” assented Forster.</p>
|
||||
<p>At half-past eight Ives got into a cab and was driven to a number in one of the correct West Seventies. His card admitted him to the reception room of an old-fashioned house into which the spirits of Fortune, Chance and Adventure had never dared to enter. On the walls were the Whistler etchings, the steel engravings by Oh-what’s-his-name?, the still-life paintings of the grapes and garden truck with the watermelon seeds spilled on the table as natural as life, and the Greuze head. It was a household. There was even brass andirons. On a table was an album, half-morocco, with oxidized-silver protections on the corners of the lids. A clock on the mantel ticked loudly, with a warning click at five minutes to nine. Ives looked at it curiously, remembering a time-piece in his grandmother’s home that gave such a warning.</p>
|
||||
<p>At half-past eight Ives got into a cab and was driven to a number in one of the correct West Seventies. His card admitted him to the reception room of an old-fashioned house into which the spirits of Fortune, Chance and Adventure had never dared to enter. On the walls were the Whistler etchings, the steel engravings by Oh-what’s-his-name?, the still-life paintings of the grapes and garden truck with the watermelon seeds spilled on the table as natural as life, and the Greuze head. It was a household. There was even brass andirons. On a table was an album, half-morocco, with oxidized-silver protections on the corners of the lids. A clock on the mantel ticked loudly, with a warning click at five minutes to nine. Ives looked at it curiously, remembering a timepiece in his grandmother’s home that gave such a warning.</p>
|
||||
<p>And then down the stairs and into the room came Mary Marsden. She was twenty-four, and I leave her to your imagination. But I must say this much—youth and health and simplicity and courage and greenish-violet eyes are beautiful, and she had all these. She gave Ives her hand with the sweet cordiality of an old friendship.</p>
|
||||
<p>“You can’t think what a pleasure it is,” she said, “to have you drop in once every three years or so.”</p>
|
||||
<p>For half an hour they talked. I confess that I cannot repeat the conversation. You will find it in books in the circulating library. When that part of it was over, Mary said:</p>
|
||||
|
@ -12,7 +12,7 @@
|
||||
<p>But let us revenue to our lamb chops.</p>
|
||||
<p>Old Tom Crowley was a caliph. He had $42,000,000 in preferred stocks and bonds with solid gold edges. In these times, to be called a caliph you must have money. The old-style caliph business as conducted by <abbr>Mr.</abbr> Rashid is not safe. If you hold up a person nowadays in a bazaar or a Turkish bath or a side street, and inquire into his private and personal affairs, the police court’ll get you.</p>
|
||||
<p>Old Tom was tired of clubs, theatres, dinners, friends, music, money and everything. That’s what makes a caliph—you must get to despise everything that money can buy, and then go out and try to want something that you can’t pay for.</p>
|
||||
<p>“I’ll take a little trot around town all by myself,” thought old Tom, “and try if I can stir up anything new. Let’s see—it seems I’ve read about a king or a Cardiff giant or something in old times who used to go about with false whiskers on, making Persian dates with folks he hadn’t been introduced to. That don’t listen like a bad idea. I certainly have got a case of humdrumness and fatigue on for the ones I do know. That old Cardiff used to pick up cases of trouble as he ran upon ’em and give ’em gold—sequins, I think it was—and make ’em marry or got ’em good Government jobs. Now, I’d like something of that sort. My money is as good as his was even if the magazines do ask me every month where I got it. Yes, I guess I’ll do a little Cardiff business to-night, and see how it goes.”</p>
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<p>“I’ll take a little trot around town all by myself,” thought old Tom, “and try if I can stir up anything new. Let’s see—it seems I’ve read about a king or a Cardiff giant or something in old times who used to go about with false whiskers on, making Persian dates with folks he hadn’t been introduced to. That don’t listen like a bad idea. I certainly have got a case of humdrumness and fatigue on for the ones I do know. That old Cardiff used to pick up cases of trouble as he ran upon ’em and give ’em gold—sequins, I think it was—and make ’em marry or got ’em good Government jobs. Now, I’d like something of that sort. My money is as good as his was even if the magazines do ask me every month where I got it. Yes, I guess I’ll do a little Cardiff business tonight, and see how it goes.”</p>
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<p>Plainly dressed, old Tom Crowley left his Madison Avenue palace, and walked westward and then south. As he stepped to the sidewalk, Fate, who holds the ends of the strings in the central offices of all the enchanted cities pulled a thread, and a young man twenty blocks away looked at a wall clock, and then put on his coat.</p>
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<p>James Turner worked in one of those little hat-cleaning establishments on Sixth Avenue in which a fire alarm rings when you push the door open, and where they clean your hat while you wait—two days. James stood all day at an electric machine that turned hats around faster than the best brands of champagne ever could have done. Overlooking your mild impertinence in feeling a curiosity about the personal appearance of a stranger, I will give you a modified description of him. Weight, 118; complexion, hair and brain, light; height, five feet six; age, about twenty-three; dressed in a $10 suit of greenish-blue serge; pockets containing two keys and sixty-three cents in change.</p>
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<p>But do not misconjecture because this description sounds like a General Alarm that James was either lost or a dead one.</p>
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@ -20,9 +20,9 @@
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<i xml:lang="fr">Allons!</i>
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</p>
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<p>James stood all day at his work. His feet were tender and extremely susceptible to impositions being put upon or below them. All day long they burned and smarted, causing him much suffering and inconvenience. But he was earning twelve dollars per week, which he needed to support his feet whether his feet would support him or not.</p>
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<p>James Turner had his own conception of what happiness was, just as you and I have ours. Your delight is to gad about the world in yachts and motor-cars and to hurl ducats at wild fowl. Mine is to smoke a pipe at evenfall and watch a badger, a rattlesnake, and an owl go into their common prairie home one by one.</p>
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<p>James Turner’s idea of bliss was different; but it was his. He would go directly to his boarding-house when his day’s work was done. After his supper of small steak, Bessemer potatoes, stooed (not stewed) apples and infusion of chicory, he would ascend to his fifth-floor-back hall room. Then he would take off his shoes and socks, place the soles of his burning feet against the cold bars of his iron bed, and read Clark Russell’s sea yarns. The delicious relief of the cool metal applied to his smarting soles was his nightly joy. His favorite novels never palled upon him; the sea and the adventures of its navigators were his sole intellectual passion. No millionaire was ever happier than James Turner taking his ease.</p>
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<p>When James left the hat-cleaning shop he walked three blocks out of his way home to look over the goods of a second-hand bookstall. On the sidewalk stands he had more than once picked up a paper-covered volume of Clark Russell at half price.</p>
|
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<p>James Turner had his own conception of what happiness was, just as you and I have ours. Your delight is to gad about the world in yachts and motorcars and to hurl ducats at wild fowl. Mine is to smoke a pipe at evenfall and watch a badger, a rattlesnake, and an owl go into their common prairie home one by one.</p>
|
||||
<p>James Turner’s idea of bliss was different; but it was his. He would go directly to his boardinghouse when his day’s work was done. After his supper of small steak, Bessemer potatoes, stooed (not stewed) apples and infusion of chicory, he would ascend to his fifth-floor-back hall room. Then he would take off his shoes and socks, place the soles of his burning feet against the cold bars of his iron bed, and read Clark Russell’s sea yarns. The delicious relief of the cool metal applied to his smarting soles was his nightly joy. His favorite novels never palled upon him; the sea and the adventures of its navigators were his sole intellectual passion. No millionaire was ever happier than James Turner taking his ease.</p>
|
||||
<p>When James left the hat-cleaning shop he walked three blocks out of his way home to look over the goods of a secondhand bookstall. On the sidewalk stands he had more than once picked up a paper-covered volume of Clark Russell at half price.</p>
|
||||
<p>While he was bending with a scholarly stoop over the marked-down miscellany of cast-off literature, old Tom the caliph sauntered by. His discerning eye, made keen by twenty years’ experience in the manufacture of laundry soap (save the wrappers!) recognized instantly the poor and discerning scholar, a worthy object of his caliphanous mood. He descended the two shallow stone steps that led from the sidewalk, and addressed without hesitation the object of his designed munificence. His first words were no worse than salutatory and tentative.</p>
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<p>James Turner looked up coldly, with “Sartor Resartus” in one hand and “A Mad Marriage” in the other.</p>
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<p>“Beat it,” said he. “I don’t want to buy any coat hangers or town lots in Hankipoo, New Jersey. Run along, now, and play with your Teddy bear.”</p>
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