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[epub|type~="epigraph"]{
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<h2 epub:type="title">A Bird of Bagdad</h2>
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<p>Without a doubt much of the spirit and genius of the Caliph Harun Al Rashid descended to the Margrave August Michael von Paulsen Quigg.</p>
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<p>Quigg’s restaurant is in Fourth Avenue—that street that the city seems to have forgotten in its growth. Fourth Avenue—born and bred in the Bowery—staggers northward full of good resolutions.</p>
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<p>Where it crosses Fourteenth Street it struts for a brief moment proudly in the glare of the museums and cheap theatres. It may yet become a fit mate for its highborn sister boulevard to the west, or its roaring, polyglot, broad-waisted cousin to the east. It passes Union Square; and here the hoofs of the dray horses seem to thunder in unison, recalling the tread of marching hosts—Hooray! But now come the silent and terrible mountains—buildings square as forts, high as the clouds, shutting out the sky, where thousands of slaves bend over desks all day. On the ground floors are only little fruit shops and laundries and book shops, where you see copies of “Littell’s Living Age” and G. W. M. Reynold’s novels in the windows. And next—poor Fourth Avenue!—the street glides into a medieval solitude. On each side are shops devoted to “Antiques.”</p>
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<p>Where it crosses Fourteenth Street it struts for a brief moment proudly in the glare of the museums and cheap theatres. It may yet become a fit mate for its highborn sister boulevard to the west, or its roaring, polyglot, broad-waisted cousin to the east. It passes Union Square; and here the hoofs of the dray horses seem to thunder in unison, recalling the tread of marching hosts—Hooray! But now come the silent and terrible mountains—buildings square as forts, high as the clouds, shutting out the sky, where thousands of slaves bend over desks all day. On the ground floors are only little fruit shops and laundries and book shops, where you see copies of “Littell’s Living Age” and <abbr class="name">G. W. M.</abbr> Reynold’s novels in the windows. And next—poor Fourth Avenue!—the street glides into a medieval solitude. On each side are shops devoted to “Antiques.”</p>
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<p>Let us say it is night. Men in rusty armor stand in the windows and menace the hurrying cars with raised, rusty iron gauntlets. Hauberks and helms, blunderbusses, Cromwellian breastplates, matchlocks, creeses, and the swords and daggers of an army of dead-and-gone gallants gleam dully in the ghostly light. Here and there from a corner saloon (lit with Jack-o’-lanterns or phosphorus), stagger forth shuddering, home-bound citizens, nerved by the tankards within to their fearsome journey adown that eldrich avenue lined with the bloodstained weapons of the fighting dead. What street could live inclosed by these mortuary relics, and trod by these spectral citizens in whose sunken hearts scarce one good whoop or tra-la-la remained?</p>
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<p>Not Fourth Avenue. Not after the tinsel but enlivening glories of the Little Rialto—not after the echoing drumbeats of Union Square. There need be no tears, ladies and gentlemen; ’tis but the suicide of a street. With a shriek and a crash Fourth Avenue dives headlong into the tunnel at Thirty-fourth and is never seen again.</p>
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<p>Near the sad scene of the thoroughfare’s dissolution stood the modest restaurant of Quigg. It stands there yet if you care to view its crumbling redbrick front, its show window heaped with oranges, tomatoes, layer cakes, pies, canned asparagus—its papier-mâché lobster and two Maltese kittens asleep on a bunch of lettuce—if you care to sit at one of the little tables upon whose cloth has been traced in the yellowest of coffee stains the trail of the Japanese advance—to sit there with one eye on your umbrella and the other upon the bogus bottle from which you drop the counterfeit sauce foisted upon us by the cursed charlatan who assumes to be our dear old lord and friend, the “Nobleman in India.”</p>
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<p>“Pinched,” remarked the young man, looking up at him with expressionless eyes. “Pinched by a painless dentist. Take me away, flatty, and give me gas. Some lay eggs and some lay none. When is a hen?”</p>
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<p>Still deeply seized by some inward grief, but tractable, he allowed Quigg to lead him away and down the street to a little park.</p>
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<p>There, seated on a bench, he upon whom a corner of the great Caliph’s mantle has descended, spake with kindness and discretion, seeking to know what evil had come upon the other, disturbing his soul and driving him to such ill-considered and ruinous waste of his substance and stores.</p>
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<p>“I was doing the Monte Cristo act as adapted by Pompton, N. J., wasn’t I?” asked the young man.</p>
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<p>“I was doing the Monte Cristo act as adapted by Pompton, <abbr class="postal">NJ</abbr>, wasn’t I?” asked the young man.</p>
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<p>“You were throwing small coins into the street for the people to scramble after,” said the Margrave.</p>
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<p>“That’s it. You buy all the beer you can hold, and then you throw chicken feed to—Oh, curse that word chicken, and hens, feathers, roosters, eggs, and everything connected with it!”</p>
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<p>“Young sir,” said the Margrave kindly, but with dignity, “though I do not ask your confidence, I invite it. I know the world and I know humanity. Man is my study, though I do not eye him as the scientist eyes a beetle or as the philanthropist gazes at the objects of his bounty—through a veil of theory and ignorance. It is my pleasure and distraction to interest myself in the peculiar and complicated misfortunes that life in a great city visits upon my fellow-men. You may be familiar with the history of that glorious and immortal ruler, the Caliph Harun Al Rashid, whose wise and beneficent excursions among his people in the city of Bagdad secured him the privilege of relieving so much of their distress. In my humble way I walk in his footsteps. I seek for romance and adventure in city streets—not in ruined castles or in crumbling palaces. To me the greatest marvels of magic are those that take place in men’s hearts when acted upon by the furious and diverse forces of a crowded population. In your strange behavior this evening I fancy a story lurks. I read in your act something deeper than the wanton wastefulness of a spendthrift. I observe in your countenance the certain traces of consuming grief or despair. I repeat—I invite your confidence. I am not without some power to alleviate and advise. Will you not trust me?”</p>
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<p>Goree watched this solemn equipage, as it drove to his door, with only faint interest; but when the lank driver wrapped the reins about his whip, awkwardly descended, and stepped into the office, he rose unsteadily to receive him, recognizing Pike Garvey, the new, the transformed, the recently civilized.</p>
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<p>The mountaineer took the chair Goree offered him. They who cast doubts upon Garvey’s soundness of mind had a strong witness in the man’s countenance. His face was too long, a dull saffron in hue, and immobile as a statue’s. Pale-blue, unwinking round eyes without lashes added to the singularity of his gruesome visage. Goree was at a loss to account for the visit.</p>
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<p>“Everything all right at Laurel, <abbr>Mr.</abbr> Garvey?” he inquired.</p>
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<p>“Everything all right, sir, and mighty pleased is Missis Garvey and me with the property. Missis Garvey likes yo’ old place, and she likes the neighbourhood. Society is what she ’lows she wants, and she is gettin’ of it. The Rogerses, the Hapgoods, the Pratts and the Troys hev been to see Missis Garvey, and she hev et meals to most of thar houses. The best folks hev axed her to differ’nt kinds of doin’s. I cyan’t say, <abbr>Mr.</abbr> Goree, that sech things suits me—fur me, give me them thar.” Garvey’s huge, yellow-gloved hand flourished in the direction of the mountains. “That’s whar I b’long, ‘mongst the wild honey bees and the b’ars. But that ain’t what I come fur to say, <abbr>Mr.</abbr> Goree. Thar’s somethin’ you got what me and Missis Garvey wants to buy.”</p>
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<p>“Everything all right, sir, and mighty pleased is Missis Garvey and me with the property. Missis Garvey likes yo’ old place, and she likes the neighbourhood. Society is what she ’lows she wants, and she is gettin’ of it. The Rogerses, the Hapgoods, the Pratts and the Troys hev been to see Missis Garvey, and she hev et meals to most of thar houses. The best folks hev axed her to differ’nt kinds of doin’s. I cyan’t say, <abbr>Mr.</abbr> Goree, that sech things suits me—fur me, give me them thar.” Garvey’s huge, yellow-gloved hand flourished in the direction of the mountains. “That’s whar I b’long, ’mongst the wild honey bees and the b’ars. But that ain’t what I come fur to say, <abbr>Mr.</abbr> Goree. Thar’s somethin’ you got what me and Missis Garvey wants to buy.”</p>
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<p>“Buy!” echoed Goree. “From me?” Then he laughed harshly. “I reckon you are mistaken about that. I reckon you are mistaken about that. I sold out to you, as you yourself expressed it, ‘lock, stock and barrel.’ There isn’t even a ramrod left to sell.”</p>
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<p>“You’ve got it; and we ‘uns want it. ‘Take the money,’ says Missis Garvey, ‘and buy it fa’r and squar’.’ ”</p>
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<p>“You’ve got it; and we ’uns want it. ‘Take the money,’ says Missis Garvey, ‘and buy it fa’r and squar’.’ ”</p>
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<p>Goree shook his head. “The cupboard’s bare,” he said.</p>
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<p>“We’ve riz,” pursued the mountaineer, undeflected from his object, “a heap. We was pore as possums, and now we could hev folks to dinner every day. We been recognized, Missis Garvey says, by the best society. But there’s somethin’ we need we ain’t got. She says it ought to been put in the ‘ventory ov the sale, but it tain’t thar. ‘Take the money, then,’ says she, ‘and buy it fa’r and squar’.” ’</p>
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<p>“We’ve riz,” pursued the mountaineer, undeflected from his object, “a heap. We was pore as possums, and now we could hev folks to dinner every day. We been recognized, Missis Garvey says, by the best society. But there’s somethin’ we need we ain’t got. She says it ought to been put in the ’ventory ov the sale, but it tain’t thar. ‘Take the money, then,’ says she, ‘and buy it fa’r and squar’.’ ”</p>
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<p>“Out with it,” said Goree, his racked nerves growing impatient.</p>
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<p>Garvey threw his slouch hat upon the table, and leaned forward, fixing his unblinking eyes upon Goree’s.</p>
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<p>“There’s a old feud,” he said distinctly and slowly, “ ’tween you ‘uns and the Coltranes.”</p>
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<p>“There’s a old feud,” he said distinctly and slowly, “ ’tween you ’uns and the Coltranes.”</p>
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<p>Goree frowned ominously. To speak of his feud to a feudist is a serious breach of the mountain etiquette. The man from “back yan’ ” knew it as well as the lawyer did.</p>
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<p>“Na offense,” he went on “but purely in the way of business. Missis Garvey hev studied all about feuds. Most of the quality folks in the mountains hev ’em. The Settles and the Goforths, the Rankins and the Boyds, the Silers and the Galloways, hev all been cyarin’ on feuds f’om twenty to a hundred year. The last man to drap was when yo’ uncle, Jedge Paisley Goree, ‘journed co’t and shot Len Coltrane f’om the bench. Missis Garvey and me, we come f’om the po’ white trash. Nobody wouldn’t pick a feud with we ‘uns, no mo’n with a fam’ly of tree-toads. Quality people everywhar, says Missis Garvey, has feuds. We ‘uns ain’t quality, but we’re buyin’ into it as fur as we can. ‘Take the money, then,’ says Missis Garvey, ‘and buy <abbr>Mr.</abbr> Goree’s feud, fa’r and squar’.’ ”</p>
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<p>“Na offense,” he went on “but purely in the way of business. Missis Garvey hev studied all about feuds. Most of the quality folks in the mountains hev ’em. The Settles and the Goforths, the Rankins and the Boyds, the Silers and the Galloways, hev all been cyarin’ on feuds f’om twenty to a hundred year. The last man to drap was when yo’ uncle, Jedge Paisley Goree, ’journed co’t and shot Len Coltrane f’om the bench. Missis Garvey and me, we come f’om the po’ white trash. Nobody wouldn’t pick a feud with we ’uns, no mo’n with a fam’ly of tree-toads. Quality people everywhar, says Missis Garvey, has feuds. We ’uns ain’t quality, but we’re buyin’ into it as fur as we can. ‘Take the money, then,’ says Missis Garvey, ‘and buy <abbr>Mr.</abbr> Goree’s feud, fa’r and squar’.’ ”</p>
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<p>The squirrel hunter straightened a leg half across the room, drew a roll of bills from his pocket, and threw them on the table.</p>
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<p>“Thar’s two hundred dollars, <abbr>Mr.</abbr> Goree; what you would call a fa’r price for a feud that’s been ’ßlowed to run down like yourn hev. Thar’s only you left to cyar’ on yo’ side of it, and you’d make mighty po’ killin’. I’ll take it off yo’ hands, and it’ll set me and Missis Garvey up among the quality. Thar’s the money.”</p>
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<p>The little roll of currency on the table slowly untwisted itself, writhing and jumping as its folds relaxed. In the silence that followed Garvey’s last speech the rattling of the poker chips in the courthouse could be plainly heard. Goree knew that the sheriff had just won a pot, for the subdued whoop with which he always greeted a victory floated across the square upon the crinkly heat waves. Beads of moisture stood on Goree’s brow. Stooping, he drew the wicker-covered demijohn from under the table, and filled a tumbler from it.</p>
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<p>“I kin hit a squirrel’s eye at a hundred yard,” said Garvey. “So that thar’s Coltrane! I made a better trade than I was thinkin’. I’ll take keer ov this feud, <abbr>Mr.</abbr> Goree, better’n you ever did!”</p>
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<p>He moved toward the door, but lingered there, betraying a slight perplexity.</p>
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<p>“Anything else today?” inquired Goree with frothy sarcasm. “Any family traditions, ancestral ghosts, or skeletons in the closet? Prices as low as the lowest.”</p>
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<p>“Thar was another thing,” replied the unmoved squirrel hunter, “that Missis Garvey was thinkin’ of. ‘Tain’t so much in my line as t’other, but she wanted partic’lar that I should inquire, and ef you was willin’, ‘pay fur it,’ she says, ‘fa’r and squar’.’ Thar’s a buryin’ groun’, as you know, <abbr>Mr.</abbr> Goree, in the yard of yo’ old place, under the cedars. Them that lies thar is yo’ folks what was killed by the Coltranes. The monyments has the names on ’em. Missis Garvey says a fam’ly buryin’ groun’ is a sho’ sign of quality. She says ef we git the feud, thar’s somethin’ else ought to go with it. The names on them monyments is ‘Goree,’ but they can be changed to ourn by—”</p>
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<p>“Thar was another thing,” replied the unmoved squirrel hunter, “that Missis Garvey was thinkin’ of. ’Tain’t so much in my line as t’other, but she wanted partic’lar that I should inquire, and ef you was willin’, ‘pay fur it,’ she says, ‘fa’r and squar’.’ Thar’s a buryin’ groun’, as you know, <abbr>Mr.</abbr> Goree, in the yard of yo’ old place, under the cedars. Them that lies thar is yo’ folks what was killed by the Coltranes. The monyments has the names on ’em. Missis Garvey says a fam’ly buryin’ groun’ is a sho’ sign of quality. She says ef we git the feud, thar’s somethin’ else ought to go with it. The names on them monyments is ‘Goree,’ but they can be changed to ourn by—”</p>
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<p>“Go! Go!” screamed Goree, his face turning purple. He stretched out both hands toward the mountaineer, his fingers hooked and shaking. “Go, you ghoul! Even a Ch-Chinaman protects the g-graves of his ancestors—go!”</p>
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<p>The squirrel hunter slouched out of the door to his carryall. While he was climbing over the wheel Goree was collecting, with feverish celerity, the money that had fallen from his hand to the floor. As the vehicle slowly turned about, the sheep, with a coat of newly grown wool, was hurrying, in indecent haste, along the path to the courthouse.</p>
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<p>At three o’clock in the morning they brought him back to his office, shorn and unconscious. The sheriff, the sportive deputy, the county clerk, and the gay attorney carried him, the chalk-faced man “from the valley” acting as escort.</p>
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<p>“Hit it out for home, Dutch,” said Hondo Bill’s voice commandingly. “You’ve given us lots of trouble and we’re pleased to see the back of your neck. Spiel! Zwei bier! Vamoose!”</p>
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<p>Hondo reached out and gave Blitzen a smart cut with his quirt.</p>
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<p>The little mules sprang ahead, glad to be moving again. Fritz urged them along, himself dizzy and muddled over his fearful adventure.</p>
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<p>According to schedule time, he should have reached Fredericksburg at daylight. As it was, he drove down the long street of the town at eleven o’clock A.M. He had to pass Peter Hildesmuller’s house on his way to the post-office. He stopped his team at the gate and called. But Frau Hildesmuller was watching for him. Out rushed the whole family of Hildesmullers.</p>
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<p>According to schedule time, he should have reached Fredericksburg at daylight. As it was, he drove down the long street of the town at eleven o’clock <abbr class="time">a.m.</abbr> He had to pass Peter Hildesmuller’s house on his way to the post-office. He stopped his team at the gate and called. But Frau Hildesmuller was watching for him. Out rushed the whole family of Hildesmullers.</p>
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<p>Frau Hildesmuller, fat and flushed, inquired if he had a letter from Lena, and then Fritz raised his voice and told the tale of his adventure. He told the contents of that letter that the robber had made him read, and then Frau Hildesmuller broke into wild weeping. Her little Lena drown herself! Why had they sent her from home? What could be done? Perhaps it would be too late by the time they could send for her now. Peter Hildesmuller dropped his meerschaum on the walk and it shivered into pieces.</p>
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<p>“Woman!” he roared at his wife, “why did you let that child go away? It is your fault if she comes home to us no more.”</p>
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<p>Everyone knew that it was Peter Hildesmuller’s fault, so they paid no attention to his words.</p>
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<p>“Would you mind telling me,” I began, “whether you are from—”</p>
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<p>The fist of E. Rushmore Coglan banged the table and I was jarred into silence.</p>
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<p>“Excuse me,” said he, “but that’s a question I never like to hear asked. What does it matter where a man is from? Is it fair to judge a man by his post-office address? Why, I’ve seen Kentuckians who hated whiskey, Virginians who weren’t descended from Pocahontas, Indianians who hadn’t written a novel, Mexicans who didn’t wear velvet trousers with silver dollars sewed along the seams, funny Englishmen, spendthrift Yankees, cold-blooded Southerners, narrow-minded Westerners, and New Yorkers who were too busy to stop for an hour on the street to watch a one-armed grocer’s clerk do up cranberries in paper bags. Let a man be a man and don’t handicap him with the label of any section.”</p>
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<p>“Pardon me,” I said, “but my curiosity was not altogether an idle one. I know the South, and when the band plays ‘Dixie’ I like to observe. I have formed the belief that the man who applauds that air with special violence and ostensible sectional loyalty is invariably a native of either Secaucus, N.J., or the district between Murray Hill Lyceum and the Harlem River, this city. I was about to put my opinion to the test by inquiring of this gentleman when you interrupted with your own—larger theory, I must confess.”</p>
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<p>“Pardon me,” I said, “but my curiosity was not altogether an idle one. I know the South, and when the band plays ‘Dixie’ I like to observe. I have formed the belief that the man who applauds that air with special violence and ostensible sectional loyalty is invariably a native of either Secaucus, <abbr class="postal">NJ</abbr>, or the district between Murray Hill Lyceum and the Harlem River, this city. I was about to put my opinion to the test by inquiring of this gentleman when you interrupted with your own—larger theory, I must confess.”</p>
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<p>And now the dark-haired young man spoke to me, and it became evident that his mind also moved along its own set of grooves.</p>
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<p>“I should like to be a periwinkle,” said he, mysteriously, “on the top of a valley, and sing tooralloo-ralloo.”</p>
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<p>This was clearly too obscure, so I turned again to Coglan.</p>
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<p>“You seem to be a genuine cosmopolite,” I said admiringly. “But it also seems that you would decry patriotism.”</p>
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<p>“A relic of the stone age,” declared Coglan, warmly. “We are all brothers—Chinamen, Englishmen, Zulus, Patagonians and the people in the bend of the Kaw River. Some day all this petty pride in one’s city or State or section or country will be wiped out, and we’ll all be citizens of the world, as we ought to be.”</p>
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<p>“But while you are wandering in foreign lands,” I persisted, “do not your thoughts revert to some spot—some dear and—”</p>
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<p>“Nary a spot,” interrupted E. R. Coglan, flippantly. “The terrestrial, globular, planetary hunk of matter, slightly flattened at the poles, and known as the Earth, is my abode. I’ve met a good many object-bound citizens of this country abroad. I’ve seen men from Chicago sit in a gondola in Venice on a moonlight night and brag about their drainage canal. I’ve seen a Southerner on being introduced to the King of England hand that monarch, without batting his eyes, the information that his grandaunt on his mother’s side was related by marriage to the Perkinses, of Charleston. I knew a New Yorker who was kidnapped for ransom by some Afghanistan bandits. His people sent over the money and he came back to Kabul with the agent. ‘Afghanistan?’ the natives said to him through an interpreter. ‘Well, not so slow, do you think?’ ‘Oh, I don’t know,’ says he, and he begins to tell them about a cab driver at Sixth avenue and Broadway. Those ideas don’t suit me. I’m not tied down to anything that isn’t 8,000 miles in diameter. Just put me down as E. Rushmore Coglan, citizen of the terrestrial sphere.”</p>
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<p>“Nary a spot,” interrupted <abbr class="name">E. R.</abbr> Coglan, flippantly. “The terrestrial, globular, planetary hunk of matter, slightly flattened at the poles, and known as the Earth, is my abode. I’ve met a good many object-bound citizens of this country abroad. I’ve seen men from Chicago sit in a gondola in Venice on a moonlight night and brag about their drainage canal. I’ve seen a Southerner on being introduced to the King of England hand that monarch, without batting his eyes, the information that his grandaunt on his mother’s side was related by marriage to the Perkinses, of Charleston. I knew a New Yorker who was kidnapped for ransom by some Afghanistan bandits. His people sent over the money and he came back to Kabul with the agent. ‘Afghanistan?’ the natives said to him through an interpreter. ‘Well, not so slow, do you think?’ ‘Oh, I don’t know,’ says he, and he begins to tell them about a cab driver at Sixth avenue and Broadway. Those ideas don’t suit me. I’m not tied down to anything that isn’t 8,000 miles in diameter. Just put me down as E. Rushmore Coglan, citizen of the terrestrial sphere.”</p>
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<p>My cosmopolite made a large adieu and left me, for he thought he saw someone through the chatter and smoke whom he knew. So I was left with the would-be periwinkle, who was reduced to Würzburger without further ability to voice his aspirations to perch, melodious, upon the summit of a valley.</p>
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<p>I sat reflecting upon my evident cosmopolite and wondering how the poet had managed to miss him. He was my discovery and I believed in him. How was it? “The men that breed from them they traffic up and down, but cling to their cities’ hem as a child to the mother’s gown.”</p>
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<p>Not so E. Rushmore Coglan. With the whole world for his—</p>
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</blockquote>
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<p>When <abbr>Mrs.</abbr> Sharp appeared at the office of the commissioner, according to appointment, she found that gentleman calmly eating a golden russet apple. He greeted her without embarrassment and without hesitation at approaching the subject that was the topic of the day.</p>
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<p>“I had to do it, ma’am,” he said, simply, “or get it myself. <abbr>Mr.</abbr> Kauffman,” he added, turning to the old clerk, “please look up the records of the Security Life Insurance Company and see if they are all right.”</p>
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<p>“No need to look,” grunted Kauffman, who had everything in his head. “It’s all O.K. They pay all losses within ten days.”</p>
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<p>“No need to look,” grunted Kauffman, who had everything in his head. “It’s all OK. They pay all losses within ten days.”</p>
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<p><abbr>Mrs.</abbr> Sharp soon rose to depart. She had arranged to remain in town until the policy was paid. The commissioner did not detain her. She was a woman, and he did not know just what to say to her at present. Rest and time would bring her what she needed.</p>
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<p>But, as she was leaving, Luke Standifer indulged himself in an official remark:</p>
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<p>“The Department of Insurance, Statistics, and History, ma’am, has done the best it could with your case. ’Twas a case hard to cover according to red tape. Statistics failed, and History missed fire, but, if I may be permitted to say it, we came out particularly strong on Insurance.”</p>
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<p>“Nothing much,” said the Kid calmly. “I eat my first iguana steak today. They’re them big lizards, you sabe? I reckon, though, that frijoles and side bacon would do me about as well. Do you care for iguanas, Thacker?”</p>
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<p>“No, nor for some other kinds of reptiles,” said Thacker.</p>
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<p>It was three in the afternoon, and in another hour he would be in his state of beatitude.</p>
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<p>“It’s time you were making good, sonny,” he went on, with an ugly look on his reddened face. “You’re not playing up to me square. You’ve been the prodigal son for four weeks now, and you could have had veal for every meal on a gold dish if you’d wanted it. Now, <abbr>Mr.</abbr> Kid, do you think it’s right to leave me out so long on a husk diet? What’s the trouble? Don’t you get your filial eyes on anything that looks like cash in the Casa Blanca? Don’t tell me you don’t. Everybody knows where old Urique keeps his stuff. It’s U.S. currency, too; he don’t accept anything else. What’s doing? Don’t say ‘nothing’ this time.”</p>
|
||||
<p>“It’s time you were making good, sonny,” he went on, with an ugly look on his reddened face. “You’re not playing up to me square. You’ve been the prodigal son for four weeks now, and you could have had veal for every meal on a gold dish if you’d wanted it. Now, <abbr>Mr.</abbr> Kid, do you think it’s right to leave me out so long on a husk diet? What’s the trouble? Don’t you get your filial eyes on anything that looks like cash in the Casa Blanca? Don’t tell me you don’t. Everybody knows where old Urique keeps his stuff. It’s <abbr class="initialism">US</abbr> currency, too; he don’t accept anything else. What’s doing? Don’t say ‘nothing’ this time.”</p>
|
||||
<p>“Why, sure,” said the Kid, admiring his diamond, “there’s plenty of money up there. I’m no judge of collateral in bunches, but I will undertake for to say that I’ve seen the rise of $50,000 at a time in that tin grub box that my adopted father calls his safe. And he lets me carry the key sometimes just to show me that he knows I’m the real little Francisco that strayed from the herd a long time ago.”</p>
|
||||
<p>“Well, what are you waiting for?” asked Thacker, angrily. “Don’t you forget that I can upset your applecart any day I want to. If old Urique knew you were an imposter, what sort of things would happen to you? Oh, you don’t know this country, <abbr>Mr.</abbr> Texas Kid. The laws here have got mustard spread between ’em. These people here’d stretch you out like a frog that had been stepped on, and give you about fifty sticks at every corner of the plaza. And they’d wear every stick out, too. What was left of you they’d feed to alligators.”</p>
|
||||
<p>“I might just as well tell you now, pardner,” said the Kid, sliding down low on his steamer chair, “that things are going to stay just as they are. They’re about right now.”</p>
|
||||
|
@ -24,7 +24,7 @@
|
||||
</blockquote>
|
||||
</header>
|
||||
<p><b>Dear Reader</b>: It was summertime. The sun glared down upon the city with pitiless ferocity. It is difficult for the sun to be ferocious and exhibit compunction simultaneously. The heat was—oh, bother thermometers!—who cares for standard measures, anyhow? It was so hot that—</p>
|
||||
<p>The roof gardens put on so many extra waiters that you could hope to get your gin fizz now—as soon as all the other people got theirs. The hospitals were putting in extra cots for bystanders. For when little, woolly dogs loll their tongues out and say “woof, woof!” at the fleas that bite ’em, and nervous old black bombazine ladies screech “Mad dog!” and policemen begin to shoot, somebody is going to get hurt. The man from Pompton, N.J., who always wears an overcoat in July, had turned up in a Broadway hotel drinking hot Scotches and enjoying his annual ray from the calcium. Philanthropists were petitioning the Legislature to pass a bill requiring builders to make tenement fire-escapes more commodious, so that families might die all together of the heat instead of one or two at a time. So many men were telling you about the number of baths they took each day that you wondered how they got along after the real lessee of the apartment came back to town and thanked ’em for taking such good care of it. The young man who called loudly for cold beef and beer in the restaurant, protesting that roast pullet and Burgundy was really too heavy for such weather, blushed when he met your eye, for you had heard him all winter calling, in modest tones, for the same ascetic viands. Soup, pocketbooks, shirt waists, actors and baseball excuses grew thinner. Yes, it was summertime.</p>
|
||||
<p>The roof gardens put on so many extra waiters that you could hope to get your gin fizz now—as soon as all the other people got theirs. The hospitals were putting in extra cots for bystanders. For when little, woolly dogs loll their tongues out and say “woof, woof!” at the fleas that bite ’em, and nervous old black bombazine ladies screech “Mad dog!” and policemen begin to shoot, somebody is going to get hurt. The man from Pompton, <abbr class="postal">NJ</abbr>, who always wears an overcoat in July, had turned up in a Broadway hotel drinking hot Scotches and enjoying his annual ray from the calcium. Philanthropists were petitioning the Legislature to pass a bill requiring builders to make tenement fire-escapes more commodious, so that families might die all together of the heat instead of one or two at a time. So many men were telling you about the number of baths they took each day that you wondered how they got along after the real lessee of the apartment came back to town and thanked ’em for taking such good care of it. The young man who called loudly for cold beef and beer in the restaurant, protesting that roast pullet and Burgundy was really too heavy for such weather, blushed when he met your eye, for you had heard him all winter calling, in modest tones, for the same ascetic viands. Soup, pocketbooks, shirt waists, actors and baseball excuses grew thinner. Yes, it was summertime.</p>
|
||||
<p>A man stood at Thirty-fourth street waiting for a downtown car. A man of forty, gray-haired, pink-faced, keen, nervous, plainly dressed, with a harassed look around the eyes. He wiped his forehead and laughed loudly when a fat man with an outing look stopped and spoke with him.</p>
|
||||
<p>“No, siree,” he shouted with defiance and scorn. “None of your old mosquito-haunted swamps and skyscraper mountains without elevators for me. When I want to get away from hot weather I know how to do it. New York, sir, is the finest summer resort in the country. Keep in the shade and watch your diet, and don’t get too far away from an electric fan. Talk about your Adirondacks and your Catskills! There’s more solid comfort in the borough of Manhattan than in all the rest of the country together. No, siree! No tramping up perpendicular cliffs and being waked up at 4 in the morning by a million flies, and eating canned goods straight from the city for me. Little old New York will take a few select summer boarders; comforts and conveniences of homes—that’s the ad. that I answer every time.”</p>
|
||||
<p>“You need a vacation,” said the fat man, looking closely at the other. “You haven’t been away from town in years. Better come with me for two weeks, anyhow. The trout in the Beaverkill are jumping at anything now that looks like a fly. Harding writes me that he landed a three-pound brown last week.”</p>
|
||||
|
@ -42,7 +42,7 @@
|
||||
<p>“One lady says to me: ‘How did that last venture of yours turn out, sir?’</p>
|
||||
<p>“Now, I’d clean forgot to have an understanding with Andy which I was to be, the duke or the lieutenant. And I couldn’t tell from her question whether she was referring to Arctic or matrimonial expeditions. So I gave an answer that would cover both cases.</p>
|
||||
<p>“ ‘Well, ma’am,’ says I, ‘it was a freeze out—right smart of a freeze out, ma’am.’</p>
|
||||
<p>“And then the flood gates of Andy’s perorations was opened and I knew which one of the renowned ostensible guests I was supposed to be. I wasn’t either. Andy was both. And still furthermore it seemed that he was trying to be the mouthpiece of the whole British nobility and of Arctic exploration from Sir John Franklin down. It was the union of corn whiskey and the conscientious fictional form that <abbr>Mr.</abbr> W. D. Howletts admires so much.</p>
|
||||
<p>“And then the flood gates of Andy’s perorations was opened and I knew which one of the renowned ostensible guests I was supposed to be. I wasn’t either. Andy was both. And still furthermore it seemed that he was trying to be the mouthpiece of the whole British nobility and of Arctic exploration from Sir John Franklin down. It was the union of corn whiskey and the conscientious fictional form that <abbr>Mr.</abbr> <abbr class="name">W. D.</abbr> Howletts admires so much.</p>
|
||||
<p>“ ‘Ladies,’ says Andy, smiling semicircularly, ‘I am truly glad to visit America. I do not consider the magna charta,’ says he, ‘or gas balloons or snowshoes in any way a detriment to the beauty and charm of your American women, skyscrapers or the architecture of your icebergs. The next time,’ says Andy, ‘that I go after the North Pole all the Vanderbilts in Greenland won’t be able to turn me out in the cold—I mean make it hot for me.’</p>
|
||||
<p>“ ‘Tell us about one of your trips, Lieutenant,’ says one of the normals.</p>
|
||||
<p>“ ‘Sure,’ says Andy, getting the decision over a hiccup. ‘It was in the spring of last year that I sailed the Castle of Blenheim up to latitude 87 degrees Fahrenheit and beat the record. Ladies,’ says Andy, ‘it was a sad sight to see a Duke allied by a civil and liturgical chattel mortgage to one of your first families lost in a region of semiannual days.’ And then he goes on, ‘At four bells we sighted Westminster Abbey, but there was not a drop to eat. At noon we threw out five sandbags, and the ship rose fifteen knots higher. At midnight,’ continues Andy, ‘the restaurants closed. Sitting on a cake of ice we ate seven hot dogs. All around us was snow and ice. Six times a night the boatswain rose up and tore a leaf off the calendar, so we could keep time with the barometer. At 12,’ says Andy, with a lot of anguish on his face, ‘three huge polar bears sprang down the hatchway, into the cabin. And then—’</p>
|
||||
|
@ -28,9 +28,9 @@
|
||||
<p>East is East, and West is San Francisco, according to Californians. Californians are a race of people; they are not merely inhabitants of a State. They are the Southerners of the West. Now, Chicagoans are no less loyal to their city; but when you ask them why, they stammer and speak of lake fish and the new Odd Fellows Building. But Californians go into detail.</p>
|
||||
<p>Of course they have, in the climate, an argument that is good for half an hour while you are thinking of your coal bills and heavy underwear. But as soon as they come to mistake your silence for conviction, madness comes upon them, and they picture the city of the Golden Gate as the Bagdad of the New World. So far, as a matter of opinion, no refutation is necessary. But, dear cousins all (from Adam and Eve descended), it is a rash one who will lay his finger on the map and say: “In this town there can be no romance—what could happen here?” Yes, it is a bold and a rash deed to challenge in one sentence history, romance, and Rand and McNally.</p>
|
||||
<blockquote>
|
||||
<p><b>Nashville</b>—A city, port of delivery, and the capital of the State of Tennessee, is on the Cumberland River and on the N. C. & <abbr>St.</abbr> L. and the L. & N. railroads. This city is regarded as the most important educational centre in the South.</p>
|
||||
<p><b>Nashville</b>—A city, port of delivery, and the capital of the State of Tennessee, is on the Cumberland River and on the <abbr>N. C. & St. L.</abbr> and the <abbr>L. & N.</abbr> railroads. This city is regarded as the most important educational centre in the South.</p>
|
||||
</blockquote>
|
||||
<p>I stepped off the train at 8 P.m. Having searched the thesaurus in vain for adjectives, I must, as a substitution, hie me to comparison in the form of a recipe.</p>
|
||||
<p>I stepped off the train at 8 <abbr class="time eoc">a.m.</abbr> Having searched the thesaurus in vain for adjectives, I must, as a substitution, hie me to comparison in the form of a recipe.</p>
|
||||
<p>Take a London fog 30 parts; malaria 10 parts; gas leaks 20 parts; dewdrops gathered in a brick yard at sunrise, 25 parts; odor of honeysuckle 15 parts. Mix.</p>
|
||||
<p>The mixture will give you an approximate conception of a Nashville drizzle. It is not so fragrant as a mothball nor as thick as pea-soup; but ’tis enough—’twill serve.</p>
|
||||
<p>I went to a hotel in a tumbril. It required strong self-suppression for me to keep from climbing to the top of it and giving an imitation of Sidney Carton. The vehicle was drawn by beasts of a bygone era and driven by something dark and emancipated.</p>
|
||||
|
@ -22,11 +22,11 @@
|
||||
<p>When old Jacob was young Jacob he was a breaker boy in a Pennsylvania coal mine. I don’t know what a breaker boy is; but his occupation seems to be standing by a coal dump with a wan look and a dinner-pail to have his picture taken for magazine articles. Anyhow, Jacob was one. But, instead of dying of overwork at nine, and leaving his helpless parents and brothers at the mercy of the union strikers’ reserve fund, he hitched up his galluses, put a dollar or two in a side proposition now and then, and at forty-five was worth $20,000,000.</p>
|
||||
<p>There now! it’s over. Hardly had time to yawn, did you? I’ve seen biographies that—but let us dissemble.</p>
|
||||
<p>I want you to consider Jacob Spraggins, <abbr>Esq.</abbr>, after he had arrived at the seventh stage of his career. The stages meant are, first, humble origin; second, deserved promotion; third, stockholder; fourth, capitalist; fifth, trust magnate; sixth, rich malefactor; seventh, caliph; eighth, <i epub:type="z3998:grapheme">x</i>. The eighth stage shall be left to the higher mathematics.</p>
|
||||
<p>At fifty-five Jacob retired from active business. The income of a czar was still rolling in on him from coal, iron, real estate, oil, railroads, manufactories, and corporations, but none of it touched Jacob’s hands in a raw state. It was a sterilized increment, carefully cleaned and dusted and fumigated until it arrived at its ultimate stage of untainted, spotless checks in the white fingers of his private secretary. Jacob built a three-million-dollar palace on a corner lot fronting on Nabob Avenue, city of New Bagdad, and began to feel the mantle of the late H. A. Rashid descending upon him. Eventually Jacob slipped the mantle under his collar, tied it in a neat four-in-hand, and became a licensed harrier of our Mesopotamian proletariat.</p>
|
||||
<p>When a man’s income becomes so large that the butcher actually sends him the kind of steak he orders, he begins to think about his soul’s salvation. Now, the various stages or classes of rich men must not be forgotten. The capitalist can tell you to a dollar the amount of his wealth. The trust magnate “estimates” it. The rich malefactor hands you a cigar and denies that he has bought the P. D. & Q. The caliph merely smiles and talks about Hammerstein and the musical lasses. There is a record of tremendous altercation at breakfast in a “Where-to-Dine-Well” tavern between a magnate and his wife, the rift within the loot being that the wife calculated their fortune at a figure $3,000,000 higher than did her future divorcé. Oh, well, I, myself, heard a similar quarrel between a man and his wife because he found fifty cents less in his pockets than he thought he had. After all, we are all human—Count Tolstoy, R. Fitzsimmons, Peter Pan, and the rest of us.</p>
|
||||
<p>At fifty-five Jacob retired from active business. The income of a czar was still rolling in on him from coal, iron, real estate, oil, railroads, manufactories, and corporations, but none of it touched Jacob’s hands in a raw state. It was a sterilized increment, carefully cleaned and dusted and fumigated until it arrived at its ultimate stage of untainted, spotless checks in the white fingers of his private secretary. Jacob built a three-million-dollar palace on a corner lot fronting on Nabob Avenue, city of New Bagdad, and began to feel the mantle of the late <abbr class="name">H. A.</abbr> Rashid descending upon him. Eventually Jacob slipped the mantle under his collar, tied it in a neat four-in-hand, and became a licensed harrier of our Mesopotamian proletariat.</p>
|
||||
<p>When a man’s income becomes so large that the butcher actually sends him the kind of steak he orders, he begins to think about his soul’s salvation. Now, the various stages or classes of rich men must not be forgotten. The capitalist can tell you to a dollar the amount of his wealth. The trust magnate “estimates” it. The rich malefactor hands you a cigar and denies that he has bought the <abbr>P. D. & Q.</abbr> The caliph merely smiles and talks about Hammerstein and the musical lasses. There is a record of tremendous altercation at breakfast in a “Where-to-Dine-Well” tavern between a magnate and his wife, the rift within the loot being that the wife calculated their fortune at a figure $3,000,000 higher than did her future divorcé. Oh, well, I, myself, heard a similar quarrel between a man and his wife because he found fifty cents less in his pockets than he thought he had. After all, we are all human—Count Tolstoy, R. Fitzsimmons, Peter Pan, and the rest of us.</p>
|
||||
<p>Don’t lose heart because the story seems to be degenerating into a sort of moral essay for intellectual readers.</p>
|
||||
<p>There will be dialogue and stage business pretty soon.</p>
|
||||
<p>When Jacob first began to compare the eyes of needles with the camels in the Zoo he decided upon organized charity. He had his secretary send a check for one million to the Universal Benevolent Association of the Globe. You may have looked down through a grating in front of a decayed warehouse for a nickel that you had dropped through. But that is neither here nor there. The Association acknowledged receipt of his favor of the 24th ult. with enclosure as stated. Separated by a double line, but still mighty close to the matter under the caption of “Oddities of the Day’s News” in an evening paper, Jacob Spraggins read that one “Jasper Spargyous” had “donated $100,000 to the U. B. A. of G.” A camel may have a stomach for each day in the week; but I dare not venture to accord him whiskers, for fear of the Great Displeasure at Washington; but if he have whiskers, surely not one of them will seem to have been inserted in the eye of a needle by that effort of that rich man to enter the K. of H. The right is reserved to reject any and all bids; signed, S. Peter, secretary and gatekeeper.</p>
|
||||
<p>When Jacob first began to compare the eyes of needles with the camels in the Zoo he decided upon organized charity. He had his secretary send a check for one million to the Universal Benevolent Association of the Globe. You may have looked down through a grating in front of a decayed warehouse for a nickel that you had dropped through. But that is neither here nor there. The Association acknowledged receipt of his favor of the 24th ult. with enclosure as stated. Separated by a double line, but still mighty close to the matter under the caption of “Oddities of the Day’s News” in an evening paper, Jacob Spraggins read that one “Jasper Spargyous” had “donated $100,000 to the <abbr class="eoc">U. B. A. of G.</abbr>” A camel may have a stomach for each day in the week; but I dare not venture to accord him whiskers, for fear of the Great Displeasure at Washington; but if he have whiskers, surely not one of them will seem to have been inserted in the eye of a needle by that effort of that rich man to enter the K. of H. The right is reserved to reject any and all bids; signed, S. Peter, secretary and gatekeeper.</p>
|
||||
<p>Next, Jacob selected the best endowed college he could scare up and presented it with a $200,000 laboratory. The college did not maintain a scientific course, but it accepted the money and built an elaborate lavatory instead, which was no diversion of funds so far as Jacob ever discovered.</p>
|
||||
<p>The faculty met and invited Jacob to come over and take his A B C degree. Before sending the invitation they smiled, cut out the C, added the proper punctuation marks, and all was well.</p>
|
||||
<p>While walking on the campus before being capped and gowned, Jacob saw two professors strolling nearby. Their voices, long adapted to indoor acoustics, undesignedly reached his ear.</p>
|
||||
@ -39,7 +39,7 @@
|
||||
<p>“The very thing!” said Jacob. “I will charter two river steamboats, pack them full of these unfortunate children and—say ten thousand dolls and drums and a thousand freezers of ice cream, and give them a delightful outing up the Sound. The sea breezes on that trip ought to blow the taint off some of this money that keeps coming in faster than I can work it off my mind.”</p>
|
||||
<p>Jacob must have leaked some of his benevolent intentions, for an immense person with a bald face and a mouth that looked as if it ought to have a “Drop Letters Here” sign over it hooked a finger around him and set him in a space between a barber’s pole and a stack of ash cans. Words came out of the post-office slit—smooth, husky words with gloves on ’em, but sounding as if they might turn to bare knuckles any moment.</p>
|
||||
<p>“Say, Sport, do you know where you are at? Well, dis is Mike O’Grady’s district you’re buttin’ into—see? Mike’s got de stomachache privilege for every kid in dis neighborhood—see? And if dere’s any picnics or red balloons to be dealt out here, Mike’s money pays for ’em—see? Don’t you butt in, or something’ll be handed to you. Youse d⸺ settlers and reformers with your social ologies and your millionaire detectives have got dis district in a hell of a fix, anyhow. With your college students and professors roughhousing de soda-water stands and dem rubberneck coaches fillin’ de streets, de folks down here are ‘fraid to go out of de houses. Now, you leave ’em to Mike. Dey belongs to him, and he knows how to handle ’em. Keep on your own side of de town. Are you some wiser now, uncle, or do you want to scrap wit’ Mike O’Grady for de Santa Claus belt in dis district?”</p>
|
||||
<p>Clearly, that spot in the moral vineyard was preempted. So Caliph Spraggins menaced no more the people in the bazaars of the East Side. To keep down his growing surplus he doubled his donations to organized charity, presented the Y. M. C. A. of his native town with a $10,000 collection of butterflies, and sent a check to the famine sufferers in China big enough to buy new emerald eyes and diamond-filled teeth for all their gods. But none of these charitable acts seemed to bring peace to the caliph’s heart. He tried to get a personal note into his benefactions by tipping bellboys and waiters $10 and $20 bills. He got well snickered at and derided for that by the minions who accept with respect gratuities commensurate to the service performed. He sought out an ambitious and talented but poor young woman, and bought for her the star part in a new comedy. He might have gotten rid of $50,000 more of his cumbersome money in this philanthropy if he had not neglected to write letters to her. But she lost the suit for lack of evidence, while his capital still kept piling up, and his <i xml:lang="la">optikos needleorum camelibus</i>—or rich man’s disease—was unrelieved.</p>
|
||||
<p>Clearly, that spot in the moral vineyard was preempted. So Caliph Spraggins menaced no more the people in the bazaars of the East Side. To keep down his growing surplus he doubled his donations to organized charity, presented the <abbr class="initialism">YMCA</abbr> of his native town with a $10,000 collection of butterflies, and sent a check to the famine sufferers in China big enough to buy new emerald eyes and diamond-filled teeth for all their gods. But none of these charitable acts seemed to bring peace to the caliph’s heart. He tried to get a personal note into his benefactions by tipping bellboys and waiters $10 and $20 bills. He got well snickered at and derided for that by the minions who accept with respect gratuities commensurate to the service performed. He sought out an ambitious and talented but poor young woman, and bought for her the star part in a new comedy. He might have gotten rid of $50,000 more of his cumbersome money in this philanthropy if he had not neglected to write letters to her. But she lost the suit for lack of evidence, while his capital still kept piling up, and his <i xml:lang="la">optikos needleorum camelibus</i>—or rich man’s disease—was unrelieved.</p>
|
||||
<p>In Caliph Spraggins’s $3,000,000 home lived his sister Henrietta, who used to cook for the coal miners in a twenty-five-cent eating house in Coketown, Pa., and who now would have offered John Mitchell only two fingers of her hand to shake. And his daughter Celia, nineteen, back from boarding-school and from being polished off by private instructors in the restaurant languages and those études and things.</p>
|
||||
<p>Celia is the heroine. Lest the artist’s delineation of her charms on this very page humbug your fancy, take from me her authorized description. She was a nice-looking, awkward, loud, rather bashful, brown-haired girl, with a sallow complexion, bright eyes, and a perpetual smile. She had a wholesome, Spraggins-inherited love for plain food, loose clothing, and the society of the lower classes. She had too much health and youth to feel the burden of wealth. She had a wide mouth that kept the peppermint-pepsin tablets rattling like hail from the slot-machine wherever she went, and she could whistle hornpipes. Keep this picture in mind; and let the artist do his worst.</p>
|
||||
<p>Celia looked out of her window one day and gave her heart to the grocer’s young man. The receiver thereof was at that moment engaged in conceding immortality to his horse and calling down upon him the ultimate fate of the wicked; so he did not notice the transfer. A horse should stand still when you are lifting a crate of strictly new-laid eggs out of the wagon.</p>
|
||||
|
@ -24,8 +24,8 @@
|
||||
<p>The Parisian Restaurant was within a radius. Even from beyond its circumference men rode in to Paloma to win her smiles. They got them. One meal—one smile—one dollar. But, with all her impartiality, Ileen seemed to favor three of her admirers above the rest. According to the rules of politeness, I will mention myself last.</p>
|
||||
<p>The first was an artificial product known as Bryan Jacks—a name that had obviously met with reverses. Jacks was the outcome of paved cities. He was a small man made of some material resembling flexible sandstone. His hair was the color of a brick Quaker meeting-house; his eyes were twin cranberries; his mouth was like the aperture under a drop-letters-here sign.</p>
|
||||
<p>He knew every city from Bangor to San Francisco, thence north to Portland, thence S. 45 E. to a given point in Florida. He had mastered every art, trade, game, business, profession, and sport in the world, had been present at, or hurrying on his way to, every headline event that had ever occurred between oceans since he was five years old. You might open the atlas, place your finger at random upon the name of a town, and Jacks would tell you the front names of three prominent citizens before you could close it again. He spoke patronizingly and even disrespectfully of Broadway, Beacon Hill, Michigan, Euclid, and Fifth avenues, and the <abbr>St.</abbr> Louis Four Courts. Compared with him as a cosmopolite, the Wandering Jew would have seemed a mere hermit. He had learned everything the world could teach him, and he would tell you about it.</p>
|
||||
<p>I hate to be reminded of Pollok’s “Course of Time,” and so do you; but every time I saw Jacks I would think of the poet’s description of another poet by the name of G. G. Byron who “Drank early; deeply drank—drank draughts that common millions might have quenched; then died of thirst because there was no more to drink.”</p>
|
||||
<p>That fitted Jacks, except that, instead of dying, he came to Paloma, which was about the same thing. He was a telegrapher and station-and express-agent at seventy-five dollars a month. Why a young man who knew everything and could do everything was content to serve in such an obscure capacity I never could understand, although he let out a hint once that it was as a personal favor to the president and stockholders of the S. P. Ry. <abbr class="eoc">Co.</abbr></p>
|
||||
<p>I hate to be reminded of Pollok’s “Course of Time,” and so do you; but every time I saw Jacks I would think of the poet’s description of another poet by the name of <abbr class="name">G. G.</abbr> Byron who “Drank early; deeply drank—drank draughts that common millions might have quenched; then died of thirst because there was no more to drink.”</p>
|
||||
<p>That fitted Jacks, except that, instead of dying, he came to Paloma, which was about the same thing. He was a telegrapher and station-and express-agent at seventy-five dollars a month. Why a young man who knew everything and could do everything was content to serve in such an obscure capacity I never could understand, although he let out a hint once that it was as a personal favor to the president and stockholders of the <abbr>S. P. Ry.</abbr> <abbr class="eoc">Co.</abbr></p>
|
||||
<p>One more line of description, and I turn Jacks over to you. He wore bright blue clothes, yellow shoes, and a bow tie made of the same cloth as his shirt.</p>
|
||||
<p>My rival No.2 was Bud Cunningham, whose services had been engaged by a ranch near Paloma to assist in compelling refractory cattle to keep within the bounds of decorum and order. Bud was the only cowboy off the stage that I ever saw who looked like one on it. He wore the sombrero, the chaps, and the handkerchief tied at the back of his neck.</p>
|
||||
<p>Twice a week Bud rode in from the Val Verde Ranch to sup at the Parisian Restaurant. He rode a many-high-handed Kentucky horse at a tremendously fast lope, which animal he would rein up so suddenly under the big mesquite at the corner of the brush shelter that his hoofs would plough canals yards long in the loam.</p>
|
||||
@ -97,7 +97,7 @@
|
||||
<p>We rushed into the kitchen, meeting Pa Hinkle coming out with two cups of hot coffee in his hands.</p>
|
||||
<p>“Where’s Ileen?” we asked, in recitative.</p>
|
||||
<p>Pa Hinkle was a kindly man. “Well, gents,” said he, “it was a sudden notion she took; but I’ve got the money, and I let her have her way. She’s gone to a corn—a conservatory in Boston for four years for to have her voice cultivated. Now, excuse me to pass, gents, for this coffee’s hot, and my thumbs is tender.”</p>
|
||||
<p>That night there were four instead of three of us sitting on the station platform and swinging our feet. C. Vincent Vesey was one of us. We discussed things while dogs barked at the moon that rose, as big as a five-cent piece or a flour barrel, over the chaparral.</p>
|
||||
<p>That night there were four instead of three of us sitting on the station platform and swinging our feet. <abbr class="name">C.</abbr> Vincent Vesey was one of us. We discussed things while dogs barked at the moon that rose, as big as a five-cent piece or a flour barrel, over the chaparral.</p>
|
||||
<p>And what we discussed was whether it is better to lie to a woman or to tell her the truth.</p>
|
||||
<p>And as all of us were young then, we did not come to a decision.</p>
|
||||
</section>
|
||||
|
@ -20,7 +20,7 @@
|
||||
<hr/>
|
||||
<p>I woke with stiff and cramped muscles from having slept long on the incommodious seat of a day coach. I leaned my head against the seat and tried to think. After a long time I said to myself: “I must have a name of some sort.” I searched my pockets. Not a card; not a letter; not a paper or monogram could I find. But I found in my coat pocket nearly $3,000 in bills of large denomination. “I must be someone, of course,” I repeated to myself, and began again to consider.</p>
|
||||
<p>The car was well crowded with men, among whom, I told myself, there must have been some common interest, for they intermingled freely, and seemed in the best good humor and spirits. One of them—a stout, spectacled gentleman enveloped in a decided odor of cinnamon and aloes—took the vacant half of my seat with a friendly nod, and unfolded a newspaper. In the intervals between his periods of reading, we conversed, as travelers will, on current affairs. I found myself able to sustain the conversation on such subjects with credit, at least to my memory. By and by my companion said:</p>
|
||||
<p>“You are one of us, of course. Fine lot of men the West sends in this time. I’m glad they held the convention in New York; I’ve never been East before. My name’s R. P. Bolder—Bolder & Son, of Hickory Grove, Missouri.”</p>
|
||||
<p>“You are one of us, of course. Fine lot of men the West sends in this time. I’m glad they held the convention in New York; I’ve never been East before. My name’s <abbr class="name">R. P.</abbr> Bolder—Bolder & Son, of Hickory Grove, Missouri.”</p>
|
||||
<p>Though unprepared, I rose to the emergency, as men will when put to it. Now must I hold a christening, and be at once babe, parson and parent. My senses came to the rescue of my slower brain. The insistent odor of drugs from my companion supplied one idea; a glance at his newspaper, where my eye met a conspicuous advertisement, assisted me further.</p>
|
||||
<p>“My name,” said I, glibly, “is Edward Pinkhammer. I am a druggist, and my home is in Cornopolis, Kansas.”</p>
|
||||
<p>“I knew you were a druggist,” said my fellow traveler, affably. “I saw the callous spot on your right forefinger where the handle of the pestle rubs. Of course, you are a delegate to our National Convention.”</p>
|
||||
@ -38,7 +38,7 @@
|
||||
<p>“Here’s another one of these fake aphasia cases,” he said, presently, handing me his newspaper, and laying his finger upon an article. “I don’t believe in ’em. I put nine out of ten of ’em down as frauds. A man gets sick of his business and his folks and wants to have a good time. He skips out somewhere, and when they find him he pretends to have lost his memory—don’t know his own name, and won’t even recognize the strawberry mark on his wife’s left shoulder. Aphasia! Tut! Why can’t they stay at home and forget?”</p>
|
||||
<p>I took the paper and read, after the pungent headlines, the following:</p>
|
||||
<blockquote>
|
||||
<p>“<b>Denver</b>, June 12.—Elwyn C. Bellford, a prominent lawyer, is mysteriously missing from his home since three days ago, and all efforts to locate him have been in vain. <abbr>Mr.</abbr> Bellford is a well-known citizen of the highest standing, and has enjoyed a large and lucrative law practice. He is married and owns a fine home and the most extensive private library in the State. On the day of his disappearance, he drew quite a large sum of money from his bank. No one can be found who saw him after he left the bank. <abbr>Mr.</abbr> Bellford was a man of singularly quiet and domestic tastes, and seemed to find his happiness in his home and profession. If any clue at all exists to his strange disappearance, it may be found in the fact that for some months he has been deeply absorbed in an important law case in connection with the Q. Y. and Z. Railroad Company. It is feared that overwork may have affected his mind. Every effort is being made to discover the whereabouts of the missing man.”</p>
|
||||
<p>“<b>Denver</b>, June 12.—Elwyn C. Bellford, a prominent lawyer, is mysteriously missing from his home since three days ago, and all efforts to locate him have been in vain. <abbr>Mr.</abbr> Bellford is a well-known citizen of the highest standing, and has enjoyed a large and lucrative law practice. He is married and owns a fine home and the most extensive private library in the State. On the day of his disappearance, he drew quite a large sum of money from his bank. No one can be found who saw him after he left the bank. <abbr>Mr.</abbr> Bellford was a man of singularly quiet and domestic tastes, and seemed to find his happiness in his home and profession. If any clue at all exists to his strange disappearance, it may be found in the fact that for some months he has been deeply absorbed in an important law case in connection with the <abbr>Q. Y. and Z.</abbr> Railroad Company. It is feared that overwork may have affected his mind. Every effort is being made to discover the whereabouts of the missing man.”</p>
|
||||
</blockquote>
|
||||
<p>“It seems to me you are not altogether uncynical, <abbr>Mr.</abbr> Bolder,” I said, after I had read the despatch. “This has the sound, to me, of a genuine case. Why should this man, prosperous, happily married, and respected, choose suddenly to abandon everything? I know that these lapses of memory do occur, and that men do find themselves adrift without a name, a history or a home.”</p>
|
||||
<p>“Oh, gammon and jalap!” said <abbr>Mr.</abbr> Bolder. “It’s larks they’re after. There’s too much education nowadays. Men know about aphasia, and they use it for an excuse. The women are wise, too. When it’s all over they look you in the eye, as scientific as you please, and say: ‘He hypnotized me.’ ”</p>
|
||||
|
@ -69,7 +69,7 @@
|
||||
<p>“ ‘Take note,’ says O’Connor to me as thus we walked, ‘of the mass of the people. Observe their oppressed and melancholy air. Can ye not see that they are ripe for revolt? Do ye not perceive that they are disaffected?’</p>
|
||||
<p>“ ‘I do not,’ says I. ‘Nor disinfected either. I’m beginning to understand these people. When they look unhappy they’re enjoying themselves. When they feel unhappy they go to sleep. They’re not the kind of people to take an interest in revolutions.’</p>
|
||||
<p>“ ‘They’ll flock to our standard,’ says O’Connor. ‘Three thousand men in this town alone will spring to arms when the signal is given. I am assured of that. But everything is in secret. There is no chance for us to fail.’</p>
|
||||
<p>“On Hooligan Alley, as I prefer to call the street our headquarters was on, there was a row of flat ’dobe houses with red tile roofs, some straw shacks full of Indians and dogs, and one two-story wooden house with balconies a little farther down. That was where General Tumbalo, the comandante and commander of the military forces, lived. Right across the street was a private residence built like a combination bake-oven and folding-bed. One day, O’Connor and me were passing it, single file, on the flange they called a sidewalk, when out of the window flies a big red rose. O’Connor, who is ahead, picks it up, presses it to his fifth rib, and bows to the ground. By Carrambos! that man certainly had the Irish drama chaunceyized. I looked around expecting to see the little boy and girl in white sateen ready to jump on his shoulder while he jolted their spinal columns and ribs together through a breakdown, and sang: ‘Sleep, Little One, Sleep.’</p>
|
||||
<p>“On Hooligan Alley, as I prefer to call the street our headquarters was on, there was a row of flat ’dobe houses with red tile roofs, some straw shacks full of Indians and dogs, and one two-story wooden house with balconies a little farther down. That was where General Tumbalo, the comandante and commander of the military forces, lived. Right across the street was a private residence built like a combination bake-oven and folding-bed. One day, O’Connor and me were passing it, single file, on the flange they called a sidewalk, when out of the window flies a big red rose. O’Connor, who is ahead, picks it up, presses it to his fifth rib, and bows to the ground. By <i xml:lang="es">Carrambos</i>! that man certainly had the Irish drama chaunceyized. I looked around expecting to see the little boy and girl in white sateen ready to jump on his shoulder while he jolted their spinal columns and ribs together through a breakdown, and sang: ‘Sleep, Little One, Sleep.’</p>
|
||||
<p>“As I passed the window I glanced inside and caught a glimpse of a white dress and a pair of big, flashing black eyes and gleaming teeth under a dark lace mantilla.</p>
|
||||
<p>“When we got back to our house O’Connor began to walk up and down the floor and twist his moustaches.</p>
|
||||
<p>“ ‘Did ye see her eyes, Bowers?’ he asks me.</p>
|
||||
@ -144,7 +144,7 @@
|
||||
<p>“I caught hold of his arm.</p>
|
||||
<p>“ ‘Don’t look it up,’ says I. ‘Marriage is a lottery anyway. I’m willing to take the risk about the license if you are.’</p>
|
||||
<p>“The consul went back to Hooligan Alley with me. Izzy called her ma to come in, but the old lady was picking a chicken in the patio and begged to be excused. So we stood up and the consul performed the ceremony.</p>
|
||||
<p>“That evening <abbr>Mrs.</abbr> Bowers cooked a great supper of stewed goat, tamales, baked bananas, fricasseed red peppers and coffee. Afterward I sat in the rocking-chair by the front window, and she sat on the floor plunking at a guitar and happy, as she should be, as <abbr>Mrs.</abbr> William T. B.</p>
|
||||
<p>“That evening <abbr>Mrs.</abbr> Bowers cooked a great supper of stewed goat, tamales, baked bananas, fricasseed red peppers and coffee. Afterward I sat in the rocking-chair by the front window, and she sat on the floor plunking at a guitar and happy, as she should be, as <abbr>Mrs.</abbr> William <abbr class="name">T. B.</abbr></p>
|
||||
<p>“All at once I sprang up in a hurry. I’d forgotten all about O’Connor. I asked Izzy to fix up a lot of truck for him to eat.</p>
|
||||
<p>“ ‘That big, oogly man,’ said Izzy. ‘But all right—he your friend.’</p>
|
||||
<p>“I pulled a rose out of a bunch in a jar, and took the grub-basket around to the jail. O’Connor ate like a wolf. Then he wiped his face with a banana peel and said: ‘Have you heard nothing from Dona Isabel yet?’</p>
|
||||
|
@ -21,7 +21,7 @@
|
||||
<p>But the best, in my opinion, was the home life in the little flat—the ardent, voluble chats after the day’s study; the cozy dinners and fresh, light breakfasts; the interchange of ambitions—ambitions interwoven each with the other’s or else inconsiderable—the mutual help and inspiration; and—overlook my artlessness—stuffed olives and cheese sandwiches at 11 <abbr class="time">p.m.</abbr></p>
|
||||
<p>But after a while Art flagged. It sometimes does, even if some switchman doesn’t flag it. Everything going out and nothing coming in, as the vulgarians say. Money was lacking to pay <abbr>Mr.</abbr> Magister and Herr Rosenstock their prices. When one loves one’s Art no service seems too hard. So, Delia said she must give music lessons to keep the chafing dish bubbling.</p>
|
||||
<p>For two or three days she went out canvassing for pupils. One evening she came home elated.</p>
|
||||
<p>“Joe, dear,” she said, gleefully, “I’ve a pupil. And, oh, the loveliest people! General—General A. B. Pinkney’s daughter—on Seventy-first street. Such a splendid house, Joe—you ought to see the front door! Byzantine I think you would call it. And inside! Oh, Joe, I never saw anything like it before.</p>
|
||||
<p>“Joe, dear,” she said, gleefully, “I’ve a pupil. And, oh, the loveliest people! General—General <abbr class="name">A. B.</abbr> Pinkney’s daughter—on Seventy-first street. Such a splendid house, Joe—you ought to see the front door! Byzantine I think you would call it. And inside! Oh, Joe, I never saw anything like it before.</p>
|
||||
<p>“My pupil is his daughter Clementina. I dearly love her already. She’s a delicate thing—dresses always in white; and the sweetest, simplest manners! Only eighteen years old. I’m to give three lessons a week; and, just think, Joe! $5 a lesson. I don’t mind it a bit; for when I get two or three more pupils I can resume my lessons with Herr Rosenstock. Now, smooth out that wrinkle between your brows, dear, and let’s have a nice supper.”</p>
|
||||
<p>“That’s all right for you, Dele,” said Joe, attacking a can of peas with a carving knife and a hatchet, “but how about me? Do you think I’m going to let you hustle for wages while I philander in the regions of high art? Not by the bones of Benvenuto Cellini! I guess I can sell papers or lay cobblestones, and bring in a dollar or two.”</p>
|
||||
<p>Delia came and hung about his neck.</p>
|
||||
|
@ -24,7 +24,7 @@
|
||||
<p>“It’s nothing to be ashamed of,” says I, in respect for his mortification; “in case of an emergency. Of course, it’s small compared to organizing a trust or bridge whist, but even the Chicago University had to be started in a small way.”</p>
|
||||
<p>“What’s your graft these days?” Buckingham Skinner asks me.</p>
|
||||
<p>“The legitimate,” says I. “I’m handling rhinestones and <abbr>Dr.</abbr> Oleum Sinapi’s Electric Headache Battery and the Swiss Warbler’s Bird Call, a small lot of the new queer ones and twos, and the Bonanza Budget, consisting of a rolled-gold wedding and engagement ring, six Egyptian lily bulbs, a combination pickle fork and nail-clipper, and fifty engraved visiting cards—no two names alike—all for the sum of 38 cents.”</p>
|
||||
<p>“Two months ago,” says Buckingham Skinner, “I was doing well down in Texas with a patent instantaneous fire kindler, made of compressed wood ashes and benzine. I sold loads of ’em in towns where they like to burn niggers quick, without having to ask somebody for a light. And just when I was doing the best they strikes oil down there and puts me out of business. ‘Your machine’s too slow, now, pardner,’ they tells me. ‘We can have a coon in hell with this here petroleum before your old flint-and-tinder truck can get him warm enough to perfess religion.’ And so I gives up the kindler and drifts up here to K.C. This little curtain-raiser you seen me doing, <abbr>Mr.</abbr> Pickens, with the simulated farm and the hypothetical teams, ain’t in my line at all, and I’m ashamed you found me working it.”</p>
|
||||
<p>“Two months ago,” says Buckingham Skinner, “I was doing well down in Texas with a patent instantaneous fire kindler, made of compressed wood ashes and benzine. I sold loads of ’em in towns where they like to burn niggers quick, without having to ask somebody for a light. And just when I was doing the best they strikes oil down there and puts me out of business. ‘Your machine’s too slow, now, pardner,’ they tells me. ‘We can have a coon in hell with this here petroleum before your old flint-and-tinder truck can get him warm enough to perfess religion.’ And so I gives up the kindler and drifts up here to <abbr class="eoc">K. C.</abbr> This little curtain-raiser you seen me doing, <abbr>Mr.</abbr> Pickens, with the simulated farm and the hypothetical teams, ain’t in my line at all, and I’m ashamed you found me working it.”</p>
|
||||
<p>“No man,” says I, kindly, “need to be ashamed of putting the skibunk on a loan corporation for even so small a sum as ten dollars, when he is financially abashed. Still, it wasn’t quite the proper thing. It’s too much like borrowing money without paying it back.”</p>
|
||||
<p>I liked Buckingham Skinner from the start, for as good a man as ever stood over the axles and breathed gasoline smoke. And pretty soon we gets thick, and I let him in on a scheme I’d had in mind for some time, and offers to go partners.</p>
|
||||
<p>“Anything,” says Buck, “that is not actually dishonest will find me willing and ready. Let us perforate into the inwardness of your proposition. I feel degraded when I am forced to wear property straw in my hair and assume a bucolic air for the small sum of ten dollars. Actually, <abbr>Mr.</abbr> Pickens, it makes me feel like the Ophelia of the Great Occidental All-Star One-Night Consolidated Theatrical Aggregation.”</p>
|
||||
@ -55,7 +55,7 @@
|
||||
<p>At an East Side hotel we gets acquainted with Romulus G. Atterbury, a man with the finest head for financial operations I ever saw. It was all bald and glossy except for gray side whiskers. Seeing that head behind an office railing, and you’d deposit a million with it without a receipt. This Atterbury was well dressed, though he ate seldom; and the synopsis of his talk would make the conversation of a siren sound like a cab driver’s kick. He said he used to be a member of the Stock Exchange, but some of the big capitalists got jealous and formed a ring that forced him to sell his seat.</p>
|
||||
<p>Atterbury got to liking me and Buck and he begun to throw on the canvas for us some of the schemes that had caused his hair to evacuate. He had one scheme for starting a National bank on $45 that made the Mississippi Bubble look as solid as a glass marble. He talked this to us for three days, and when his throat was good and sore we told him about the roll we had. Atterbury borrowed a quarter from us and went out and got a box of throat lozenges and started all over again. This time he talked bigger things, and he got us to see ’em as he did. The scheme he laid out looked like a sure winner, and he talked me and Buck into putting our capital against his burnished dome of thought. It looked all right for a kid-gloved graft. It seemed to be just about an inch and a half outside of the reach of the police, and as moneymaking as a mint. It was just what me and Buck wanted—a regular business at a permanent stand, with an open air spieling with tonsilitis on the street corners every evening.</p>
|
||||
<p>So, in six weeks you see a handsome furnished set of offices down in the Wall Street neighborhood, with “The Golconda Gold Bond and Investment Company” in gilt letters on the door. And you see in his private room, with the door open, the secretary and treasurer, <abbr>Mr.</abbr> Buckingham Skinner, costumed like the lilies of the conservatory, with his high silk hat close to his hand. Nobody yet ever saw Buck outside of an instantaneous reach for his hat.</p>
|
||||
<p>And you might perceive the president and general manager, <abbr>Mr.</abbr> R. G. Atterbury, with his priceless polished poll, busy in the main office room dictating letters to a shorthand countess, who has got pomp and a pompadour that is no less than a guarantee to investors.</p>
|
||||
<p>And you might perceive the president and general manager, <abbr>Mr.</abbr> <abbr class="name">R. G.</abbr> Atterbury, with his priceless polished poll, busy in the main office room dictating letters to a shorthand countess, who has got pomp and a pompadour that is no less than a guarantee to investors.</p>
|
||||
<p>There is a bookkeeper and an assistant, and a general atmosphere of varnish and culpability.</p>
|
||||
<p>At another desk the eye is relieved by the sight of an ordinary man, attired with unscrupulous plainness, sitting with his feet up, eating apples, with his obnoxious hat on the back of his head. That man is no other than Colonel Tecumseh (once “Parleyvoo”) Pickens, the vice-president of the company.</p>
|
||||
<p>“No recherché rags for me,” I says to Atterbury, when we was organizing the stage properties of the robbery. “I’m a plain man,” says I, “and I do not use pajamas, French, or military hairbrushes. Cast me for the role of the rhinestone-in-the-rough or I don’t go on exhibition. If you can use me in my natural, though displeasing form, do so.”</p>
|
||||
@ -78,7 +78,7 @@
|
||||
<p>We said we didn’t.</p>
|
||||
<p>“I don’t either,” says Atterbury, wiping off his head; “but I’ll bet enough Gold Bonds to paper a cell in the Tombs that he’s a newspaper reporter.”</p>
|
||||
<p>“What did he want?” asks Buck.</p>
|
||||
<p>“Information,” says our president. “Said he was thinking of buying some stock. He asked me about nine hundred questions, and every one of ’em hit some sore place in the business. I know he’s on a paper. You can’t fool me. You see a man about half shabby, with an eye like a gimlet, smoking cut plug, with dandruff on his coat collar, and knowing more than J. P. Morgan and Shakespeare put together—if that ain’t a reporter I never saw one. I was afraid of this. I don’t mind detectives and post-office inspectors—I talk to ’em eight minutes and then sell ’em stock—but them reporters take the starch out of my collar. Boys, I recommend that we declare a dividend and fade away. The signs point that way.”</p>
|
||||
<p>“Information,” says our president. “Said he was thinking of buying some stock. He asked me about nine hundred questions, and every one of ’em hit some sore place in the business. I know he’s on a paper. You can’t fool me. You see a man about half shabby, with an eye like a gimlet, smoking cut plug, with dandruff on his coat collar, and knowing more than <abbr class="name">J. P.</abbr> Morgan and Shakespeare put together—if that ain’t a reporter I never saw one. I was afraid of this. I don’t mind detectives and post-office inspectors—I talk to ’em eight minutes and then sell ’em stock—but them reporters take the starch out of my collar. Boys, I recommend that we declare a dividend and fade away. The signs point that way.”</p>
|
||||
<p>Me and Buck talked to Atterbury and got him to stop sweating and stand still. That fellow didn’t look like a reporter to us. Reporters always pull out a pencil and tablet on you, and tell you a story you’ve heard, and strikes you for the drinks. But Atterbury was shaky and nervous all day.</p>
|
||||
<p>The next day me and Buck comes down from the hotel about ten-thirty. On the way we buys the papers, and the first thing we see is a column on the front page about our little imposition. It was a shame the way that reporter intimated that we were no blood relatives of the late George W. Childs. He tells all about the scheme as he sees it, in a rich, racy kind of a guying style that might amuse most anybody except a stockholder. Yes, Atterbury was right; it behooveth the gaily clad treasurer and the pearly pated president and the rugged vice-president of the Golconda Gold Bond and Investment Company to go away real sudden and quick that their days might be longer upon the land.</p>
|
||||
<p>Me and Buck hurries down to the office. We finds on the stairs and in the hall a crowd of people trying to squeeze into our office, which is already jammed full inside to the railing. They’ve nearly all got Golconda stock and Gold Bonds in their hands. Me and Buck judged they’d been reading the papers, too.</p>
|
||||
|
@ -8,7 +8,7 @@
|
||||
<body epub:type="bodymatter z3998:fiction">
|
||||
<section id="aristocracy-versus-hash" epub:type="volume se:short-story">
|
||||
<h2 epub:type="title">Aristocracy Versus Hash</h2>
|
||||
<p>The snake reporter of <i epub:type="se:name.publication.magazine">The Rolling Stone</i> was wandering up the avenue last night on his way home from the <abbr="initialism">YMCA</abbr> rooms when he was approached by a gaunt, hungry-looking man with wild eyes and dishevelled hair. He accosted the reporter in a hollow, weak voice.</p>
|
||||
<p>The snake reporter of <i epub:type="se:name.publication.magazine">The Rolling Stone</i> was wandering up the avenue last night on his way home from the <abbr class="initialism">YMCA</abbr> rooms when he was approached by a gaunt, hungry-looking man with wild eyes and dishevelled hair. He accosted the reporter in a hollow, weak voice.</p>
|
||||
<p>“ ‘Can you tell me, Sir, where I can find in this town a family of scrubs?’</p>
|
||||
<p>“ ‘I don’t understand exactly.’</p>
|
||||
<p>“ ‘Let me tell you how it is,’ said the stranger, inserting his forefinger in the reporter’s buttonhole and badly damaging his chrysanthemum. ‘I am a representative from Soapstone County, and I and my family are houseless, homeless, and shelterless. We have not tasted food for over a week. I brought my family with me, as I have indigestion and could not get around much with the boys. Some days ago I started out to find a boarding house, as I cannot afford to put up at a hotel. I found a nice aristocratic-looking place, that suited me, and went in and asked for the proprietress. A very stately lady with a Roman nose came in the room. She had one hand laid across her stom—across her waist, and the other held a lace handkerchief. I told her I wanted board for myself and family, and she condescended to take us. I asked for her terms, and she said $300 per week.</p>
|
||||
|
@ -16,8 +16,8 @@
|
||||
<p>I went straight to the medicine cabinet and looked.</p>
|
||||
<p>“You unmitigated hayseed!” I growled. “See what money will do for a man’s brains!”</p>
|
||||
<p>There stood the morphine bottle with the stopple out, just as Tom had left it.</p>
|
||||
<p>I routed out another young M.D. who roomed on the floor above, and sent him for old Doctor Gales, two squares away. Tom Hopkins has too much money to be attended by rising young practitioners alone.</p>
|
||||
<p>When Gales came we put Tom through as expensive a course of treatment as the resources of the profession permit. After the more drastic remedies we gave him citrate of caffeine in frequent doses and strong coffee, and walked him up and down the floor between two of us. Old Gales pinched him and slapped his face and worked hard for the big check he could see in the distance. The young M.D. from the next floor gave Tom a most hearty, rousing kick, and then apologized to me.</p>
|
||||
<p>I routed out another young <abbr class="initialism">MD</abbr> who roomed on the floor above, and sent him for old Doctor Gales, two squares away. Tom Hopkins has too much money to be attended by rising young practitioners alone.</p>
|
||||
<p>When Gales came we put Tom through as expensive a course of treatment as the resources of the profession permit. After the more drastic remedies we gave him citrate of caffeine in frequent doses and strong coffee, and walked him up and down the floor between two of us. Old Gales pinched him and slapped his face and worked hard for the big check he could see in the distance. The young <abbr class="initialism">MD</abbr> from the next floor gave Tom a most hearty, rousing kick, and then apologized to me.</p>
|
||||
<p>“Couldn’t help it,” he said. “I never kicked a millionaire before in my life. I may never have another opportunity.”</p>
|
||||
<p>“Now,” said Doctor Gales, after a couple of hours, “he’ll do. But keep him awake for another hour. You can do that by talking to him and shaking him up occasionally. When his pulse and respiration are normal then let him sleep. I’ll leave him with you now.”</p>
|
||||
<p>I was left alone with Tom, whom we had laid on a couch. He lay very still, and his eyes were half closed. I began my work of keeping him awake.</p>
|
||||
@ -39,7 +39,7 @@
|
||||
<p>I heard a snore. I looked around. Tom was asleep again. I walked over and punched him on the jaw. He looked at me as pleasant and ungrudging as an idiot. I chewed my pipe and gave it to him hard.</p>
|
||||
<p>“I want you to recover yourself and get out of my rooms as soon as you can,” I said, insultingly. “I’ve told you what I think of you. If you have any honour or honesty left you will think twice before you attempt again to associate with gentlemen. She’s a poor girl, isn’t she?” I sneered. “Somewhat too plain and unfashionable for us since we got our money. Be ashamed to walk on Fifth Avenue with her, wouldn’t you? Hopkins, you’re forty-seven times worse than a cad. Who cares for your money? I don’t. I’ll bet that girl don’t. Perhaps if you didn’t have it you’d be more of a man. As it is you’ve made a cur of yourself, and”—I thought that quite dramatic—“perhaps broken a faithful heart.” (Old Tom Hopkins breaking a faithful heart!) “Let me be rid of you as soon as possible.”</p>
|
||||
<p>I turned my back on Tom, and winked at myself in a mirror. I heard him moving, and I turned again quickly. I didn’t want a hundred and ninety-eight pounds falling on me from the rear. But Tom had only turned partly over, and laid one arm across his face. He spoke a few words rather more distinctly than before.</p>
|
||||
<p>“I couldn’t have—talked this way—to you, Billy, even if I’d heard people—lyin’ ‘bout you. But jus’ soon’s I can s-stand up—I’ll break your neck—don’ f’get it.”</p>
|
||||
<p>“I couldn’t have—talked this way—to you, Billy, even if I’d heard people—lyin’ ’bout you. But jus’ soon’s I can s-stand up—I’ll break your neck—don’ f’get it.”</p>
|
||||
<p>I did feel a little ashamed then. But it was to save Tom. In the morning, when I explained it, we would have a good laugh over it together.</p>
|
||||
<p>In about twenty minutes Tom dropped into a sound, easy slumber. I felt his pulse, listened to his respiration, and let him sleep. Everything was normal, and Tom was safe. I went into the other room and tumbled into bed.</p>
|
||||
<p>I found Tom up and dressed when I awoke the next morning. He was entirely himself again with the exception of shaky nerves and a tongue like a white-oak chip.</p>
|
||||
|
@ -17,7 +17,7 @@
|
||||
<p>“Well, no,” says Silver; “you needn’t back Epidermis to win today. I’ve only been here a month. But I’m ready to begin; and the members of Willie Manhattan’s Sunday School class, each of whom has volunteered to contribute a portion of cuticle toward this rehabilitation, may as well send their photos to the <i epub:type="se:name.publication.newspaper">Evening Daily</i>.</p>
|
||||
<p>“I’ve been studying the town,” says Silver, “and reading the papers every day, and I know it as well as the cat in the City Hall knows an O’Sullivan. People here lie down on the floor and scream and kick when you are the least bit slow about taking money from them. Come up in my room and I’ll tell you. We’ll work the town together, Billy, for the sake of old times.”</p>
|
||||
<p>Silver takes me up in a hotel. He has a quantity of irrelevant objects lying about.</p>
|
||||
<p>“There’s more ways of getting money from these metropolitan hayseeds,” says Silver, “than there is of cooking rice in Charleston, S. C. They’ll bite at anything. The brains of most of ’em commute. The wiser they are in intelligence the less perception of cognizance they have. Why, didn’t a man the other day sell J. P. Morgan an oil portrait of Rockefeller, Jr., for Andrea del Sarto’s celebrated painting of the young Saint John!</p>
|
||||
<p>“There’s more ways of getting money from these metropolitan hayseeds,” says Silver, “than there is of cooking rice in Charleston, <abbr class="postal">SC</abbr> They’ll bite at anything. The brains of most of ’em commute. The wiser they are in intelligence the less perception of cognizance they have. Why, didn’t a man the other day sell <abbr class="name">J. P.</abbr> Morgan an oil portrait of Rockefeller, Jr., for Andrea del Sarto’s celebrated painting of the young Saint John!</p>
|
||||
<p>“You see that bundle of printed stuff in the corner, Billy? That’s gold mining stock. I started out one day to sell that, but I quit it in two hours. Why? Got arrested for blocking the street. People fought to buy it. I sold the policeman a block of it on the way to the station-house, and then I took it off the market. I don’t want people to give me their money. I want some little consideration connected with the transaction to keep my pride from being hurt. I want ’em to guess the missing letter in Chic—go, or draw to a pair of nines before they pay me a cent of money.</p>
|
||||
<p>“Now there’s another little scheme that worked so easy I had to quit it. You see that bottle of blue ink on the table? I tattooed an anchor on the back of my hand and went to a bank and told ’em I was Admiral Dewey’s nephew. They offered to cash my draft on him for a thousand, but I didn’t know my uncle’s first name. It shows, though, what an easy town it is. As for burglars, they won’t go in a house now unless there’s a hot supper ready and a few college students to wait on ’em. They’re slugging citizens all over the upper part of the city and I guess, taking the town from end to end, it’s a plain case of assault and Battery.”</p>
|
||||
<p>“Monty,” says I, when Silver had slacked, up, “you may have Manhattan correctly discriminated in your perorative, but I doubt it. I’ve only been in town two hours, but it don’t dawn upon me that it’s ours with a cherry in it. There ain’t enough rus in urbe about it to suit me. I’d be a good deal much better satisfied if the citizens had a straw or more in their hair, and run more to velveteen vests and buckeye watch charms. They don’t look easy to me.”</p>
|
||||
@ -29,7 +29,7 @@
|
||||
<p>“A thousand,” I told him.</p>
|
||||
<p>“I’ve got $1,200,” says he. “We’ll pool and do a big piece of business. There’s so many ways we can make a million that I don’t know how to begin.”</p>
|
||||
<p>The next morning Silver meets me at the hotel and he is all sonorous and stirred with a kind of silent joy.</p>
|
||||
<p>“We’re to meet J. P. Morgan this afternoon,” says he. “A man I know in the hotel wants to introduce us. He’s a friend of his. He says he likes to meet people from the West.”</p>
|
||||
<p>“We’re to meet <abbr class="name">J. P.</abbr> Morgan this afternoon,” says he. “A man I know in the hotel wants to introduce us. He’s a friend of his. He says he likes to meet people from the West.”</p>
|
||||
<p>“That sounds nice and plausible,” says I. “I’d like to know <abbr>Mr.</abbr> Morgan.”</p>
|
||||
<p>“It won’t hurt us a bit,” says Silver, “to get acquainted with a few finance kings. I kind of like the social way New York has with strangers.”</p>
|
||||
<p>The man Silver knew was named Klein. At three o’clock Klein brought his Wall Street friend to see us in Silver’s room. “<abbr>Mr.</abbr> Morgan” looked some like his pictures, and he had a Turkish towel wrapped around his left foot, and he walked with a cane.</p>
|
||||
|
@ -26,7 +26,7 @@
|
||||
<p>“But the great scene is when his rival for the princess’ hand, Count Feodor, attacks him between the portcullis and the ruined chapel, armed with a mitrailleuse, a yataghan, and a couple of Siberian bloodhounds. This scene is what runs the best-seller into the twenty-ninth edition before the publisher has had time to draw a check for the advance royalties.</p>
|
||||
<p>“The American hero shucks his coat and throws it over the heads of the bloodhounds, gives the mitrailleuse a slap with his mitt, says ‘Yah!’ to the yataghan, and lands in Kid McCoy’s best style on the count’s left eye. Of course, we have a neat little prize-fight right then and there. The count—in order to make the go possible—seems to be an expert at the art of self-defence, himself; and here we have the Corbett-Sullivan fight done over into literature. The book ends with the broker and the princess doing a John Cecil Clay cover under the linden-trees on the Gorgonzola Walk. That winds up the love-story plenty good enough. But I notice that the book dodges the final issue. Even a best-seller has sense enough to shy at either leaving a Chicago grain broker on the throne of Lobsterpotsdam or bringing over a real princess to eat fish and potato salad in an Italian chalet on Michigan Avenue. What do you think about ’em?”</p>
|
||||
<p>“Why,” said I, “I hardly know, John. There’s a saying: ‘Love levels all ranks,’ you know.”</p>
|
||||
<p>“Yes,” said Pescud, “but these kind of love-stories are rank—on the level. I know something about literature, even if I am in plate-glass. These kind of books are wrong, and yet I never go into a train but what they pile ’em up on me. No good can come out of an international clinch between the Old-World aristocracy and one of us fresh Americans. When people in real life marry, they generally hunt up somebody in their own station. A fellow usually picks out a girl that went to the same high-school and belonged to the same singing-society that he did. When young millionaires fall in love, they always select the chorus-girl that likes the same kind of sauce on the lobster that he does. Washington newspaper correspondents always many widow ladies ten years older than themselves who keep boarding-houses. No, sir, you can’t make a novel sound right to me when it makes one of C. D. Gibson’s bright young men go abroad and turn kingdoms upside down just because he’s a Taft American and took a course at a gymnasium. And listen how they talk, too!”</p>
|
||||
<p>“Yes,” said Pescud, “but these kind of love-stories are rank—on the level. I know something about literature, even if I am in plate-glass. These kind of books are wrong, and yet I never go into a train but what they pile ’em up on me. No good can come out of an international clinch between the Old-World aristocracy and one of us fresh Americans. When people in real life marry, they generally hunt up somebody in their own station. A fellow usually picks out a girl that went to the same high-school and belonged to the same singing-society that he did. When young millionaires fall in love, they always select the chorus-girl that likes the same kind of sauce on the lobster that he does. Washington newspaper correspondents always many widow ladies ten years older than themselves who keep boarding-houses. No, sir, you can’t make a novel sound right to me when it makes one of <abbr class="name">C. D.</abbr> Gibson’s bright young men go abroad and turn kingdoms upside down just because he’s a Taft American and took a course at a gymnasium. And listen how they talk, too!”</p>
|
||||
<p>Pescud picked up the best-seller and hunted his page.</p>
|
||||
<p>“Listen at this,” said he. “Trevelyan is chinning with the Princess Alwyna at the back end of the tulip-garden. This is how it goes:</p>
|
||||
<blockquote>
|
||||
|
@ -59,7 +59,7 @@
|
||||
<p>“Count it,” said Bulger.</p>
|
||||
<p>The jingling of the money and wonder at its source had produced a profound silence in the room. For a time nothing could be heard but the howling of the wind and the chink of the coins as the sergeant slowly laid them in little separate piles.</p>
|
||||
<p>“Six hundred,” said the sergeant, and stopped to clear his throat, “six hundred and twenty-three dollars and eighty-five cents!”</p>
|
||||
<p>“Eighty,” said Bulger. “Mistake of five cents. I’ve thought it out at last, sergeant, and I’ve give up that friend I told you about. That’s him—dollars and cents. The boys was right when they said I was a miser. Take it, sergeant, and spend it the best way for them that needs it, not forgettin’ a tree for the young ‘uns, and—”</p>
|
||||
<p>“Eighty,” said Bulger. “Mistake of five cents. I’ve thought it out at last, sergeant, and I’ve give up that friend I told you about. That’s him—dollars and cents. The boys was right when they said I was a miser. Take it, sergeant, and spend it the best way for them that needs it, not forgettin’ a tree for the young ’uns, and—”</p>
|
||||
<p>“Hallelujah!” cried the sergeant.</p>
|
||||
<p>“And a new bass drum,” concluded Bulger.</p>
|
||||
<p>And then the sergeant made another speech.</p>
|
||||
|
@ -17,7 +17,7 @@
|
||||
<p>“Lady,” he said, “dat gent on de oder bench sent yer a song and dance by me. If yer don’t know de guy, and he’s tryin’ to do de Johnny act, say de word, and I’ll call a cop in t’ree minutes. If yer does know him, and he’s on de square, w’y I’ll spiel yer de bunch of hot air he sent yer.”</p>
|
||||
<p>The young lady betrayed a faint interest.</p>
|
||||
<p>“A song and dance!” she said, in a deliberate sweet voice that seemed to clothe her words in a diaphanous garment of impalpable irony. “A new idea—in the troubadour line, I suppose. I—used to know the gentleman who sent you, so I think it will hardly be necessary to call the police. You may execute your song and dance, but do not sing too loudly. It is a little early yet for open-air vaudeville, and we might attract attention.”</p>
|
||||
<p>“Awe,” said the boy, with a shrug down the length of him, “yer know what I mean, lady. ‘Tain’t a turn, it’s wind. He told me to tell yer he’s got his collars and cuffs in dat grip for a scoot clean out to ‘Frisco. Den he’s goin’ to shoot snowbirds in de Klondike. He says yer told him not to send ’round no more pink notes nor come hangin’ over de garden gate, and he takes dis means of puttin’ yer wise. He says yer refereed him out like a has-been, and never give him no chance to kick at de decision. He says yer swiped him, and never said why.”</p>
|
||||
<p>“Awe,” said the boy, with a shrug down the length of him, “yer know what I mean, lady. ’Tain’t a turn, it’s wind. He told me to tell yer he’s got his collars and cuffs in dat grip for a scoot clean out to ‘Frisco. Den he’s goin’ to shoot snowbirds in de Klondike. He says yer told him not to send ’round no more pink notes nor come hangin’ over de garden gate, and he takes dis means of puttin’ yer wise. He says yer refereed him out like a has-been, and never give him no chance to kick at de decision. He says yer swiped him, and never said why.”</p>
|
||||
<p>The slightly awakened interest in the young lady’s eyes did not abate. Perhaps it was caused by either the originality or the audacity of the snowbird hunter, in thus circumventing her express commands against the ordinary modes of communication. She fixed her eye on a statue standing disconsolate in the dishevelled park, and spoke into the transmitter:</p>
|
||||
<p>“Tell the gentleman that I need not repeat to him a description of my ideals. He knows what they have been and what they still are. So far as they touch on this case, absolute loyalty and truth are the ones paramount. Tell him that I have studied my own heart as well as one can, and I know its weakness as well as I do its needs. That is why I decline to hear his pleas, whatever they may be. I did not condemn him through hearsay or doubtful evidence, and that is why I made no charge. But, since he persists in hearing what he already well knows, you may convey the matter.</p>
|
||||
<p>“Tell him that I entered the conservatory that evening from the rear, to cut a rose for my mother. Tell him I saw him and Miss Ashburton beneath the pink oleander. The tableau was pretty, but the pose and juxtaposition were too eloquent and evident to require explanation. I left the conservatory, and, at the same time, the rose and my ideal. You may carry that song and dance to your impresario.”</p>
|
||||
|
@ -8,7 +8,7 @@
|
||||
<body epub:type="bodymatter z3998:fiction">
|
||||
<section id="calloways-code" epub:type="volume se:short-story">
|
||||
<h2 epub:type="title">Calloway’s Code</h2>
|
||||
<p>The New York <i epub:type="se:name.publication.newspaper">Enterprise</i> sent H. B. Calloway as special correspondent to the Russo-Japanese-Portsmouth war.</p>
|
||||
<p>The New York <i epub:type="se:name.publication.newspaper">Enterprise</i> sent <abbr class="name">H. B.</abbr> Calloway as special correspondent to the Russo-Japanese-Portsmouth war.</p>
|
||||
<p>For two months Calloway hung about Yokohama and Tokio, shaking dice with the other correspondents for drinks of ‘rickshaws—oh, no, that’s something to ride in; anyhow, he wasn’t earning the salary that his paper was paying him. But that was not Calloway’s fault. The little brown men who held the strings of Fate between their fingers were not ready for the readers of the <i epub:type="se:name.publication.newspaper">Enterprise</i> to season their breakfast bacon and eggs with the battles of the descendants of the gods.</p>
|
||||
<p>But soon the column of correspondents that were to go out with the First Army tightened their field-glass belts and went down to the Yalu with Kuroki. Calloway was one of these.</p>
|
||||
<p>Now, this is no history of the battle of the Yalu River. That has been told in detail by the correspondents who gazed at the shrapnel smoke rings from a distance of three miles. But, for justice’s sake, let it be understood that the Japanese commander prohibited a nearer view.</p>
|
||||
@ -37,7 +37,7 @@
|
||||
<p>Scott worked rapidly with his pencil for two minutes; and then showed the first word according to his reading—the word “Scejtzez.”</p>
|
||||
<p>“Great!” cried Boyd. “It’s a charade. My first is a Russian general. Go on, Scott.”</p>
|
||||
<p>“No, that won’t work,” said the city editor. “It’s undoubtedly a code. It’s impossible to read it without the key. Has the office ever used a cipher code?”</p>
|
||||
<p>“Just what I was asking,” said the m.e. “Hustle everybody up that ought to know. We must get at it some way. Calloway has evidently got hold of something big, and the censor has put the screws on, or he wouldn’t have cabled in a lot of chop suey like this.”</p>
|
||||
<p>“Just what I was asking,” said the <abbr class="initialism">ME</abbr>. “Hustle everybody up that ought to know. We must get at it some way. Calloway has evidently got hold of something big, and the censor has put the screws on, or he wouldn’t have cabled in a lot of chop suey like this.”</p>
|
||||
<p>Throughout the office of the <i epub:type="se:name.publication.newspaper">Enterprise</i> a dragnet was sent, hauling in such members of the staff as would be likely to know of a code, past or present, by reason of their wisdom, information, natural intelligence, or length of servitude. They got together in a group in the city room, with the <abbr class="initialism">ME</abbr> in the centre. No one had heard of a code. All began to explain to the head investigator that newspapers never use a code, anyhow—that is, a cipher code. Of course the Associated Press stuff is a sort of code—an abbreviation, rather—but—</p>
|
||||
<p>The <abbr class="initialism">ME</abbr> knew all that, and said so. He asked each man how long he had worked on the paper. Not one of them had drawn pay from an <i epub:type="se:name.publication.newspaper">Enterprise</i> envelope for longer than six years. Calloway had been on the paper twelve years.</p>
|
||||
<p>“Try old Heffelbauer,” said the <abbr class="initialism">ME</abbr> “He was here when Park Row was a potato patch.”</p>
|
||||
|
@ -16,7 +16,7 @@
|
||||
<p>This notice stirred the two friends to a reminiscent talk concerning an episode in their journalistic career that had occurred about two years before. They recalled the incidents, went over the old theories, and discussed it anew from the different perspective time had brought.</p>
|
||||
<p>There were no other customers in the café. Madame’s fine ear had caught the line of their talk, and she came over to their table—for had it not been her lost money—her vanished twenty thousand dollars—that had set the whole matter going?</p>
|
||||
<p>The three took up the long-abandoned mystery, threshing over the old, dry chaff of it. It was in the chapel of this house of the Little Sisters of Samaria that Robbins and Dumars had stood during that eager, fruitless news search of theirs, and looked upon the gilded statue of the Virgin.</p>
|
||||
<p>“Thass so, boys,” said madame, summing up. “Thass ver’ wicked man, M’sieur Morin. Everybody shall be cert’ he steal those money I plaze in his hand for keep safe. Yes. He’s boun’ spend that money, somehow.” Madame turned a broad and contemplative smile upon Dumars. “I ond’stand you, M’sieur Dumars, those day you come ask fo’ tell ev’ything I know ‘bout M’sieur Morin. Ah! yes, I know most time when those men lose money you say ‘Cherchez la femme’—there is somewhere the woman. But not for M’sieur Morin. No, boys. Before he shall die, he is like one saint. You might’s well, M’sieur Dumars, go try find those money in those statue of Virgin Mary that M’sieur Morin present at those <i xml:lang="fr">p’tite saeurs</i>, as try find one femme.”</p>
|
||||
<p>“Thass so, boys,” said madame, summing up. “Thass ver’ wicked man, M’sieur Morin. Everybody shall be cert’ he steal those money I plaze in his hand for keep safe. Yes. He’s boun’ spend that money, somehow.” Madame turned a broad and contemplative smile upon Dumars. “I ond’stand you, M’sieur Dumars, those day you come ask fo’ tell ev’ything I know ’bout M’sieur Morin. Ah! yes, I know most time when those men lose money you say ‘Cherchez la femme’—there is somewhere the woman. But not for M’sieur Morin. No, boys. Before he shall die, he is like one saint. You might’s well, M’sieur Dumars, go try find those money in those statue of Virgin Mary that M’sieur Morin present at those <i xml:lang="fr">p’tite saeurs</i>, as try find one femme.”</p>
|
||||
<p>At Madame Tibault’s last words, Robbins started slightly and cast a keen, sidelong glance at Dumars. The Creole sat, unmoved, dreamily watching the spirals of his cigarette smoke.</p>
|
||||
<p>It was then nine o’clock in the morning and, a few minutes later, the two friends separated, going different ways to their day’s duties. And now follows the brief story of Madame Tibault’s vanished thousands:</p>
|
||||
<hr/>
|
||||
@ -80,7 +80,7 @@
|
||||
<p>The walls were adorned with cheap lithographs—florid libels upon nature, addressed to the taste of the bourgeoisie—birthday cards, garish newspaper supplements, and specimens of art-advertising calculated to reduce the optic nerve to stunned submission. A patch of something unintelligible in the midst of the more candid display puzzled Robbins, and he rose and took a step nearer, to interrogate it at closer range. Then he leaned weakly against the wall, and called out:</p>
|
||||
<p>“Madame Tibault! Oh, madame! Since when—oh! since when have you been in the habit of papering your walls with five thousand dollar United States four percent gold bonds? Tell me—is this a Grimm’s fairy tale, or should I consult an oculist?”</p>
|
||||
<p>At his words, Madame Tibault and Dumars approached.</p>
|
||||
<p>“H’what you say?” said madame, cheerily. “H’what you say, M’sieur Robbin? <i xml:lang="fr">Bon!</i> Ah! those nize li’l peezes papier! One tam I think those w’at you call calendair, wiz ze li’l day of mont’ below. But, no. Those wall is broke in those plaze, M’sieur Robbin’, and I plaze those li’l peezes papier to conceal ze crack. I did think the couleur harm’nize so well with the wall papier. Where I get them from? Ah, yes, I remem’ ver’ well. One day M’sieur Morin, he come at my houze—thass ‘bout one mont’ before he shall die—thass ‘long ‘bout tam he promise fo’ inves’ those money fo’ me. M’sieur Morin, he leave thoze li’l peezes papier in those table, and say ver’ much ‘bout money thass hard for me to ond’stan. <i xml:lang="fr">Mais</i> I never see those money again. Thass ver’ wicked man, M’sieur Morin. H’what you call those peezes papier, M’sieur Robbin’—<i xml:lang="fr">bon!</i>”</p>
|
||||
<p>“H’what you say?” said madame, cheerily. “H’what you say, M’sieur Robbin? <i xml:lang="fr">Bon!</i> Ah! those nize li’l peezes papier! One tam I think those w’at you call calendair, wiz ze li’l day of mont’ below. But, no. Those wall is broke in those plaze, M’sieur Robbin’, and I plaze those li’l peezes papier to conceal ze crack. I did think the couleur harm’nize so well with the wall papier. Where I get them from? Ah, yes, I remem’ ver’ well. One day M’sieur Morin, he come at my houze—thass ’bout one mont’ before he shall die—thass ’long ’bout tam he promise fo’ inves’ those money fo’ me. M’sieur Morin, he leave thoze li’l peezes papier in those table, and say ver’ much ’bout money thass hard for me to ond’stan. <i xml:lang="fr">Mais</i> I never see those money again. Thass ver’ wicked man, M’sieur Morin. H’what you call those peezes papier, M’sieur Robbin’—<i xml:lang="fr">bon!</i>”</p>
|
||||
<p>Robbins explained.</p>
|
||||
<p>“There’s your twenty thousand dollars, with coupons attached,” he said, running his thumb around the edge of the four bonds. “Better get an expert to peel them off for you. Mister Morin was all right. I’m going out to get my ears trimmed.”</p>
|
||||
<p>He dragged Dumars by the arm into the outer room. Madame was screaming for Nicolette and Mémé to come and observe the fortune returned to her by M’sieur Morin, that best of men, that saint in glory.</p>
|
||||
|
@ -15,7 +15,7 @@
|
||||
<p>Yellowhammer was made up of men who took off their hats to a smiling loser; so they invited Cherokee to say what he wanted.</p>
|
||||
<p>“Me?” said Cherokee, “oh, grubstakes will be about the thing. I reckon I’ll prospect along up in the Mariposas. If I strike it up there I will most certainly let you all know about the facts. I never was any hand to hold out cards on my friends.”</p>
|
||||
<p>In May Cherokee packed his burro and turned its thoughtful, mouse-eoloured forehead to the north. Many citizens escorted him to the undefined limits of Yellowhammer and bestowed upon him shouts of commendation and farewells. Five pocket flasks without an air bubble between contents and cork were forced upon him; and he was bidden to consider Yellowhammer in perpetual commission for his bed, bacon and eggs, and hot water for shaving in the event that luck did not see fit to warm her hands by his campfire in the Mariposas.</p>
|
||||
<p>The name of the father of Yellowhammer was given him by the gold hunters in accordance with their popular system of nomenclature. It was not necessary for a citizen to exhibit his baptismal certificate in order to acquire a cognomen. A man’s name was his personal property. For convenience in calling him up to the bar and in designating him among other blue-shirted bipeds, a temporary appellation, title, or epithet was conferred upon him by the public. Personal peculiarities formed the source of the majority of such informal baptisms. Many were easily dubbed geographically from the regions from which they confessed to have hailed. Some announced themselves to be “Thompsons,” and “Adamses,” and the like, with a brazenness and loudness that cast a cloud upon their titles. A few vaingloriously and shamelessly uncovered their proper and indisputable names. This was held to be unduly arrogant, and did not win popularity. One man who said he was Chesterton L. C. Belmont, and proved it by letters, was given till sundown to leave the town. Such names as “Shorty,” “Bowlegs,” “Texas,” “Lazy Bill,” “Thirsty Rogers,” “Limping Riley,” “The Judge,” and “California Ed” were in favour. Cherokee derived his title from the fact that he claimed to have lived for a time with that tribe in the Indian Nation.</p>
|
||||
<p>The name of the father of Yellowhammer was given him by the gold hunters in accordance with their popular system of nomenclature. It was not necessary for a citizen to exhibit his baptismal certificate in order to acquire a cognomen. A man’s name was his personal property. For convenience in calling him up to the bar and in designating him among other blue-shirted bipeds, a temporary appellation, title, or epithet was conferred upon him by the public. Personal peculiarities formed the source of the majority of such informal baptisms. Many were easily dubbed geographically from the regions from which they confessed to have hailed. Some announced themselves to be “Thompsons,” and “Adamses,” and the like, with a brazenness and loudness that cast a cloud upon their titles. A few vaingloriously and shamelessly uncovered their proper and indisputable names. This was held to be unduly arrogant, and did not win popularity. One man who said he was Chesterton <abbr class="name">L. C.</abbr> Belmont, and proved it by letters, was given till sundown to leave the town. Such names as “Shorty,” “Bowlegs,” “Texas,” “Lazy Bill,” “Thirsty Rogers,” “Limping Riley,” “The Judge,” and “California Ed” were in favour. Cherokee derived his title from the fact that he claimed to have lived for a time with that tribe in the Indian Nation.</p>
|
||||
<p>On the twentieth day of December Baldy, the mail rider, brought Yellowhammer a piece of news.</p>
|
||||
<p>“What do I see in Albuquerque,” said Baldy, to the patrons of the bar, “but Cherokee all embellished and festooned up like the Czar of Turkey, and lavishin’ money in bulk. Him and me seen the elephant and the owl, and we had specimens of this seidlitz powder wine; and Cherokee he audits all the bills, <abbr class="initialism">COD</abbr>. His pockets looked like a pool table’s after a fifteen-ball run.</p>
|
||||
<p>“Cherokee must have struck pay ore,” remarked California Ed. “Well, he’s white. I’m much obliged to him for his success.”</p>
|
||||
|
@ -55,7 +55,7 @@
|
||||
<p>“ ‘Then he wanted to show me his bachelor apartment on Liberty street. He’s got ten rooms over a fish market with privilege of the bath on the next floor above. He told me it cost him $18,000 to furnish his apartment, and I believe it.</p>
|
||||
<p>“ ‘He’s got $40,000 worth of pictures in one room, and $20,000 worth of curios and antiques in another. His name’s Scudder, and he’s 45, and taking lessons on the piano and 15,000 barrels of oil a day out of his wells.’</p>
|
||||
<p>“ ‘All right,’ says I. ‘Preliminary canter satisfactory. But, kay vooly, voo? What good is the art junk to us? And the oil?’</p>
|
||||
<p>“ ‘Now, that man,’ says Andy, sitting thoughtfully on the bed, ‘ain’t what you would call an ordinary scutt. When he was showing me his cabinet of art curios his face lighted up like the door of a coke oven. He says that if some of his big deals go through he’ll make J. P. Morgan’s collection of sweatshop tapestry and Augusta, Me., beadwork look like the contents of an ostrich’s craw thrown on a screen by a magic lantern.</p>
|
||||
<p>“ ‘Now, that man,’ says Andy, sitting thoughtfully on the bed, ‘ain’t what you would call an ordinary scutt. When he was showing me his cabinet of art curios his face lighted up like the door of a coke oven. He says that if some of his big deals go through he’ll make <abbr class="name">J. P.</abbr> Morgan’s collection of sweatshop tapestry and Augusta, Me., beadwork look like the contents of an ostrich’s craw thrown on a screen by a magic lantern.</p>
|
||||
<p>“ ‘And then he showed me a little carving,’ went on Andy, ‘that anybody could see was a wonderful thing. It was something like 2,000 years old, he said. It was a lotus flower with a woman’s face in it carved out of a solid piece of ivory.</p>
|
||||
<p>“Scudder looks it up in a catalogue and describes it. An Egyptian carver named Khafra made two of ’em for King Rameses <span epub:type="z3998:roman">II</span> about the year <abbr class="era">BC</abbr>. The other one can’t be found. The junkshops and antique bugs have rubbered all Europe for it, but it seems to be out of stock. Scudder paid $2,000 for the one he has.’</p>
|
||||
<p>“ ‘Oh, well,’ says I, ‘this sounds like the purling of a rill to me. I thought we came here to teach the millionaires business, instead of learning art from ’em?’</p>
|
||||
|
@ -28,7 +28,7 @@
|
||||
<p>Inside the cab the fare sat up straight on the cushions, looking to right and left at the lights and houses. Even in the shadowed hansom her eyes shone like stars at twilight.</p>
|
||||
<p>When they reached Fifty-ninth street Jerry’s head was bobbing and his reins were slack. But his horse turned in through the park gate and began the old familiar nocturnal round. And then the fare leaned back, entranced, and breathed deep the clean, wholesome odours of grass and leaf and bloom. And the wise beast in the shafts, knowing his ground, struck into his by-the-hour gait and kept to the right of the road.</p>
|
||||
<p>Habit also struggled successfully against Jerry’s increasing torpor. He raised the hatch of his storm-tossed vessel and made the inquiry that cabbies do make in the park.</p>
|
||||
<p>“Like shtop at the Cassino, lady? Gezzer r’freshm’s, ‘n lish’n the music. Ev’body shtops.”</p>
|
||||
<p>“Like shtop at the Cassino, lady? Gezzer r’freshm’s, ’n lish’n the music. Ev’body shtops.”</p>
|
||||
<p>“I think that would be nice,” said the fare.</p>
|
||||
<p>They reined up with a plunge at the Casino entrance. The cab doors flew open. The fare stepped directly upon the floor. At once she was caught in a web of ravishing music and dazzled by a panorama of lights and colours. Someone slipped a little square card into her hand on which was printed a number—34. She looked around and saw her cab twenty yards away already lining up in its place among the waiting mass of carriages, cabs and motor cars. And then a man who seemed to be all shirtfront danced backward before her; and next she was seated at a little table by a railing over which climbed a jessamine vine.</p>
|
||||
<p>There seemed to be a wordless invitation to purchase; she consulted a collection of small coins in a thin purse, and received from them license to order a glass of beer. There she sat, inhaling and absorbing it all—the new-coloured, new-shaped life in a fairy palace in an enchanted wood.</p>
|
||||
|
@ -39,9 +39,10 @@
|
||||
<p>It seemed that Hamlin and Avery had builded well. The Denny survey was carelessly made, even for a careless period. Its beginning corner was identical with that of a well-defined old Spanish grant, but its other calls were sinfully vague. The field notes contained no other object that survived—no tree, no natural object save Chiquito River, and it was a mile wrong there. According to precedent, the Office would be justified in giving it its complement by course and distance, and considering the remainder vacant instead of a mere excess.</p>
|
||||
<p>The Actual Settler was besieging the office with wild protests in re. Having the nose of a pointer and the eye of a hawk for the land-shark, he had observed his myrmidons running the lines upon his ground. Making inquiries, he learned that the spoiler had attacked his home, and he left the plough in the furrow and took his pen in hand.</p>
|
||||
<p>One of the protests the Commissioner read twice. It was from a woman, a widow, the granddaughter of Elias Denny himself. She told how her grandfather had sold most of the survey years before at a trivial price—land that was now a principality in extent and value. Her mother had also sold a part, and she herself had succeeded to this western portion, along Chiquito River. Much of it she had been forced to part with in order to live, and now she owned only about three hundred acres, on which she had her home. Her letter wound up rather pathetically:</p>
|
||||
<p>“I’ve got eight children, the oldest fifteen years. I work all day and half the night to till what little land I can and keep us in clothes and books. I teach my children too. My neighbours is all poor and has big families. The drought kills the crops every two or three years and then we has hard times to get enough to eat. There is ten families on this land what the land-sharks is trying to rob us of, and all of them got titles from me. I sold to them cheap, and they aint paid out yet, but part of them is, and if their land should be took from them I would die. My grandfather was an honest man, and he helped to build up this state, and he taught his children to be honest, and how could I make it up to them who bought from me? <abbr>Mr.</abbr> Commissioner, if you let them land-sharks take the roof from over my children and the little from them as they has to live on, whoever again calls this state great or its government just will have a lie in their mouths”</p>
|
||||
<p>The Commissioner laid this letter aside with a sigh. Many, many such letters he had received. He had never been hurt by them, nor had he ever felt that they appealed to him personally. He was but the state’s servant, and must follow its laws. And yet, somehow, this reflection did not always eliminate a certain responsible feeling that hung upon him. Of all the state’s officers he was supremest in his department, not even excepting the Governor. Broad, general land laws he followed, it was true, but he had a wide latitude in particular ramifications. Rather than law, what he followed was Rulings: Office Rulings and precedents. In the complicated and new questions that were being engendered by the state’s development the</p>
|
||||
<p>Commissioner’s ruling was rarely appealed from. Even the courts sustained it when its equity was apparent.</p>
|
||||
<blockquote epub:type="z3998:letter">
|
||||
<p>“I’ve got eight children, the oldest fifteen years. I work all day and half the night to till what little land I can and keep us in clothes and books. I teach my children too. My neighbours is all poor and has big families. The drought kills the crops every two or three years and then we has hard times to get enough to eat. There is ten families on this land what the land-sharks is trying to rob us of, and all of them got titles from me. I sold to them cheap, and they aint paid out yet, but part of them is, and if their land should be took from them I would die. My grandfather was an honest man, and he helped to build up this state, and he taught his children to be honest, and how could I make it up to them who bought from me? <abbr>Mr.</abbr> Commissioner, if you let them land-sharks take the roof from over my children and the little from them as they has to live on, whoever again calls this state great or its government just will have a lie in their mouths”</p>
|
||||
</blockquote>
|
||||
<p>The Commissioner laid this letter aside with a sigh. Many, many such letters he had received. He had never been hurt by them, nor had he ever felt that they appealed to him personally. He was but the state’s servant, and must follow its laws. And yet, somehow, this reflection did not always eliminate a certain responsible feeling that hung upon him. Of all the state’s officers he was supremest in his department, not even excepting the Governor. Broad, general land laws he followed, it was true, but he had a wide latitude in particular ramifications. Rather than law, what he followed was Rulings: Office Rulings and precedents. In the complicated and new questions that were being engendered by the state’s development the Commissioner’s ruling was rarely appealed from. Even the courts sustained it when its equity was apparent.</p>
|
||||
<p>The Commissioner stepped to the door and spoke to a clerk in the other room—spoke as he always did, as if he were addressing a prince of the blood:</p>
|
||||
<p>“<abbr>Mr.</abbr> Weldon, will you be kind enough to ask <abbr>Mr.</abbr> Ashe, the state school-land appraiser, to please come to my office as soon as convenient?”</p>
|
||||
<p>Ashe came quickly from the big table where he was arranging his reports.</p>
|
||||
@ -74,7 +75,7 @@
|
||||
<p>With a hand at each side of his face, and his elbows resting upon the desk, the Commissioner sat staring at the map which was spread and fastened there—staring at the sweet and living profile of little Georgia drawn thereupon—at her face, pensive, delicate, and infantile, outlined in a perfect likeness.</p>
|
||||
<p>When his mind at length came to inquire into the reason of it, he saw that it must have been, as Kampfer had said, unpremeditated. The old draughtsman had been platting in the Elias Denny survey, and Georgia’s likeness, striking though it was, was formed by nothing more than the meanders of Chiquito River. Indeed, Kampfer’s blotter, whereon his preliminary work was done, showed the laborious tracings of the calls and the countless pricks of the compasses. Then, over his faint pencilling, Kampfer had drawn in India ink with a full, firm pen the similitude of Chiquito River, and forth had blossomed mysteriously the dainty, pathetic profile of the child.</p>
|
||||
<p>The Commissioner sat for half an hour with his face in his hands, gazing downward, and none dared approach him. Then he arose and walked out. In the business office he paused long enough to ask that the Denny file be brought to his desk.</p>
|
||||
<p>He found Hamlin and Avery still reclining in their chairs, apparently oblivious of business. They were lazily discussing summer opera, it being, their habit—perhaps their pride also—to appear supernaturally indifferent whenever they stood with large interests imperilled. And they stood to win more on this stake than most people knew. They possessed inside information to the effect that a new railroad would, within a year, split this very Chiquito River valley and send land values ballooning all along its route. A dollar under thirty thousand profit on this location, if it should hold good, would be a loss to their expectations. So, while they chatted lightly and waited for the Commissioner to open the subject, there was a quick, sidelong sparkle in their eyes, evincing a desire to read their title clear to those fair acres on the Chiquito.</p>
|
||||
<p>He found Hamlin and Avery still reclining in their chairs, apparently oblivious of business. They were lazily discussing summer opera, it being their habit—perhaps their pride also—to appear supernaturally indifferent whenever they stood with large interests imperilled. And they stood to win more on this stake than most people knew. They possessed inside information to the effect that a new railroad would, within a year, split this very Chiquito River valley and send land values ballooning all along its route. A dollar under thirty thousand profit on this location, if it should hold good, would be a loss to their expectations. So, while they chatted lightly and waited for the Commissioner to open the subject, there was a quick, sidelong sparkle in their eyes, evincing a desire to read their title clear to those fair acres on the Chiquito.</p>
|
||||
<p>A clerk brought in the file. The Commissioner seated himself and wrote upon it in red ink. Then he rose to his feet and stood for a while looking straight out of the window. The Land Office capped the summit of a bold hill. The eyes of the Commissioner passed over the roofs of many houses set in a packing of deep green, the whole checkered by strips of blinding white streets. The horizon, where his gaze was focused, swelled to a fair wooded eminence flecked with faint dots of shining white. There was the cemetery, where lay many who were forgotten, and a few who had not lived in vain. And one lay there, occupying very small space, whose childish heart had been large enough to desire, while near its last beats, good to others. The Commissioner’s lips moved slightly as he whispered to himself: “It was her last will and testament, and I have neglected it so long!”</p>
|
||||
<p>The big brown cigars of Hamlin and Avery were fireless, but they still gripped them between their teeth and waited, while they marvelled at the absent expression upon the Commissioner’s face.</p>
|
||||
<p>By and by he spoke suddenly and promptly.</p>
|
||||
|
@ -28,7 +28,7 @@
|
||||
<p>“ ‘Better fifty years of Europe than a cyclone in the bay,’ says High Jack Snakefeeder. So we get the captain to send us ashore in a dory when the squall seemed to cease from squalling.</p>
|
||||
<p>“ ‘We will find ruins here or make ’em,’ says High. ‘The Government doesn’t care which we do. An appropriation is an appropriation.’</p>
|
||||
<p>“Boca de Coacoyula was a dead town. Them biblical towns we read about—Tired and Siphon—after they was destroyed, they must have looked like Forty-second Street and Broadway compared to this Boca place. It still claimed 1300 inhabitants as estimated and engraved on the stone court-house by the census-taker in 1597. The citizens were a mixture of Indians and other Indians; but some of ’em was light-colored, which I was surprised to see. The town was huddled up on the shore, with woods so thick around it that a subpoena-server couldn’t have reached a monkey ten yards away with the papers. We wondered what kept it from being annexed to Kansas; but we soon found out that it was Major Bing.</p>
|
||||
<p>“Major Bing was the ointment around the fly. He had the cochineal, sarsaparilla, log-wood, annatto, hemp, and all other dye-woods and pure food adulteration concessions cornered. He had five-sixths of the Boca de Thingama-jiggers working for him on shares. It was a beautiful graft. We used to brag about Morgan and E. H. and others of our wisest when I was in the provinces—but now no more. That peninsula has got our little country turned into a submarine without even the observation tower showing.</p>
|
||||
<p>“Major Bing was the ointment around the fly. He had the cochineal, sarsaparilla, log-wood, annatto, hemp, and all other dye-woods and pure food adulteration concessions cornered. He had five-sixths of the Boca de Thingama-jiggers working for him on shares. It was a beautiful graft. We used to brag about Morgan and <abbr class="name">E. H.</abbr> and others of our wisest when I was in the provinces—but now no more. That peninsula has got our little country turned into a submarine without even the observation tower showing.</p>
|
||||
<p>“Major Bing’s idea was this. He had the population go forth into the forest and gather these products. When they brought ’em in he gave ’em one-fifth for their trouble. Sometimes they’d strike and demand a sixth. The Major always gave in to ’em.</p>
|
||||
<p>“The Major had a bungalow so close on the sea that the nine-inch tide seeped through the cracks in the kitchen floor. Me and him and High Jack Snakefeeder sat on the porch and drank rum from noon till midnight. He said he had piled up $300,000 in New Orleans banks, and High and me could stay with him forever if we would. But High Jack happened to think of the United States, and began to talk ethnology.</p>
|
||||
<p>“ ‘Ruins!’ says Major Bing. ‘The woods are full of ’em. I don’t know how far they date back, but they was here before I came.’</p>
|
||||
|
@ -21,8 +21,8 @@
|
||||
<p>“Don’t you ever have a desire to go back to the land of derby hats and starched collars?” I asked him. “You seem to be a handy man and a man of action,” I continued, “and I am sure I could find you a comfortable job somewhere in the States.”</p>
|
||||
<p>Ragged, shiftless, barefooted, a confirmed eater of the lotus, William Trotter had pleased me much, and I hated to see him gobbled up by the tropics.</p>
|
||||
<p>“I’ve no doubt you could,” he said, idly splitting the bark from a section of sugarcane. “I’ve no doubt you could do much for me. If every man could do as much for himself as he can for others, every country in the world would be holding millenniums instead of centennials.”</p>
|
||||
<p>There seemed to be pabulum in W. T.’s words. And then another idea came to me.</p>
|
||||
<p>I had a brother in Chicopee Falls who owned manufactories—cotton, or sugar, or A. A. sheetings, or something in the commercial line. He was vulgarly rich, and therefore reverenced art. The artistic temperament of the family was monopolized at my birth. I knew that Brother James would honor my slightest wish. I would demand from him a position in cotton, sugar, or sheetings for William Trotter—something, say, at two hundred a month or thereabouts. I confided my beliefs and made my large propositions to William. He had pleased me much, and he was ragged.</p>
|
||||
<p>There seemed to be pabulum in <abbr class="name">W. T.</abbr>’s words. And then another idea came to me.</p>
|
||||
<p>I had a brother in Chicopee Falls who owned manufactories—cotton, or sugar, or <abbr>A. A.</abbr> sheetings, or something in the commercial line. He was vulgarly rich, and therefore reverenced art. The artistic temperament of the family was monopolized at my birth. I knew that Brother James would honor my slightest wish. I would demand from him a position in cotton, sugar, or sheetings for William Trotter—something, say, at two hundred a month or thereabouts. I confided my beliefs and made my large propositions to William. He had pleased me much, and he was ragged.</p>
|
||||
<p>While we were talking, there was a sound of firing guns—four or five, rattlingly, as if by a squad. The cheerful noise came from the direction of the cuartel, which is a kind of makeshift barracks for the soldiers of the republic.</p>
|
||||
<p>“Hear that?” said William Trotter. “Let me tell you about it.</p>
|
||||
<p>“A year ago I landed on this coast with one solitary dollar. I have the same sum in my pocket today. I was second cook on a tramp fruiter; and they marooned me here early one morning, without benefit of clergy, just because I poulticed the face of the first mate with cheese omelette at dinner. The fellow had kicked because I’d put horseradish in it instead of cheese.</p>
|
||||
|
@ -67,7 +67,7 @@
|
||||
<p>But, in my opinion, the main condition that makes train robbing easy is the element of surprise in connection with the imagination of the passengers. If you have ever seen a horse that has eaten loco weed you will understand what I mean when I say that the passengers get locoed. That horse gets the awfullest imagination on him in the world. You can’t coax him to cross a little branch stream two feet wide. It looks as big to him as the Mississippi River. That’s just the way with the passenger. He thinks there are a hundred men yelling and shooting outside, when maybe there are only two or three. And the muzzle of a forty-five looks like the entrance to a tunnel. The passenger is all right, although he may do mean little tricks, like hiding a wad of money in his shoe and forgetting to dig-up until you jostle his ribs some with the end of your six-shooter; but there’s no harm in him.</p>
|
||||
<p>As to the train crew, we never had any more trouble with them than if they had been so many sheep. I don’t mean that they are cowards; I mean that they have got sense. They know they’re not up against a bluff. It’s the same way with the officers. I’ve seen secret service men, marshals, and railroad detectives fork over their change as meek as Moses. I saw one of the bravest marshals I ever knew hide his gun under his seat and dig up along with the rest while I was taking toll. He wasn’t afraid; he simply knew that we had the drop on the whole outfit. Besides, many of those officers have families and they feel that they oughtn’t to take chances; whereas death has no terrors for the man who holds up a train. He expects to get killed some day, and he generally does. My advice to you, if you should ever be in a holdup, is to line up with the cowards and save your bravery for an occasion when it may be of some benefit to you. Another reason why officers are backward about mixing things with a train robber is a financial one. Every time there is a scrimmage and somebody gets killed, the officers lose money. If the train robber gets away they swear out a warrant against John Doe et al. and travel hundreds of miles and sign vouchers for thousands on the trail of the fugitives, and the Government foots the bills. So, with them, it is a question of mileage rather than courage.</p>
|
||||
<p>I will give one instance to support my statement that the surprise is the best card in playing for a holdup.</p>
|
||||
<p>Along in ’92 the Daltons were cutting out a hot trail for the officers down in the Cherokee Nation, Those were their lucky days, and they got so reckless and sandy, that they used to announce before hand what job they were going to undertake. Once they gave it out that they were going to hold up the M. K. & T. flyer on a certain night at the station of Pryor Creek, in Indian Territory.</p>
|
||||
<p>Along in ’92 the Daltons were cutting out a hot trail for the officers down in the Cherokee Nation, Those were their lucky days, and they got so reckless and sandy, that they used to announce before hand what job they were going to undertake. Once they gave it out that they were going to hold up the <abbr>M. K. & T.</abbr> flyer on a certain night at the station of Pryor Creek, in Indian Territory.</p>
|
||||
<p>That night the railroad company got fifteen deputy marshals in Muscogee and put them on the train. Beside them they had fifty armed men hid in the depot at Pryor Creek.</p>
|
||||
<p>When the Katy Flyer pulled in not a Dalton showed up. The next station was Adair, six miles away. When the train reached there, and the deputies were having a good time explaining what they would have done to the Dalton gang if they had turned up, all at once it sounded like an army firing outside. The conductor and brakeman came running into the car yelling, “Train robbers!”</p>
|
||||
<p>Some of those deputies lit out of the door, hit the ground, and kept on running. Some of them hid their Winchesters under the seats. Two of them made a fight and were both killed.</p>
|
||||
|
@ -109,7 +109,7 @@
|
||||
<p>While he is talking, two men crawl from under the bushes into camp, and Caligula, with no white flag to disinter him from his plain duty, draws his gun. But again Colonel Rockingham intervenes and introduces <abbr>Mr.</abbr> Jones and <abbr>Mr.</abbr> Batts, engineer and fireman of train number forty-two.</p>
|
||||
<p>“Excuse us,” says Batts, “but me and Jim have hunted squirrels all over this mounting, and we don’t need no white flag. Was that straight, colonel, about the plum pudding and pineapples and real store cigars?”</p>
|
||||
<p>“Towel on a fishing-pole in the offing!” howls Caligula. “Suppose it’s the firing line of the freight conductors and brakeman.”</p>
|
||||
<p>“My last trip down,” says I, wiping off my face. “If the S. & E. T. wants to run an excursion up here just because we kidnapped their president, let ’em. We’ll put out our sign. ‘The Kidnapper’s Café and Trainmen’s Home.’ ”</p>
|
||||
<p>“My last trip down,” says I, wiping off my face. “If the <abbr>S. & E. T.</abbr> wants to run an excursion up here just because we kidnapped their president, let ’em. We’ll put out our sign. ‘The Kidnapper’s Café and Trainmen’s Home.’ ”</p>
|
||||
<p>This time I caught Major Tallahassee Tucker by his own confession, and I felt easier. I asked him into the creek, so I could drown him if he happened to be a track-walker or caboose porter. All the way up the mountain he driveled to me about asparagus on toast, a thing that his intelligence in life had skipped.</p>
|
||||
<p>Up above I got his mind segregated from food and asked if he had raised the ransom.</p>
|
||||
<p>“My dear sir,” says he, “I succeeded in negotiating a loan on thirty thousand dollars’ worth of the bonds of our railroad, and—”</p>
|
||||
|
@ -8,7 +8,7 @@
|
||||
<body epub:type="bodymatter z3998:fiction">
|
||||
<section id="jeff-peters-as-a-personal-magnet" epub:type="volume se:short-story">
|
||||
<h2 epub:type="title">Jeff Peters as a Personal Magnet</h2>
|
||||
<p>Jeff Peters has been engaged in as many schemes for making money as there are recipes for cooking rice in Charleston, S.C.</p>
|
||||
<p>Jeff Peters has been engaged in as many schemes for making money as there are recipes for cooking rice in Charleston, <abbr class="postal">SC</abbr>.</p>
|
||||
<p>Best of all I like to hear him tell of his earlier days when he sold liniments and cough cures on street corners, living hand to mouth, heart to heart with the people, throwing heads or tails with fortune for his last coin.</p>
|
||||
<p>“I struck Fisher Hill, Arkansaw,” said he, “in a buckskin suit, moccasins, long hair and a thirty-carat diamond ring that I got from an actor in Texarkana. I don’t know what he ever did with the pocket knife I swapped him for it.</p>
|
||||
<p>“I was <abbr>Dr.</abbr> Waugh-hoo, the celebrated Indian medicine man. I carried only one best bet just then, and that was Resurrection Bitters. It was made of life-giving plants and herbs accidentally discovered by Ta-qua-la, the beautiful wife of the chief of the Choctaw Nation, while gathering truck to garnish a platter of boiled dog for the annual corn dance.</p>
|
||||
@ -33,7 +33,7 @@
|
||||
<p>“ ‘As man to man,’ says I, ‘I’ll go and look him over.’ So I put a bottle of Resurrection Bitters in my pocket and goes up on the hill to the mayor’s mansion, the finest house in town, with a mansard roof and two cast iron dogs on the lawn.</p>
|
||||
<p>“This Mayor Banks was in bed all but his whiskers and feet. He was making internal noises that would have had everybody in San Francisco hiking for the parks. A young man was standing by the bed holding a cup of water.</p>
|
||||
<p>“ ‘Doc,’ says the Mayor, ‘I’m awful sick. I’m about to die. Can’t you do nothing for me?’</p>
|
||||
<p>“ ‘<abbr>Mr.</abbr> Mayor,’ says I, ‘I’m not a regular preordained disciple of S. Q. Lapius. I never took a course in a medical college,’ says I. ‘I’ve just come as a fellow man to see if I could be off assistance.’</p>
|
||||
<p>“ ‘<abbr>Mr.</abbr> Mayor,’ says I, ‘I’m not a regular preordained disciple of <abbr class="name">S. Q.</abbr> Lapius. I never took a course in a medical college,’ says I. ‘I’ve just come as a fellow man to see if I could be off assistance.’</p>
|
||||
<p>“ ‘I’m deeply obliged,’ says he. ‘Doc Waugh-hoo, this is my nephew, <abbr>Mr.</abbr> Biddle. He has tried to alleviate my distress, but without success. Oh, Lordy! Ow-ow-ow!!’ he sings out.</p>
|
||||
<p>“I nods at <abbr>Mr.</abbr> Biddle and sets down by the bed and feels the mayor’s pulse. ‘Let me see your liver—your tongue, I mean,’ says I. Then I turns up the lids of his eyes and looks close that the pupils of ’em.</p>
|
||||
<p>“ ‘How long have you been sick?’ I asked.</p>
|
||||
|
@ -56,7 +56,7 @@
|
||||
<p>“ ‘You don’t understand,’ says Luke. ‘I’m tired of space and horizons and territory and distances and things like that. What I want is reasonable contraction. I want a yard with a fence around it that you can go out and set on after supper and listen to whip-poor-wills,’ says Luke.</p>
|
||||
<p>“That’s the kind of a man he was. He was homelike, although he’d had bad luck in such investments. But he never talked about them times on the ranch. It seemed like he’d forgotten about it. I wondered how, with his ideas of yards and chickens and notions of latticework, he’d seemed to have got out of his mind that kid of his that had been taken away from him, unlawful, in spite of his decree of court. But he wasn’t a man you could ask about such things as he didn’t refer to in his own conversation.</p>
|
||||
<p>“I reckon he’d put all his emotions and ideas into being sheriff. I’ve read in books about men that was disappointed in these poetic and fine-haired and high-collared affairs with ladies renouncing truck of that kind and wrapping themselves up into some occupation like painting pictures, or herding sheep, or science, or teaching school—something to make ’em forget. Well, I guess that was the way with Luke. But, as he couldn’t paint pictures, he took it out in rounding up horse thieves and in making Mojada County a safe place to sleep in if you was well armed and not afraid of requisitions or tarantulas.</p>
|
||||
<p>“One day there passes through Bildad a bunch of these money investors from the East, and they stopped off there, Bildad being the dinner station on the I. & G. N. They was just coming back from Mexico looking after mines and such. There was five of ’em—four solid parties, with gold watch chains, that would grade up over two hundred pounds on the hoof, and one kid about seventeen or eighteen.</p>
|
||||
<p>“One day there passes through Bildad a bunch of these money investors from the East, and they stopped off there, Bildad being the dinner station on the <abbr class="eoc">I. & G. N.</abbr> They was just coming back from Mexico looking after mines and such. There was five of ’em—four solid parties, with gold watch chains, that would grade up over two hundred pounds on the hoof, and one kid about seventeen or eighteen.</p>
|
||||
<p>“This youngster had on one of them cowboy suits such as tenderfoots bring West with ’em; and you could see he was aching to wing a couple of Indians or bag a grizzly or two with the little pearl-handled gun he had buckled around his waist.</p>
|
||||
<p>“I walked down to the depot to keep an eye on the outfit and see that they didn’t locate any land or scare the cow ponies hitched in front of Murchison’s store or act otherwise unseemly. Luke was away after a gang of cattle thieves down on the Frio, and I always looked after the law and order when he wasn’t there.</p>
|
||||
<p>“After dinner this boy comes out of the dining-room while the train was waiting, and prances up and down the platform ready to shoot all antelope, lions, or private citizens that might endeavour to molest or come too near him. He was a good-looking kid; only he was like all them tenderfoots—he didn’t know a law-and-order town when he saw it.</p>
|
||||
|
@ -22,7 +22,7 @@
|
||||
<p>“Blessed auntie, your three thousand is just sufficient to insure your Hyson to be free from willow leaves and keep the Persian in sterilized cream. I know I’d be welcome, but I prefer to strike bottom like Beelzebub rather than hang around like the Peri listening to the music from the side entrance. I’m going to earn my own living. There’s nothing else to do. I’m a—Oh, oh, oh!—I had forgotten. There’s one thing saved from the wreck. It’s a corral—no, a ranch in—let me see—Texas: an asset, dear old <abbr>Mr.</abbr> Bannister called it. How pleased he was to show me something he could describe as unencumbered! I’ve a description of it among those stupid papers he made me bring away with me from his office. I’ll try to find it.”</p>
|
||||
<p>Octavia found her shopping-bag, and drew from it a long envelope filled with typewritten documents.</p>
|
||||
<p>“A ranch in Texas,” sighed Aunt Ellen. “It sounds to me more like a liability than an asset. Those are the places where the centipedes are found, and cowboys, and fandangos.”</p>
|
||||
<p>“ ‘The Rancho de las Sombras,’ ” read Octavia from a sheet of violently purple typewriting, “ ‘is situated one hundred and ten miles southeast of San Antonio, and thirty-eight miles from its nearest railroad station, Nopal, on the I. and G. N. Ranch, consists of 7,680 acres of well-watered land, with title conferred by State patents, and twenty-two sections, or 14,080 acres, partly under yearly running lease and partly bought under State’s twenty-year-purchase act. Eight thousand graded merino sheep, with the necessary equipment of horses, vehicles and general ranch paraphernalia. Ranch-house built of brick, with six rooms comfortably furnished according to the requirements of the climate. All within a strong barbed-wire fence.</p>
|
||||
<p>“ ‘The Rancho de las Sombras,’ ” read Octavia from a sheet of violently purple typewriting, “ ‘is situated one hundred and ten miles southeast of San Antonio, and thirty-eight miles from its nearest railroad station, Nopal, on the <abbr>I. and G. N.</abbr> Ranch, consists of 7,680 acres of well-watered land, with title conferred by State patents, and twenty-two sections, or 14,080 acres, partly under yearly running lease and partly bought under State’s twenty-year-purchase act. Eight thousand graded merino sheep, with the necessary equipment of horses, vehicles and general ranch paraphernalia. Ranch-house built of brick, with six rooms comfortably furnished according to the requirements of the climate. All within a strong barbed-wire fence.</p>
|
||||
<p>“ ‘The present ranch manager seems to be competent and reliable, and is rapidly placing upon a paying basis a business that, in other hands, had been allowed to suffer from neglect and misconduct.</p>
|
||||
<p>“ ‘This property was secured by Colonel Beaupree in a deal with a Western irrigation syndicate, and the title to it seems to be perfect. With careful management and the natural increase of land values, it ought to be made the foundation for a comfortable fortune for its owner.’ ”</p>
|
||||
<p>When Octavia ceased reading, Aunt Ellen uttered something as near a sniff as her breeding permitted.</p>
|
||||
@ -107,7 +107,7 @@
|
||||
<p>“I’ve a good mind to discharge you.”</p>
|
||||
<p>“Can’t do it,” said Teddy, with a grin.</p>
|
||||
<p>“Why not?” demanded Octavia, with argumentative heat.</p>
|
||||
<p>“Under contract. Terms of sale respect all unexpired contracts. Mine runs until 12 P. M., December thirty-first. You might get up at midnight on that date and fire me. If you try it sooner I’ll be in a position to bring legal proceedings.”</p>
|
||||
<p>“Under contract. Terms of sale respect all unexpired contracts. Mine runs until 12 <abbr class="time">a.m.</abbr>, December thirty-first. You might get up at midnight on that date and fire me. If you try it sooner I’ll be in a position to bring legal proceedings.”</p>
|
||||
<p>Octavia seemed to be considering the prospects of litigation.</p>
|
||||
<p>“But,” continued Teddy cheerfully, “I’ve been thinking of resigning anyway.”</p>
|
||||
<p>Octavia’s rocking-chair ceased its motion. There were centipedes in this country, she felt sure; and Indians, and vast, lonely, desolate, empty wastes; all within strong barbed-wire fence. There was a Van Dresser pride, but there was also a Van Dresser heart. She must know for certain whether or not he had forgotten.</p>
|
||||
|
@ -37,7 +37,7 @@
|
||||
<p>Before long the two machinators abandoned the rigour of the bare studio for a snug corner of a café. There they sat far into the night, with old envelopes and Keogh’s stub of blue pencil between them.</p>
|
||||
<p>At twelve o’clock White doubled up in his chair, with his chin on his fist, and shut his eyes at the unbeautiful wallpaper.</p>
|
||||
<p>“I’ll go you, Billy,” he said, in the quiet tones of decision. “I’ve got two or three hundred saved up for sausages and rent; and I’ll take the chance with you. Five thousand! It will give me two years in Paris and one in Italy. I’ll begin to pack tomorrow.”</p>
|
||||
<p>“You’ll begin in ten minutes,” said Keogh. “It’s tomorrow now. The <i epub:type="se:name.vessel.ship">Karlsefin</i> starts back at four P.M. Come on to your painting shop, and I’ll help you.”</p>
|
||||
<p>“You’ll begin in ten minutes,” said Keogh. “It’s tomorrow now. The <i epub:type="se:name.vessel.ship">Karlsefin</i> starts back at four <abbr class="time eoc">p.m.</abbr> Come on to your painting shop, and I’ll help you.”</p>
|
||||
<p>For five months in the year Coralio is the Newport of Anchuria. Then only does the town possess life. From November to March it is practically the seat of government. The president with his official family sojourns there; and society follows him. The pleasure-loving people make the season one long holiday of amusement and rejoicing. Fiestas, balls, games, sea bathing, processions and small theatres contribute to their enjoyment. The famous Swiss band from the capital plays in the little plaza every evening, while the fourteen carriages and vehicles in the town circle in funereal but complacent procession. Indians from the interior mountains, looking like prehistoric stone idols, come down to peddle their handiwork in the streets. The people throng the narrow ways, a chattering, happy, careless stream of buoyant humanity. Preposterous children rigged out with the shortest of ballet skirts and gilt wings, howl, underfoot, among the effervescent crowds. Especially is the arrival of the presidential party, at the opening of the season, attended with pomp, show and patriotic demonstrations of enthusiasm and delight.</p>
|
||||
<p>When Keogh and White reached their destination, on the return trip of the <i epub:type="se:name.vessel.ship">Karlsefin</i>, the gay winter season was well begun. As they stepped upon the beach they could hear the band playing in the plaza. The village maidens, with fireflies already fixed in their dark locks, were gliding, barefoot and coy-eyed, along the paths. Dandies in white linen, swinging their canes, were beginning their seductive strolls. The air was full of human essence, of artificial enticement, of coquetry, indolence, pleasure—the man-made sense of existence.</p>
|
||||
<p>The first two or three days after their arrival were spent in preliminaries. Keogh escorted the artist about town, introducing him to the little circle of English-speaking residents and pulling whatever wires he could to effect the spreading of White’s fame as a painter. And then Keogh planned a more spectacular demonstration of the idea he wished to keep before the public.</p>
|
||||
|
@ -30,7 +30,7 @@
|
||||
<p>Bud ceased his reminiscences. And then someone asked him what he considered the most striking and prominent trait of New Yorkers.</p>
|
||||
<p>“The most visible and peculiar trait of New York folks,” answered Bud, “is New York. Most of ’em has New York on the brain. They have heard of other places, such as Waco, and Paris, and Hot Springs, and London; but they don’t believe in ’em. They think that town is all Merino. Now to show you how much they care for their village I’ll tell you about one of ’em that strayed out as far as the Triangle B while I was working there.</p>
|
||||
<p>“This New Yorker come out there looking for a job on the ranch. He said he was a good horseback rider, and there was pieces of tanbark hanging on his clothes yet from his riding school.</p>
|
||||
<p>“Well, for a while they put him to keeping books in the ranch store, for he was a devil at figures. But he got tired of that, and asked for something more in the line of activity. The boys on the ranch liked him all right, but he made us tired shouting New York all the time. Every night he’d tell us about East River and J. P. Morgan and the Eden Musee and Hetty Green and Central Park till we used to throw tin plates and branding irons at him.</p>
|
||||
<p>“Well, for a while they put him to keeping books in the ranch store, for he was a devil at figures. But he got tired of that, and asked for something more in the line of activity. The boys on the ranch liked him all right, but he made us tired shouting New York all the time. Every night he’d tell us about East River and <abbr class="name">J. P.</abbr> Morgan and the Eden Musee and Hetty Green and Central Park till we used to throw tin plates and branding irons at him.</p>
|
||||
<p>“One day this chap gets on a pitching pony, and the pony kind of sidled up his back and went to eating grass while the New Yorker was coming down.</p>
|
||||
<p>“He come down on his head on a chunk of mesquit wood, and he didn’t show any designs toward getting up again. We laid him out in a tent, and he begun to look pretty dead. So Gideon Peas saddles up and burns the wind for old Doc Sleeper’s residence in Dogtown, thirty miles away.</p>
|
||||
<p>“The doctor comes over and he investigates the patient.</p>
|
||||
|
@ -30,7 +30,7 @@
|
||||
<p>“Fergus McMahan was a friend of mine in the capital. For a handsome man I’ll admit he was the duty-free merchandise. He had blond curls and laughing blue eyes and was featured regular. They said he was a ringer for the statue they call Herr Mees, the god of speech and eloquence resting in some museum at Rome. Some German anarchist, I suppose. They are always resting and talking.</p>
|
||||
<p>“But Fergus was no talker. He was brought up with the idea that to be beautiful was to make good. His conversation was about as edifying as listening to a leak dropping in a tin dishpan at the head of the bed when you want to go to sleep. But he and me got to be friends—maybe because we was so opposite, don’t you think? Looking at the Hallowe’en mask that I call my face when I’m shaving seemed to give Fergus pleasure; and I’m sure that whenever I heard the feeble output of throat noises that he called conversation I felt contented to be a gargoyle with a silver tongue.</p>
|
||||
<p>“One time I found it necessary to go down to this coast town of Oratama to straighten out a lot of political unrest and chop off a few heads in the customs and military departments. Fergus, who owned the ice and sulphur-match concessions of the republic, says he’ll keep me company.</p>
|
||||
<p>“So, in a jangle of mule-train bells, we gallops into Oratama, and the town belonged to us as much as Long Island Sound doesn’t belong to Japan when T. R. is at Oyster Bay. I say us; but I mean me. Everybody for four nations, two oceans, one bay and isthmus, and five archipelagoes around had heard of Judson Tate. Gentleman adventurer, they called me. I had been written up in five columns of the yellow journals, 40,000 words (with marginal decorations) in a monthly magazine, and a stickful on the twelfth page of the New York <i epub:type="se:name.publication.newspaper">Times</i>. If the beauty of Fergus McMahan gained any part of our reception in Oratama, I’ll eat the price-tag in my Panama. It was me that they hung out paper flowers and palm branches for. I am not a jealous man; I am stating facts. The people were Nebuchadnezzars; they bit the grass before me; there was no dust in the town for them to bite. They bowed down to Judson Tate. They knew that I was the power behind Sancho Benavides. A word from me was more to them than a whole deckle-edged library from East Aurora in sectional bookcases was from anybody else. And yet there are people who spend hours fixing their faces—rubbing in cold cream and massaging the muscles (always toward the eyes) and taking in the slack with tincture of benzoin and electrolyzing moles—to what end? Looking handsome. Oh, what a mistake! It’s the larynx that the beauty doctors ought to work on. It’s words more than warts, talk more than talcum, palaver more than powder, blarney more than bloom that counts—the phonograph instead of the photograph. But I was going to tell you.</p>
|
||||
<p>“So, in a jangle of mule-train bells, we gallops into Oratama, and the town belonged to us as much as Long Island Sound doesn’t belong to Japan when <abbr class="name">T. R.</abbr> is at Oyster Bay. I say us; but I mean me. Everybody for four nations, two oceans, one bay and isthmus, and five archipelagoes around had heard of Judson Tate. Gentleman adventurer, they called me. I had been written up in five columns of the yellow journals, 40,000 words (with marginal decorations) in a monthly magazine, and a stickful on the twelfth page of the New York <i epub:type="se:name.publication.newspaper">Times</i>. If the beauty of Fergus McMahan gained any part of our reception in Oratama, I’ll eat the price-tag in my Panama. It was me that they hung out paper flowers and palm branches for. I am not a jealous man; I am stating facts. The people were Nebuchadnezzars; they bit the grass before me; there was no dust in the town for them to bite. They bowed down to Judson Tate. They knew that I was the power behind Sancho Benavides. A word from me was more to them than a whole deckle-edged library from East Aurora in sectional bookcases was from anybody else. And yet there are people who spend hours fixing their faces—rubbing in cold cream and massaging the muscles (always toward the eyes) and taking in the slack with tincture of benzoin and electrolyzing moles—to what end? Looking handsome. Oh, what a mistake! It’s the larynx that the beauty doctors ought to work on. It’s words more than warts, talk more than talcum, palaver more than powder, blarney more than bloom that counts—the phonograph instead of the photograph. But I was going to tell you.</p>
|
||||
<p>“The local Astors put me and Fergus up at the Centipede Club, a frame building built on posts sunk in the surf. The tide’s only nine inches. The Little Big High Low Jack-in-the-game of the town came around and kowtowed. Oh, it wasn’t to Herr Mees. They had heard about Judson Tate.</p>
|
||||
<p>“One afternoon me and Fergus McMahan was sitting on the seaward gallery of the Centipede, drinking iced rum and talking.</p>
|
||||
<p>“ ‘Judson,’ says Fergus, ‘there’s an angel in Oratama.’</p>
|
||||
|
@ -74,7 +74,7 @@
|
||||
<p>Tripp feebly unbuttoned his coat of the faded pattern and glossy seams to reach for something that had once been a handkerchief deep down in some obscure and cavernous pocket. As he did so I caught the shine of a cheap silver-plated watch-chain across his vest, and something dangling from it caused me to stretch forth my hand and seize it curiously. It was the half of a silver dime that had been cut in halves with a chisel.</p>
|
||||
<p>“What!” I said, looking at him keenly.</p>
|
||||
<p>“Oh yes,” he responded, dully. “George Brown, alias Tripp. What’s the use?”</p>
|
||||
<p>Barring the W. C. T. U., I’d like to know if anybody disapproves of my having produced promptly from my pocket Tripp’s whiskey dollar and unhesitatingly laying it in his hand.</p>
|
||||
<p>Barring the <abbr class="initialism">WCTU</abbr>, I’d like to know if anybody disapproves of my having produced promptly from my pocket Tripp’s whiskey dollar and unhesitatingly laying it in his hand.</p>
|
||||
</section>
|
||||
</body>
|
||||
</html>
|
||||
|
@ -41,7 +41,7 @@
|
||||
<p>“Then Denver draws his chair up close and gives out his scheme.</p>
|
||||
<p>“ ‘Sully,’ says he, with seriousness and levity, ‘I’ve been a manager of one thing and another for over twenty years. That’s what I was cut out for—to have somebody else to put up the money and look after the repairs and the police and taxes while I run the business. I never had a dollar of my own invested in my life. I wouldn’t know how it felt to have the dealer rake in a coin of mine. But I can handle other people’s stuff and manage other people’s enterprises. I’ve had an ambition to get hold of something big—something higher than hotels and lumberyards and local politics. I want to be manager of something way up—like a railroad or a diamond trust or an automobile factory. Now here comes this little man from the tropics with just what I want, and he’s offered me the job.’</p>
|
||||
<p>“ ‘What job?’ I asks. ‘Is he going to revive the Georgia Minstrels or open a cigar store?’</p>
|
||||
<p>“ ‘He’s no ‘coon,’ says Denver. ‘He’s General Rompiro—General Josey Alfonso Sapolio Jew-Ann Rompiro—he has his cards printed by a news-ticker. He’s the real thing, Sully, and he wants me to manage his campaign—he wants Denver C. Galloway for a president-maker. Think of that, Sully! Old Denver romping down to the tropics, plucking lotus-flowers and pineapples with one hand and making presidents with the other! Won’t it make Uncle Mark Hanna mad? And I want you to go too, Sully. You can help me more than any man I know. I’ve been herding that brown man for a month in the hotel so he wouldn’t stray down Fourteenth Street and get roped in by that crowd of refugee tamale-eaters down there. And he’s landed, and D. C. G. is manager of General J. A. S. J. Rompiro’s presidential campaign in the great republic of—what’s its name?’</p>
|
||||
<p>“ ‘He’s no ‘coon,’ says Denver. ‘He’s General Rompiro—General Josey Alfonso Sapolio Jew-Ann Rompiro—he has his cards printed by a news-ticker. He’s the real thing, Sully, and he wants me to manage his campaign—he wants Denver C. Galloway for a president-maker. Think of that, Sully! Old Denver romping down to the tropics, plucking lotus-flowers and pineapples with one hand and making presidents with the other! Won’t it make Uncle Mark Hanna mad? And I want you to go too, Sully. You can help me more than any man I know. I’ve been herding that brown man for a month in the hotel so he wouldn’t stray down Fourteenth Street and get roped in by that crowd of refugee tamale-eaters down there. And he’s landed, and <abbr class="name">D. C. G.</abbr> is manager of General <abbr class="name">J. A. S. J.</abbr> Rompiro’s presidential campaign in the great republic of—what’s its name?’</p>
|
||||
<p>“Denver gets down an atlas from a shelf, and we have a look at the afflicted country. ’Twas a dark blue one, on the west coast, about the size of a special delivery stamp.</p>
|
||||
<p>“ ‘From what the General tells me,’ says Denver, ‘and from what I can gather from the encyclopædia and by conversing with the janitor of the Astor Library, it’ll be as easy to handle the vote of that country as it would be for Tammany to get a man named Geoghan appointed on the White Wings force.’</p>
|
||||
<p>“ ‘Why don’t General Rumptyro stay at home,’ says I, ‘and manage his own canvass?’</p>
|
||||
|
@ -102,7 +102,7 @@
|
||||
<p>“Mac,” said he, “do you remember my telling you once that I sold one of those five-hundred-dollar lots in Skyland?”</p>
|
||||
<p>“Seems I do,” grinned Captain MacFarland.</p>
|
||||
<p>“I’m not a coward, as a general rule,” went on the promoter, “but I always said that if I ever met the sucker that bought that lot I’d run like a turkey. Now, you see that old babe-in-the-wood over there? Well, he’s the boy that drew the prize. That was the only five-hundred-dollar lot that went. The rest ranged from ten dollars to two hundred. His wife writes poetry. She’s invented one about the high grounds of Georgia, that’s way up in G. They’re going to Skyland to open a book store.”</p>
|
||||
<p>“Well,” said MacFarland, with another grin, “it’s a good thing you are along, J. P.; you can show ’em around town until they begin to feel at home.”</p>
|
||||
<p>“Well,” said MacFarland, with another grin, “it’s a good thing you are along, <abbr>J. P.</abbr>; you can show ’em around town until they begin to feel at home.”</p>
|
||||
<p>“He’s got three hundred dollars left to build a house and store with,” went on J. Pinkney, as if he were talking to himself. “And he thinks there’s an open house up there.”</p>
|
||||
<p>Captain MacFarland released the wheel long enough to give his leg a roguish slap.</p>
|
||||
<p>“You old fat rascal!” he chuckled, with a wink.</p>
|
||||
@ -137,9 +137,9 @@
|
||||
<p>“Go to the devil,” said <abbr>Mr.</abbr> Bloom, still pensive.</p>
|
||||
<p>And now, upon the left bank, they caught a glimpse of a white village, high up on the hills, smothered among green trees. That was Cold Branch—no boom town, but the slow growth of many years. Cold Branch lay on the edge of the grape and corn lands. The big country road ran just back of the heights. Cold Branch had nothing in common with the frisky ambition of Okochee with its impertinent lake.</p>
|
||||
<p>“Mac,” said J. Pinkney suddenly, “I want you to stop at Cold Branch. There’s a landing there that they made to use sometimes when the river was up.”</p>
|
||||
<p>“Can’t,” said the captain, grinning more broadly. “I’ve got the United States mails on board. Right today this boat’s in the government service. Do you want to have the poor old captain keelhauled by Uncle Sam? And the great city of Skyland, all disconsolate, waiting for its mail? I’m ashamed of your extravagance, J. P.”</p>
|
||||
<p>“Can’t,” said the captain, grinning more broadly. “I’ve got the United States mails on board. Right today this boat’s in the government service. Do you want to have the poor old captain keelhauled by Uncle Sam? And the great city of Skyland, all disconsolate, waiting for its mail? I’m ashamed of your extravagance, <abbr class="name">J. P.</abbr>”</p>
|
||||
<p>“Mac,” almost whispered J. Pinkney, in his danger-line voice, “I looked into the engine room of the <i epub:type="se:name.vessel.ship">Dixie Belle</i> a while ago. Don’t you know of somebody that needs a new boiler? Cement and black Japan can’t hide flaws from me. And then, those shares of building and loan that you traded for repairs—they were all yours, of course. I hate to mention these things, but—”</p>
|
||||
<p>“Oh, come now, J. P.,” said the captain. “You know I was just fooling. I’ll put you off at Cold Branch, if you say so.”</p>
|
||||
<p>“Oh, come now, <abbr class="name">J. P.</abbr>,” said the captain. “You know I was just fooling. I’ll put you off at Cold Branch, if you say so.”</p>
|
||||
<p>“The other passengers get off there, too,” said <abbr>Mr.</abbr> Bloom.</p>
|
||||
<p>Further conversation was held, and in ten minutes the <i epub:type="se:name.vessel.ship">Dixie Belle</i> turned her nose toward a little, cranky wooden pier on the left bank, and the captain, relinquishing the wheel to a roustabout, came to the passenger deck and made the remarkable announcement: “All out for Skyland.”</p>
|
||||
<p>The Blaylocks and J. Pinkney Bloom disembarked, and the <i epub:type="se:name.vessel.ship">Dixie Belle</i> proceeded on her way up the lake. Guided by the indefatigable promoter, they slowly climbed the steep hillside, pausing often to rest and admire the view. Finally they entered the village of Cold Branch. Warmly both the Colonel and his wife praised it for its homelike and peaceful beauty. <abbr>Mr.</abbr> Bloom conducted them to a two-story building on a shady street that bore the legend, “Pine-top Inn.” Here he took his leave, receiving the cordial thanks of the two for his attentions, the Colonel remarking that he thought they would spend the remainder of the day in rest, and take a look at his purchase on the morrow.</p>
|
||||
|
@ -13,7 +13,7 @@
|
||||
<p>From this high view the city itself becomes degraded to an unintelligible mass of distorted buildings and impossible perspectives; the revered ocean is a duck pond; the earth itself a lost golf ball. All the minutiae of life are gone. The philosopher gazes into the infinite heavens above him, and allows his soul to expand to the influence of his new view. He feels that he is the heir to Eternity and the child of Time. Space, too, should be his by the right of his immortal heritage, and he thrills at the thought that some day his kind shall traverse those mysterious aerial roads between planet and planet. The tiny world beneath his feet upon which this towering structure of steel rests as a speck of dust upon a Himalayan mountain—it is but one of a countless number of such whirling atoms. What are the ambitions, the achievements, the paltry conquests and loves of those restless black insects below compared with the serene and awful immensity of the universe that lies above and around their insignificant city?</p>
|
||||
<p>It is guaranteed that the philosopher will have these thoughts. They have been expressly compiled from the philosophies of the world and set down with the proper interrogation point at the end of them to represent the invariable musings of deep thinkers on high places. And when the philosopher takes the elevator down his mind is broader, his heart is at peace, and his conception of the cosmogony of creation is as wide as the buckle of Orion’s summer belt.</p>
|
||||
<p>But if your name happened to be Daisy, and you worked in an Eighth Avenue candy store and lived in a little cold hall bedroom, five feet by eight, and earned $6 per week, and ate ten-cent lunches and were nineteen years old, and got up at 6:30 and worked till 9, and never had studied philosophy, maybe things wouldn’t look that way to you from the top of a skyscraper.</p>
|
||||
<p>Two sighed for the hand of Daisy, the unphilosophical. One was Joe, who kept the smallest store in New York. It was about the size of a toolbox of the D. P. W., and was stuck like a swallow’s nest against a corner of a downtown skyscraper. Its stock consisted of fruit, candies, newspapers, song books, cigarettes, and lemonade in season. When stern winter shook his congealed locks and Joe had to move himself and the fruit inside, there was exactly room in the store for the proprietor, his wares, a stove the size of a vinegar cruet, and one customer.</p>
|
||||
<p>Two sighed for the hand of Daisy, the unphilosophical. One was Joe, who kept the smallest store in New York. It was about the size of a toolbox of the <abbr class="initialism">DPW</abbr>, and was stuck like a swallow’s nest against a corner of a downtown skyscraper. Its stock consisted of fruit, candies, newspapers, song books, cigarettes, and lemonade in season. When stern winter shook his congealed locks and Joe had to move himself and the fruit inside, there was exactly room in the store for the proprietor, his wares, a stove the size of a vinegar cruet, and one customer.</p>
|
||||
<p>Joe was not of the nation that keeps us forever in a furore with fugues and fruit. He was a capable American youth who was laying by money, and wanted Daisy to help him spend it. Three times he had asked her.</p>
|
||||
<p>“I got money saved up, Daisy,” was his love song; “and you know how bad I want you. That store of mine ain’t very big, but—”</p>
|
||||
<p>“Oh, ain’t it?” would be the antiphony of the unphilosophical one. “Why, I heard Wanamaker’s was trying to get you to sublet part of your floor space to them for next year.”</p>
|
||||
@ -23,7 +23,7 @@
|
||||
<p>“Store!”—a fine scorn was expressed by Daisy’s uptilted nose—“sardine box! Waitin’ for me, you say? Gee! you’d have to throw out about a hundred pounds of candy before I could get inside of it, Joe.”</p>
|
||||
<p>“I wouldn’t mind an even swap like that,” said Joe, complimentary.</p>
|
||||
<p>Daisy’s existence was limited in every way. She had to walk sideways between the counter and the shelves in the candy store. In her own hall bedroom coziness had been carried close to cohesiveness. The walls were so near to one another that the paper on them made a perfect Babel of noise. She could light the gas with one hand and close the door with the other without taking her eyes off the reflection of her brown pompadour in the mirror. She had Joe’s picture in a gilt frame on the dresser, and sometimes—but her next thought would always be of Joe’s funny little store tacked like a soap box to the corner of that great building, and away would go her sentiment in a breeze of laughter.</p>
|
||||
<p>Daisy’s other suitor followed Joe by several months. He came to board in the house where she lived. His name was Dabster, and he was a philosopher. Though young, attainments stood out upon him like continental labels on a Passaic (N. J.) suitcase. Knowledge he had kidnapped from cyclopedias and handbooks of useful information; but as for wisdom, when she passed he was left sniffling in the road without so much as the number of her motor car. He could and would tell you the proportion of water and muscle-making properties of peas and veal, the shortest verse in the Bible, the number of pounds of shingle nails required to fasten 256 shingles laid four inches to the weather, the population of Kankakee, Ill., the theories of Spinoza, the name of <abbr>Mr.</abbr> H. McKay Twombly’s second hall footman, the length of the Hoosac Tunnel, the best time to set a hen, the salary of the railway post-office messenger between Driftwood and Red Bank Furnace, Pa., and the number of bones in the foreleg of a cat.</p>
|
||||
<p>Daisy’s other suitor followed Joe by several months. He came to board in the house where she lived. His name was Dabster, and he was a philosopher. Though young, attainments stood out upon him like continental labels on a Passaic (<abbr class="postal">NJ</abbr>) suitcase. Knowledge he had kidnapped from cyclopedias and handbooks of useful information; but as for wisdom, when she passed he was left sniffling in the road without so much as the number of her motor car. He could and would tell you the proportion of water and muscle-making properties of peas and veal, the shortest verse in the Bible, the number of pounds of shingle nails required to fasten 256 shingles laid four inches to the weather, the population of Kankakee, Ill., the theories of Spinoza, the name of <abbr>Mr.</abbr> H. McKay Twombly’s second hall footman, the length of the Hoosac Tunnel, the best time to set a hen, the salary of the railway post-office messenger between Driftwood and Red Bank Furnace, Pa., and the number of bones in the foreleg of a cat.</p>
|
||||
<p>The weight of learning was no handicap to Dabster. His statistics were the sprigs of parsley with which he garnished the feast of small talk that he would set before you if he conceived that to be your taste. And again he used them as breastworks in foraging at the boardinghouse. Firing at you a volley of figures concerning the weight of a lineal foot of bar-iron 5 × 2¾ inches, and the average annual rainfall at Fort Snelling, Minn., he would transfix with his fork the best piece of chicken on the dish while you were trying to rally sufficiently to ask him weakly why does a hen cross the road.</p>
|
||||
<p>Thus, brightly armed, and further equipped with a measure of good looks, of a hair-oily, shopping-district-at-three-in-the-afternoon kind, it seems that Joe, of the Lilliputian emporium, had a rival worthy of his steel. But Joe carried no steel. There wouldn’t have been room in his store to draw it if he had.</p>
|
||||
<p>One Saturday afternoon, about four o’clock, Daisy and <abbr>Mr.</abbr> Dabster stopped before Joe’s booth. Dabster wore a silk hat, and—well, Daisy was a woman, and that hat had no chance to get back in its box until Joe had seen it. A stick of pineapple chewing gum was the ostensible object of the call. Joe supplied it through the open side of his store. He did not pale or falter at sight of the hat.</p>
|
||||
|
@ -28,7 +28,7 @@
|
||||
<p class="signature">Constant Reader.</p>
|
||||
<p>The 25th of December.</p>
|
||||
<hr/>
|
||||
<p>What does an <abbr>F. F. V.</abbr> mean?</p>
|
||||
<p>What does an <abbr class="initialism">FFV</abbr> mean?</p>
|
||||
<p class="signature">Ignorant.</p>
|
||||
<p>What does he mean by what? If he takes you by the arm and tells you how much you are like a brother of his in Richmond, he means Feel For Your Vest, for he wants to borrow a five. If he holds his head high and don’t speak to you on the street he means that he already owes you ten and is Following a Fresh Victim.</p>
|
||||
<hr/>
|
||||
|
@ -112,7 +112,7 @@
|
||||
</tr>
|
||||
<tr>
|
||||
<td epub:type="z3998:persona">She</td>
|
||||
<td><i epub:type="z3998:stage-direction">Seizing the broom.<i> Biff! biff! biff.</td>
|
||||
<td><i epub:type="z3998:stage-direction">Seizing the broom.</i> Biff! biff! biff.</td>
|
||||
</tr>
|
||||
<tr>
|
||||
<td epub:type="z3998:persona">He</td>
|
||||
|
@ -17,7 +17,7 @@
|
||||
<p>“Well, ef I must say it, Sam,” she drawled, “you look jest like one of them hayseeds in the picture papers, ‘stead of a free and independent sheepman of the State o’ Texas.”</p>
|
||||
<p>Sam climbed awkwardly into the saddle.</p>
|
||||
<p>“You’re the one ought to be ‘shamed to say so,” he replied hotly. “ ‘Stead of ‘tendin’ to a man’s clothes you’re al’ays setting around a-readin’ them billy-by-dam yaller-back novils.”</p>
|
||||
<p>“Oh, shet up and ride along,” said <abbr>Mrs.</abbr> Webber, with a little jerk at the handles of her chair; “you always fussin’ ‘bout my readin’. I do a-plenty; and I’ll read when I wanter. I live in the bresh here like a varmint, never seein’ nor hearin’ nothin’, and what other ‘musement kin I have? Not in listenin’ to you talk, for it’s complain, complain, one day after another. Oh, go on, Sam, and leave me in peace.”</p>
|
||||
<p>“Oh, shet up and ride along,” said <abbr>Mrs.</abbr> Webber, with a little jerk at the handles of her chair; “you always fussin’ ’bout my readin’. I do a-plenty; and I’ll read when I wanter. I live in the bresh here like a varmint, never seein’ nor hearin’ nothin’, and what other ’musement kin I have? Not in listenin’ to you talk, for it’s complain, complain, one day after another. Oh, go on, Sam, and leave me in peace.”</p>
|
||||
<p>Sam gave his pony a squeeze with his knees and “shoved” down the wagon trail that connected his ranch with the old, open Government road. It was eight o’clock, and already beginning to be very warm. He should have started three hours earlier. Chapman ranch was only eighteen miles away, but there was a road for only three miles of the distance. He had ridden over there once with one of the Half-Moon cowpunchers, and he had the direction well-defined in his mind.</p>
|
||||
<p>Sam turned off the old Government road at the split mesquite, and struck down the arroyo of the Quintanilla. Here was a narrow stretch of smiling valley, upholstered with a rich mat of green, curly mesquite grass; and Mexico consumed those few miles quickly with his long, easy lope. Again, upon reaching Wild Duck Waterhole, must he abandon well-defined ways. He turned now to his right up a little hill, pebble-covered, upon which grew only the tenacious and thorny prickly pear and chaparral. At the summit of this he paused to take his last general view of the landscape for, from now on, he must wind through brakes and thickets of chaparral, pear, and mesquite, for the most part seeing scarcely farther than twenty yards in any direction, choosing his way by the prairie-dweller’s instinct, guided only by an occasional glimpse of a far distant hilltop, a peculiarly shaped knot of trees, or the position of the sun.</p>
|
||||
<p>Sam rode down the sloping hill and plunged into the great pear flat that lies between the Quintanilla and the Piedra.</p>
|
||||
|
@ -21,7 +21,7 @@
|
||||
<p>“ ‘Him?’ says the secretary. ‘Well, no. He’s got a big, fat wife in the harem named Bad Dora that he don’t like. I believe he intends to saddle her up and ride her up and down the boardwalk in the Bulbul Gardens a few times every day. You haven’t got a pair of extra-long spurs you could throw in on the deal, have you?’ Yes, sir; there’s mighty few real roughriders among the royal sports these days.”</p>
|
||||
<p>As soon as Lucullus Polk got cool enough I picked him up, and with no greater effort than you would employ in persuading a drowning man to clutch a straw, I inveigled him into accompanying me to a cool corner in a dim café.</p>
|
||||
<p>And it came to pass that man-servants set before us brewage; and Lucullus Polk spake unto me, relating the wherefores of his beleaguering the antechambers of the princes of the earth.</p>
|
||||
<p>“Did you ever hear of the S.A. & A.P. Railroad in Texas? Well, that don’t stand for Samaritan Actor’s Aid Philanthropy. I was down that way managing a summer bunch of the gum and syntax-chewers that play the Idlewild Parks in the Western hamlets. Of course, we went to pieces when the soubrette ran away with a prominent barber of Beeville. I don’t know what became of the rest of the company. I believe there were some salaries due; and the last I saw of the troupe was when I told them that forty-three cents was all the treasury contained. I say I never saw any of them after that; but I heard them for about twenty minutes. I didn’t have time to look back. But after dark I came out of the woods and struck the S.A. & A.P. agent for means of transportation. He at once extended to me the courtesies of the entire railroad, kindly warning me, however, not to get aboard any of the rolling stock.</p>
|
||||
<p>“Did you ever hear of the <abbr>S.A. & A.P.</abbr> Railroad in Texas? Well, that don’t stand for Samaritan Actor’s Aid Philanthropy. I was down that way managing a summer bunch of the gum and syntax-chewers that play the Idlewild Parks in the Western hamlets. Of course, we went to pieces when the soubrette ran away with a prominent barber of Beeville. I don’t know what became of the rest of the company. I believe there were some salaries due; and the last I saw of the troupe was when I told them that forty-three cents was all the treasury contained. I say I never saw any of them after that; but I heard them for about twenty minutes. I didn’t have time to look back. But after dark I came out of the woods and struck the <abbr>S.A. & A.P.</abbr> agent for means of transportation. He at once extended to me the courtesies of the entire railroad, kindly warning me, however, not to get aboard any of the rolling stock.</p>
|
||||
<p>“About ten the next morning I steps off the ties into a village that calls itself Atascosa City. I bought a thirty-cent breakfast and a ten-cent cigar, and stood on the Main Street jingling the three pennies in my pocket—dead broke. A man in Texas with only three cents in his pocket is no better off than a man that has no money and owes two cents.</p>
|
||||
<p>“One of luck’s favourite tricks is to soak a man for his last dollar so quick that he don’t have time to look it. There I was in a swell <abbr>St.</abbr> Louis tailor-made, blue-and-green plaid suit, and an eighteen-narat sulphate-of-copper scarf-pin, with no hope in sight except the two great Texas industries, the cotton fields and grading new railroads. I never picked cotton, and I never cottoned to a pick, so the outlook had ultramarine edges.</p>
|
||||
<p>“All of a sudden, while I was standing on the edge of the wooden sidewalk, down out of the sky falls two fine gold watches in the middle of the street. One hits a chunk of mud and sticks. The other falls hard and flies open, making a fine drizzle of little springs and screws and wheels. I looks up for a balloon or an airship; but not seeing any, I steps off the sidewalk to investigate.</p>
|
||||
@ -35,10 +35,10 @@
|
||||
<p>“ ‘You must have knocked around a right smart,’ goes on this oil Grease-us. ‘I shouldn’t be surprised if you have saw towns more livelier than what Atascosa City is. Sometimes it seems to me that there ought to be some more ways of having a good time than there is here, ‘specially when you’ve got plenty of money and don’t mind spending it.’</p>
|
||||
<p>“Then this Mother Cary’s chick of the desert sits down by me and we hold a conversationfest. It seems that he was money-poor. He’d lived in ranch camps all his life; and he confessed to me that his supreme idea of luxury was to ride into camp, tired out from a roundup, eat a peck of Mexican beans, hobble his brains with a pint of raw whisky, and go to sleep with his boots for a pillow. When this barge-load of unexpected money came to him and his pink but perky partner, George, and they hied themselves to this clump of outhouses called Atascosa City, you know what happened to them. They had money to buy anything they wanted; but they didn’t know what to want. Their ideas of spendthriftiness were limited to three—whisky, saddles, and gold watches. If there was anything else in the world to throw away fortunes on, they had never heard about it. So, when they wanted to have a hot time, they’d ride into town and get a city directory and stand in front of the principal saloon and call up the population alphabetically for free drinks. Then they would order three or four new California saddles from the storekeeper, and play crack-loo on the sidewalk with twenty-dollar gold pieces. Betting who could throw his gold watch the farthest was an inspiration of George’s; but even that was getting to be monotonous.</p>
|
||||
<p>“Was I on to the opportunity? Listen.</p>
|
||||
<p>“In thirty minutes I had dashed off a word picture of metropolitan joys that made life in Atascosa City look as dull as a trip to Coney Island with your own wife. In ten minutes more we shook hands on an agreement that I was to act as his guide, interpreter and friend in and to the aforesaid wassail and amenity. And Solomon Mills, which was his name, was to pay all expenses for a month. At the end of that time, if I had made good as director-general of the rowdy life, he was to pay me one thousand dollars. And then, to clinch the bargain, we called the roll of Atascosa City and put all of its citizens except the ladies and minors under the table, except one man named Horace Westervelt <abbr>St.</abbr> Clair. Just for that we bought a couple of hatfuls of cheap silver watches and egged him out of town with ’em. We wound up by dragging the harness-maker out of bed and setting him to work on three new saddles; and then we went to sleep across the railroad track at the depot, just to annoy the S.A. & A.P. Think of having seventy-yive thousand dollars and trying to avoid the disgrace of dying rich in a town like that!</p>
|
||||
<p>“In thirty minutes I had dashed off a word picture of metropolitan joys that made life in Atascosa City look as dull as a trip to Coney Island with your own wife. In ten minutes more we shook hands on an agreement that I was to act as his guide, interpreter and friend in and to the aforesaid wassail and amenity. And Solomon Mills, which was his name, was to pay all expenses for a month. At the end of that time, if I had made good as director-general of the rowdy life, he was to pay me one thousand dollars. And then, to clinch the bargain, we called the roll of Atascosa City and put all of its citizens except the ladies and minors under the table, except one man named Horace Westervelt <abbr>St.</abbr> Clair. Just for that we bought a couple of hatfuls of cheap silver watches and egged him out of town with ’em. We wound up by dragging the harness-maker out of bed and setting him to work on three new saddles; and then we went to sleep across the railroad track at the depot, just to annoy the <abbr>S.A. & A.P.</abbr> Think of having seventy-yive thousand dollars and trying to avoid the disgrace of dying rich in a town like that!</p>
|
||||
<p>“The next day George, who was married or something, started back to the ranch. Me and Solly, as I now called him, prepared to shake off our moth balls and wing our way against the arc-lights of the joyous and tuneful East.</p>
|
||||
<p>“ ‘No way-stops,’ says I to Solly, ‘except long enough to get you barbered and haberdashed. This is no Texas feet shampetter,’ says I, ‘where you eat chili-concarne-con-huevos and then holler “Whoopee!” across the plaza. We’re now going against the real high life. We’re going to mingle with the set that carries a Spitz, wears spats, and hits the ground in high spots.’</p>
|
||||
<p>“Solly puts six thousand dollars in century bills in one pocket of his brown ducks, and bills of lading for ten thousand dollars on Eastern banks in another. Then I resume diplomatic relations with the S.A. & A.P., and we hike in a northwesterly direction on our circuitous route to the spice gardens of the Yankee Orient.</p>
|
||||
<p>“Solly puts six thousand dollars in century bills in one pocket of his brown ducks, and bills of lading for ten thousand dollars on Eastern banks in another. Then I resume diplomatic relations with the <abbr>S.A. & A.P.</abbr>, and we hike in a northwesterly direction on our circuitous route to the spice gardens of the Yankee Orient.</p>
|
||||
<p>“We stopped in San Antonio long enough for Solly to buy some clothes, and eight rounds of drinks for the guests and employees of the Menger Hotel, and order four Mexican saddles with silver trimmings and white Angora <i xml:lang="es">suaderos</i> to be shipped down to the ranch. From there we made a big jump to <abbr>St.</abbr> Louis. We got there in time for dinner; and I put our thumbprints on the register of the most expensive hotel in the city.</p>
|
||||
<p>“ ‘Now,’ says I to Solly, with a wink at myself, ‘here’s the first dinner-station we’ve struck where we can get a real good plate of beans.’ And while he was up in his room trying to draw water out of the gas-pipe, I got one finger in the buttonhole of the head waiter’s Tuxedo, drew him apart, inserted a two-dollar bill, and closed him up again.</p>
|
||||
<p>“ ‘Frankoyse,’ says I, ‘I have a pal here for dinner that’s been subsisting for years on cereals and short stogies. You see the chef and order a dinner for us such as you serve to Dave Francis and the general passenger agent of the Iron Mountain when they eat here. We’ve got more than Bernhardt’s tent full of money; and we want the nose-eags crammed with all the Chief Deveries de cuisine. Object is no expense. Now, show us.’</p>
|
||||
|
@ -23,7 +23,7 @@
|
||||
<p>“Let’s see—there’s you and me and—”</p>
|
||||
<p>“Not me,” said Johnny, promptly and incorrectly, holding up a foot encased in a disreputable deerskin <i xml:lang="es">zapato</i>. “I haven’t been a victim to shoes in months.”</p>
|
||||
<p>“But you’ve got ’em, though,” went on Keogh. “And there’s Goodwin and Blanchard and Geddie and old Lutz and Doc Gregg and that Italian that’s agent for the banana company, and there’s old Delgado—no; he wears sandals. And, oh, yes; there’s Madama Ortiz, ‘what kapes the hotel’—she had on a pair of red slippers at the baile the other night. And Miss Pasa, her daughter, that went to school in the States—she brought back some civilized notions in the way of footgear. And there’s the comandante’s sister that dresses up her feet on feast-days—and <abbr>Mrs.</abbr> Geddie, who wears a two with a Castilian instep—and that’s about all the ladies. Let’s see—don’t some of the soldiers at the cuartel—no: that’s so; they’re allowed shoes only when on the march. In barracks they turn their little toeses out to grass.”</p>
|
||||
<p>“ ‘Bout right,” agreed the consul. “Not over twenty out of the three thousand ever felt leather on their walking arrangements. Oh, yes; Coralio is just the town for an enterprising shoe store—that doesn’t want to part with its goods. Wonder if old Patterson is trying to jolly me! He always was full of things he called jokes. Write him a letter, Billy. I’ll dictate it. We’ll jolly him back a few.”</p>
|
||||
<p>“ ’Bout right,” agreed the consul. “Not over twenty out of the three thousand ever felt leather on their walking arrangements. Oh, yes; Coralio is just the town for an enterprising shoe store—that doesn’t want to part with its goods. Wonder if old Patterson is trying to jolly me! He always was full of things he called jokes. Write him a letter, Billy. I’ll dictate it. We’ll jolly him back a few.”</p>
|
||||
<p>Keogh dipped his pen, and wrote at Johnny’s dictation. With many pauses, filled in with smoke and sundry travellings of the bottle and glasses, the following reply to the Dalesburg communication was perpetrated:</p>
|
||||
<blockquote epub:type="letter">
|
||||
<p><abbr>Mr.</abbr> Obadiah Patterson, Dalesburg, Ala.</p>
|
||||
@ -32,7 +32,7 @@
|
||||
<footer>
|
||||
<p epub:type="z3998:valediction">Your Obt. Servant,</p>
|
||||
<p class="signature" epub:type="z3998:sender">John De Graffenreid Atwood,</p>
|
||||
<p>U. S. Consul at Coralio.</p>
|
||||
<p><abbr class="initialism">US</abbr> Consul at Coralio.</p>
|
||||
</footer>
|
||||
<p epub:type="z3998:postscript"><abbr>P.S.</abbr>—Hello! Uncle Obadiah. How’s the old burg racking along? What would the government do without you and me? Look out for a green-headed parrot and a bunch of bananas soon, from your old friend</p>
|
||||
<p class="signature" epub:type="z3998:sender">Johnny</p>
|
||||
@ -42,7 +42,7 @@
|
||||
<p>Nor at the consulate was there often a change of bill. Keogh would come there nightly, for Coralio’s one cool place was the little seaward porch of that official residence.</p>
|
||||
<p>The brandy would be kept moving; and before midnight sentiment would begin to stir in the heart of the self-exiled consul. Then he would relate to Keogh the story of his ended romance. Each night Keogh would listen patiently to the tale, and be ready with untiring sympathy.</p>
|
||||
<p>“But don’t you think for a minute”—thus Johnny would always conclude his woeful narrative—“that I’m grieving about that girl, Billy. I’ve forgotten her. She never enters my mind. If she were to enter that door right now, my pulse wouldn’t gain a beat. That’s all over long ago.”</p>
|
||||
<p>“Don’t I know it?” Keogh would answer. “Of course you’ve forgotten her. Proper thing to do. Wasn’t quite O. K. of her to listen to the knocks that—er—Dink Pawson kept giving you.”</p>
|
||||
<p>“Don’t I know it?” Keogh would answer. “Of course you’ve forgotten her. Proper thing to do. Wasn’t quite OK of her to listen to the knocks that—er—Dink Pawson kept giving you.”</p>
|
||||
<p>“Pink Dawson!”—a world of contempt would be in Johnny’s tones—“Poor white trash! That’s what he was. Had five hundred acres of farming land, though; and that counted. Maybe I’ll have a chance to get back at him some day. The Dawsons weren’t anybody. Everybody in Alabama knows the Atwoods. Say, Billy—did you know my mother was a De Graffenreid?”</p>
|
||||
<p>“Why, no,” Keogh would say; “is that so?” He had heard it some three hundred times.</p>
|
||||
<p>“Fact. The De Graffenreids of Hancock County. But I never think of that girl any more, do I, Billy?”</p>
|
||||
|
@ -16,7 +16,7 @@
|
||||
<p>When we begin to move in straight lines and turn sharp corners our natures begin to change. The consequence is that Nature, being more adaptive than Art, tries to conform to its sterner regulations. The result is often a rather curious product—for instance: A prize chrysanthemum, wood alcohol whiskey, a Republican Missouri, cauliflower au gratin, and a New Yorker.</p>
|
||||
<p>Nature is lost quickest in a big city. The cause is geometrical, not moral. The straight lines of its streets and architecture, the rectangularity of its laws and social customs, the undeviating pavements, the hard, severe, depressing, uncompromising rules of all its ways—even of its recreation and sports—coldly exhibit a sneering defiance of the curved line of Nature.</p>
|
||||
<p>Wherefore, it may be said that the big city has demonstrated the problem of squaring the circle. And it may be added that this mathematical introduction precedes an account of the fate of a Kentucky feud that was imported to the city that has a habit of making its importations conform to its angles.</p>
|
||||
<p>The feud began in the Cumberland Mountains between the Folwell and the Harkness families. The first victim of the homespun vendetta was a ‘possum dog belonging to Bill Harkness. The Harkness family evened up this dire loss by laying out the chief of the Folwell clan. The Folwells were prompt at repartee. They oiled up their squirrel rifles and made it feasible for Bill Harkness to follow his dog to a land where the ‘possums come down when treed without the stroke of an ax.</p>
|
||||
<p>The feud began in the Cumberland Mountains between the Folwell and the Harkness families. The first victim of the homespun vendetta was a ’possum dog belonging to Bill Harkness. The Harkness family evened up this dire loss by laying out the chief of the Folwell clan. The Folwells were prompt at repartee. They oiled up their squirrel rifles and made it feasible for Bill Harkness to follow his dog to a land where the ’possums come down when treed without the stroke of an ax.</p>
|
||||
<p>The feud flourished for forty years. Harknesses were shot at the plough, through their lamp-lit cabin windows, coming from camp-meeting, asleep, in duello, sober and otherwise, singly and in family groups, prepared and unprepared. Folwells had the branches of their family tree lopped off in similar ways, as the traditions of their country prescribed and authorized.</p>
|
||||
<p>By and by the pruning left but a single member of each family. And then Cal Harkness, probably reasoning that further pursuance of the controversy would give a too decided personal flavour to the feud, suddenly disappeared from the relieved Cumberlands, baulking the avenging hand of Sam, the ultimate opposing Folwell.</p>
|
||||
<p>A year afterward Sam Folwell learned that his hereditary, unsuppressed enemy was living in New York City. Sam turned over the big iron wash-pot in the yard, scraped off some of the soot, which he mixed with lard and shined his boots with the compound. He put on his store clothes of butternut dyed black, a white shirt and collar, and packed a carpet-sack with Spartan lingerie. He took his squirrel rifle from its hooks, but put it back again with a sigh. However ethical and plausible the habit might be in the Cumberlands, perhaps New York would not swallow his pose of hunting squirrels among the skyscrapers along Broadway. An ancient but reliable Colt’s revolver that he resurrected from a bureau drawer seemed to proclaim itself the pink of weapons for metropolitan adventure and vengeance. This and a hunting-knife in a leather sheath, Sam packed in the carpet-sack. As he started, muleback, for the lowland railroad station the last Folwell turned in his saddle and looked grimly at the little cluster of white-pine slabs in the clump of cedars that marked the Folwell burying-ground.</p>
|
||||
|
@ -9,15 +9,15 @@
|
||||
<section id="strictly-business" epub:type="volume se:short-story">
|
||||
<h2 epub:type="title">Strictly Business</h2>
|
||||
<p>I suppose you know all about the stage and stage people. You’ve been touched with and by actors, and you read the newspaper criticisms and the jokes in the weeklies about the Rialto and the chorus girls and the long-haired tragedians. And I suppose that a condensed list of your ideas about the mysterious stageland would boil down to something like this:</p>
|
||||
<p>Leading ladies have five husbands, paste diamonds, and figures no better than your own (madam) if they weren’t padded. Chorus girls are inseparable from peroxide, Panhards and Pittsburg. All shows walk back to New York on tan oxford and railroad ties. Irreproachable actresses reserve the comic-landlady part for their mothers on Broadway and their step-aunts on the road. Kyrle Bellew’s real name is Boyle O’Kelley. The ravings of John McCullough in the phonograph were stolen from the first sale of the Ellen Terry memoirs. Joe Weber is funnier than E. H. Sothern; but Henry Miller is getting older than he was.</p>
|
||||
<p>Leading ladies have five husbands, paste diamonds, and figures no better than your own (madam) if they weren’t padded. Chorus girls are inseparable from peroxide, Panhards and Pittsburg. All shows walk back to New York on tan oxford and railroad ties. Irreproachable actresses reserve the comic-landlady part for their mothers on Broadway and their step-aunts on the road. Kyrle Bellew’s real name is Boyle O’Kelley. The ravings of John McCullough in the phonograph were stolen from the first sale of the Ellen Terry memoirs. Joe Weber is funnier than <abbr class="name">E. H.</abbr> Sothern; but Henry Miller is getting older than he was.</p>
|
||||
<p>All theatrical people on leaving the theatre at night drink champagne and eat lobsters until noon the next day. After all, the moving pictures have got the whole bunch pounded to a pulp.</p>
|
||||
<p>Now, few of us know the real life of the stage people. If we did, the profession might be more overcrowded than it is. We look askance at the players with an eye full of patronizing superiority—and we go home and practise all sorts of elocution and gestures in front of our looking glasses.</p>
|
||||
<p>Latterly there has been much talk of the actor people in a new light. It seems to have been divulged that instead of being motoring bacchanalians and diamond-hungry <i xml:lang="fr">loreleis</i> they are businesslike folk, students and ascetics with childer and homes and libraries, owning real estate, and conducting their private affairs in as orderly and unsensational a manner as any of us good citizens who are bound to the chariot wheels of the gas, rent, coal, ice, and wardmen.</p>
|
||||
<p>Whether the old or the new report of the sock-and-buskiners be the true one is a surmise that has no place here. I offer you merely this little story of two strollers; and for proof of its truth I can show you only the dark patch above the cast-iron of the stage-entrance door of Keetor’s old vaudeville theatre made there by the petulant push of gloved hands too impatient to finger the clumsy thumb-latch—and where I last saw Cherry whisking through like a swallow into her nest, on time to the minute, as usual, to dress for her act.</p>
|
||||
<p>The vaudeville team of Hart & Cherry was an inspiration. Bob Hart had been roaming through the Eastern and Western circuits for four years with a mixed-up act comprising a monologue, three lightning changes with songs, a couple of imitations of celebrated imitators, and a buck-and-wing dance that had drawn a glance of approval from the bass-viol player in more than one house—than which no performer ever received more satisfactory evidence of good work.</p>
|
||||
<p>The greatest treat an actor can have is to witness the pitiful performance with which all other actors desecrate the stage. In order to give himself this pleasure he will often forsake the sunniest Broadway corner between Thirty-fourth and Forty-fourth to attend a matinée offering by his less gifted brothers. Once during the lifetime of a minstrel joke one comes to scoff and remains to go through with that most difficult exercise of Thespian muscles—the audible contact of the palm of one hand against the palm of the other.</p>
|
||||
<p>One afternoon Bob Hart presented his solvent, serious, well-known vaudevillian face at the box-office window of a rival attraction and got his d. h. coupon for an orchestra seat.</p>
|
||||
<p>A, B, C, and D glowed successively on the announcement spaces and passed into oblivion, each plunging <abbr>Mr.</abbr> Hart deeper into gloom. Others of the audience shrieked, squirmed, whistled, and applauded; but Bob Hart, “All the Mustard and a Whole Show in Himself,” sat with his face as long and his hands as far apart as a boy holding a hank of yarn for his grandmother to wind into a ball.</p>
|
||||
<p>One afternoon Bob Hart presented his solvent, serious, well-known vaudevillian face at the box-office window of a rival attraction and got his <abbr>d. h.</abbr> coupon for an orchestra seat.</p>
|
||||
<p><i epub:type="grapheme">A</i>, <i epub:type="grapheme">B</i>, <i epub:type="grapheme">C</i>, and <i epub:type="grapheme">D</i> glowed successively on the announcement spaces and passed into oblivion, each plunging <abbr>Mr.</abbr> Hart deeper into gloom. Others of the audience shrieked, squirmed, whistled, and applauded; but Bob Hart, “All the Mustard and a Whole Show in Himself,” sat with his face as long and his hands as far apart as a boy holding a hank of yarn for his grandmother to wind into a ball.</p>
|
||||
<p>But when H came on, “The Mustard” suddenly sat up straight. H was the happy alphabetical prognosticator of Winona Cherry, in Character Songs and Impersonations. There were scarcely more than two bites to Cherry; but she delivered the merchandise tied with a pink cord and charged to the old man’s account. She first showed you a deliciously dewy and ginghamy country girl with a basket of property daisies who informed you ingenuously that there were other things to be learned at the old log schoolhouse besides cipherin’ and nouns, especially “When the Teacher Kept Me in.” Vanishing, with a quick flirt of gingham apron-strings, she reappeared in considerably less than a “trice” as a fluffy “Parisienne”—so near does Art bring the old red mill to the Moulin Rouge. And then—</p>
|
||||
<p>But you know the rest. And so did Bob Hart; but he saw somebody else. He thought he saw that Cherry was the only professional on the short order stage that he had seen who seemed exactly to fit the part of “Helen Grimes” in the sketch he had written and kept tucked away in the tray of his trunk. Of course Bob Hart, as well as every other normal actor, grocer, newspaper man, professor, curb broker, and farmer, has a play tucked away somewhere. They tuck ’em in trays of trunks, trunks of trees, desks, haymows, pigeonholes, inside pockets, safe-deposit vaults, handboxes, and coal cellars, waiting for <abbr>Mr.</abbr> Frohman to call. They belong among the fifty-seven different kinds.</p>
|
||||
<p>But Bob Hart’s sketch was not destined to end in a pickle jar. He called it “Mice Will Play.” He had kept it quiet and hidden away ever since he wrote it, waiting to find a partner who fitted his conception of “Helen Grimes.” And here was “Helen” herself, with all the innocent abandon, the youth, the sprightliness, and the flawless stage art that his critical taste demanded.</p>
|
||||
@ -39,7 +39,7 @@
|
||||
<p>“Well,” said Hart, “You’ve got the proper idea all right, all right, anyhow. There are mighty few actors that amount to anything at all who couldn’t fix themselves for the wet days to come if they’d save their money instead of blowing it. I’m glad you’ve got the correct business idea of it, Miss Cherry. I think the same way; and I believe this sketch will more than double what both of us earn now when we get it shaped up.”</p>
|
||||
<p>The subsequent history of “Mice Will Play” is the history of all successful writings for the stage. Hart & Cherry cut it, pieced it, remodeled it, performed surgical operations on the dialogue and business, changed the lines, restored ’em, added more, cut ’em out, renamed it, gave it back the old name, rewrote it, substituted a dagger for the pistol, restored the pistol—put the sketch through all the known processes of condensation and improvement.</p>
|
||||
<p>They rehearsed it by the old-fashioned boardinghouse clock in the rarely used parlor until its warning click at five minutes to the hour would occur every time exactly half a second before the click of the unloaded revolver that Helen Grimes used in rehearsing the thrilling climax of the sketch.</p>
|
||||
<p>Yes, that was a thriller and a piece of excellent work. In the act a real 32-caliber revolver was used loaded with a real cartridge. Helen Grimes, who is a Western girl of decidedly Buffalo Billish skill and daring, is tempestuously in love with Frank Desmond, the private secretary and confidential prospective son-in-law of her father, “Arapahoe” Grimes, quarter-million-dollar cattle king, owning a ranch that, judging by the scenery, is in either the Bad Lands or Amagansett, L. I. Desmond (in private life <abbr>Mr.</abbr> Bob Hart) wears puttees and Meadow Brook Hunt riding trousers, and gives his address as New York, leaving you to wonder why he comes to the Bad Lands or Amagansett (as the case may be) and at the same time to conjecture mildly why a cattleman should want puttees about his ranch with a secretary in ’em.</p>
|
||||
<p>Yes, that was a thriller and a piece of excellent work. In the act a real 32-caliber revolver was used loaded with a real cartridge. Helen Grimes, who is a Western girl of decidedly Buffalo Billish skill and daring, is tempestuously in love with Frank Desmond, the private secretary and confidential prospective son-in-law of her father, “Arapahoe” Grimes, quarter-million-dollar cattle king, owning a ranch that, judging by the scenery, is in either the Bad Lands or Amagansett, <abbr class="name">L. I.</abbr> Desmond (in private life <abbr>Mr.</abbr> Bob Hart) wears puttees and Meadow Brook Hunt riding trousers, and gives his address as New York, leaving you to wonder why he comes to the Bad Lands or Amagansett (as the case may be) and at the same time to conjecture mildly why a cattleman should want puttees about his ranch with a secretary in ’em.</p>
|
||||
<p>Well, anyhow, you know as well as I do that we all like that kind of play, whether we admit it or not—something along in between “Bluebeard, Jr.,” and “Cymbeline” played in the Russian.</p>
|
||||
<p>There were only two parts and a half in “Mice Will Play.” Hart and Cherry were the two, of course; and the half was a minor part always played by a stage hand, who merely came in once in a Tuxedo coat and a panic to announce that the house was surrounded by Indians, and to turn down the gas fire in the grate by the manager’s orders.</p>
|
||||
<p>There was another girl in the sketch—a Fifth Avenue society swelless—who was visiting the ranch and who had sirened Jack Valentine when he was a wealthy club-man on lower Third Avenue before he lost his money. This girl appeared on the stage only in the photographic state—Jack had her Sarony stuck up on the mantel of the Amagan—of the Bad Lands droring room. Helen was jealous, of course.</p>
|
||||
|
@ -36,13 +36,13 @@
|
||||
<p>“ ‘This man will take care of your outfit,’ says he, ‘and I’ll take care of you.’</p>
|
||||
<p>“He leads me into the biggest house, and sets out the chairs and a kind of a drink the color of milk. It was the finest room I ever saw. The stone walls was hung all over with silk shawls, and there was red and yellow rugs on the floor, and jars of red pottery and Angora goat skins, and enough bamboo furniture to misfurnish half a dozen seaside cottages.</p>
|
||||
<p>“ ‘In the first place,’ says the man, ‘you want to know who I am. I’m sole lessee and proprietor of this tribe of Indians. They call me the Grand Yacuma, which is to say King or Main Finger of the bunch. I’ve got more power here than a chargé d’affaires, a charge of dynamite, and a charge account at Tiffany’s combined. In fact, I’m the Big Stick, with as many extra knots on it as there is on the record run of the Lusitania. Oh, I read the papers now and then,’ says he. ‘Now, let’s hear your entitlements,’ he goes on, ‘and the meeting will be open.’</p>
|
||||
<p>“ ‘Well,’ says I, ‘I am known as one W. D. Finch. Occupation, capitalist. Address, 541 East Thirty-second—’</p>
|
||||
<p>“ ‘Well,’ says I, ‘I am known as one <abbr class="name">W. D.</abbr> Finch. Occupation, capitalist. Address, 541 East Thirty-second—’</p>
|
||||
<p>“ ‘New York,’ chips in the Noble Grand. ‘I know,’ says he, grinning. ‘It ain’t the first time you’ve seen it go down on the blotter. I can tell by the way you hand it out. Well, explain “capitalist.” ’</p>
|
||||
<p>“I tells this boss plain what I come for and how I come to came.</p>
|
||||
<p>“ ‘Gold-dust?’ says he, looking as puzzled as a baby that’s got a feather stuck on its molasses finger. ‘That’s funny. This ain’t a gold-mining country. And you invested all your capital on a stranger’s story? Well, well! These Indians of mine—they are the last of the tribe of Peches—are simple as children. They know nothing of the purchasing power of gold. I’m afraid you’ve been imposed on,’ says he.</p>
|
||||
<p>“ ‘Maybe so,’ says I, ‘but it sounded pretty straight to me.’</p>
|
||||
<p>“ ‘W. D.,’ says the King, all of a sudden, ‘I’ll give you a square deal. It ain’t often I get to talk to a white man, and I’ll give you a show for your money. It may be these constituents of mine have a few grains of gold-dust hid away in their clothes. To-morrow you may get out these goods you’ve brought up and see if you can make any sales. Now, I’m going to introduce myself unofficially. My name is Shane—Patrick Shane. I own this tribe of Peche Indians by right of conquest—single handed and unafraid. I drifted up here four years ago, and won ’em by my size and complexion and nerve. I learned their language in six weeks—it’s easy: you simply emit a string of consonants as long as your breath holds out and then point at what you’re asking for.</p>
|
||||
<p>“ ‘I conquered ’em, spectacularly,’ goes on King Shane, ‘and then I went at ’em with economical politics, law, sleight-of-hand, and a kind of New England ethics and parsimony. Every Sunday, or as near as I can guess at it, I preach to ’em in the council-house (I’m the council) on the law of supply and demand. I praise supply and knock demand. I use the same text every time. You wouldn’t think, W. D.,’ says Shane, ‘that I had poetry in me, would you?’</p>
|
||||
<p>“ ‘<abbr class="name">W. D.</abbr>,’ says the King, all of a sudden, ‘I’ll give you a square deal. It ain’t often I get to talk to a white man, and I’ll give you a show for your money. It may be these constituents of mine have a few grains of gold-dust hid away in their clothes. To-morrow you may get out these goods you’ve brought up and see if you can make any sales. Now, I’m going to introduce myself unofficially. My name is Shane—Patrick Shane. I own this tribe of Peche Indians by right of conquest—single handed and unafraid. I drifted up here four years ago, and won ’em by my size and complexion and nerve. I learned their language in six weeks—it’s easy: you simply emit a string of consonants as long as your breath holds out and then point at what you’re asking for.</p>
|
||||
<p>“ ‘I conquered ’em, spectacularly,’ goes on King Shane, ‘and then I went at ’em with economical politics, law, sleight-of-hand, and a kind of New England ethics and parsimony. Every Sunday, or as near as I can guess at it, I preach to ’em in the council-house (I’m the council) on the law of supply and demand. I praise supply and knock demand. I use the same text every time. You wouldn’t think, <abbr class="name">W. D.</abbr>,’ says Shane, ‘that I had poetry in me, would you?’</p>
|
||||
<p>“ ‘Well,’ says I, ‘I wouldn’t know whether to call it poetry or not.’</p>
|
||||
<p>“ ‘Tennyson,’ says Shane, ‘furnishes the poetic gospel I preach. I always considered him the boss poet. Here’s the way the text goes:</p>
|
||||
<blockquote epub:type="z3998:poem">
|
||||
@ -55,10 +55,10 @@
|
||||
<p>“ ‘You see, I teach ’em to cut out demand—that supply is the main thing. I teach ’em not to desire anything beyond their simplest needs. A little mutton, a little cocoa, and a little fruit brought up from the coast—that’s all they want to make ’em happy. I’ve got ’em well trained. They make their own clothes and hats out of a vegetable fibre and straw, and they’re a contented lot. It’s a great thing,’ winds up Shane, ‘to have made a people happy by the incultivation of such simple institutions.’</p>
|
||||
<p>“Well, the next day, with the King’s permission, I has the McClintock open up a couple of sacks of my goods in the little plaza of the village. The Indians swarmed around by the hundred and looked the bargain-counter over. I shook red blankets at ’em, flashed finger-rings and ear-bobs, tried pearl necklaces and side-combs on the women, and a line of red hosiery on the men. ’Twas no use. They looked on like hungry graven images, but I never made a sale. I asked McClintock what was the trouble. Mac yawned three or four times, rolled a cigarette, made one or two confidential side remarks to a mule, and then condescended to inform me that the people had no money.</p>
|
||||
<p>“Just then up strolls King Patrick, big and red and royal as usual, with the gold chain over his chest and his cigar in front of him.</p>
|
||||
<p>“ ‘How’s business, W. D.?’ he asks.</p>
|
||||
<p>“ ‘How’s business, <abbr class="name">W. D.</abbr>?’ he asks.</p>
|
||||
<p>“ ‘Fine,’ says I. ‘It’s a bargain-day rush. I’ve got one more line of goods to offer before I shut up shop. I’ll try ’em with safety-razors. I’ve got two gross that I bought at a fire sale.’</p>
|
||||
<p>“Shane laughs till some kind of mameluke or private secretary he carries with him has to hold him up.</p>
|
||||
<p>“ ‘O my sainted Aunt Jerusha!’ says he, ‘ain’t you one of the Babes in the Goods, W. D.? Don’t you know that no Indians ever shave? They pull out their whiskers instead.’</p>
|
||||
<p>“ ‘O my sainted Aunt Jerusha!’ says he, ‘ain’t you one of the Babes in the Goods, <abbr class="name">W. D.</abbr>? Don’t you know that no Indians ever shave? They pull out their whiskers instead.’</p>
|
||||
<p>“ ‘Well,’ says I, ‘that’s just what these razors would do for ’em—they wouldn’t have any kick coming if they used ’em once.’</p>
|
||||
<p>“Shane went away, and I could hear him laughing a block, if there had been any block.</p>
|
||||
<p>“ ‘Tell ’em,’ says I to McClintock, ‘it ain’t money I want—tell ’em I’ll take gold-dust. Tell ’em I’ll allow ’em sixteen dollars an ounce for it in trade. That’s what I’m out for—the dust.’</p>
|
||||
@ -67,14 +67,14 @@
|
||||
<p>“ ‘They’ve got the dust hid out somewhere,’ says I, ‘or they wouldn’t have been so sensitive about it.’</p>
|
||||
<p>“ ‘They haven’t,’ says Shane. ‘What’s this gag you’ve got about gold? You been reading Edward Allen Poe? They ain’t got any gold.’</p>
|
||||
<p>“ ‘They put it in quills,’ says I, ‘and then they empty it in jars, and then into sacks of twenty-five pounds each. I got it straight.’</p>
|
||||
<p>“ ‘W. D.,’ says Shane, laughing and chewing his cigar, ‘I don’t often see a white man, and I feel like putting you on. I don’t think you’ll get away from here alive, anyhow, so I’m going to tell you. Come over here.’</p>
|
||||
<p>“ ‘<abbr class="name">W. D.</abbr>,’ says Shane, laughing and chewing his cigar, ‘I don’t often see a white man, and I feel like putting you on. I don’t think you’ll get away from here alive, anyhow, so I’m going to tell you. Come over here.’</p>
|
||||
<p>“He draws aside a silk fibre curtain in a corner of the room and shows me a pile of buckskin sacks.</p>
|
||||
<p>“ ‘Forty of ’em,’ says Shane. ‘One arroba in each one. In round numbers, $220,000 worth of gold-dust you see there. It’s all mine. It belongs to the Grand Yacuma. They bring it all to me. Two hundred and twenty thousand dollars—think of that, you glass-bead peddler,’ says Shane—‘and all mine.’</p>
|
||||
<p>“ ‘Little good it does you,’ says I, contemptuously and hatefully. ‘And so you are the government depository of this gang of moneyless money-makers? Don’t you pay enough interest on it to enable one of your depositors to buy an Augusta (Maine) Pullman carbon diamond worth $200 for $4.85?’</p>
|
||||
<p>“ ‘Listen,’ says Patrick Shane, with the sweat coming out on his brow. ‘I’m confidant with you, as you have, somehow, enlisted my regards. Did you ever,’ he says, ‘feel the avoirdupois power of gold—not the troy weight of it, but the sixteen-ounces-to-the-pound force of it?’</p>
|
||||
<p>“ ‘Never,’ says I. ‘I never take in any bad money.’</p>
|
||||
<p>“Shane drops down on the floor and throws his arms over the sacks of gold-dust.</p>
|
||||
<p>“ ‘I love it,’ says he. ‘I want to feel the touch of it day and night. It’s my pleasure in life. I come in this room, and I’m a king and a rich man. I’ll be a millionaire in another year. The pile’s getting bigger every month. I’ve got the whole tribe washing out the sands in the creeks. I’m the happiest man in the world, W. D. I just want to be near this gold, and know it’s mine and it’s increasing every day. Now, you know,’ says he, ‘why my Indians wouldn’t buy your goods. They can’t. They bring all the dust to me. I’m their king. I’ve taught ’em not to desire or admire. You might as well shut up shop.’</p>
|
||||
<p>“ ‘I love it,’ says he. ‘I want to feel the touch of it day and night. It’s my pleasure in life. I come in this room, and I’m a king and a rich man. I’ll be a millionaire in another year. The pile’s getting bigger every month. I’ve got the whole tribe washing out the sands in the creeks. I’m the happiest man in the world, <abbr class="name">W. D.</abbr> I just want to be near this gold, and know it’s mine and it’s increasing every day. Now, you know,’ says he, ‘why my Indians wouldn’t buy your goods. They can’t. They bring all the dust to me. I’m their king. I’ve taught ’em not to desire or admire. You might as well shut up shop.’</p>
|
||||
<p>“ ‘I’ll tell you what you are,’ says I. ‘You’re a plain, contemptible miser. You preach supply and you forget demand. Now, supply,’ I goes on, ‘is never anything but supply. On the contrary,’ says I, ‘demand is a much broader syllogism and assertion. Demand includes the rights of our women and children, and charity and friendship, and even a little begging on the street corners. They’ve both got to harmonize equally. And I’ve got a few things up my commercial sleeve yet,’ says I, ‘that may jostle your preconceived ideas of politics and economy.</p>
|
||||
<p>“The next morning I had McClintock bring up another mule-load of goods to the plaza and open it up. The people gathered around the same as before.</p>
|
||||
<p>“I got out the finest line of necklaces, bracelets, hair-combs, and earrings that I carried, and had the women put ’em on. And then I played trumps.</p>
|
||||
@ -94,7 +94,7 @@
|
||||
<p>“ ‘Going! Going!’ says I. ‘Gold-dust or cash takes the entire stock. The dust weighed before you, and taken at sixteen dollars the ounce—the highest price on the Gaudymala coast.’</p>
|
||||
<p>“Then the crowd disperses all of a sudden, and I don’t know what’s up. Mac and me packs away the hand-mirrors and jewelry they had handed back to us, and we had the mules back to the corral they had set apart for our garage.</p>
|
||||
<p>“While we was there we hear great noises of shouting, and down across the plaza runs Patrick Shane, hotfoot, with his clothes ripped half off, and scratches on his face like a cat had fought him hard for every one of its lives.</p>
|
||||
<p>“ ‘They’re looting the treasury, W. D.,’ he sings out. ‘They’re going to kill me and you, too. Unlimber a couple of mules at once. We’ll have to make a get-away in a couple of minutes.’</p>
|
||||
<p>“ ‘They’re looting the treasury, <abbr class="name">W. D.</abbr>,’ he sings out. ‘They’re going to kill me and you, too. Unlimber a couple of mules at once. We’ll have to make a get-away in a couple of minutes.’</p>
|
||||
<p>“ ‘They’ve found out,’ says I,’ the truth about the law of supply and demand.’</p>
|
||||
<p>“ ‘It’s the women, mostly,’ says the King. ‘And they used to admire me so!’</p>
|
||||
<p>“ ‘They hadn’t seen looking-glasses then,’ says I.</p>
|
||||
|
@ -71,7 +71,7 @@
|
||||
<p>“<abbr>Mrs.</abbr> Conyers goes inside and cries with the landlord’s wife, who is fixing some catnip tea that will make everything all right for the poor dear. The landlord comes out on the porch, thumbing his one suspender, and says to me:</p>
|
||||
<p>“ ‘Ain’t had so much excitements in town since Bedford Steegall’s wife swallered a spring lizard. I seen him through the winder hit her with the buggy whip, and everything. What’s that suit of clothes cost you you got on? ‘Pears like we’d have some rain, don’t it? Say, doc, that Indian of yorn’s on a kind of a whizz tonight, ain’t he? He comes along just before you did, and I told him about this here occurrence. He gives a cur’us kind of a hoot, and trotted off. I guess our constable ‘ll have him in the lockup ‘fore morning.’</p>
|
||||
<p>“I thought I’d sit on the porch and wait for the one o’clock train. I wasn’t feeling saturated with mirth. Here was John Tom on one of his sprees, and this kidnapping business losing sleep for me. But then, I’m always having trouble with other people’s troubles. Every few minutes <abbr>Mrs.</abbr> Conyers would come out on the porch and look down the road the way the buggy went, like she expected to see that kid coming back on a white pony with a red apple in his hand. Now, wasn’t that like a woman? And that brings up cats. ‘I saw a mouse go in this hole,’ says <abbr>Mrs.</abbr> Cat; ‘you can go prize up a plank over there if you like; I’ll watch this hole.’</p>
|
||||
<p>“About a quarter to one o’clock the lady comes out again, restless, crying easy, as females do for their own amusement, and she looks down that road again and listens. ‘Now, ma’am,’ says I, ‘there’s no use watching cold wheel-tracks. By this time they’re halfway to—’ ‘Hush,’ she says, holding up her hand. And I do hear something coming ‘flip-flap’ in the dark; and then there is the awfulest war-whoop ever heard outside of Madison Square Garden at a Buffalo Bill matinée. And up the steps and on to the porch jumps the disrespectable Indian. The lamp in the hall shines on him, and I fail to recognize <abbr>Mr.</abbr> J. T. Little Bear, alumnus of the class of ’91. What I see is a Cherokee brave, and the warpath is what he has been travelling. Firewater and other things have got him going. His buckskin is hanging in strings, and his feathers are mixed up like a frizzly hen’s. The dust of miles is on his moccasins, and the light in his eye is the kind the aborigines wear. But in his arms he brings that kid, his eyes half closed, with his little shoes dangling and one hand fast around the Indian’s collar.</p>
|
||||
<p>“About a quarter to one o’clock the lady comes out again, restless, crying easy, as females do for their own amusement, and she looks down that road again and listens. ‘Now, ma’am,’ says I, ‘there’s no use watching cold wheel-tracks. By this time they’re halfway to—’ ‘Hush,’ she says, holding up her hand. And I do hear something coming ‘flip-flap’ in the dark; and then there is the awfulest war-whoop ever heard outside of Madison Square Garden at a Buffalo Bill matinée. And up the steps and on to the porch jumps the disrespectable Indian. The lamp in the hall shines on him, and I fail to recognize <abbr>Mr.</abbr> <abbr class="name">J. T.</abbr> Little Bear, alumnus of the class of ’91. What I see is a Cherokee brave, and the warpath is what he has been travelling. Firewater and other things have got him going. His buckskin is hanging in strings, and his feathers are mixed up like a frizzly hen’s. The dust of miles is on his moccasins, and the light in his eye is the kind the aborigines wear. But in his arms he brings that kid, his eyes half closed, with his little shoes dangling and one hand fast around the Indian’s collar.</p>
|
||||
<p>“ ‘Pappoose!’ says John Tom, and I notice that the flowers of the white man’s syntax have left his tongue. He is the original proposition in bear’s claws and copper color. ‘Me bring,’ says he, and he lays the kid in his mother’s arms. ‘Run fifteen mile,’ says John Tom—‘Ugh! Catch white man. Bring pappoose.’</p>
|
||||
<p>“The little woman is in extremities of gladness. She must wake up that stir-up trouble youngster and hug him and make proclamation that he is his mamma’s own precious treasure. I was about to ask questions, but I looked at <abbr>Mr.</abbr> Little Bear, and my eye caught the sight of something in his belt. ‘Now go to bed, ma’am,’ says I, ‘and this gadabout youngster likewise, for there’s no more danger, and the kidnapping business is not what it was earlier in the night.’</p>
|
||||
<p>“I inveigled John Tom down to camp quick, and when he tumbled over asleep I got that thing out of his belt and disposed of it where the eye of education can’t see it. For even the football colleges disapprove of the art of scalp-taking in their curriculums.</p>
|
||||
|
@ -9,7 +9,7 @@
|
||||
<section id="the-city-of-dreadful-night" epub:type="volume se:short-story">
|
||||
<h2 epub:type="title">The City of Dreadful Night</h2>
|
||||
<p>“During the recent warmed-over spell,” said my friend Carney, driver of express wagon <abbr>No.</abbr> 8,606, “a good many opportunities was had of observing human nature through peekaboo waists.</p>
|
||||
<p>“The Park Commissioner and the Commissioner of Polis and the Forestry Commission gets together and agrees to let the people sleep in the parks until the Weather Bureau gets the thermometer down again to a living basis. So they draws up open-air resolutions and has them O.K.’d by the Secretary of Agriculture, <abbr>Mr.</abbr> Comstock and the Village Improvement Mosquito Exterminating Society of South Orange, N. J.</p>
|
||||
<p>“The Park Commissioner and the Commissioner of Polis and the Forestry Commission gets together and agrees to let the people sleep in the parks until the Weather Bureau gets the thermometer down again to a living basis. So they draws up open-air resolutions and has them OK’d by the Secretary of Agriculture, <abbr>Mr.</abbr> Comstock and the Village Improvement Mosquito Exterminating Society of South Orange, <abbr class="postal">NJ</abbr>.</p>
|
||||
<p>“When the proclamation was made opening up to the people by special grant the public parks that belong to ’em, there was a general exodus into Central Park by the communities existing along its borders. In ten minutes after sundown you’d have thought that there was an undress rehearsal of a potato famine in Ireland and a Kishineff massacre. They come by families, gangs, clambake societies, clans, clubs and tribes from all sides to enjoy a cool sleep on the grass. Them that didn’t have oil stoves brought along plenty of blankets, so as not to be upset with the cold and discomforts of sleeping outdoors. By building fires of the shade trees and huddling together in the bridle paths, and burrowing under the grass where the ground was soft enough, the likes of 5,000 head of people successfully battled against the night air in Central Park alone.</p>
|
||||
<p>“Ye know I live in the elegant furnished apartment house called the Beersheba Flats, over against the elevated portion of the New York Central Railroad.</p>
|
||||
<p>“When the order come to the flats that all hands must turn out and sleep in the park, according to the instructions of the consulting committee of the City Club and the Murphy Draying, Returfing and Sodding Company, there was a look of a couple of fires and an eviction all over the place.</p>
|
||||
|
@ -11,7 +11,7 @@
|
||||
<p>Every Saturday night the Clover Leaf Social Club gave a hop in the hall of the Give and Take Athletic Association on the East Side. In order to attend one of these dances you must be a member of the Give and Take—or, if you belong to the division that starts off with the right foot in waltzing, you must work in Rhinegold’s paper-box factory. Still, any Clover Leaf was privileged to escort or be escorted by an outsider to a single dance. But mostly each Give and Take brought the paper-box girl that he affected; and few strangers could boast of having shaken a foot at the regular hops.</p>
|
||||
<p>Maggie Toole, on account of her dull eyes, broad mouth and left-handed style of footwork in the two-step, went to the dances with Anna McCarty and her “fellow.” Anna and Maggie worked side by side in the factory, and were the greatest chums ever. So Anna always made Jimmy Burns take her by Maggie’s house every Saturday night so that her friend could go to the dance with them.</p>
|
||||
<p>The Give and Take Athletic Association lived up to its name. The hall of the association in Orchard street was fitted out with muscle-making inventions. With the fibres thus builded up the members were wont to engage the police and rival social and athletic organisations in joyous combat. Between these more serious occupations the Saturday night hop with the paper-box factory girls came as a refining influence and as an efficient screen. For sometimes the tip went ’round, and if you were among the elect that tiptoed up the dark back stairway you might see as neat and satisfying a little welterweight affair to a finish as ever happened inside the ropes.</p>
|
||||
<p>On Saturdays Rhinegold’s paper-box factory closed at 3 P. M. On one such afternoon Anna and Maggie walked homeward together. At Maggie’s door Anna said, as usual: “Be ready at seven, sharp, Mag; and Jimmy and me’ll come by for you.”</p>
|
||||
<p>On Saturdays Rhinegold’s paper-box factory closed at 3 <abbr class="time eoc">p.m.</abbr> On one such afternoon Anna and Maggie walked homeward together. At Maggie’s door Anna said, as usual: “Be ready at seven, sharp, Mag; and Jimmy and me’ll come by for you.”</p>
|
||||
<p>But what was this? Instead of the customary humble and grateful thanks from the non-escorted one there was to be perceived a high-poised head, a prideful dimpling at the corners of a broad mouth, and almost a sparkle in a dull brown eye.</p>
|
||||
<p>“Thanks, Anna,” said Maggie; “but you and Jimmy needn’t bother tonight. I’ve a gentleman friend that’s coming ’round to escort me to the hop.”</p>
|
||||
<p>The comely Anna pounced upon her friend, shook her, chided and beseeched her. Maggie Toole catch a fellow! Plain, dear, loyal, unattractive Maggie, so sweet as a chum, so unsought for a two-step or a moonlit bench in the little park. How was it? When did it happen? Who was it?</p>
|
||||
|
@ -14,7 +14,7 @@
|
||||
<p>John Hopkins was like a thousand others. He worked at $20 per week in a nine-story, redbrick building at either Insurance, Buckle’s Hoisting Engines, Chiropody, Loans, Pulleys, Boas Renovated, Waltz Guaranteed in Five Lessons, or Artificial Limbs. It is not for us to wring <abbr>Mr.</abbr> Hopkins’s avocation from these outward signs that be.</p>
|
||||
<p><abbr>Mrs.</abbr> Hopkins was like a thousand others. The auriferous tooth, the sedentary disposition, the Sunday afternoon wanderlust, the draught upon the delicatessen store for homemade comforts, the furor for department store marked-down sales, the feeling of superiority to the lady in the third-floor front who wore genuine ostrich tips and had two names over her bell, the mucilaginous hours during which she remained glued to the window sill, the vigilant avoidance of the instalment man, the tireless patronage of the acoustics of the dumbwaiter shaft—all the attributes of the Gotham flat-dweller were hers.</p>
|
||||
<p>One moment yet of sententiousness and the story moves.</p>
|
||||
<p>In the Big City large and sudden things happen. You round a corner and thrust the rib of your umbrella into the eye of your old friend from Kootenai Falls. You stroll out to pluck a Sweet William in the park—and lo! bandits attack you—you are ambulanced to the hospital—you marry your nurse; are divorced—get squeezed while short on U. <abbr>P.S.</abbr> and D. O. W. N. S.—stand in the bread line—marry an heiress, take out your laundry and pay your club dues—seemingly all in the wink of an eye. You travel the streets, and a finger beckons to you, a handkerchief is dropped for you, a brick is dropped upon you, the elevator cable or your bank breaks, a table d’hôte or your wife disagrees with you, and Fate tosses you about like cork crumbs in wine opened by an un-feed waiter. The City is a sprightly youngster, and you are red paint upon its toy, and you get licked off.</p>
|
||||
<p>In the Big City large and sudden things happen. You round a corner and thrust the rib of your umbrella into the eye of your old friend from Kootenai Falls. You stroll out to pluck a Sweet William in the park—and lo! bandits attack you—you are ambulanced to the hospital—you marry your nurse; are divorced—get squeezed while short on <abbr class="initialism">UPS</abbr> and <abbr class="initialism">DOWNS</abbr>—stand in the bread line—marry an heiress, take out your laundry and pay your club dues—seemingly all in the wink of an eye. You travel the streets, and a finger beckons to you, a handkerchief is dropped for you, a brick is dropped upon you, the elevator cable or your bank breaks, a table d’hôte or your wife disagrees with you, and Fate tosses you about like cork crumbs in wine opened by an un-feed waiter. The City is a sprightly youngster, and you are red paint upon its toy, and you get licked off.</p>
|
||||
<p>John Hopkins sat, after a compressed dinner, in his glove-fitting straight-front flat. He sat upon a hornblende couch and gazed, with satiated eyes, at Art Brought Home to the People in the shape of “The Storm” tacked against the wall. <abbr>Mrs.</abbr> Hopkins discoursed droningly of the dinner smells from the flat across the hall. The flea-bitten terrier gave Hopkins a look of disgust, and showed a man-hating tooth.</p>
|
||||
<p>Here was neither poverty, love, nor war; but upon such barren stems may be grafted those essentials of a complete life.</p>
|
||||
<p>John Hopkins sought to inject a few raisins of conversation into the tasteless dough of existence. “Putting a new elevator in at the office,” he said, discarding the nominative noun, “and the boss has turned out his whiskers.”</p>
|
||||
|
@ -12,7 +12,7 @@
|
||||
<p>Sharp and Simpson send us a check for $50 in addition to their monthly account, to cover difference in price of a higher grade of goods shipped them last time by mistake.</p>
|
||||
<p>Senior Partner: Do they give us another order?</p>
|
||||
<p>Junior Partner: Yes! The longest they have ever made.</p>
|
||||
<p>Senior Partner: Ship ’em C. O. D.</p>
|
||||
<p>Senior Partner: Ship ’em <abbr class="initialism">COD</abbr>.</p>
|
||||
<hr/>
|
||||
<p>“Well! how are they coming?”</p>
|
||||
<p>“I’m getting a move on me,” said the checkerboard.</p>
|
||||
|
@ -10,7 +10,7 @@
|
||||
<h2 epub:type="title">The Diamond of Kali</h2>
|
||||
<p>The original news item concerning the diamond of the goddess Kali was handed in to the city editor. He smiled and held it for a moment above the wastebasket. Then he laid it back on his desk and said: “Try the Sunday people; they might work something out of it.”</p>
|
||||
<p>The Sunday editor glanced the item over and said: “H’m!” Afterward he sent for a reporter and expanded his comment.</p>
|
||||
<p>“You might see General Ludlow,” he said, “and make a story out of this if you can. Diamond stories are a drug; but this one is big enough to be found by a scrubwoman wrapped up in a piece of newspaper and tucked under the corner of the hall linoleum. Find out first if the General has a daughter who intends to go on the stage. If not, you can go ahead with the story. Run cuts of the Kohinoor and J. P. Morgan’s collection, and work in pictures of the Kimberley mines and Barney Barnato. Fill in with a tabulated comparison of the values of diamonds, radium, and veal cutlets since the meat strike; and let it run to a half page.”</p>
|
||||
<p>“You might see General Ludlow,” he said, “and make a story out of this if you can. Diamond stories are a drug; but this one is big enough to be found by a scrubwoman wrapped up in a piece of newspaper and tucked under the corner of the hall linoleum. Find out first if the General has a daughter who intends to go on the stage. If not, you can go ahead with the story. Run cuts of the Kohinoor and <abbr class="name">J. P.</abbr> Morgan’s collection, and work in pictures of the Kimberley mines and Barney Barnato. Fill in with a tabulated comparison of the values of diamonds, radium, and veal cutlets since the meat strike; and let it run to a half page.”</p>
|
||||
<p>On the following day the reporter turned in his story. The Sunday editor let his eye sprint along its lines. “H’m!” he said again. This time the copy went into the wastebasket with scarcely a flutter.</p>
|
||||
<p>The reporter stiffened a little around the lips; but he was whistling softly and contentedly between his teeth when I went over to talk with him about it an hour later.</p>
|
||||
<p>“I don’t blame the ‘old man’,” said he, magnanimously, “for cutting it out. It did sound like funny business; but it happened exactly as I wrote it. Say, why don’t you fish that story out of the w.-b. and use it? Seems to me it’s as good as the tommyrot you write.”</p>
|
||||
|
@ -10,7 +10,7 @@
|
||||
<h2 epub:type="title">The Discounters of Money</h2>
|
||||
<p>The spectacle of the money-caliphs of the present day going about Bagdad-on-the-Subway trying to relieve the wants of the people is enough to make the great Al Raschid turn Haroun in his grave. If not so, then the assertion should do so, the real caliph having been a wit and a scholar and therefore a hater of puns.</p>
|
||||
<p>How properly to alleviate the troubles of the poor is one of the greatest troubles of the rich. But one thing agreed upon by all professional philanthropists is that you must never hand over any cash to your subject. The poor are notoriously temperamental; and when they get money they exhibit a strong tendency to spend it for stuffed olives and enlarged crayon portraits instead of giving it to the instalment man.</p>
|
||||
<p>And still, old Haroun had some advantages as an eleemosynarian. He took around with him on his rambles his vizier, Giafar (a vizier is a composite of a chauffeur, a secretary of state, and a night-and-day bank), and old Uncle Mesrour, his executioner, who toted a snickersnee. With this entourage a caliphing tour could hardly fail to be successful. Have you noticed lately any newspaper articles headed, “What Shall We Do With Our Ex-Presidents?” Well, now, suppose that <abbr>Mr.</abbr> Carnegie could engage <em>him</em> and Joe Gans to go about assisting in the distribution of free libraries? Do you suppose any town would have had the hardihood to refuse one? That caliphalous combination would cause two libraries to grow where there had been only one set of E. P. Roe’s works before.</p>
|
||||
<p>And still, old Haroun had some advantages as an eleemosynarian. He took around with him on his rambles his vizier, Giafar (a vizier is a composite of a chauffeur, a secretary of state, and a night-and-day bank), and old Uncle Mesrour, his executioner, who toted a snickersnee. With this entourage a caliphing tour could hardly fail to be successful. Have you noticed lately any newspaper articles headed, “What Shall We Do With Our Ex-Presidents?” Well, now, suppose that <abbr>Mr.</abbr> Carnegie could engage <em>him</em> and Joe Gans to go about assisting in the distribution of free libraries? Do you suppose any town would have had the hardihood to refuse one? That caliphalous combination would cause two libraries to grow where there had been only one set of <abbr class="name">E. P.</abbr> Roe’s works before.</p>
|
||||
<p>But, as I said, the money-caliphs are handicapped. They have the idea that earth has no sorrow that dough cannot heal; and they rely upon it solely. Al Raschid administered justice, rewarding the deserving, and punished whomsoever he disliked on the spot. He was the originator of the short-story contest. Whenever he succoured any chance pickup in the bazaars he always made the succouree tell the sad story of his life. If the narrative lacked construction, style, and esprit he commanded his vizier to dole him out a couple of thousand ten-dollar notes of the First National Bank of the Bosphorus, or else gave him a soft job as Keeper of the Bird Seed for the Bulbuls in the Imperial Gardens. If the story was a crackerjack, he had Mesrour, the executioner, whack off his head. The report that Haroun Al Raschid is yet alive and is editing the magazine that your grandmother used to subscribe for lacks confirmation.</p>
|
||||
<p>And now follows the Story of the Millionaire, the Inefficacious Increment, and the Babes Drawn from the Wood.</p>
|
||||
<p>Young Howard Pilkins, the millionaire, got his money ornithologically. He was a shrewd judge of storks, and got in on the ground floor at the residence of his immediate ancestors, the Pilkins Brewing Company. For his mother was a partner in the business. Finally old man Pilkins died from a torpid liver, and then <abbr>Mrs.</abbr> Pilkins died from worry on account of torpid delivery-wagons—and there you have young Howard Pilkins with 4,000,000; and a good fellow at that. He was an agreeable, modestly arrogant young man, who implicitly believed that money could buy anything that the world had to offer. And Bagdad-on-the-Subway for a long time did everything possible to encourage his belief.</p>
|
||||
|
@ -19,7 +19,7 @@
|
||||
<p>William was for business; Jack was for Art. Both were young and ambitious; so they countered and clinched. I think they were from Nebraska or possibly Missouri or Minnesota. Anyhow, they were out for success and scraps and scads, and they tackled the city like two Lochinvars with brass knucks and a pull at the City Hall.</p>
|
||||
<p>Four years afterward William and Jack met at luncheon. The business man blew in like a March wind, hurled his silk hat at a waiter, dropped into the chair that was pushed under him, seized the bill of fare, and had ordered as far as cheese before the artist had time to do more than nod. After the nod a humorous smile came into his eyes.</p>
|
||||
<p>“Billy,” he said, “you’re done for. The city has gobbled you up. It has taken you and cut you to its pattern and stamped you with its brand. You are so nearly like ten thousand men I have seen today that you couldn’t be picked out from them if it weren’t for your laundry marks.”</p>
|
||||
<p>“Camembert,” finished William. “What’s that? Oh, you’ve still got your hammer out for New York, have you? Well, little old Noisyville-on-the-Subway is good enough for me. It’s giving me mine. And, say, I used to think the West was the whole round world—only slightly flattened at the poles whenever Bryan ran. I used to yell myself hoarse about the free expense, and hang my hat on the horizon, and say cutting things in the grocery to little soap drummers from the East. But I’d never seen New York, then, Jack. Me for it from the rathskellers up. Sixth Avenue is the West to me now. Have you heard this fellow Crusoe sing? The desert isle for him, I say, but my wife made me go. Give me May Irwin or E. S. Willard any time.”</p>
|
||||
<p>“Camembert,” finished William. “What’s that? Oh, you’ve still got your hammer out for New York, have you? Well, little old Noisyville-on-the-Subway is good enough for me. It’s giving me mine. And, say, I used to think the West was the whole round world—only slightly flattened at the poles whenever Bryan ran. I used to yell myself hoarse about the free expense, and hang my hat on the horizon, and say cutting things in the grocery to little soap drummers from the East. But I’d never seen New York, then, Jack. Me for it from the rathskellers up. Sixth Avenue is the West to me now. Have you heard this fellow Crusoe sing? The desert isle for him, I say, but my wife made me go. Give me May Irwin or <abbr class="name">E. S.</abbr> Willard any time.”</p>
|
||||
<p>“Poor Billy,” said the artist, delicately fingering a cigarette. “You remember, when we were on our way to the East how we talked about this great, wonderful city, and how we meant to conquer it and never let it get the best of us? We were going to be just the same fellows we had always been, and never let it master us. It has downed you, old man. You have changed from a maverick into a butterick.”</p>
|
||||
<p>“Don’t see exactly what you are driving at,” said William. “I don’t wear an alpaca coat with blue trousers and a seersucker vest on dress occasions, like I used to do at home. You talk about being cut to a pattern—well, ain’t the pattern all right? When you’re in Rome you’ve got to do as the Dagoes do. This town seems to me to have other alleged metropolises skinned to flag stations. According to the railroad schedule I’ve got in mind, Chicago and Saint Jo and Paris, France, are asterisk stops—which means you wave a red flag and get on every other Tuesday. I like this little suburb of Tarrytown-on-the-Hudson. There’s something or somebody doing all the time. I’m clearing $8,000 a year selling automatic pumps, and I’m living like kings-up. Why, yesterday, I was introduced to John W. Gates. I took an auto ride with a wine agent’s sister. I saw two men run over by a street car, and I seen Edna May play in the evening. Talk about the West, why, the other night I woke everybody up in the hotel hollering. I dreamed I was walking on a board sidewalk in Oshkosh. What have you got against this town, Jack? There’s only one thing in it that I don’t care for, and that’s a ferryboat.”</p>
|
||||
<p>The artist gazed dreamily at the cartridge paper on the wall. “This town,” said he, “is a leech. It drains the blood of the country. Whoever comes to it accepts a challenge to a duel. Abandoning the figure of the leech, it is a juggernaut, a Moloch, a monster to which the innocence, the genius, and the beauty of the land must pay tribute. Hand to hand every newcomer must struggle with the leviathan. You’ve lost, Billy. It shall never conquer me. I hate it as one hates sin or pestilence or—the color work in a ten-cent magazine. I despise its very vastness and power. It has the poorest millionaires, the littlest great men, the lowest skyscrapers, the dolefulest pleasures of any town I ever saw. It has caught you, old man, but I will never run beside its chariot wheels. It glosses itself as the Chinaman glosses his collars. Give me the domestic finish. I could stand a town ruled by wealth or one ruled by an aristocracy; but this is one controlled by its lowest ingredients. Claiming culture, it is the crudest; asseverating its preeminence, it is the basest; denying all outside values and virtue, it is the narrowest. Give me the pure and the open heart of the West country. I would go back there tomorrow if I could.”</p>
|
||||
|
@ -20,9 +20,9 @@
|
||||
<p>For a time the major showed an inclination to discourage the advances of the “play actor,” as he privately termed him; but soon the young man’s agreeable manner and indubitable appreciation of the old gentleman’s stories completely won him over.</p>
|
||||
<p>It was not long before the two were like old chums. The major set apart each afternoon to read to him the manuscript of his book. During the anecdotes Hargraves never failed to laugh at exactly the right point. The major was moved to declare to Miss Lydia one day that young Hargraves possessed remarkable perception and a gratifying respect for the old regime. And when it came to talking of those old days—if Major Talbot liked to talk, <abbr>Mr.</abbr> Hargraves was entranced to listen.</p>
|
||||
<p>Like almost all old people who talk of the past, the major loved to linger over details. In describing the splendid, almost royal, days of the old planters, he would hesitate until he had recalled the name of the Negro who held his horse, or the exact date of certain minor happenings, or the number of bales of cotton raised in such a year; but Hargraves never grew impatient or lost interest. On the contrary, he would advance questions on a variety of subjects connected with the life of that time, and he never failed to extract ready replies.</p>
|
||||
<p>The fox hunts, the ‘possum suppers, the hoe downs and jubilees in the Negro quarters, the banquets in the plantation-house hall, when invitations went for fifty miles around; the occasional feuds with the neighbouring gentry; the major’s duel with Rathbone Culbertson about Kitty Chalmers, who afterward married a Thwaite of South Carolina; and private yacht races for fabulous sums on Mobile Bay; the quaint beliefs, improvident habits, and loyal virtues of the old slaves—all these were subjects that held both the major and Hargraves absorbed for hours at a time.</p>
|
||||
<p>The fox hunts, the ’possum suppers, the hoe downs and jubilees in the Negro quarters, the banquets in the plantation-house hall, when invitations went for fifty miles around; the occasional feuds with the neighbouring gentry; the major’s duel with Rathbone Culbertson about Kitty Chalmers, who afterward married a Thwaite of South Carolina; and private yacht races for fabulous sums on Mobile Bay; the quaint beliefs, improvident habits, and loyal virtues of the old slaves—all these were subjects that held both the major and Hargraves absorbed for hours at a time.</p>
|
||||
<p>Sometimes, at night, when the young man would be coming upstairs to his room after his turn at the theatre was over, the major would appear at the door of his study and beckon archly to him. Going in, Hargraves would find a little table set with a decanter, sugar bowl, fruit, and a big bunch of fresh green mint.</p>
|
||||
<p>“It occurred to me,” the major would begin—he was always ceremonious—“that perhaps you might have found your duties at the—at your place of occupation—sufficiently arduous to enable you, <abbr>Mr.</abbr> Hargraves, to appreciate what the poet might well have had in his mind when he wrote, ‘tired Nature’s sweet restorer,’—one of our Southern juleps.”</p>
|
||||
<p>“It occurred to me,” the major would begin—he was always ceremonious—“that perhaps you might have found your duties at the—at your place of occupation—sufficiently arduous to enable you, <abbr>Mr.</abbr> Hargraves, to appreciate what the poet might well have had in his mind when he wrote, ‘tired Nature’s sweet restorer’—one of our Southern juleps.”</p>
|
||||
<p>It was a fascination to Hargraves to watch him make it. He took rank among artists when he began, and he never varied the process. With what delicacy he bruised the mint; with what exquisite nicety he estimated the ingredients; with what solicitous care he capped the compound with the scarlet fruit glowing against the dark green fringe! And then the hospitality and grace with which he offered it, after the selected oat straws had been plunged into its tinkling depths!</p>
|
||||
<p>After about four months in Washington, Miss Lydia discovered one morning that they were almost without money. The “Anecdotes and Reminiscences” was completed, but publishers had not jumped at the collected gems of Alabama sense and wit. The rental of a small house which they still owned in Mobile was two months in arrears. Their board money for the month would be due in three days. Miss Lydia called her father to a consultation.</p>
|
||||
<p>“No money?” said he with a surprised look. “It is quite annoying to be called on so frequently for these petty sums. Really, I—”</p>
|
||||
@ -84,18 +84,18 @@
|
||||
<p>“I be bound you don’t know me, Mars’ Pendleton,” were his first words.</p>
|
||||
<p>The major rose and came forward at the old, familiar style of address. It was one of the old plantation darkeys without a doubt; but they had been widely scattered, and he could not recall the voice or face.</p>
|
||||
<p>“I don’t believe I do,” he said kindly—“unless you will assist my memory.”</p>
|
||||
<p>“Don’t you ‘member Cindy’s Mose, Mars’ Pendleton, what ‘migrated ‘mediately after de war?”</p>
|
||||
<p>“Don’t you ’member Cindy’s Mose, Mars’ Pendleton, what ’migrated ’mediately after de war?”</p>
|
||||
<p>“Wait a moment,” said the major, rubbing his forehead with the tips of his fingers. He loved to recall everything connected with those beloved days. “Cindy’s Mose,” he reflected. “You worked among the horses—breaking the colts. Yes, I remember now. After the surrender, you took the name of—don’t prompt me—Mitchell, and went to the West—to Nebraska.”</p>
|
||||
<p>“Yassir, yassir,”—the old man’s face stretched with a delighted grin—“dat’s him, dat’s it. Newbraska. Dat’s me—Mose Mitchell. Old Uncle Mose Mitchell, dey calls me now. Old mars’, your pa, gimme a pah of dem mule colts when I lef’ fur to staht me goin’ with. You ‘member dem colts, Mars’ Pendleton?”</p>
|
||||
<p>“Yassir, yassir,”—the old man’s face stretched with a delighted grin—“dat’s him, dat’s it. Newbraska. Dat’s me—Mose Mitchell. Old Uncle Mose Mitchell, dey calls me now. Old mars’, your pa, gimme a pah of dem mule colts when I lef’ fur to staht me goin’ with. You ’member dem colts, Mars’ Pendleton?”</p>
|
||||
<p>“I don’t seem to recall the colts,” said the major. “You know I was married the first year of the war and living at the old Follinsbee place. But sit down, sit down, Uncle Mose. I’m glad to see you. I hope you have prospered.”</p>
|
||||
<p>Uncle Mose took a chair and laid his hat carefully on the floor beside it.</p>
|
||||
<p>“Yassir; of late I done mouty famous. When I first got to Newbraska, dey folks come all roun’ me to see dem mule colts. Dey ain’t see no mules like dem in Newbraska. I sold dem mules for three hundred dollars. Yassir—three hundred.</p>
|
||||
<p>“Den I open a blacksmith shop, suh, and made some money and bought some lan’. Me and my old ‘oman done raised up seb’m chillun, and all doin’ well ‘cept two of ’em what died. Fo’ year ago a railroad come along and staht a town slam ag’inst my lan’, and, suh, Mars’ Pendleton, Uncle Mose am worth leb’m thousand dollars in money, property, and lan’.”</p>
|
||||
<p>“Den I open a blacksmith shop, suh, and made some money and bought some lan’. Me and my old ’oman done raised up seb’m chillun, and all doin’ well ’cept two of ’em what died. Fo’ year ago a railroad come along and staht a town slam ag’inst my lan’, and, suh, Mars’ Pendleton, Uncle Mose am worth leb’m thousand dollars in money, property, and lan’.”</p>
|
||||
<p>“I’m glad to hear it,” said the major heartily. “Glad to hear it.”</p>
|
||||
<p>“And dat little baby of yo’n, Mars’ Pendleton—one what you name Miss Lyddy—I be bound dat little tad done growed up tell nobody wouldn’t know her.”</p>
|
||||
<p>The major stepped to the door and called: “Lydia, dear, will you come?”</p>
|
||||
<p>Miss Lydia, looking quite grown up and a little worried, came in from her room.</p>
|
||||
<p>“Dar, now! What’d I tell you? I knowed dat baby done be plum growed up. You don’t ‘member Uncle Mose, child?”</p>
|
||||
<p>“Dar, now! What’d I tell you? I knowed dat baby done be plum growed up. You don’t ’member Uncle Mose, child?”</p>
|
||||
<p>“This is Aunt Cindy’s Mose, Lydia,” explained the major. “He left Sunnymead for the West when you were two years old.”</p>
|
||||
<p>“Well,” said Miss Lydia, “I can hardly be expected to remember you, Uncle Mose, at that age. And, as you say, I’m ‘plum growed up,’ and was a blessed long time ago. But I’m glad to see you, even if I can’t remember you.”</p>
|
||||
<p>And she was. And so was the major. Something alive and tangible had come to link them with the happy past. The three sat and talked over the olden times, the major and Uncle Mose correcting or prompting each other as they reviewed the plantation scenes and days.</p>
|
||||
@ -105,7 +105,7 @@
|
||||
<p>“Dey’s a cullud man works in de hotel whar I stops, what comes from Mobile. He told me he seen Mars’ Pendleton comin’ outen dish here house one mawnin’.</p>
|
||||
<p>“What I come fur,” continued Uncle Mose, reaching into his pocket—“besides de sight of home folks—was to pay Mars’ Pendleton what I owes him.”</p>
|
||||
<p>“Owe me?” said the major, in surprise.</p>
|
||||
<p>“Yassir—three hundred dollars.” He handed the major a roll of bills. “When I lef’ old mars’ says: ‘Take dem mule colts, Mose, and, if it be so you gits able, pay fur ’em’. Yassir—dem was his words. De war had done lef’ old mars’ po’ hisself. Old mars’ bein’ ‘long ago dead, de debt descends to Mars’ Pendleton. Three hundred dollars. Uncle Mose is plenty able to pay now. When dat railroad buy my lan’ I laid off to pay fur dem mules. Count de money, Mars’ Pendleton. Dat’s what I sold dem mules fur. Yassir.”</p>
|
||||
<p>“Yassir—three hundred dollars.” He handed the major a roll of bills. “When I lef’ old mars’ says: ‘Take dem mule colts, Mose, and, if it be so you gits able, pay fur ’em’. Yassir—dem was his words. De war had done lef’ old mars’ po’ hisself. Old mars’ bein’ ’long ago dead, de debt descends to Mars’ Pendleton. Three hundred dollars. Uncle Mose is plenty able to pay now. When dat railroad buy my lan’ I laid off to pay fur dem mules. Count de money, Mars’ Pendleton. Dat’s what I sold dem mules fur. Yassir.”</p>
|
||||
<p>Tears were in Major Talbot’s eyes. He took Uncle Mose’s hand and laid his other upon his shoulder.</p>
|
||||
<p>“Dear, faithful, old servitor,” he said in an unsteady voice, “I don’t mind saying to you that ‘Mars’ Pendleton’ spent his last dollar in the world a week ago. We will accept this money, Uncle Mose, since, in a way, it is a sort of payment, as well as a token of the loyalty and devotion of the old regime. Lydia, my dear, take the money. You are better fitted than I to manage its expenditure.”</p>
|
||||
<p>“Take it, honey,” said Uncle Mose. “Hit belongs to you. Hit’s Talbot money.”</p>
|
||||
@ -119,7 +119,7 @@
|
||||
<footer>
|
||||
<p epub:type="z3998:valediction">Sincerely yours,</p>
|
||||
<p class="signature">H. Hopkins Hargraves,</p>
|
||||
<p epub:type="z3998:postscript"><abbr>P.S.</abbr> How did I play Uncle Mose?</p>
|
||||
<p epub:type="z3998:postscript"><abbr>P. S.</abbr> How did I play Uncle Mose?</p>
|
||||
</footer>
|
||||
</blockquote>
|
||||
<p>Major Talbot, passing through the hall, saw Miss Lydia’s door open and stopped.</p>
|
||||
|
@ -22,7 +22,7 @@
|
||||
<p>Someone of the Old Guard was always at hand to escort the Governor home. Sometimes the General’s business duties denied him the privilege, and then Judge Broomfield or Colonel Titus, or one of the Ashford County Slaughters would be on hand to perform the rite.</p>
|
||||
<p>Such were the observances attendant upon the Governor’s morning stroll to the post-office. How much more magnificent, impressive, and spectacular, then, was the scene at public functions when the General would lead forth the silver-haired relic of former greatness, like some rare and fragile waxwork figure, and trumpet his pristine eminence to his fellow citizens!</p>
|
||||
<p>General Deffenbaugh was the Voice of Elmville. Some said he was Elmville. At any rate, he had no competitor as the Mouthpiece. He owned enough stock in the <i epub:type="se:name.publication.newspaper">Daily Banner</i> to dictate its utterance, enough shares in the First National Bank to be the referee of its loans, and a war record that left him without a rival for first place at barbecues, school commencements, and Decoration Days. Besides these acquirements he was possessed with endowments. His personality was inspiring and triumphant. Undisputed sway had moulded him to the likeness of a fatted Roman emperor. The tones of his voice were not otherwise than clarion. To say that the General was public-spirited would fall short of doing him justice. He had spirit enough for a dozen publics. And as a sure foundation for it all, he had a heart that was big and stanch. Yes; General Deffenbaugh was Elmville.</p>
|
||||
<p>One little incident that usually occurred during the Governor’s morning walk has had its chronicling delayed by more important matters. The procession was accustomed to halt before a small brick office on the Avenue, fronted by a short flight of steep wooden steps. A modest tin sign over the door bore the words: “Wm. B. Pemberton: Attorney-at-Law.”</p>
|
||||
<p>One little incident that usually occurred during the Governor’s morning walk has had its chronicling delayed by more important matters. The procession was accustomed to halt before a small brick office on the Avenue, fronted by a short flight of steep wooden steps. A modest tin sign over the door bore the words: “<abbr class="name">Wm. B.</abbr> Pemberton: Attorney-at-Law.”</p>
|
||||
<p>Looking inside, the General would roar: “Hello, Billy, my boy.” The less distinguished members of the escort would call: “Morning, Billy.” The Governor would pipe: “Good morning, William.”</p>
|
||||
<p>Then a patient-looking little man with hair turning gray along the temples would come down the steps and shake hands with each one of the party. All Elmville shook hands when it met.</p>
|
||||
<p>The formalities concluded, the little man would go back to his table, heaped with law books and papers, while the procession would proceed.</p>
|
||||
@ -36,7 +36,7 @@
|
||||
<p>Jeff was the first one to whom Bill revealed the news. When he reached home for supper Jeff took his “plug” hat and smoothed it before hanging it upon the hall-rack.</p>
|
||||
<p>“Dar now!” said the old man: “I knowed it was er comin’. I knowed it was gwine ter happen. Er Judge, you says, Mars William? Dem Yankees done made you er judge? It’s high time, sah, dey was doin’ somep’n to make up for dey rascality endurin’ de war. I boun’ dey holds a confab and says: ‘Le’s make Mars William Pemberton er judge, and dat’ll settle it.’ Does you have to go way down to dem Fillypines, Mars William, or kin you judge ’em from here?”</p>
|
||||
<p>“I’d have to live there most of the time, of course,” said Billy.</p>
|
||||
<p>“I wonder what de Gubnor gwine say ‘bout dat,” speculated Jeff.</p>
|
||||
<p>“I wonder what de Gubnor gwine say ’bout dat,” speculated Jeff.</p>
|
||||
<p>Billy wondered too.</p>
|
||||
<p>After supper, when the two sat in the library, according to their habit, the Governor smoking his clay pipe and Billy his cigar, the son dutifully confessed to having been tendered the appointment.</p>
|
||||
<p>For a long time the Governor sat, smoking, without making any comment. Billy reclined in his favourite rocker, waiting, perhaps still flushed with satisfaction over the tender that had come to him, unsolicited, in his dingy little office, above the heads of the intriguing, timeserving, clamorous multitude.</p>
|
||||
|
@ -56,7 +56,7 @@
|
||||
<blockquote>
|
||||
<p>The above amount will be paid, and no questions asked, for the return, alive and uninjured, of Beppo, the famous European educated pig, that strayed or was stolen from the sideshow tents of Binkley Bros.’ circus last night.</p>
|
||||
<footer>
|
||||
<p class="signature">Geo. B. Tapley, Business Manager.</p>
|
||||
<p class="signature"><abbr class="name">Geo. B.</abbr> Tapley, Business Manager.</p>
|
||||
<p>At the circus grounds.</p>
|
||||
</footer>
|
||||
</blockquote>
|
||||
@ -90,7 +90,7 @@
|
||||
<p>“ ‘Designate,’ says he. ‘Are you the guinea pigs for the Asiatic python or the alfalfa for the sacred buffalo?’</p>
|
||||
<p>“ ‘Neither,’ says I. ‘I’ve got Beppo, the educated hog, in a sack in that wagon. I found him rooting up the flowers in my front yard this morning. I’ll take the five thousand dollars in large bills, if it’s handy.’</p>
|
||||
<p>“George B. hustles out of his tent, and asks me to follow. We went into one of the sideshows. In there was a jet black pig with a pink ribbon around his neck lying on some hay and eating carrots that a man was feeding to him.</p>
|
||||
<p>“ ‘Hey, Mac,’ calls G. B. ‘Nothing wrong with the worldwide this morning, is there?’</p>
|
||||
<p>“ ‘Hey, Mac,’ calls <abbr class="name eoc">G. B.</abbr> ‘Nothing wrong with the worldwide this morning, is there?’</p>
|
||||
<p>“ ‘Him? No,’ says the man. ‘He’s got an appetite like a chorus girl at 1 <abbr class="time">a.m.</abbr>’</p>
|
||||
<p>“ ‘How’d you get this pipe?’ says Tapley to me. ‘Eating too many pork chops last night?’</p>
|
||||
<p>“I pulls out the paper and shows him the ad.</p>
|
||||
|
@ -26,7 +26,7 @@
|
||||
<p>“ ‘Now listen,’ says I. ‘You know my rule, Andy, that in all my illegitimate inroads against the legal letter of the law the article sold must be existent, visible, producible. In that way and by a careful study of city ordinances and train schedules I have kept out of all trouble with the police that a five dollar bill and a cigar could not square. Now, to work this scheme we’ve got to be able to produce bodily a charming widow or its equivalent with or without the beauty, hereditaments and appurtenances set forth in the catalogue and writ of errors, or hereafter be held by a justice of the peace.’</p>
|
||||
<p>“ ‘Well,’ says Andy, reconstructing his mind, ‘maybe it would be safer in case the post office or the peace commission should try to investigate our agency. But where,’ he says, ‘could you hope to find a widow who would waste time on a matrimonial scheme that had no matrimony in it?’</p>
|
||||
<p>“I told Andy that I thought I knew of the exact party. An old friend of mine, Zeke Trotter, who used to draw soda water and teeth in a tent show, had made his wife a widow a year before by drinking some dyspepsia cure of the old doctor’s instead of the liniment that he always got boozed up on. I used to stop at their house often, and I thought we could get her to work with us.</p>
|
||||
<p>“ ’Twas only sixty miles to the little town where she lived, so I jumped out on the I. C. and finds her in the same cottage with the same sunflowers and roosters standing on the washtub. <abbr>Mrs.</abbr> Trotter fitted our ad first rate except, maybe for beauty and age and property valuation. But she looked feasible and praiseworthy to the eye, and it was a kindness to Zeke’s memory to give her the job.</p>
|
||||
<p>“ ’Twas only sixty miles to the little town where she lived, so I jumped out on the <abbr>I. C.</abbr> and finds her in the same cottage with the same sunflowers and roosters standing on the washtub. <abbr>Mrs.</abbr> Trotter fitted our ad first rate except, maybe for beauty and age and property valuation. But she looked feasible and praiseworthy to the eye, and it was a kindness to Zeke’s memory to give her the job.</p>
|
||||
<p>“ ‘Is this an honest deal you are putting on, <abbr>Mr.</abbr> Peters,’ she asks me when I tell her what we want.</p>
|
||||
<p>“ ‘<abbr>Mrs.</abbr> Trotter,’ says I, ‘Andy Tucker and me have computed the calculation that 3,000 men in this broad and unfair country will endeavor to secure your fair hand and ostensible money and property through our advertisement. Out of that number something like thirty hundred will expect to give you in exchange, if they should win you, the carcass of a lazy and mercenary loafer, a failure in life, a swindler and contemptible fortune seeker.</p>
|
||||
<p>“ ‘Me and Andy,’ says I, ‘propose to teach these preyers upon society a lesson. It was with difficulty,’ says I, ‘that me and Andy could refrain from forming a corporation under the title of the Great Moral and Millennial Malevolent Matrimonial Agency. Does that satisfy you?’</p>
|
||||
@ -43,7 +43,7 @@
|
||||
<p>“Most of them admitted that they ran principally to whiskers and lost jobs and were misunderstood by the world, but all of ’em were sure that they were so chock full of affection and manly qualities that the widow would be making the bargain of her life to get ’em.</p>
|
||||
<p>“Every applicant got a reply from Peters & Tucker informing him that the widow had been deeply impressed by his straightforward and interesting letter and requesting them to write again; stating more particulars; and enclosing photograph if convenient. Peters & Tucker also informed the applicant that their fee for handing over the second letter to their fair client would be $2, enclosed therewith.</p>
|
||||
<p>“There you see the simple beauty of the scheme. About 90 percent of them domestic foreign noblemen raised the price somehow and sent it in. That was all there was to it. Except that me and Andy complained an amount about being put to the trouble of slicing open them envelopes, and taking the money out.</p>
|
||||
<p>“Some few clients called in person. We sent ’em to <abbr>Mrs.</abbr> Trotter and she did the rest; except for three or four who came back to strike us for carfare. After the letters began to get in from the r.f.d. districts Andy and me were taking in about $200 a day.</p>
|
||||
<p>“Some few clients called in person. We sent ’em to <abbr>Mrs.</abbr> Trotter and she did the rest; except for three or four who came back to strike us for carfare. After the letters began to get in from the <abbr class="initialism">RFD</abbr> districts Andy and me were taking in about $200 a day.</p>
|
||||
<p>“One afternoon when we were busiest and I was stuffing the two and ones into cigar boxes and Andy was whistling ‘No Wedding Bells for Her’ a small slick man drops in and runs his eye over the walls like he was on the trail of a lost Gainesborough painting or two. As soon as I saw him I felt a glow of pride, because we were running our business on the level.</p>
|
||||
<p>“ ‘I see you have quite a large mail today,’ says the man.</p>
|
||||
<p>“I reached and got my hat.</p>
|
||||
|
@ -13,7 +13,7 @@
|
||||
<p>I remember the clear picture of him that hung on the walls of my fancy during my barefoot days when I was dodging his oft-threatened devoirs. To me he was a terrible old man, in gray clothes, with a long, ragged, gray beard, and reddish, fierce eyes. I looked to see him come stumping up the road in a cloud of dust, with a white oak staff in his hand and his shoes tied with leather thongs. I may yet—</p>
|
||||
<p>But this is a story, not a sequel.</p>
|
||||
<p>I have taken notice with regret, that few stories worth reading have been written that did not contain drink of some sort. Down go the fluids, from Arizona Dick’s three fingers of red pizen to the inefficacious Oolong that nerves Lionel Montressor to repartee in the “Dotty Dialogues.” So, in such good company I may introduce an absinthe drip—one absinthe drip, dripped through a silver dripper, orderly, opalescent, cool, green-eyed—deceptive.</p>
|
||||
<p>Kerner was a fool. Besides that, he was an artist and my good friend. Now, if there is one thing on earth utterly despicable to another, it is an artist in the eyes of an author whose story he has illustrated. Just try it once. Write a story about a mining camp in Idaho. Sell it. Spend the money, and then, six months later, borrow a quarter (or a dime), and buy the magazine containing it. You find a full-page wash drawing of your hero, Black Bill, the cowboy. Somewhere in your story you employed the word “horse.” Aha! the artist has grasped the idea. Black Bill has on the regulation trousers of the M. F. H. of the Westchester County Hunt. He carries a parlor rifle, and wears a monocle. In the distance is a section of Forty-second Street during a search for a lost gas-pipe, and the Taj Mahal, the famous mausoleum in India.</p>
|
||||
<p>Kerner was a fool. Besides that, he was an artist and my good friend. Now, if there is one thing on earth utterly despicable to another, it is an artist in the eyes of an author whose story he has illustrated. Just try it once. Write a story about a mining camp in Idaho. Sell it. Spend the money, and then, six months later, borrow a quarter (or a dime), and buy the magazine containing it. You find a full-page wash drawing of your hero, Black Bill, the cowboy. Somewhere in your story you employed the word “horse.” Aha! the artist has grasped the idea. Black Bill has on the regulation trousers of the <abbr>M. F. H.</abbr> of the Westchester County Hunt. He carries a parlor rifle, and wears a monocle. In the distance is a section of Forty-second Street during a search for a lost gas-pipe, and the Taj Mahal, the famous mausoleum in India.</p>
|
||||
<p>Enough! I hated Kerner, and one day I met him and we became friends. He was young and gloriously melancholy because his spirits were so high and life had so much in store for him. Yes, he was almost riotously sad. That was his youth. When a man begins to be hilarious in a sorrowful way you can bet a million that he is dyeing his hair. Kerner’s hair was plentiful and carefully matted as an artist’s thatch should be. He was a cigaretteur, and he audited his dinners with red wine. But, most of all, he was a fool. And, wisely, I envied him, and listened patiently while he knocked Velasquez and Tintoretto. Once he told me that he liked a story of mine that he had come across in an anthology. He described it to me, and I was sorry that <abbr>Mr.</abbr> Fitz-James O’Brien was dead and could not learn of the eulogy of his work. But mostly Kerner made few breaks and was a consistent fool.</p>
|
||||
<p>I’d better explain what I mean by that. There was a girl. Now, a girl, as far as I am concerned, is a thing that belongs in a seminary or an album; but I conceded the existence of the animal in order to retain Kerner’s friendship. He showed me her picture in a locket—she was a blonde or a brunette—I have forgotten which. She worked in a factory for eight dollars a week. Lest factories quote this wage by way of vindication, I will add that the girl had worked for five years to reach that supreme elevation of remuneration, beginning at $1.50 per week.</p>
|
||||
<p>Kerner’s father was worth a couple of millions He was willing to stand for art, but he drew the line at the factory girl. So Kerner disinherited his father and walked out to a cheap studio and lived on sausages for breakfast and on Farroni for dinner. Farroni had the artistic soul and a line of credit for painters and poets, nicely adjusted. Sometimes Kerner sold a picture and bought some new tapestry, a ring and a dozen silk cravats, and paid Farroni two dollars on account.</p>
|
||||
|
@ -14,14 +14,14 @@
|
||||
<p>Not even on the fair island of Nippon was there a more enthusiastic champion of the Mikado’s men. Supporters of the Russian cause did well to keep clear of Engine-House <abbr>No.</abbr> 99.</p>
|
||||
<p>Sometimes all thoughts of the Japs left John Byrnes’s head. That was when the alarm of fire had sounded and he was strapped in his driver’s seat on the swaying cart, guiding Erebus and Joe, the finest team in the whole department—according to the crew of 99.</p>
|
||||
<p>Of all the codes adopted by man for regulating his actions toward his fellow-mortals, the greatest are these—the code of King Arthur’s Knights of the Round Table, the Constitution of the United States and the unwritten rules of the New York Fire Department. The Round Table methods are no longer practicable since the invention of street cars and breach-of-promise suits, and our Constitution is being found more and more unconstitutional every day, so the code of our firemen must be considered in the lead, with the Golden Rule and Jeffries’s new punch trying for place and show.</p>
|
||||
<p>The Constitution says that one man is as good as another; but the Fire Department says he is better. This is a too generous theory, but the law will not allow itself to be construed otherwise. All of which comes perilously near to being a paradox, and commends itself to the attention of the S. P. C. A.</p>
|
||||
<p>The Constitution says that one man is as good as another; but the Fire Department says he is better. This is a too generous theory, but the law will not allow itself to be construed otherwise. All of which comes perilously near to being a paradox, and commends itself to the attention of the <abbr class="initialism">SPCA</abbr>.</p>
|
||||
<p>One of the transatlantic liners dumped out at Ellis Island a lump of protozoa which was expected to evolve into an American citizen. A steward kicked him down the gangway, a doctor pounced upon his eyes like a raven, seeking for trachoma or ophthalmia; he was hustled ashore and ejected into the city in the name of Liberty—perhaps, theoretically, thus inoculating against kingocracy with a drop of its own virus. This hypodermic injection of Europeanism wandered happily into the veins of the city with the broad grin of a pleased child. It was not burdened with baggage, cares or ambitions. Its body was lithely built and clothed in a sort of foreign fustian; its face was brightly vacant, with a small, flat nose, and was mostly covered by a thick, ragged, curling beard like the coat of a spaniel. In the pocket of the imported Thing were a few coins—denarii—scudi—kopecks—pfennigs—pilasters—whatever the financial nomenclature of his unknown country may have been.</p>
|
||||
<p>Prattling to himself, always broadly grinning, pleased by the roar and movement of the barbarous city into which the steamship cut-rates had shunted him, the alien strayed away from the sea, which he hated, as far as the district covered by Engine Company <abbr>No.</abbr> 99. Light as a cork, he was kept bobbing along by the human tide, the crudest atom in all the silt of the stream that emptied into the reservoir of Liberty.</p>
|
||||
<p>While crossing Third avenue he slowed his steps, enchanted by the thunder of the elevated trains above him and the soothing crash of the wheels on the cobbles. And then there was a new, delightful chord in the uproar—the musical clanging of a gong and a great shining juggernaut belching fire and smoke, that people were hurrying to see.</p>
|
||||
<p>This beautiful thing, entrancing to the eye, dashed past, and the protoplasmic immigrant stepped into the wake of it with his broad, enraptured, uncomprehending grin. And so stepping, stepped into the path of <abbr>No.</abbr> 99’s flying hose-cart, with John Byrnes gripping, with arms of steel, the reins over the plunging backs of Erebus and Joe.</p>
|
||||
<p>The unwritten constitutional code of the fireman has no exceptions or amendments. It is a simple thing—as simple as the rule of three. There was the heedless unit in the right of way; there was the hose-cart and the iron pillar of the elevated railroad.</p>
|
||||
<p>John Byrnes swung all his weight and muscle on the left rein. The team and cart swerved that way and crashed like a torpedo into the pillar. The men on the cart went flying like skittles. The driver’s strap burst, the pillar rang with the shock, and John Byrnes fell on the car track with a broken shoulder twenty feet away, while Erebus—beautiful, raven-black, best-loved Erebus—lay whickering in his harness with a broken leg.</p>
|
||||
<p>In consideration for the feelings of Engine Company <abbr>No.</abbr> 99 the details will be lightly touched. The company does not like to be reminded of that day. There was a great crowd, and hurry calls were sent in; and while the ambulance gong was clearing the way the men of <abbr>No.</abbr> 99 heard the crack of the S. P. C. A. agent’s pistol, and turned their heads away, not daring to look toward Erebus again.</p>
|
||||
<p>In consideration for the feelings of Engine Company <abbr>No.</abbr> 99 the details will be lightly touched. The company does not like to be reminded of that day. There was a great crowd, and hurry calls were sent in; and while the ambulance gong was clearing the way the men of <abbr>No.</abbr> 99 heard the crack of the <abbr class="initialism">SPCA</abbr> agent’s pistol, and turned their heads away, not daring to look toward Erebus again.</p>
|
||||
<p>When the firemen got back to the engine-house they found that one of them was dragging by the collar the cause of their desolation and grief. They set it in the middle of the floor and gathered grimly about it. Through its whiskers the calamitous object chattered effervescently and waved its hands.</p>
|
||||
<p>“Sounds like a seidlitz powder,” said Mike Dowling, disgustedly, “and it makes me sicker than one. Call that a man!—that hoss was worth a steamer full of such two-legged animals. It’s a immigrant—that’s what it is.”</p>
|
||||
<p>“Look at the doctor’s chalk mark on its coat,” said Reilly, the desk man. “It’s just landed. It must be a kind of a Dago or a Hun or one of them Finns, I guess. That’s the kind of truck that Europe unloads onto us.”</p>
|
||||
|
@ -18,7 +18,7 @@
|
||||
<p>“ ‘Yes,’ says I, ‘yes,’ for I knew they had me. ‘Touching’s believing, ain’t it, boys? Yes. Now there’s some might say the seats of your trousers are sky blue, but ’tis my opinion they are red. Let’s apply the tests of the laying on of hands and feet.’ And so I hoisted both those inspectors out the door on the toe of my shoe, and sat down to cool off on my block of disreputable glass.</p>
|
||||
<p>“And, as I live without oats, while I sat there, homesick for money and without a cent to my ambition, there came on the breeze the most beautiful smell my nose had entered for a year. God knows where it came from in that backyard of a country—it was a bouquet of soaked lemon peel, cigar stumps, and stale beer—exactly the smell of Goldbrick Charley’s place on Fourteenth Street where I used to play pinochle of afternoons with the third-rate actors. And that smell drove my troubles through me and clinched ’em at the back. I began to long for my country and feel sentiments about it; and I said words about Salvador that you wouldn’t think could come legitimate out of an ice factory.</p>
|
||||
<p>“And while I was sitting there, down through the blazing sunshine in his clean, white clothes comes Maximilian Jones, an American interested in rubber and rosewood.</p>
|
||||
<p>“ ‘Great carrambos!’ says I, when he stepped in, for I was in a bad temper, ‘didn’t I have catastrophes enough? I know what you want. You want to tell me that story again about Johnny Ammiger and the widow on the train. You’ve told it nine times already this month.’</p>
|
||||
<p>“ ‘Great <i xml:lang="es">carrambos</i>!’ says I, when he stepped in, for I was in a bad temper, ‘didn’t I have catastrophes enough? I know what you want. You want to tell me that story again about Johnny Ammiger and the widow on the train. You’ve told it nine times already this month.’</p>
|
||||
<p>“ ‘It must be the heat,’ says Jones, stopping in at the door, amazed. ‘Poor Billy. He’s got bugs. Sitting on ice, and calling his best friends pseudonyms. Hi!—muchacho!’ Jones called my force of employees, who was sitting in the sun, playing with his toes, and told him to put on his trousers and run for the doctor.</p>
|
||||
<p>“ ‘Come back,’ says I. ‘Sit down, Maxy, and forget it. ’Tis not ice you see, nor a lunatic upon it. ’Tis only an exile full of homesickness sitting on a lump of glass that’s just cost him a thousand dollars. Now, what was it Johnny said to the widow first? I’d like to hear it again, Maxy—honest. Don’t mind what I said.’</p>
|
||||
<p>“Maximilian Jones and I sat down and talked. He was about as sick of the country as I was, for the grafters were squeezing him for half the profits of his rosewood and rubber. Down in the bottom of a tank of water I had a dozen bottles of sticky Frisco beer; and I fished these up, and we fell to talking about home and the flag and Hail Columbia and home-fried potatoes; and the drivel we contributed would have sickened any man enjoying those blessings. But at that time we were out of ’em. You can’t appreciate home till you’ve left it, money till it’s spent, your wife till she’s joined a woman’s club, nor Old Glory till you see it hanging on a broomstick on the shanty of a consul in a foreign town.</p>
|
||||
@ -58,7 +58,7 @@
|
||||
<p>“There we found the meat gloriously done, and Jerry waiting, anxious. We sat around on the grass, and got hunks of it on our tin plates. Maximilian Jones, always made tenderhearted by drink, cried some because George Washington couldn’t be there to enjoy the day. ‘There was a man I love, Billy,’ he says, weeping on my shoulder. ‘Poor George! To think he’s gone, and missed the fireworks. A little more salt, please, Jerry.’</p>
|
||||
<p>“From what we could hear, General Dingo seemed to be kindly contributing some noise while we feasted. There were guns going off around town, and pretty soon we heard that cannon go ‘BOOM!’ just as he said it would. And then men began to skim along the edge of the plaza, dodging in among the orange trees and houses. We certainly had things stirred up in Salvador. We felt proud of the occasion and grateful to General Dingo. Sterrett was about to take a bite off a juicy piece of rib when a bullet took it away from his mouth.</p>
|
||||
<p>“ ‘Somebody’s celebrating with ball cartridges,’ says he, reaching for another piece. ‘Little overzealous for a nonresident patriot, isn’t it?’</p>
|
||||
<p>“ ‘Don’t mind it,’ I says to him. ”Twas an accident. They happen, you know, on the Fourth. After one reading of the Declaration of Independence in New York I’ve known the S. R. O. sign to be hung out at all the hospitals and police stations.’</p>
|
||||
<p>“ ‘Don’t mind it,’ I says to him. ”Twas an accident. They happen, you know, on the Fourth. After one reading of the Declaration of Independence in New York I’ve known the <abbr class="initialism">SRO</abbr> sign to be hung out at all the hospitals and police stations.’</p>
|
||||
<p>“But then Jerry gives a howl and jumps up with one hand clapped to the back of his leg where another bullet has acted overzealous. And then comes a quantity of yells, and round a corner and across the plaza gallops General Mary Esperanza Dingo embracing the neck of his horse, with his men running behind him, mostly dropping their guns by way of discharging ballast. And chasing ’em all is a company of feverish little warriors wearing blue trousers and caps.</p>
|
||||
<p>“ ‘Assistance, amigos,’ the General shouts, trying to stop his horse. ‘Assistance, in the name of Liberty!’</p>
|
||||
<p>“ ‘That’s the Compañia Azul, the President’s bodyguard,’ says Jones. ‘What a shame! They’ve jumped on poor old Mary just because he was helping us to celebrate. Come on, boys, it’s our Fourth;—do we let that little squad of <abbr>A. D. T</abbr>’s break it up?’</p>
|
||||
|
@ -19,7 +19,7 @@
|
||||
<p>Miss Merriam sat on a stool at a desk inclosed on three sides by a strong, high fencing of woven brass wire. Through an arched opening at the bottom you thrust your waiter’s check and the money, while your heart went pita-pat.</p>
|
||||
<p>For Miss Merriam was lovely and capable. She could take 45 cents out of a $2 bill and refuse an offer of marriage before you could—Next!—lost your chance—please don’t shove. She could keep cool and collected while she collected your check, give you the correct change, win your heart, indicate the toothpick stand, and rate you to a quarter of a cent better than Bradstreet could to a thousand in less time than it takes to pepper an egg with one of Hinkle’s casters.</p>
|
||||
<p>There is an old and dignified allusion to the “fierce light that beats upon a throne.” The light that beats upon the young lady cashier’s cage is also something fierce. The other fellow is responsible for the slang.</p>
|
||||
<p>Every male patron of Hinkle’s, from the <abbr>A.D.T.</abbr> boys up to the curbstone brokers, adored Miss Merriam. When they paid their checks they wooed her with every wile known to Cupid’s art. Between the meshes of the brass railing went smiles, winks, compliments, tender vows, invitations to dinner, sighs, languishing looks and merry banter that was wafted pointedly back by the gifted Miss Merriam.</p>
|
||||
<p>Every male patron of Hinkle’s, from the <abbr class="initialism">ADT</abbr> boys up to the curbstone brokers, adored Miss Merriam. When they paid their checks they wooed her with every wile known to Cupid’s art. Between the meshes of the brass railing went smiles, winks, compliments, tender vows, invitations to dinner, sighs, languishing looks and merry banter that was wafted pointedly back by the gifted Miss Merriam.</p>
|
||||
<p>There is no coign of vantage more effective than the position of young lady cashier. She sits there, easily queen of the court of commerce; she is duchess of dollars and devoirs, countess of compliments and coin, leading lady of love and luncheon. You take from her a smile and a Canadian dime, and you go your way uncomplaining. You count the cheery word or two that she tosses you as misers count their treasures; and you pocket the change for a five uncomputed. Perhaps the brassbound inaccessibility multiplies her charms—anyhow, she is a shirt-waisted angel, immaculate, trim, manicured, seductive, bright-eyed, ready, alert—Psyche, Circe, and Ate in one, separating you from your circulating medium after your sirloin medium.</p>
|
||||
<p>The young men who broke bread at Hinkle’s never settled with the cashier without an exchange of badinage and open compliment. Many of them went to greater lengths and dropped promissory hints of theatre tickets and chocolates. The older men spoke plainly of orange blossoms, generally withering the tentative petals by after-allusions to Harlem flats. One broker, who had been squeezed by copper proposed to Miss Merriam more regularly than he ate.</p>
|
||||
<p>During a brisk luncheon hour Miss Merriam’s conversation, while she took money for checks, would run something like this:</p>
|
||||
|
@ -37,7 +37,7 @@
|
||||
<p>“Is that Jimmy Dunn?” asked Kelley.</p>
|
||||
<p>“Yes,” came the answer.</p>
|
||||
<p>“You’re a liar,” sang back Kelley, joyfully. “You’re the Secretary of War. Wait there till I come up. I’ve got the finest thing down here in the way of a fish you ever baited for. It’s a Colorado-maduro, with a gold band around it and free coupons enough to buy a red hall lamp and a statuette of Psyche rubbering in the brook. I’ll be up on the next car.”</p>
|
||||
<p>Jimmy Dunn was an A. M. of Crookdom. He was an artist in the confidence line. He never saw a bludgeon in his life; and he scorned knockout drops. In fact, he would have set nothing before an intended victim but the purest of drinks, if it had been possible to procure such a thing in New York. It was the ambition of “Spider” Kelley to elevate himself into Jimmy’s class.</p>
|
||||
<p>Jimmy Dunn was an <abbr>A. M.</abbr> of Crookdom. He was an artist in the confidence line. He never saw a bludgeon in his life; and he scorned knockout drops. In fact, he would have set nothing before an intended victim but the purest of drinks, if it had been possible to procure such a thing in New York. It was the ambition of “Spider” Kelley to elevate himself into Jimmy’s class.</p>
|
||||
<p>These two gentlemen held a conference that night at McCrary’s. Kelley explained.</p>
|
||||
<p>“He’s as easy as a gumshoe. He’s from the Island of Colombia, where there’s a strike, or a feud, or something going on, and they’ve sent him up here to buy 2,000 Winchesters to arbitrate the thing with. He showed me two drafts for $10,000 each, and one for $5,000 on a bank here. ‘S truth, Jimmy, I felt real mad with him because he didn’t have it in thousand-dollar bills, and hand it to me on a silver waiter. Now, we’ve got to wait till he goes to the bank and gets the money for us.”</p>
|
||||
<p>They talked it over for two hours, and then Dunn said; “Bring him to No. ⸻ Broadway, at four o’clock tomorrow afternoon.”</p>
|
||||
|
@ -30,7 +30,7 @@
|
||||
<p>For a minute or longer Uncle Bushrod was as stone in his tracks. Had that midnight rifler of safes and vaults been any other on earth than the man he was, the old retainer would have rushed upon him and struck to save the Weymouth property. But now the watcher’s soul was tortured by the poignant dread of something worse than mere robbery. He was seized by an accusing terror that said the Weymouth name and the Weymouth honour were about to be lost. Marse Robert robbing the bank! What else could it mean? The hour of the night, the stealthy visit to the vault, the satchel brought forth full and with expedition and silence, the prowler’s rough dress, his solicitous reading of the clock, and noiseless departure—what else could it mean?</p>
|
||||
<p>And then to the turmoil of Uncle Bushrod’s thoughts came the corroborating recollection of preceding events—<abbr>Mr.</abbr> Robert’s increasing intemperance and consequent many moods of royal high spirits and stern tempers; the casual talk he had heard in the bank of the decrease in business and difficulty in collecting loans. What else could it all mean but that <abbr>Mr.</abbr> Robert Weymouth was an absconder—was about to fly with the bank’s remaining funds, leaving <abbr>Mr.</abbr> William, Miss Letty, little Nan, Guy, and Uncle Bushrod to bear the disgrace?</p>
|
||||
<p>During one minute Uncle Bushrod considered these things, and then he awoke to sudden determination and action.</p>
|
||||
<p>“Lawd! Lawd!” he moaned aloud, as he hobbled hastily toward the side door. “Sech a come-off after all dese here years of big doin’s and fine doin’s. Scan’lous sights upon de yearth when de Weymouth fambly done turn out robbers and ‘bezzlers! Time for Uncle Bushrod to clean out somebody’s chicken-coop and eben matters up. Oh, Lawd! Marse Robert, you ain’t gwine do dat. ‘N Miss Letty an’ dem chillun so proud and talkin’ ‘Weymouth, Weymouth,’ all de time! I’m gwine to stop you ef I can. ‘Spec you shoot <abbr>Mr.</abbr> Nigger’s head off ef he fool wid you, but I’m gwine stop you ef I can.”</p>
|
||||
<p>“Lawd! Lawd!” he moaned aloud, as he hobbled hastily toward the side door. “Sech a come-off after all dese here years of big doin’s and fine doin’s. Scan’lous sights upon de yearth when de Weymouth fambly done turn out robbers and ‘bezzlers! Time for Uncle Bushrod to clean out somebody’s chicken-coop and eben matters up. Oh, Lawd! Marse Robert, you ain’t gwine do dat. ’N Miss Letty an’ dem chillun so proud and talkin’ ‘Weymouth, Weymouth,’ all de time! I’m gwine to stop you ef I can. ‘Spec you shoot <abbr>Mr.</abbr> Nigger’s head off ef he fool wid you, but I’m gwine stop you ef I can.”</p>
|
||||
<p>Uncle Bushrod, aided by his hickory stick, impeded by his rheumatism, hurried down the street toward the railroad station, where the two lines touching Weymouthville met. As he had expected and feared, he saw there <abbr>Mr.</abbr> Robert, standing in the shadow of the building, waiting for the train. He held the satchel in his hand.</p>
|
||||
<p>When Uncle Bushrod came within twenty yards of the bank president, standing like a huge, gray ghost by the station wall, sudden perturbation seized him. The rashness and audacity of the thing he had come to do struck him fully. He would have been happy could he have turned and fled from the possibilities of the famous Weymouth wrath. But again he saw, in his fancy, the white reproachful face of Miss Letty, and the distressed looks of Nan and Guy, should he fail in his duty and they question him as to his stewardship.</p>
|
||||
<p>Braced by the thought, he approached in a straight line, clearing his throat and pounding with his stick so that he might be early recognized. Thus he might avoid the likely danger of too suddenly surprising the sometimes hasty <abbr>Mr.</abbr> Robert.</p>
|
||||
@ -42,8 +42,8 @@
|
||||
<p>“Humph!” said Robert. “You better get home out of the night air. It’s damp. You’ll hardly be worth killing tomorrow on account of your rheumatism. Think it’ll be a clear day, Bushrod?”</p>
|
||||
<p>“I ’low it will, suh. De sun sot red las’ night.”</p>
|
||||
<p><abbr>Mr.</abbr> Robert lit a cigar in the shadow, and the smoke looked like his gray ghost expanding and escaping into the night air. Somehow, Uncle Bushrod could barely force his reluctant tongue to the dreadful subject. He stood, awkward, shambling, with his feet upon the gravel and fumbling with his stick. But then, afar off—three miles away, at the Jimtown switch—he heard the faint whistle of the coming train, the one that was to transport the Weymouth name into the regions of dishonour and shame. All fear left him. He took off his hat and faced the chief of the clan he served, the great, royal, kind, lofty, terrible Weymouth—he bearded him there at the brink of the awful thing that was about to happen.</p>
|
||||
<p>“Marse Robert,” he began, his voice quivering a little with the stress of his feelings, “you ‘member de day dey-all rode de tunnament at Oak Lawn? De day, suh, dat you win in de ridin’, and you crown Miss Lucy de queen?”</p>
|
||||
<p>“Tournament?” said <abbr>Mr.</abbr> Robert, taking his cigar from his mouth. “Yes, I remember very well the—but what the deuce are you talking about tournaments here at midnight for? Go ‘long home, Bushrod. I believe you’re sleepwalking.”</p>
|
||||
<p>“Marse Robert,” he began, his voice quivering a little with the stress of his feelings, “you ’member de day dey-all rode de tunnament at Oak Lawn? De day, suh, dat you win in de ridin’, and you crown Miss Lucy de queen?”</p>
|
||||
<p>“Tournament?” said <abbr>Mr.</abbr> Robert, taking his cigar from his mouth. “Yes, I remember very well the—but what the deuce are you talking about tournaments here at midnight for? Go ’long home, Bushrod. I believe you’re sleepwalking.”</p>
|
||||
<p>“Miss Lucy tetch you on de shoulder,” continued the old man, never heeding, “wid a s’ord, and say: ‘I mek you a knight, Suh Robert—rise up, pure and fearless and widout reproach.’ Dat what Miss Lucy say. Dat’s been a long time ago, but me nor you ain’t forgot it. And den dar’s another time we ain’t forgot—de time when Miss Lucy lay on her las’ bed. She sent for Uncle Bushrod, and she say: ‘Uncle Bushrod, when I die, I want you to take good care of <abbr>Mr.</abbr> Robert. Seem like’—so Miss Lucy say—‘he listen to you mo’ dan to anybody else. He apt to be mighty fractious sometimes, and maybe he cuss you when you try to ‘suade him but he need somebody what understand him to be ’round wid him. He am like a little child sometimes’—so Miss Lucy say, wid her eyes shinin’ in her po’, thin face—‘but he always been’—dem was her words—‘my knight, pure and fearless and widout reproach.’ ”</p>
|
||||
<p><abbr>Mr.</abbr> Robert began to mask, as was his habit, a tendency to softheartedness with a spurious anger.</p>
|
||||
<p>“You—you old windbag!” he growled through a cloud of swirling cigar smoke. “I believe you are crazy. I told you to go home, Bushrod. Miss Lucy said that, did she? Well, we haven’t kept the scutcheon very clear. Two years ago last week, wasn’t it, Bushrod, when she died? Confound it! Are you going to stand there all night gabbing like a coffee-coloured gander?”</p>
|
||||
@ -52,7 +52,7 @@
|
||||
<p><abbr>Mr.</abbr> Robert Weymouth threw away his cigar and shook free one arm with that peculiar gesture that always preceded his outbursts of irascibility. Uncle Bushrod bowed his head to the expected storm, but he did not flinch. If the house of Weymouth was to fall, he would fall with it. The banker spoke, and Uncle Bushrod blinked with surprise. The storm was there, but it was suppressed to the quietness of a summer breeze.</p>
|
||||
<p>“Bushrod,” said <abbr>Mr.</abbr> Robert, in a lower voice than he usually employed, “you have overstepped all bounds. You have presumed upon the leniency with which you have been treated to meddle unpardonably. So you know what is in this satchel! Your long and faithful service is some excuse, but—go home, Bushrod—not another word!”</p>
|
||||
<p>But Bushrod grasped the satchel with a firmer hand. The headlight of the train was now lightening the shadows about the station. The roar was increasing, and folks were stirring about at the track side.</p>
|
||||
<p>“Marse Robert, gimme dis ‘er’ valise. I got a right, suh, to talk to you dis ‘er’ way. I slaved for you and ‘tended to you from a child up. I went th’ough de war as yo’ body-servant tell we whipped de Yankees and sent ’em back to de No’th. I was at yo’ weddin’, and I was n’ fur away when yo’ Miss Letty was bawn. And Miss Letty’s chillun, dey watches today for Uncle Bushrod when he come home ever’ evenin’. I been a Weymouth, all ‘cept in colour and entitlements. Both of us is old, Marse Robert. ‘Tain’t goin’ to be long till we gwine to see Miss Lucy and has to give an account of our doin’s. De ole nigger man won’t be ‘spected to say much mo’ dan he done all he could by de fambly dat owned him. But de Weymouths, dey must say dey been livin’ pure and fearless and widout reproach. Gimme dis valise, Marse Robert—I’m gwine to hab it. I’m gwine to take it back to the bank and lock it up in de vault. I’m gwine to do Miss Lucy’s biddin’. Turn ‘er loose, Marse Robert.”</p>
|
||||
<p>“Marse Robert, gimme dis ‘er’ valise. I got a right, suh, to talk to you dis ‘er’ way. I slaved for you and ‘tended to you from a child up. I went th’ough de war as yo’ body-servant tell we whipped de Yankees and sent ’em back to de No’th. I was at yo’ weddin’, and I was n’ fur away when yo’ Miss Letty was bawn. And Miss Letty’s chillun, dey watches today for Uncle Bushrod when he come home ever’ evenin’. I been a Weymouth, all ’cept in colour and entitlements. Both of us is old, Marse Robert. ’Tain’t goin’ to be long till we gwine to see Miss Lucy and has to give an account of our doin’s. De ole nigger man won’t be ‘spected to say much mo’ dan he done all he could by de fambly dat owned him. But de Weymouths, dey must say dey been livin’ pure and fearless and widout reproach. Gimme dis valise, Marse Robert—I’m gwine to hab it. I’m gwine to take it back to the bank and lock it up in de vault. I’m gwine to do Miss Lucy’s biddin’. Turn ‘er loose, Marse Robert.”</p>
|
||||
<p>The train was standing at the station. Some men were pushing trucks along the side. Two or three sleepy passengers got off and wandered away into the night. The conductor stepped to the gravel, swung his lantern and called: “Hello, Frank!” at someone invisible. The bell clanged, the brakes hissed, the conductor drawled: “All aboard!”</p>
|
||||
<p><abbr>Mr.</abbr> Robert released his hold on the satchel. Uncle Bushrod hugged it to his breast with both arms, as a lover clasps his first beloved.</p>
|
||||
<p>“Take it back with you, Bushrod,” said <abbr>Mr.</abbr> Robert, thrusting his hands into his pockets. “And let the subject drop—now mind! You’ve said quite enough. I’m going to take the train. Tell <abbr>Mr.</abbr> William I will be back on Saturday. Good night.”</p>
|
||||
|
@ -48,7 +48,7 @@
|
||||
<p>“Sir Percival kind of rattles his armour and says: ‘Helen, will you suspend sentence in this matter for just a little while? You don’t understand,’ says he. ‘I’ve got to hold this job down a little longer.’</p>
|
||||
<p>“ ‘You like being a harlequin—or halberdier, as you call it?’ says she.</p>
|
||||
<p>“ ‘I wouldn’t get thrown out of the job just now,’ says he, with a grin, ‘to be appointed Minister to the Court of <abbr>St.</abbr> James’s.’</p>
|
||||
<p>“And then the 40-H.P. girl’s eyes sparkled as hard as diamonds.</p>
|
||||
<p>“And then the 40-<abbr>H.P.</abbr> girl’s eyes sparkled as hard as diamonds.</p>
|
||||
<p>“ ‘Very well,’ says she. ‘You shall have full run of your serving-man’s tastes this night.’ And she swims over to the boss’s desk and gives him a smile that knocks the specks off his nose.</p>
|
||||
<p>“ ‘I think your Rindslosh,’ says she, ‘is as beautiful as a dream. It is a little slice of the Old World set down in New York. We shall have a nice supper up there; but if you will grant us one favour the illusion will be perfect—give us your halberdier to wait on our table.’</p>
|
||||
<p>“That hits the boss’s antiology hobby just right. ‘Sure,’ says he, ‘dot vill be fine. Und der orchestra shall blay “Die Wacht am Rhein” all der time.’ And he goes over and tells the halberdier to go upstairs and hustle the grub at the swells’ table.</p>
|
||||
|
@ -19,7 +19,7 @@
|
||||
<p>“ ‘Exactly,’ says I. ‘Then why do the master minds of finance and philanthropy,’ says I, ‘charge us $2 to get into a racetrack and let us into a library free? Is that distilling into the masses,’ says I, ‘a correct estimate of the relative value of the two means of self-culture and disorder?’</p>
|
||||
<p>“ ‘You are arguing outside of my faculties of sense and rhetoric,’ says Bill. ‘What I wanted you to do is to go to Washington and dig out this appointment for me. I haven’t no ideas of cultivation and intrigue. I’m a plain citizen and I need the job. I’ve killed seven men,’ says Bill; ‘I’ve got nine children; I’ve been a good Republican ever since the first of May; I can’t read nor write, and I see no reason why I ain’t illegible for the office. And I think your partner, <abbr>Mr.</abbr> Tucker,’ goes on Bill, ‘is also a man of sufficient ingratiation and connected system of mental delinquency to assist you in securing the appointment. I will give you preliminary,’ says Bill, ‘$1,000 for drinks, bribes and carfare in Washington. If you land the job I will pay you $1,000 more, cash down, and guarantee you impunity in bootlegging whiskey for twelve months. Are you patriotic to the West enough to help me put this thing through the Whitewashed Wigwam of the Great Father of the most eastern flag station of the Pennsylvania Railroad?’ says Bill.</p>
|
||||
<p>“Well, I talked to Andy about it, and he liked the idea immense. Andy was a man of an involved nature. He was never content to plod along, as I was, selling to the peasantry some little tool like a combination steak beater, shoe horn, marcel waver, monkey wrench, nail file, potato masher and Multum in Parvo tuning fork. Andy had the artistic temper, which is not to be judged as a preacher’s or a moral man’s is by purely commercial deflections. So we accepted Bill’s offer, and strikes out for Washington.</p>
|
||||
<p>“Says I to Andy, when we get located at a hotel on South Dakota Avenue, <abbr>G.S.S.W.</abbr> ‘Now Andy, for the first time in our lives we’ve got to do a real dishonest act. Lobbying is something we’ve never been used to; but we’ve got to scandalize ourselves for Bill Humble’s sake. In a straight and legitimate business,’ says I, ‘we could afford to introduce a little foul play and chicanery, but in a disorderly and heinous piece of malpractice like this it seems to me that the straightforward and aboveboard way is the best. I propose,’ says I, ‘that we hand over $500 of this money to the chairman of the national campaign committee, get a receipt, lay the receipt on the President’s desk and tell him about Bill. The President is a man who would appreciate a candidate who went about getting office that way instead of pulling wires.’</p>
|
||||
<p>“Says I to Andy, when we get located at a hotel on South Dakota Avenue, <abbr class="initialism">GSSW</abbr> ‘Now Andy, for the first time in our lives we’ve got to do a real dishonest act. Lobbying is something we’ve never been used to; but we’ve got to scandalize ourselves for Bill Humble’s sake. In a straight and legitimate business,’ says I, ‘we could afford to introduce a little foul play and chicanery, but in a disorderly and heinous piece of malpractice like this it seems to me that the straightforward and aboveboard way is the best. I propose,’ says I, ‘that we hand over $500 of this money to the chairman of the national campaign committee, get a receipt, lay the receipt on the President’s desk and tell him about Bill. The President is a man who would appreciate a candidate who went about getting office that way instead of pulling wires.’</p>
|
||||
<p>“Andy agreed with me, but after we talked the scheme over with the hotel clerk we give that plan up. He told us that there was only one way to get an appointment in Washington, and that was through a lady lobbyist. He gave us the address of one he recommended, a <abbr>Mrs.</abbr> Avery, who he said was high up in sociable and diplomatic rings and circles.</p>
|
||||
<p>“The next morning at 10 o’clock me and Andy called at her hotel, and was shown up to her reception room.</p>
|
||||
<p>“This <abbr>Mrs.</abbr> Avery was a solace and a balm to the eyesight. She had hair the color of the back of a twenty dollar gold certificate, blue eyes and a system of beauty that would make the girl on the cover of a July magazine look like a cook on a Monongahela coal barge.</p>
|
||||
@ -36,7 +36,7 @@
|
||||
<p>“ ‘A woman like that,’ says Andy, ‘ought to lead a man to the highest positions of opulence and fame.’</p>
|
||||
<p>“ ‘I misdoubt,’ says I, ‘if any woman ever helped a man to secure a job any more than to have his meals ready promptly and spread a report that the other candidate’s wife had once been a shoplifter. They are no more adapted for business and politics,’ says I, ‘than Algernon Charles Swinburne is to be floor manager at one of Chuck Connor’s annual balls. I know,’ says I to Andy, ‘that sometimes a woman seems to step out into the kalsomine light as the charge d’affaires of her man’s political job. But how does it come out? Say, they have a neat little berth somewhere as foreign consul of record to Afghanistan or lockkeeper on the Delaware and Raritan Canal. One day this man finds his wife putting on her overshoes and three months supply of bird seed into the canary’s cage. “Sioux Falls?” he asks with a kind of hopeful light in his eye. “No, Arthur,” says she, “Washington. We’re wasted here,” says she. “You ought to be Toady Extraordinary to the Court of <abbr>St.</abbr> Bridget or Head Porter of the Island of Porto Rico. I’m going to see about it.”</p>
|
||||
<p>“ ‘Then this lady,’ I says to Andy, ‘moves against the authorities at Washington with her baggage and munitions, consisting of five dozen indiscriminating letters written to her by a member of the Cabinet when she was 15; a letter of introduction from King Leopold to the Smithsonian Institution, and a pink silk costume with canary colored spats.</p>
|
||||
<p>“ ‘Well and then what?’ I goes. ‘She has the letters printed in the evening papers that match her costume, she lectures at an informal tea given in the palm room of the B. & O. Depot and then calls on the President. The ninth Assistant Secretary of Commerce and Labor, the first aide-de-camp of the Blue Room and an unidentified colored man are waiting there to grasp her by the hands—and feet. They carry her out to S.W. B. street and leave her on a cellar door. That ends it. The next time we hear of her she is writing postcards to the Chinese Minister asking him to get Arthur a job in a tea store.’</p>
|
||||
<p>“ ‘Well and then what?’ I goes. ‘She has the letters printed in the evening papers that match her costume, she lectures at an informal tea given in the palm room of the B. & O. Depot and then calls on the President. The ninth Assistant Secretary of Commerce and Labor, the first aide-de-camp of the Blue Room and an unidentified colored man are waiting there to grasp her by the hands—and feet. They carry her out to <abbr>S.W. B.</abbr> street and leave her on a cellar door. That ends it. The next time we hear of her she is writing postcards to the Chinese Minister asking him to get Arthur a job in a tea store.’</p>
|
||||
<p>“ ‘Then,’ says Andy, ‘you don’t think <abbr>Mrs.</abbr> Avery will land the Marshalship for Bill?’</p>
|
||||
<p>“ ‘I do not,’ says I. ‘I do not wish to be a septic, but I doubt if she can do as well as you and me could have done.’</p>
|
||||
<p>“ ‘I don’t agree with you,’ says Andy. ‘I’ll bet you she does. I’m proud of having a higher opinion of the talent and the powers of negotiation of ladies.’</p>
|
||||
|
@ -26,16 +26,16 @@
|
||||
<p>I sat and read that book for four hours. All the wonders of education was compressed in it. I forgot the snow, and I forgot that me and old Idaho was on the outs. He was sitting still on a stool reading away with a kind of partly soft and partly mysterious look shining through his tanbark whiskers.</p>
|
||||
<p>“Idaho,” says I, “what kind of a book is yours?”</p>
|
||||
<p>Idaho must have forgot, too, for he answered moderate, without any slander or malignity.</p>
|
||||
<p>“Why,” says he, “this here seems to be a volume by Homer K. M.”</p>
|
||||
<p>“Homer K. M. what?” I asks.</p>
|
||||
<p>“Why, just Homer K. M.,” says he.</p>
|
||||
<p>“You’re a liar,” says I, a little riled that Idaho should try to put me up a tree. “No man is going ’round signing books with his initials. If it’s Homer K. M. Spoopendyke, or Homer K. M. McSweeney, or Homer K. M. Jones, why don’t you say so like a man instead of biting off the end of it like a calf chewing off the tail of a shirt on a clothes-sine?”</p>
|
||||
<p>“I put it to you straight, Sandy,” says Idaho, quiet. “It’s a poem book,” says he, “by Homer K. M. I couldn’t get colour out of it at first, but there’s a vein if you follow it up. I wouldn’t have missed this book for a pair of red blankets.”</p>
|
||||
<p>“Why,” says he, “this here seems to be a volume by Homer <abbr class="name eoc">K. M.</abbr>”</p>
|
||||
<p>“Homer <abbr class="name">K. M.</abbr> what?” I asks.</p>
|
||||
<p>“Why, just Homer <abbr class="name">K. M.</abbr>,” says he.</p>
|
||||
<p>“You’re a liar,” says I, a little riled that Idaho should try to put me up a tree. “No man is going ’round signing books with his initials. If it’s Homer <abbr class="name">K. M.</abbr> Spoopendyke, or Homer <abbr class="name">K. M.</abbr> McSweeney, or Homer <abbr class="name">K. M.</abbr> Jones, why don’t you say so like a man instead of biting off the end of it like a calf chewing off the tail of a shirt on a clothes-sine?”</p>
|
||||
<p>“I put it to you straight, Sandy,” says Idaho, quiet. “It’s a poem book,” says he, “by Homer <abbr class="name eoc">K. M.</abbr> I couldn’t get colour out of it at first, but there’s a vein if you follow it up. I wouldn’t have missed this book for a pair of red blankets.”</p>
|
||||
<p>“You’re welcome to it,” says I. “What I want is a disinterested statement of facts for the mind to work on, and that’s what I seem to find in the book I’ve drawn.”</p>
|
||||
<p>“What you’ve got,” says Idaho, “is statistics, the lowest grade of information that exists. They’ll poison your mind. Give me old K. M.’s system of surmises. He seems to be a kind of a wine agent. His regular toast is ‘nothing doing,’ and he seems to have a grouch, but he keeps it so well lubricated with booze that his worst kicks sound like an invitation to split a quart. But it’s poetry,” says Idaho, “and I have sensations of scorn for that truck of yours that tries to convey sense in feet and inches. When it comes to explaining the instinct of philosophy through the art of nature, old K. M. has got your man beat by drills, rows, paragraphs, chest measurement, and average annual rainfall.”</p>
|
||||
<p>“What you’ve got,” says Idaho, “is statistics, the lowest grade of information that exists. They’ll poison your mind. Give me old <abbr class="name">K. M.</abbr>’s system of surmises. He seems to be a kind of a wine agent. His regular toast is ‘nothing doing,’ and he seems to have a grouch, but he keeps it so well lubricated with booze that his worst kicks sound like an invitation to split a quart. But it’s poetry,” says Idaho, “and I have sensations of scorn for that truck of yours that tries to convey sense in feet and inches. When it comes to explaining the instinct of philosophy through the art of nature, old <abbr class="name">K. M.</abbr> has got your man beat by drills, rows, paragraphs, chest measurement, and average annual rainfall.”</p>
|
||||
<p>So that’s the way me and Idaho had it. Day and night all the excitement we got was studying our books. That snowstorm sure fixed us with a fine lot of attainments apiece. By the time the snow melted, if you had stepped up to me suddenly and said: “Sanderson Pratt, what would it cost per square foot to lay a roof with twenty by twenty-yight tin at nine dollars and fifty cents per box?” I’d have told you as quick as light could travel the length of a spade handle at the rate of one hundred and ninety-two thousand miles per second. How many can do it? You wake up ’most any man you know in the middle of the night, and ask him quick to tell you the number of bones in the human skeleton exclusive of the teeth, or what percentage of the vote of the Nebraska Legislature overrules a veto. Will he tell you? Try him and see.</p>
|
||||
<p>About what benefit Idaho got out of his poetry book I didn’t exactly know. Idaho boosted the wine-agent every time he opened his mouth; but I wasn’t so sure.</p>
|
||||
<p>This Homer K. M., from what leaked out of his libretto through Idaho, seemed to me to be a kind of a dog who looked at life like it was a tin can tied to his tail. After running himself half to death, he sits down, hangs his tongue out, and looks at the can and says:</p>
|
||||
<p>This Homer <abbr class="name">K. M.</abbr>, from what leaked out of his libretto through Idaho, seemed to me to be a kind of a dog who looked at life like it was a tin can tied to his tail. After running himself half to death, he sits down, hangs his tongue out, and looks at the can and says:</p>
|
||||
<p>“Oh, well, since we can’t shake the growler, let’s get it filled at the corner, and all have a drink on me.”</p>
|
||||
<p>Besides that, it seems he was a Persian; and I never hear of Persia producing anything worth mentioning unless it was Turkish rugs and Maltese cats.</p>
|
||||
<p>That spring me and Idaho struck pay ore. It was a habit of ours to sell out quick and keep moving. We unloaded our grubstaker for eight thousand dollars apiece; and then we drifted down to this little town of Rosa, on the Salmon river, to rest up, and get some human grub, and have our whiskers harvested.</p>
|
||||
@ -51,7 +51,7 @@
|
||||
<p>“From observation, <abbr>Mrs.</abbr> Sampson,” I tells her. “I keep my eyes open when I go about the world.”</p>
|
||||
<p>“<abbr>Mr.</abbr> Pratt,” says she, “I always did admire a man of education. There are so few scholars among the sap-headed plug-uglies of this town that it is a real pleasure to converse with a gentleman of culture. I’d be gratified to have you call at my house whenever you feel so inclined.”</p>
|
||||
<p>And that was the way I got the goodwill of the lady in the yellow house. Every Tuesday and Friday evening I used to go there and tell her about the wonders of the universe as discovered, tabulated, and compiled from nature by Herkimer. Idaho and the other gay Lutherans of the town got every minute of the rest of the week that they could.</p>
|
||||
<p>I never imagined that Idaho was trying to work on <abbr>Mrs.</abbr> Sampson with old K. M.’s rules of courtship till one afternoon when I was on my way over to take her a basket of wild hog-plums. I met the lady coming down the lane that led to her house. Her eyes was snapping, and her hat made a dangerous dip over one eye.</p>
|
||||
<p>I never imagined that Idaho was trying to work on <abbr>Mrs.</abbr> Sampson with old <abbr class="name">K. M.</abbr>’s rules of courtship till one afternoon when I was on my way over to take her a basket of wild hog-plums. I met the lady coming down the lane that led to her house. Her eyes was snapping, and her hat made a dangerous dip over one eye.</p>
|
||||
<p>“<abbr>Mr.</abbr> Pratt,” she opens up, “this <abbr>Mr.</abbr> Green is a friend of yours, I believe.”</p>
|
||||
<p>“For nine years,” says I.</p>
|
||||
<p>“Cut him out,” says she. “He’s no gentleman!”</p>
|
||||
|
@ -10,7 +10,7 @@
|
||||
<h2 epub:type="title">The Harbinger</h2>
|
||||
<p>Long before the springtide is felt in the dull bosom of the yokel does the city man know that the grass-green goddess is upon her throne. He sits at his breakfast eggs and toast, begirt by stone walls, opens his morning paper and sees journalism leave vernalism at the post.</p>
|
||||
<p>For, whereas, spring’s couriers were once the evidence of our finer senses, now the Associated Press does the trick.</p>
|
||||
<p>The warble of the first robin in Hackensack, the stirring of the maple sap in Bennington, the budding of the pussy willows along Main Street in Syracuse, the first chirp of the bluebird, the swan song of the Blue Point, the annual tornado in <abbr>St.</abbr> Louis, the plaint of the peach pessimist from Pompton, N. J., the regular visit of the tame wild goose with a broken leg to the pond near Bilgewater Junction, the base attempt of the Drug Trust to boost the price of quinine foiled in the House by Congressman Jinks, the first tall poplar struck by lightning and the usual stunned picknickers who had taken refuge, the first crack of the ice jam in the Allegheny River, the finding of a violet in its mossy bed by the correspondent at Round Corners—these are the advance signs of the burgeoning season that are wired into the wise city, while the farmer sees nothing but winter upon his dreary fields.</p>
|
||||
<p>The warble of the first robin in Hackensack, the stirring of the maple sap in Bennington, the budding of the pussy willows along Main Street in Syracuse, the first chirp of the bluebird, the swan song of the Blue Point, the annual tornado in <abbr>St.</abbr> Louis, the plaint of the peach pessimist from Pompton, <abbr class="postal">NJ</abbr>, the regular visit of the tame wild goose with a broken leg to the pond near Bilgewater Junction, the base attempt of the Drug Trust to boost the price of quinine foiled in the House by Congressman Jinks, the first tall poplar struck by lightning and the usual stunned picknickers who had taken refuge, the first crack of the ice jam in the Allegheny River, the finding of a violet in its mossy bed by the correspondent at Round Corners—these are the advance signs of the burgeoning season that are wired into the wise city, while the farmer sees nothing but winter upon his dreary fields.</p>
|
||||
<p>But these be mere externals. The true harbinger is the heart. When Strephon seeks his Chloe and Mike his Maggie, then only is spring arrived and the newspaper report of the five-foot rattler killed in Squire Pettigrew’s pasture confirmed.</p>
|
||||
<p>Ere the first violet blew, <abbr>Mr.</abbr> Peters, <abbr>Mr.</abbr> Ragsdale and <abbr>Mr.</abbr> Kidd sat together on a bench in Union Square and conspired. <abbr>Mr.</abbr> Peters was the D’Artagnan of the loafers there. He was the dingiest, the laziest, the sorriest brown blot against the green background of any bench in the park. But just then he was the most important of the trio.</p>
|
||||
<p><abbr>Mr.</abbr> Peters had a wife. This had not heretofore affected his standing with Ragsy and Kidd. But today it invested him with a peculiar interest. His friends, having escaped matrimony, had shown a disposition to deride <abbr>Mr.</abbr> Peters for his venture on that troubled sea. But at last they had been forced to acknowledge that either he had been gifted with a large foresight or that he was one of Fortune’s lucky sons.</p>
|
||||
|
@ -40,10 +40,10 @@
|
||||
<p>“This Henry Ogden was a peculiar kind of ranchman. He wore finger-rings and a big gold watch and careful neckties. And his face was calm, and his nose-spectacles was kept very shiny. I saw once, in Muscogee, an outlaw hung for murdering six men, who was a dead ringer for him. But I knew a preacher in Arkansas that you would have taken to be his brother. I didn’t care much for him either way; what I wanted was some fellowship and communion with holy saints or lost sinners—anything sheepless would do.</p>
|
||||
<p>“ ‘Well, Saint Clair,’ says he, laying down the book he was reading, ‘I guess it must be pretty lonesome for you at first. And I don’t deny that it’s monotonous for me. Are you sure you corralled your sheep so they won’t stray out?’</p>
|
||||
<p>“ ‘They’re shut up as tight as the jury of a millionaire murderer,’ says I. ‘And I’ll be back with them long before they’ll need their trained nurse.’</p>
|
||||
<p>“So Ogden digs up a deck of cards, and we play casino. After five days and nights of my sheep-camp it was like a toot on Broadway. When I caught big casino I felt as excited as if I had made a million in Trinity. And when H. O. loosened up a little and told the story about the lady in the Pullman car I laughed for five minutes.</p>
|
||||
<p>“So Ogden digs up a deck of cards, and we play casino. After five days and nights of my sheep-camp it was like a toot on Broadway. When I caught big casino I felt as excited as if I had made a million in Trinity. And when <abbr class="name">H. O.</abbr> loosened up a little and told the story about the lady in the Pullman car I laughed for five minutes.</p>
|
||||
<p>“That showed what a comparative thing life is. A man may see so much that he’d be bored to turn his head to look at a $3,000,000 fire or Joe Weber or the Adriatic Sea. But let him herd sheep for a spell, and you’ll see him splitting his ribs laughing at ‘Curfew Shall Not Ring To-night,’ or really enjoying himself playing cards with ladies.</p>
|
||||
<p>“By-and-by Ogden gets out a decanter of Bourbon, and then there is a total eclipse of sheep.</p>
|
||||
<p>“ ‘Do you remember reading in the papers, about a month ago,’ says he, ‘about a train hold-up on the M. K. & T.? The express agent was shot through the shoulder and about $15,000 in currency taken. And it’s said that only one man did the job.’</p>
|
||||
<p>“ ‘Do you remember reading in the papers, about a month ago,’ says he, ‘about a train hold-up on the <abbr>M. K. & T.</abbr>? The express agent was shot through the shoulder and about $15,000 in currency taken. And it’s said that only one man did the job.’</p>
|
||||
<p>“ ‘Seems to me I do,’ says I. ‘But such things happen so often they don’t linger long in the human Texas mind. Did they overtake, overhaul, seize, or lay hands upon the despoiler?’</p>
|
||||
<p>“ ‘He escaped,’ says Ogden. ‘And I was just reading in a paper to-day that the officers have tracked him down into this part of the country. It seems the bills the robber got were all the first issue of currency to the Second National Bank of Espinosa City. And so they’ve followed the trail where they’ve been spent, and it leads this way.’</p>
|
||||
<p>“Ogden pours out some more Bourbon, and shoves me the bottle.</p>
|
||||
@ -89,7 +89,7 @@
|
||||
<p>“I went from there to the ranch-house. I find H. Ogden, Esquire, lying asleep on his little cot bed. I guess he had been overcome by anti-insomnia or diswakefulness or some of the diseases peculiar to the sheep business. His mouth and vest were open, and he breathed like a second-hand bicycle pump. I looked at him and gave vent to just a few musings. ‘Imperial Cæsar,’ says I, ‘asleep in such a way, might shut his mouth and keep the wind away.’</p>
|
||||
<p>“A man asleep is certainly a sight to make angels weep. What good is all his brain, muscle, backing, nerve, influence, and family connections? He’s at the mercy of his enemies, and more so of his friends. And he’s about as beautiful as a cab-horse leaning against the Metropolitan Opera House at 12:30 <abbr class="time">a.m.</abbr> dreaming of the plains of Arabia. Now, a woman asleep you regard as different. No matter how she looks, you know it’s better for all hands for her to be that way.</p>
|
||||
<p>“Well, I took a drink of Bourbon and one for Ogden, and started in to be comfortable while he was taking his nap. He had some books on his table on indigenous subjects, such as Japan and drainage and physical culture—and some tobacco, which seemed more to the point.</p>
|
||||
<p>“After I’d smoked a few, and listened to the sartorial breathing of H. O., I happened to look out the window toward the shearing-pens, where there was a kind of a road coming up from a kind of a road across a kind of a creek farther away.</p>
|
||||
<p>“After I’d smoked a few, and listened to the sartorial breathing of <abbr class="name">H. O.</abbr>, I happened to look out the window toward the shearing-pens, where there was a kind of a road coming up from a kind of a road across a kind of a creek farther away.</p>
|
||||
<p>“I saw five men riding up to the house. All of ’em carried guns across their saddles, and among ’em was the deputy that had talked to me at my camp.</p>
|
||||
<p>“They rode up careful, in open formation, with their guns ready. I set apart with my eye the one I opinionated to be the boss muck-raker of this law-and-order cavalry.</p>
|
||||
<p>“ ‘Good-evening, gents,’ says I. ‘Won’t you ‘light, and tie your horses?’</p>
|
||||
@ -108,7 +108,7 @@
|
||||
<p>“ ‘Cash down now?’ I asks.</p>
|
||||
<p>“The captain has a sort of discussion with his helpmates, and they all produce the contents of their pockets for analysis. Out of the general results they figured up $102.30 in cash and $31 worth of plug tobacco.</p>
|
||||
<p>“ ‘Come nearer, capitan meeo,’ says I, ‘and listen.’ He so did.</p>
|
||||
<p>“ ‘I am mighty poor and low down in the world,’ says I. ‘I am working for twelve dollars a month trying to keep a lot of animals together whose only thought seems to be to get asunder. Although,’ says I, ‘I regard myself as some better than the State of South Dakota, it’s a come-down to a man who has heretofore regarded sheep only in the form of chops. I’m pretty far reduced in the world on account of foiled ambitions and rum and a kind of cocktail they make along the P. R. R. all the way from Scranton to Cincinnati—dry gin, French vermouth, one squeeze of a lime, and a good dash of orange bitters. If you’re ever up that way, don’t fail to let one try you. And, again,’ says I, ‘I have never yet went back on a friend. I’ve stayed by ’em when they had plenty, and when adversity’s overtaken me I’ve never forsook ’em.</p>
|
||||
<p>“ ‘I am mighty poor and low down in the world,’ says I. ‘I am working for twelve dollars a month trying to keep a lot of animals together whose only thought seems to be to get asunder. Although,’ says I, ‘I regard myself as some better than the State of South Dakota, it’s a come-down to a man who has heretofore regarded sheep only in the form of chops. I’m pretty far reduced in the world on account of foiled ambitions and rum and a kind of cocktail they make along the <abbr>P. R. R.</abbr> all the way from Scranton to Cincinnati—dry gin, French vermouth, one squeeze of a lime, and a good dash of orange bitters. If you’re ever up that way, don’t fail to let one try you. And, again,’ says I, ‘I have never yet went back on a friend. I’ve stayed by ’em when they had plenty, and when adversity’s overtaken me I’ve never forsook ’em.</p>
|
||||
<p>“ ‘But,’ I goes on, ‘this is not exactly the case of a friend. Twelve dollars a month is only bowing-acquaintance money. And I do not consider brown beans and corn-bread the food of friendship. I am a poor man,’ says I, ‘and I have a widowed mother in Texarkana. You will find Black Bill,’ says I, ‘lying asleep in this house on a cot in the room to your right. He’s the man you want, as I know from his words and conversation. He was in a way a friend,’ I explains, ‘and if I was the man I once was the entire product of the mines of Gondola would not have tempted me to betray him. But,’ says I, ‘every week half of the beans was wormy, and not nigh enough wood in camp.</p>
|
||||
<p>“ ‘Better go in careful, gentlemen,’ says I. ‘He seems impatient at times, and when you think of his late professional pursuits one would look for abrupt actions if he was come upon sudden.’</p>
|
||||
<p>“So the whole posse unmounts and ties their horses, and unlimbers their ammunition and equipments, and tiptoes into the house. And I follows, like Delilah when she set the Philip Steins on to Samson.</p>
|
||||
|
@ -11,7 +11,7 @@
|
||||
<p>Curly the tramp sidled toward the free-lunch counter. He caught a fleeting glance from the bartender’s eye, and stood still, trying to look like a business man who had just dined at the Menger and was waiting for a friend who had promised to pick him up in his motor car. Curly’s histrionic powers were equal to the impersonation; but his makeup was wanting.</p>
|
||||
<p>The bartender rounded the bar in a casual way, looking up at the ceiling as though he was pondering some intricate problem of kalsomining, and then fell upon Curly so suddenly that the roadster had no excuses ready. Irresistibly, but so composedly that it seemed almost absendmindedness on his part, the dispenser of drinks pushed Curly to the swinging doors and kicked him out, with a nonchalance that almost amounted to sadness. That was the way of the Southwest.</p>
|
||||
<p>Curly arose from the gutter leisurely. He felt no anger or resentment toward his ejector. Fifteen years of tramphood spent out of the twenty-two years of his life had hardened the fibres of his spirit. The slings and arrows of outrageous fortune fell blunted from the buckler of his armoured pride. With especial resignation did he suffer contumely and injury at the hands of bartenders. Naturally, they were his enemies; and unnaturally, they were often his friends. He had to take his chances with them. But he had not yet learned to estimate these cool, languid, Southwestern knights of the bungstarter, who had the manners of an Earl of Pawtucket, and who, when they disapproved of your presence, moved you with the silence and despatch of a chess automaton advancing a pawn.</p>
|
||||
<p>Curly stood for a few moments in the narrow, mesquite-paved street. San Antonio puzzled and disturbed him. Three days he had been a non-naying guest of the town, having dropped off there from a box car of an I. & G.N. freight, because Greaser Johnny had told him in Des Moines that the Alamo City was manna fallen, gathered, cooked, and served free with cream and sugar. Curly had found the tip partly a good one. There was hospitality in plenty of a careless, liberal, irregular sort. But the town itself was a weight upon his spirits after his experience with the rushing, businesslike, systematised cities of the North and East. Here he was often flung a dollar, but too frequently a good-natured kick would follow it. Once a band of hilarious cowboys had roped him on Military Plaza and dragged him across the black soil until no respectable ragbag would have stood sponsor for his clothes. The winding, doubling streets, leading nowhere, bewildered him. And then there was a little river, crooked as a pothook, that crawled through the middle of the town, crossed by a hundred little bridges so nearly alike that they got on Curly’s nerves. And the last bartender wore a number nine shoe.</p>
|
||||
<p>Curly stood for a few moments in the narrow, mesquite-paved street. San Antonio puzzled and disturbed him. Three days he had been a non-naying guest of the town, having dropped off there from a box car of an <abbr>I. & G. N.</abbr> freight, because Greaser Johnny had told him in Des Moines that the Alamo City was manna fallen, gathered, cooked, and served free with cream and sugar. Curly had found the tip partly a good one. There was hospitality in plenty of a careless, liberal, irregular sort. But the town itself was a weight upon his spirits after his experience with the rushing, businesslike, systematised cities of the North and East. Here he was often flung a dollar, but too frequently a good-natured kick would follow it. Once a band of hilarious cowboys had roped him on Military Plaza and dragged him across the black soil until no respectable ragbag would have stood sponsor for his clothes. The winding, doubling streets, leading nowhere, bewildered him. And then there was a little river, crooked as a pothook, that crawled through the middle of the town, crossed by a hundred little bridges so nearly alike that they got on Curly’s nerves. And the last bartender wore a number nine shoe.</p>
|
||||
<p>The saloon stood on a corner. The hour was eight o’clock. Homefarers and outgoers jostled Curly on the narrow stone sidewalk. Between the buildings to his left he looked down a cleft that proclaimed itself another thoroughfare. The alley was dark except for one patch of light. Where there was light there were sure to be human beings. Where there were human beings after nightfall in San Antonio there might be food, and there was sure to be drink. So Curly headed for the light.</p>
|
||||
<p>The illumination came from Schwegel’s Café. On the sidewalk in front of it Curly picked up an old envelope. It might have contained a check for a million. It was empty; but the wanderer read the address, “<abbr>Mr.</abbr> Otto Schwegel,” and the name of the town and State. The postmark was Detroit.</p>
|
||||
<p>Curly entered the saloon. And now in the light it could be perceived that he bore the stamp of many years of vagabondage. He had none of the tidiness of the calculating and shrewd professional tramp. His wardrobe represented the cast-off specimens of half a dozen fashions and eras. Two factories had combined their efforts in providing shoes for his feet. As you gazed at him there passed through your mind vague impressions of mummies, wax figures, Russian exiles, and men lost on desert islands. His face was covered almost to his eyes with a curly brown beard that he kept trimmed short with a pocketknife, and that had furnished him with his <i xml:lang="fr">nom de route</i>. Light-blue eyes, full of sullenness, fear, cunning, impudence, and fawning, witnessed the stress that had been laid upon his soul.</p>
|
||||
|
@ -94,7 +94,7 @@
|
||||
<p>“Billings!” shouted the now thoroughly moved client. “I’ll Billings you, you old idiot!”</p>
|
||||
<p>Turning, he hurled his satchel with fury at the lawyer’s head. It struck that astounded peacemaker between the eyes, causing him to stagger backward a pace or two. When Lawyer Gooch recovered his wits he saw that his client had disappeared. Rushing to the window, he leaned out, and saw the recreant gathering himself up from the top of a shed upon which he had dropped from the second-story window. Without stopping to collect his hat he then plunged downward the remaining ten feet to the alley, up which he flew with prodigious celerity until the surrounding building swallowed him up from view.</p>
|
||||
<p>Lawyer Gooch passed his hand tremblingly across his brow. It was a habitual act with him, serving to clear his thoughts. Perhaps also it now seemed to soothe the spot where a very hard alligator-hide satchel had struck.</p>
|
||||
<p>The satchel lay upon the floor, wide open, with its contents spilled about. Mechanically, Lawyer Gooch stooped to gather up the articles. The first was a collar; and the omniscient eye of the man of law perceived, wonderingly, the initials H. K. J. marked upon it. Then came a comb, a brush, a folded map, and a piece of soap. Lastly, a handful of old business letters, addressed—every one of them—to “Henry K. Jessup, <abbr>Esq.</abbr>”</p>
|
||||
<p>The satchel lay upon the floor, wide open, with its contents spilled about. Mechanically, Lawyer Gooch stooped to gather up the articles. The first was a collar; and the omniscient eye of the man of law perceived, wonderingly, the initials <abbr class="name">H. K. J.</abbr> marked upon it. Then came a comb, a brush, a folded map, and a piece of soap. Lastly, a handful of old business letters, addressed—every one of them—to “Henry K. Jessup, <abbr>Esq.</abbr>”</p>
|
||||
<p>Lawyer Gooch closed the satchel, and set it upon the table. He hesitated for a moment, and then put on his hat and walked into the office boy’s anteroom.</p>
|
||||
<p>“Archibald,” he said mildly, as he opened the hall door, “I am going around to the Supreme Court rooms. In five minutes you may step into the inner office, and inform the lady who is waiting there that”—here Lawyer Gooch made use of the vernacular—“that there’s nothing doing.”</p>
|
||||
</section>
|
||||
|
@ -22,7 +22,7 @@
|
||||
<p>“The Peaviners took me by surprise and Bill by the bridle and began a conversation that wasn’t entirely disassociated with the subject of fruit trees. A committee of ’em ran some trace-chains through the armholes of my vest, and escorted me through their gardens and orchards.</p>
|
||||
<p>“Their fruit trees hadn’t lived up to their labels. Most of ’em had turned out to be persimmons and dogwoods, with a grove or two of blackjacks and poplars. The only one that showed any signs of bearing anything was a fine young cottonwood that had put forth a hornet’s nest and half of an old corset-cover.</p>
|
||||
<p>“The Peaviners protracted our fruitless stroll to the edge of town. They took my watch and money on account; and they kept Bill and the wagon as hostages. They said the first time one of them dogwood trees put forth an Amsden’s June peach I might come back and get my things. Then they took off the trace chains and jerked their thumbs in the direction of the Rocky Mountains; and I struck a Lewis and Clark lope for the swollen rivers and impenetrable forests.</p>
|
||||
<p>“When I regained intellectualness I found myself walking into an unidentified town on the A., T. & S. F. railroad. The Peaviners hadn’t left anything in my pockets except a plug of chewing—they wasn’t after my life—and that saved it. I bit off a chunk and sits down on a pile of ties by the track to recogitate my sensations of thought and perspicacity.</p>
|
||||
<p>“When I regained intellectualness I found myself walking into an unidentified town on the <abbr>A., T. & S. F.</abbr> railroad. The Peaviners hadn’t left anything in my pockets except a plug of chewing—they wasn’t after my life—and that saved it. I bit off a chunk and sits down on a pile of ties by the track to recogitate my sensations of thought and perspicacity.</p>
|
||||
<p>“And then along comes a fast freight which slows up a little at the town; and off of it drops a black bundle that rolls for twenty yards in a cloud of dust and then gets up and begins to spit soft coal and interjections. I see it is a young man broad across the face, dressed more for Pullmans than freights, and with a cheerful kind of smile in spite of it all that made Phœbe Snow’s job look like a chimney-sweep’s.</p>
|
||||
<p>“ ‘Fall off?’ says I.</p>
|
||||
<p>“ ‘Nunk,’ says he. ‘Got off. Arrived at my destination. What town is this?’</p>
|
||||
@ -109,7 +109,7 @@
|
||||
<p>I looked at the beautifully engraved certificate of stock.</p>
|
||||
<p>“In Colorado, I see,” said I. “And, by the way, Jeff, what was the name of the little man who went to Denver—the one you and Bill met at the station?”</p>
|
||||
<p>“Alfred E. Ricks,” said Jeff, “was the toad’s designation.”</p>
|
||||
<p>“I see,” said I, “the president of this mining company signs himself A. L. Fredericks. I was wondering—”</p>
|
||||
<p>“I see,” said I, “the president of this mining company signs himself <abbr class="name">A. L.</abbr> Fredericks. I was wondering—”</p>
|
||||
<p>“Let me see that stock,” said Jeff quickly, almost snatching it from me.</p>
|
||||
<p>To mitigate, even though slightly, the embarrassment I summoned the waiter and ordered another bottle of the Barbera. I thought it was the least I could do.</p>
|
||||
</section>
|
||||
|
@ -10,7 +10,7 @@
|
||||
<h2 epub:type="title">The Marionettes</h2>
|
||||
<p>The policeman was standing at the corner of Twenty-fourth Street and a prodigiously dark alley near where the elevated railroad crosses the street. The time was two o’clock in the morning; the outlook a stretch of cold, drizzling, unsociable blackness until the dawn.</p>
|
||||
<p>A man, wearing a long overcoat, with his hat tilted down in front, and carrying something in one hand, walked softly but rapidly out of the black alley. The policeman accosted him civilly, but with the assured air that is linked with conscious authority. The hour, the alley’s musty reputation, the pedestrian’s haste, the burden he carried—these easily combined into the “suspicious circumstances” that required illumination at the officer’s hands.</p>
|
||||
<p>The “suspect” halted readily and tilted back his hat, exposing, in the flicker of the electric lights, an emotionless, smooth countenance with a rather long nose and steady dark eyes. Thrusting his gloved hand into a side pocket of his overcoat, he drew out a card and handed it to the policeman. Holding it to catch the uncertain light, the officer read the name “Charles Spencer James, M. D.” The street and number of the address were of a neighborhood so solid and respectable as to subdue even curiosity. The policeman’s downward glance at the article carried in the doctor’s hand—a handsome medicine case of black leather, with small silver mountings—further endorsed the guarantee of the card.</p>
|
||||
<p>The “suspect” halted readily and tilted back his hat, exposing, in the flicker of the electric lights, an emotionless, smooth countenance with a rather long nose and steady dark eyes. Thrusting his gloved hand into a side pocket of his overcoat, he drew out a card and handed it to the policeman. Holding it to catch the uncertain light, the officer read the name “Charles Spencer James, <abbr class="initialism">MD</abbr>.” The street and number of the address were of a neighborhood so solid and respectable as to subdue even curiosity. The policeman’s downward glance at the article carried in the doctor’s hand—a handsome medicine case of black leather, with small silver mountings—further endorsed the guarantee of the card.</p>
|
||||
<p>“All right, doctor,” said the officer, stepping aside, with an air of bulky affability. “Orders are to be extra careful. Good many burglars and holdups lately. Bad night to be out. Not so cold, but—clammy.”</p>
|
||||
<p>With a formal inclination of his head, and a word or two corroborative of the officer’s estimate of the weather, Doctor James continued his somewhat rapid progress. Three times that night had a patrolman accepted his professional card and the sight of his paragon of a medicine case as vouchers for his honesty of person and purpose. Had any one of those officers seen fit, on the morrow, to test the evidence of that card he would have found it borne out by the doctor’s name on a handsome doorplate, his presence, calm and well dressed, in his well-equipped office—provided it were not too early, Doctor James being a late riser—and the testimony of the neighborhood to his good citizenship, his devotion to his family, and his success as a practitioner the two years he had lived among them.</p>
|
||||
<p>Therefore, it would have much surprised any one of those zealous guardians of the peace could they have taken a peep into that immaculate medicine case. Upon opening it, the first article to be seen would have been an elegant set of the latest conceived tools used by the “box man,” as the ingenious safe burglar now denominates himself. Specially designed and constructed were the implements—the short but powerful “jimmy,” the collection of curiously fashioned keys, the blued drills and punches of the finest temper—capable of eating their way into chilled steel as a mouse eats into a cheese, and the clamps that fasten like a leech to the polished door of a safe and pull out the combination knob as a dentist extracts a tooth. In a little pouch in the inner side of the “medicine” case was a four-ounce vial of nitroglycerine, now half empty. Underneath the tools was a mass of crumpled banknotes and a few handfuls of gold coin, the money, altogether, amounting to eight hundred and thirty dollars.</p>
|
||||
|
@ -43,7 +43,7 @@
|
||||
<p>“ ‘It could do no worse,’ says I.</p>
|
||||
<p>“ ‘From my earliest recollections,’ says he, ‘alcohol seemed to stimulate my sense of recitation and rhetoric. Why, in Bryan’s second campaign,’ says Andy, ‘they used to give me three gin rickeys and I’d speak two hours longer than Billy himself could on the silver question. Finally, they persuaded me to take the gold cure.’</p>
|
||||
<p>“ ‘If you’ve got to get rid of your excess verbiage,’ says I, ‘why not go out on the river bank and speak a piece? It seems to me there was an old spellbinder named Cantharides that used to go and disincorporate himself of his windy numbers along the seashore.’</p>
|
||||
<p>“ ‘No,’ says Andy, ‘I must have an audience. I feel like if I once turned loose people would begin to call Senator Beveridge the Grand Young Sphinx of the Wabash. I’ve got to get an audience together, Jeff, and get this oral distension assuaged or it may turn in on me and I’d go about feeling like a deckle-edge edition de luxe of <abbr>Mrs.</abbr> E. D. E. N. Southworth.’</p>
|
||||
<p>“ ‘No,’ says Andy, ‘I must have an audience. I feel like if I once turned loose people would begin to call Senator Beveridge the Grand Young Sphinx of the Wabash. I’ve got to get an audience together, Jeff, and get this oral distension assuaged or it may turn in on me and I’d go about feeling like a deckle-edge edition de luxe of <abbr>Mrs.</abbr> <abbr class="name">E. D. E. N.</abbr> Southworth.’</p>
|
||||
<p>“ ‘On what special subject of the theorems and topics does your desire for vocality seem to be connected with?’ I asks.</p>
|
||||
<p>“ ‘I ain’t particular,’ says Andy. ‘I am equally good and varicose on all subjects. I can take up the matter of Russian immigration, or the poetry of John W. Keats, or the tariff, or Kabyle literature, or drainage, and make my audience weep, cry, sob and shed tears by turns.’</p>
|
||||
<p>“ ‘Well, Andy,’ says I, ‘if you are bound to get rid of this accumulation of vernacular suppose you go out in town and work it on some indulgent citizen. Me and the boys will take care of the business. Everybody will be through dinner pretty soon, and salt pork and beans makes a man pretty thirsty. We ought to take in $1,500 more by midnight.’</p>
|
||||
|
@ -15,14 +15,14 @@
|
||||
<p>A little boy, five or six years old, stood looking with covetous eyes in a confectioner’s window. In one small hand he held an empty two-ounce vial; in the other he grasped tightly something flat and round, with a shining milled edge. The scene presented a field of operations commensurate to Chicken’s talents and daring. After sweeping the horizon to make sure that no official tug was cruising near, he insidiously accosted his prey. The boy, having been early taught by his household to regard altruistic advances with extreme suspicion, received the overtures coldly.</p>
|
||||
<p>Then Chicken knew that he must make one of those desperate, nerve-shattering plunges into speculation that fortune sometimes requires of those who would win her favour. Five cents was his capital, and this he must risk against the chance of winning what lay within the close grasp of the youngster’s chubby hand. It was a fearful lottery, Chicken knew. But he must accomplish his end by strategy, since he had a wholesome terror of plundering infants by force. Once, in a park, driven by hunger, he had committed an onslaught upon a bottle of peptonized infant’s food in the possession of an occupant of a baby carriage. The outraged infant had so promptly opened its mouth and pressed the button that communicated with the welkin that help arrived, and Chicken did his thirty days in a snug coop. Wherefore he was, as he said, “leary of kids.”</p>
|
||||
<p>Beginning artfully to question the boy concerning his choice of sweets, he gradually drew out the information he wanted. Mamma said he was to ask the drug store man for ten cents’ worth of paregoric in the bottle; he was to keep his hand shut tight over the dollar; he must not stop to talk to anyone in the street; he must ask the drugstore man to wrap up the change and put it in the pocket of his trousers. Indeed, they had pockets—two of them! And he liked chocolate creams best.</p>
|
||||
<p>Chicken went into the store and turned plunger. He invested his entire capital in <abbr="acronym">CANDY</abbr> stocks, simply to pave the way to the greater risk following.</p>
|
||||
<p>Chicken went into the store and turned plunger. He invested his entire capital in <abbr class="acronym">CANDY</abbr> stocks, simply to pave the way to the greater risk following.</p>
|
||||
<p>He gave the sweets to the youngster, and had the satisfaction of perceiving that confidence was established. After that it was easy to obtain leadership of the expedition; to take the investment by the hand and lead it to a nice drug store he knew of in the same block. There Chicken, with a parental air, passed over the dollar and called for the medicine, while the boy crunched his candy, glad to be relieved of the responsibility of the purchase. And then the successful investor, searching his pockets, found an overcoat button—the extent of his winter trousseau—and, wrapping it carefully, placed the ostensible change in the pocket of confiding juvenility. Setting the youngster’s face homeward, and patting him benevolently on the back—for Chicken’s heart was as soft as those of his feathered namesakes—the speculator quit the market with a profit of 1,700 percent on his invested capital.</p>
|
||||
<p>Two hours later an Iron Mountain freight engine pulled out of the railroad yards, Texas bound, with a string of empties. In one of the cattle cars, half buried in excelsior, Chicken lay at ease. Beside him in his nest was a quart bottle of very poor whisky and a paper bag of bread and cheese. <abbr>Mr.</abbr> Ruggles, in his private car, was on his trip south for the winter season.</p>
|
||||
<p>For a week that car was trundled southward, shifted, laid over, and manipulated after the manner of rolling stock, but Chicken stuck to it, leaving it only at necessary times to satisfy his hunger and thirst. He knew it must go down to the cattle country, and San Antonio, in the heart of it, was his goal. There the air was salubrious and mild; the people indulgent and long-suffering. The bartenders there would not kick him. If he should eat too long or too often at one place they would swear at him as if by rote and without heat. They swore so drawlingly, and they rarely paused short of their full vocabulary, which was copious, so that Chicken had often gulped a good meal during the process of the vituperative prohibition. The season there was always springlike; the plazas were pleasant at night, with music and gaiety; except during the slight and infrequent cold snaps one could sleep comfortably out of doors in case the interiors should develop inhospitability.</p>
|
||||
<p>At Texarkana his car was switched to the I. and G. N. Then still southward it trailed until, at length, it crawled across the Colorado bridge at Austin, and lined out, straight as an arrow, for the run to San Antonio.</p>
|
||||
<p>At Texarkana his car was switched to the <abbr>I. and G. N.</abbr> Then still southward it trailed until, at length, it crawled across the Colorado bridge at Austin, and lined out, straight as an arrow, for the run to San Antonio.</p>
|
||||
<p>When the freight halted at that town Chicken was fast asleep. In ten minutes the train was off again for Laredo, the end of the road. Those empty cattle cars were for distribution along the line at points from which the ranches shipped their stock.</p>
|
||||
<p>When Chicken awoke his car was stationary. Looking out between the slats he saw it was a bright, moonlit night. Scrambling out, he saw his car with three others abandoned on a little siding in a wild and lonesome country. A cattle pen and chute stood on one side of the track. The railroad bisected a vast, dim ocean of prairie, in the midst of which Chicken, with his futile rolling stock, was as completely stranded as was Robinson with his landlocked boat.</p>
|
||||
<p>A white post stood near the rails. Going up to it, Chicken read the letters at the top, S. A. 90. Laredo was nearly as far to the south. He was almost a hundred miles from any town. Coyotes began to yelp in the mysterious sea around him. Chicken felt lonesome. He had lived in Boston without an education, in Chicago without nerve, in Philadelphia without a sleeping place, in New York without a pull, and in Pittsburg sober, and yet he had never felt so lonely as now.</p>
|
||||
<p>A white post stood near the rails. Going up to it, Chicken read the letters at the top, <abbr>S. A.</abbr> 90. Laredo was nearly as far to the south. He was almost a hundred miles from any town. Coyotes began to yelp in the mysterious sea around him. Chicken felt lonesome. He had lived in Boston without an education, in Chicago without nerve, in Philadelphia without a sleeping place, in New York without a pull, and in Pittsburg sober, and yet he had never felt so lonely as now.</p>
|
||||
<p>Suddenly through the intense silence, he heard the whicker of a horse. The sound came from the side of the track toward the east, and Chicken began to explore timorously in that direction. He stepped high along the mat of curly mesquit grass, for he was afraid of everything there might be in this wilderness—snakes, rats, brigands, centipedes, mirages, cowboys, fandangoes, tarantulas, tamales—he had read of them in the story papers. Rounding a clump of prickly pear that reared high its fantastic and menacing array of rounded heads, he was struck to shivering terror by a snort and a thunderous plunge, as the horse, himself startled, bounded away some fifty yards, and then resumed his grazing. But here was the one thing in the desert that Chicken did not fear. He had been reared on a farm; he had handled horses, understood them, and could ride.</p>
|
||||
<p>Approaching slowly and speaking soothingly, he followed the animal, which, after its first flight, seemed gentle enough, and secured the end of the twenty-foot lariat that dragged after him in the grass. It required him but a few moments to contrive the rope into an ingenious nose-bridle, after the style of the Mexican <i xml:lang="es">borsal</i>. In another he was upon the horse’s back and off at a splendid lope, giving the animal free choice of direction. “He will take me somewhere,” said Chicken to himself.</p>
|
||||
<p>It would have been a thing of joy, that untrammelled gallop over the moonlit prairie, even to Chicken, who loathed exertion, but that his mood was not for it. His head ached; a growing thirst was upon him; the “somewhere” whither his lucky mount might convey him was full of dismal peradventure.</p>
|
||||
@ -46,14 +46,14 @@
|
||||
<p>“If the boys,” said Bud, “ain’t satisfied with me, I’m willing to step out. They’re buckin’ against my way of handlin’ ’em. And ‘specially because I concludes to hit the brush while Sam Kinney is ridin’ the line. I saves ’em from bein’ shot or sent up on a state contract, and they up and says I’m no good.”</p>
|
||||
<p>“It ain’t so much that,” explained Cactus, “as it is they’re plum locoed about Piggy. They want them whiskers and that nose of his to split the wind at the head of the column.”</p>
|
||||
<p>“There’s somethin’ mighty seldom about Piggy,” declared Bud, musingly. “I never yet see anything on the hoof that he exactly grades up with. He can shore holler a plenty, and he straddles a hoss from where you laid the chunk. But he ain’t never been smoked yet. You know, Cactus, we ain’t had a row since he’s been with us. Piggy’s all right for skearin’ the greaser kids and layin’ waste a crossroads store. I reckon he’s the finest canned oyster buccaneer and cheese pirate that ever was, but how’s his appetite for fightin’? I’ve knowed some citizens you’d think was starvin’ for trouble get a bad case of dyspepsy the first dose of lead they had to take.”</p>
|
||||
<p>“He talks all spraddled out,” said Cactus, “ ‘bout the rookuses he’s been in. He claims to have saw the elephant and hearn the owl.”</p>
|
||||
<p>“He talks all spraddled out,” said Cactus, “ ’bout the rookuses he’s been in. He claims to have saw the elephant and hearn the owl.”</p>
|
||||
<p>“I know,” replied Bud, using the cowpuncher’s expressive phrase of skepticism, “but it sounds to me!”</p>
|
||||
<p>This conversation was held one night in camp while the other members of the band—eight in number—were sprawling around the fire, lingering over their supper. When Bud and Cactus ceased talking they heard Piggy’s formidable voice holding forth to the others as usual while he was engaged in checking, though never satisfying, his ravening appetite.</p>
|
||||
<p>“Wat’s de use,” he was saying, “of chasin’ little red cowses and hosses ’round for t’ousands of miles? Dere ain’t nuttin’ in it. Gallopin’ t’rough dese bushes and briers, and gettin’ a t’irst dat a brewery couldn’t put out, and missin’ meals! Say! You know what I’d do if I was main finger of dis bunch? I’d stick up a train. I’d blow de express car and make hard dollars where you guys get wind. Youse makes me tired. Dis sook-cow kind of cheap sport gives me a pain.”</p>
|
||||
<p>Later on, a deputation waited on Bud. They stood on one leg, chewed mesquit twigs and circumlocuted, for they hated to hurt his feelings. Bud foresaw their business, and made it easy for them. Bigger risks and larger profits was what they wanted.</p>
|
||||
<p>The suggestion of Piggy’s about holding up a train had fired their imagination and increased their admiration for the dash and boldness of the instigator. They were such simple, artless, and custom-bound bush-rangers that they had never before thought of extending their habits beyond the running off of livestock and the shooting of such of their acquaintances as ventured to interfere.</p>
|
||||
<p>Bud acted “on the level,” agreeing to take a subordinate place in the gang until Black Eagle should have been given a trial as leader.</p>
|
||||
<p>After a great deal of consultation, studying of timetables, and discussion of the country’s topography, the time and place for carrying out their new enterprise was decided upon. At that time there was a feedstuff famine in Mexico and a cattle famine in certain parts of the United States, and there was a brisk international trade. Much money was being shipped along the railroads that connected the two republics. It was agreed that the most promising place for the contemplated robbery was at Espina, a little station on the I. and G. N., about forty miles north of Laredo. The train stopped there one minute; the country around was wild and unsettled; the station consisted of but one house in which the agent lived.</p>
|
||||
<p>After a great deal of consultation, studying of timetables, and discussion of the country’s topography, the time and place for carrying out their new enterprise was decided upon. At that time there was a feedstuff famine in Mexico and a cattle famine in certain parts of the United States, and there was a brisk international trade. Much money was being shipped along the railroads that connected the two republics. It was agreed that the most promising place for the contemplated robbery was at Espina, a little station on the <abbr>I. and G. N.</abbr>, about forty miles north of Laredo. The train stopped there one minute; the country around was wild and unsettled; the station consisted of but one house in which the agent lived.</p>
|
||||
<p>Black Eagle’s band set out, riding by night. Arriving in the vicinity of Espina they rested their horses all day in a thicket a few miles distant.</p>
|
||||
<p>The train was due at Espina at 10:30 <abbr class="time">p.m.</abbr> They could rob the train and be well over the Mexican border with their booty by daylight the next morning.</p>
|
||||
<p>To do Black Eagle justice, he exhibited no signs of flinching from the responsible honours that had been conferred upon him.</p>
|
||||
|
@ -16,7 +16,7 @@
|
||||
<p>“ ‘The Latin races,’ says Henry, explaining easy in the idioms he learned at college, ‘are peculiarly adapted to be victims of the phonograph. They have the artistic temperament. They yearn for music and color and gaiety. They give wampum to the hand-organ man and the four-legged chicken in the tent when they’re months behind with the grocery and the breadfruit tree.’</p>
|
||||
<p>“ ‘Then,’ says I, ‘we’ll export canned music to the Latins; but I’m mindful of <abbr>Mr.</abbr> Julius Caesar’s account of ’em where he says: “<i xml:lang="es">Omnia Gallia in tres partes divisa est</i>”; which is the same as to say, “We will need all of our gall in devising means to tree them parties.” ’</p>
|
||||
<p>“I hated to make a show of education; but I was disinclined to be overdone in syntax by a mere Indian, a member of a race to which we owe nothing except the land on which the United States is situated.</p>
|
||||
<p>“We bought a fine phonograph in Texarkana—one of the best make—and half a trunkful of records. We packed up, and took the T. and P. for New Orleans. From that celebrated centre of molasses and disfranchised coon songs we took a steamer for South America.</p>
|
||||
<p>“We bought a fine phonograph in Texarkana—one of the best make—and half a trunkful of records. We packed up, and took the <abbr>T. and P.</abbr> for New Orleans. From that celebrated centre of molasses and disfranchised coon songs we took a steamer for South America.</p>
|
||||
<p>“We landed at Solitas, forty miles up the coast from here. ’Twas a palatable enough place to look at. The houses were clean and white; and to look at ’em stuck around among the scenery they reminded you of hard-boiled eggs served with lettuce. There was a block of skyscraper mountains in the suburbs; and they kept pretty quiet, like they had crept up there and were watching the town. And the sea was remarking ‘Sh-sh-sh’ on the beach; and now and then a ripe coconut would drop kerblip in the sand; and that was all there was doing. Yes, I judge that town was considerably on the quiet. I judge that after Gabriel quits blowing his horn, and the car starts, with Philadelphia swinging to the last strap, and Pine Gully, Arkansas, hanging onto the rear step, this town of Solitas will wake up and ask if anybody spoke.</p>
|
||||
<p>“The captain went ashore with us, and offered to conduct what he seemed to like to call the obsequies. He introduced Henry and me to the United States Consul, and a roan man, the head of the Department of Mercenary and Licentious Dispositions, the way it read upon his sign.</p>
|
||||
<p>“ ‘I touch here again a week from today,’ says the captain.</p>
|
||||
@ -41,7 +41,7 @@
|
||||
<p>“Thus Homer P. Mellinger made oration to me and Henry Horsecollar. And, later, he divested himself of this remark:</p>
|
||||
<p>“ ‘Boys, I’m to hold a soirée this evening with a gang of leading citizens, and I want your assistance. You bring the musical corn sheller and give the affair the outside appearance of a function. There’s important business on hand, but it mustn’t show. I can talk to you people. I’ve been pained for years on account of not having anybody to blow off and brag to. I get homesick sometimes, and I’d swap the entire perquisites of office for just one hour to have a stein and a caviar sandwich somewhere on Thirty-fourth Street, and stand and watch the street cars go by, and smell the peanut roaster at old Giuseppe’s fruit stand.’</p>
|
||||
<p>“ ‘Yes,’ said I, ‘there’s fine caviar at Billy Renfrew’s café, corner of Thirty-fourth and—’</p>
|
||||
<p>“ ‘God knows it,’ interrupts Mellinger, ‘and if you’d told me you knew Billy Renfrew I’d have invented tons of ways of making you happy. Billy was my side-kicker in New York. There is a man who never knew what crooked was. Here I am working Honesty for a graft, but that man loses money on it. <i xml:lang="es">Carrambos!</i> I get sick at times of this country. Everything’s rotten. From the executive down to the coffee pickers, they’re plotting to down each other and skin their friends. If a mule driver takes off his hat to an official, that man figures it out that he’s a popular idol, and sets his pegs to stir up a revolution and upset the administration. It’s one of my little chores as private secretary to smell out these revolutions and affix the kibosh before they break out and scratch the paint off the government property. That’s why I’m down here now in this mildewed coast town. The governor of the district and his crew are plotting to uprise. I’ve got every one of their names, and they’re invited to listen to the phonograph tonight, compliments of <abbr class="name">H. P. M.<abbr> That’s the way I’ll get them in a bunch, and things are on the programme to happen to them.’</p>
|
||||
<p>“ ‘God knows it,’ interrupts Mellinger, ‘and if you’d told me you knew Billy Renfrew I’d have invented tons of ways of making you happy. Billy was my side-kicker in New York. There is a man who never knew what crooked was. Here I am working Honesty for a graft, but that man loses money on it. <i xml:lang="es">Carrambos!</i> I get sick at times of this country. Everything’s rotten. From the executive down to the coffee pickers, they’re plotting to down each other and skin their friends. If a mule driver takes off his hat to an official, that man figures it out that he’s a popular idol, and sets his pegs to stir up a revolution and upset the administration. It’s one of my little chores as private secretary to smell out these revolutions and affix the kibosh before they break out and scratch the paint off the government property. That’s why I’m down here now in this mildewed coast town. The governor of the district and his crew are plotting to uprise. I’ve got every one of their names, and they’re invited to listen to the phonograph tonight, compliments of <abbr class="name">H. P. M.</abbr> That’s the way I’ll get them in a bunch, and things are on the programme to happen to them.’</p>
|
||||
<p>“We three were sitting at table in the cantina of the Purified Saints. Mellinger poured out wine, and was looking some worried; I was thinking.</p>
|
||||
<p>“ ‘They’re a sharp crowd,’ he says, kind of fretful. ‘They’re capitalized by a foreign syndicate after rubber, and they’re loaded to the muzzle for bribing. I’m sick,’ goes on Mellinger, ‘of comic opera. I want to smell East River and wear suspenders again. At times I feel like throwing up my job, but I’m d⸺n fool enough to be sort of proud of it. “There’s Mellinger,” they say here. “<i xml:lang="es">Por Dios!</i> you can’t touch him with a million.” I’d like to take that record back and show it to Billy Renfrew some day; and that tightens my grip whenever I see a fat thing that I could corral just by winking one eye—and losing my graft. By ⸺, they can’t monkey with me. They know it. What money I get I make honest and spend it. Some day I’ll make a pile and go back and eat caviar with Billy. Tonight I’ll show you how to handle a bunch of corruptionists. I’ll show them what Mellinger, private secretary, means when you spell it with the cotton and tissue paper off.’</p>
|
||||
<p>“Mellinger appears shaky, and breaks his glass against the neck of the bottle.</p>
|
||||
|
@ -60,7 +60,7 @@
|
||||
<p>It was half-past eleven when a man galloped into the West Forty-seventh Street Police Station with the story of his wrongs.</p>
|
||||
<p>“Nine hundred and fifty dollars,” he gasped, “all my share of grandmother’s farm.”</p>
|
||||
<p>The desk sergeant wrung from him the name Jabez Bulltongue, of Locust Valley farm, Ulster County, and then began to take descriptions of the strong-arm gentlemen.</p>
|
||||
<p>When Conant went to see the editor about the fate of his poem, he was received over the head of the office boy into the inner office that is decorated with the statuettes by Rodin and J. G. Brown.</p>
|
||||
<p>When Conant went to see the editor about the fate of his poem, he was received over the head of the office boy into the inner office that is decorated with the statuettes by Rodin and <abbr class="name">J. G.</abbr> Brown.</p>
|
||||
<p>“When I read the first line of ‘The Doe and the Brook,’ ” said the editor, “I knew it to be the work of one whose life has been heart to heart with Nature. The finished art of the line did not blind me to that fact. To use a somewhat homely comparison, it was as if a wild, free child of the woods and fields were to don the garb of fashion and walk down Broadway. Beneath the apparel the man would show.”</p>
|
||||
<p>“Thanks,” said Conant. “I suppose the check will be round on Thursday, as usual.”</p>
|
||||
<p>The morals of this story have somehow gotten mixed. You can take your choice of “Stay on the Farm” or “Don’t Write Poetry.”</p>
|
||||
|
@ -35,7 +35,7 @@
|
||||
<p>“Poor old Bill was hungry,” interrupted Givens, in quick defence of the deceased. “We always made him jump for his supper in camp. He would lie down and roll over for a piece of meat. When he saw you he thought he was going to get something to eat from you.”</p>
|
||||
<p>Suddenly Josefa’s eyes opened wide.</p>
|
||||
<p>“I might have shot you!” she exclaimed. “You ran right in between. You risked your life to save your pet! That was fine, <abbr>Mr.</abbr> Givens. I like a man who is kind to animals.”</p>
|
||||
<p>Yes; there was even admiration in her gaze now. After all, there was a hero rising out of the ruins of the anticlimax. The look on Givens’s face would have secured him a high position in the <abbr class="initialisism">SPCA</i>.</p>
|
||||
<p>Yes; there was even admiration in her gaze now. After all, there was a hero rising out of the ruins of the anticlimax. The look on Givens’s face would have secured him a high position in the <abbr class="initialism">SPCA</abbr>.</p>
|
||||
<p>“I always loved ’em,” said he; “horses, dogs, Mexican lions, cows, alligators—”</p>
|
||||
<p>“I hate alligators,” instantly demurred Josefa; “crawly, muddy things!”</p>
|
||||
<p>“Did I say alligators?” said Givens. “I meant antelopes, of course.”</p>
|
||||
|
@ -22,7 +22,7 @@
|
||||
<p>“He’s all right now,” says Bill, rolling up his trousers and examining some bruises on his shins. “We’re playing Indian. We’re making Buffalo Bill’s show look like magic-lantern views of Palestine in the town hall. I’m Old Hank, the Trapper, Red Chief’s captive, and I’m to be scalped at daybreak. By Geronimo! that kid can kick hard.”</p>
|
||||
<p>Yes, sir, that boy seemed to be having the time of his life. The fun of camping out in a cave had made him forget that he was a captive himself. He immediately christened me Snake-eye, the Spy, and announced that, when his braves returned from the warpath, I was to be broiled at the stake at the rising of the sun.</p>
|
||||
<p>Then we had supper; and he filled his mouth full of bacon and bread and gravy, and began to talk. He made a during-dinner speech something like this:</p>
|
||||
<p>“I like this fine. I never camped out before; but I had a pet ‘possum once, and I was nine last birthday. I hate to go to school. Rats ate up sixteen of Jimmy Talbot’s aunt’s speckled hen’s eggs. Are there any real Indians in these woods? I want some more gravy. Does the trees moving make the wind blow? We had five puppies. What makes your nose so red, Hank? My father has lots of money. Are the stars hot? I whipped Ed Walker twice, Saturday. I don’t like girls. You dassent catch toads unless with a string. Do oxen make any noise? Why are oranges round? Have you got beds to sleep on in this cave? Amos Murray has got six toes. A parrot can talk, but a monkey or a fish can’t. How many does it take to make twelve?”</p>
|
||||
<p>“I like this fine. I never camped out before; but I had a pet ’possum once, and I was nine last birthday. I hate to go to school. Rats ate up sixteen of Jimmy Talbot’s aunt’s speckled hen’s eggs. Are there any real Indians in these woods? I want some more gravy. Does the trees moving make the wind blow? We had five puppies. What makes your nose so red, Hank? My father has lots of money. Are the stars hot? I whipped Ed Walker twice, Saturday. I don’t like girls. You dassent catch toads unless with a string. Do oxen make any noise? Why are oranges round? Have you got beds to sleep on in this cave? Amos Murray has got six toes. A parrot can talk, but a monkey or a fish can’t. How many does it take to make twelve?”</p>
|
||||
<p>Every few minutes he would remember that he was a pesky redskin, and pick up his stick rifle and tiptoe to the mouth of the cave to rubber for the scouts of the hated paleface. Now and then he would let out a war-whoop that made Old Hank the Trapper shiver. That boy had Bill terrorized from the start.</p>
|
||||
<p>“Red Chief,” says I to the kid, “would you like to go home?”</p>
|
||||
<p>“Aw, what for?” says he. “I don’t have any fun at home. I hate to go to school. I like to camp out. You won’t take me back home again, Snake-eye, will you?”</p>
|
||||
|
@ -42,7 +42,7 @@
|
||||
<p>“Come around to the hotel and see me, Bill, before you leave the city,” she called as the glittering cab rolled away.</p>
|
||||
<p>Highsmith, still in his makeup, went with Herr Goldstein to a café booth.</p>
|
||||
<p>“Bright idea, eh?” asked the smiling actor. “Ought to land ‘Sol Haytosser’ for me, don’t you think? The little lady never once tumbled.”</p>
|
||||
<p>“I didn’t hear your conversation,” said Goldstein, “but your makeup and acting was O. K. Here’s to your success. You’d better call on Miss Carrington early tomorrow and strike her for the part. I don’t see how she can keep from being satisfied with your exhibition of ability.”</p>
|
||||
<p>“I didn’t hear your conversation,” said Goldstein, “but your makeup and acting was OK. Here’s to your success. You’d better call on Miss Carrington early tomorrow and strike her for the part. I don’t see how she can keep from being satisfied with your exhibition of ability.”</p>
|
||||
<p>At 11:45 <abbr class="time">a.m.</abbr> on the next day Highsmith, handsome, dressed in the latest mode, confident, with a fuchsia in his buttonhole, sent up his card to Miss Carrington in her select apartment hotel.</p>
|
||||
<p>He was shown up and received by the actress’s French maid.</p>
|
||||
<p>“I am sorree,” said <abbr>Mlle.</abbr> Hortense, “but I am to say this to all. It is with great regret. Mees Carrington have cancelled all engagements on the stage and have returned to live in that—how you call that town? Cranberry Cornaire!”</p>
|
||||
|
@ -32,12 +32,12 @@
|
||||
<p>Abandoning his breastwork, Buck, with his gun ready, dashed up the steps and into the room, driving upon the closed door with one heave of his weighty shoulder. The members of the posse heard one shot fired inside, and then there was silence.</p>
|
||||
<hr/>
|
||||
<p>At length the wounded man opened his eyes. After a blank space he again could see and hear and feel and think. Turning his eyes about, he found himself lying on a wooden bench. A tall man with a perplexed countenance, wearing a big badge with “City Marshal” engraved upon it, stood over him. A little old woman in black, with a wrinkled face and sparkling black eyes, was holding a wet handkerchief against one of his temples. He was trying to get these facts fixed in his mind and connected with past events, when the old woman began to talk.</p>
|
||||
<p>“There now, great, big, strong man! That bullet never tetched ye! Jest skeeted along the side of your head and sort of paralysed ye for a spell. I’ve heerd of sech things afore; cun-cussion is what they names it. Abel Wadkins used to kill squirrels that way—barkin’ ’em, Abe called it. You jest been barked, sir, and you’ll be all right in a little bit. Feel lots better already, don’t ye! You just lay still a while longer and let me bathe your head. You don’t know me, I reckon, and ‘tain’t surprisin’ that you shouldn’t. I come in on that train from Alabama to see my son. Big son, ain’t he? Lands! you wouldn’t hardly think he’d ever been a baby, would ye? This is my son, sir.”</p>
|
||||
<p>“There now, great, big, strong man! That bullet never tetched ye! Jest skeeted along the side of your head and sort of paralysed ye for a spell. I’ve heerd of sech things afore; cun-cussion is what they names it. Abel Wadkins used to kill squirrels that way—barkin’ ’em, Abe called it. You jest been barked, sir, and you’ll be all right in a little bit. Feel lots better already, don’t ye! You just lay still a while longer and let me bathe your head. You don’t know me, I reckon, and ’tain’t surprisin’ that you shouldn’t. I come in on that train from Alabama to see my son. Big son, ain’t he? Lands! you wouldn’t hardly think he’d ever been a baby, would ye? This is my son, sir.”</p>
|
||||
<p>Half turning, the old woman looked up at the standing man, her worn face lighting with a proud and wonderful smile. She reached out one veined and calloused hand and took one of her son’s. Then smiling cheerily down at the prostrate man, she continued to dip the handkerchief, in the waiting-room tin washbasin and gently apply it to his temple. She had the benevolent garrulity of old age.</p>
|
||||
<p>“I ain’t seen my son before,” she continued, “in eight years. One of my nephews, Elkanah Price, he’s a conductor on one of them railroads and he got me a pass to come out here. I can stay a whole week on it, and then it’ll take me back again. Jest think, now, that little boy of mine has got to be a officer—a city marshal of a whole town! That’s somethin’ like a constable, ain’t it? I never knowed he was a officer; he didn’t say nothin’ about it in his letters. I reckon he thought his old mother’d be skeered about the danger he was in. But, laws! I never was much of a hand to git skeered. ‘Tain’t no use. I heard them guns a-shootin’ while I was gettin’ off them cars, and I see smoke a-comin’ out of the depot, but I jest walked right along. Then I see son’s face lookin’ out through the window. I knowed him at oncet. He met me at the door, and squeezes me ’most to death. And there you was, sir, a-lyin’ there jest like you was dead, and I ’lowed we’d see what might be done to help sot you up.”</p>
|
||||
<p>“I ain’t seen my son before,” she continued, “in eight years. One of my nephews, Elkanah Price, he’s a conductor on one of them railroads and he got me a pass to come out here. I can stay a whole week on it, and then it’ll take me back again. Jest think, now, that little boy of mine has got to be a officer—a city marshal of a whole town! That’s somethin’ like a constable, ain’t it? I never knowed he was a officer; he didn’t say nothin’ about it in his letters. I reckon he thought his old mother’d be skeered about the danger he was in. But, laws! I never was much of a hand to git skeered. ’Tain’t no use. I heard them guns a-shootin’ while I was gettin’ off them cars, and I see smoke a-comin’ out of the depot, but I jest walked right along. Then I see son’s face lookin’ out through the window. I knowed him at oncet. He met me at the door, and squeezes me ’most to death. And there you was, sir, a-lyin’ there jest like you was dead, and I ’lowed we’d see what might be done to help sot you up.”</p>
|
||||
<p>“I think I’ll sit up now,” said the concussion patient. “I’m feeling pretty fair by this time.”</p>
|
||||
<p>He sat, somewhat weakly yet, leaning against the wall. He was a rugged man, big-boned and straight. His eyes, steady and keen, seemed to linger upon the face of the man standing so still above him. His look wandered often from the face he studied to the marshal’s badge upon the other’s breast.</p>
|
||||
<p>“Yes, yes, you’ll be all right,” said the old woman, patting his arm, “if you don’t get to cuttin’ up agin, and havin’ folks shooting at you. Son told me about you, sir, while you was layin’ senseless on the floor. Don’t you take it as meddlesome fer an old woman with a son as big as you to talk about it. And you mustn’t hold no grudge ag’in’ my son for havin’ to shoot at ye. A officer has got to take up for the law—it’s his duty—and them that acts bad and lives wrong has to suffer. Don’t blame my son any, sir—‘tain’t his fault. He’s always been a good boy—good when he was growin’ up, and kind and ‘bedient and well-behaved. Won’t you let me advise you, sir, not to do so no more? Be a good man, and leave liquor alone and live peaceably and goodly. Keep away from bad company and work honest and sleep sweet.”</p>
|
||||
<p>“Yes, yes, you’ll be all right,” said the old woman, patting his arm, “if you don’t get to cuttin’ up agin, and havin’ folks shooting at you. Son told me about you, sir, while you was layin’ senseless on the floor. Don’t you take it as meddlesome fer an old woman with a son as big as you to talk about it. And you mustn’t hold no grudge ag’in’ my son for havin’ to shoot at ye. A officer has got to take up for the law—it’s his duty—and them that acts bad and lives wrong has to suffer. Don’t blame my son any, sir—’tain’t his fault. He’s always been a good boy—good when he was growin’ up, and kind and ‘bedient and well-behaved. Won’t you let me advise you, sir, not to do so no more? Be a good man, and leave liquor alone and live peaceably and goodly. Keep away from bad company and work honest and sleep sweet.”</p>
|
||||
<p>The black-mitted hand of the old pleader gently touched the breast of the man she addressed. Very earnest and candid her old, worn face looked. In her rusty black dress and antique bonnet she sat, near the close of a long life, and epitomised the experience of the world. Still the man to whom she spoke gazed above her head, contemplating the silent son of the old mother.</p>
|
||||
<p>“What does the marshal say?” he asked. “Does he believe the advice is good? Suppose the marshal speaks up and says if the talk’s all right?”</p>
|
||||
<p>The tall man moved uneasily. He fingered the badge on his breast for a moment, and then he put an arm around the old woman and drew her close to him. She smiled the unchanging mother smile of threescore years, and patted his big brown hand with her crooked, mittened fingers while her son spake.</p>
|
||||
@ -47,7 +47,7 @@
|
||||
<p>“Then,” said he, “if you was in my place and said that, and I was marshal, I’d say: ‘Go free, and do your best to keep your promise.’ ”</p>
|
||||
<p>“Lawsy!” exclaimed the old woman, in a sudden flutter, “ef I didn’t clear forget that trunk of mine! I see a man settin’ it on the platform jest as I seen son’s face in the window, and it went plum out of my head. There’s eight jars of homemade quince jam in that trunk that I made myself. I wouldn’t have nothin’ happen to them jars for a red apple.”</p>
|
||||
<p>Away to the door she trotted, spry and anxious, and then Calliope Catesby spoke out to Buck Patterson:</p>
|
||||
<p>“I just couldn’t help it, Buck. I seen her through the window a-comin’ in. She never had heard a word ‘bout my tough ways. I didn’t have the nerve to let her know I was a worthless cuss bein’ hunted down by the community. There you was lyin’ where my shot laid you, like you was dead. The idea struck me sudden, and I just took your badge off and fastened it onto myself, and I fastened my reputation onto you. I told her I was the marshal and you was a holy terror. You can take your badge back now, Buck.”</p>
|
||||
<p>“I just couldn’t help it, Buck. I seen her through the window a-comin’ in. She never had heard a word ’bout my tough ways. I didn’t have the nerve to let her know I was a worthless cuss bein’ hunted down by the community. There you was lyin’ where my shot laid you, like you was dead. The idea struck me sudden, and I just took your badge off and fastened it onto myself, and I fastened my reputation onto you. I told her I was the marshal and you was a holy terror. You can take your badge back now, Buck.”</p>
|
||||
<p>With shaking fingers Calliope began to unfasten the disc of metal from his shirt.</p>
|
||||
<p>“Easy there!” said Buck Patterson. “You keep that badge right where it is, Calliope Catesby. Don’t you dare to take it off till the day your mother leaves this town. You’ll be city marshal of Quicksand as long as she’s here to know it. After I stir around town a bit and put ’em on I’ll guarantee that nobody won’t give the thing away to her. And say, you leather-headed, rip-roarin’, low-down son of a locoed cyclone, you follow that advice she give me! I’m goin’ to take some of it myself, too.”</p>
|
||||
<p>“Buck,” said Calliope feelingly, “ef I don’t I hope I may—”</p>
|
||||
|
@ -54,7 +54,7 @@
|
||||
<p>“In round numbers,” said Goodwin, facing Blythe squarely, “how much money do you owe in this town, not including the sums you have ‘borrowed’ from me?”</p>
|
||||
<p>“Five hundred—at a rough guess,” answered Blythe, lightly.</p>
|
||||
<p>“Go somewhere in the town and draw up a schedule of your debts,” said Goodwin. “Come back here in two hours, and I will send Manuel with the money to pay them. I will also have a decent outfit of clothing ready for you. You will sail on the <i epub:type="se:name.vessel.ship">Ariel</i> at three. Manuel will accompany you as far as the deck of the steamer. There he will hand you one thousand dollars in cash. I suppose that we needn’t discuss what you will be expected to do in return.”</p>
|
||||
<p>“Oh, I understand,” piped Blythe, cheerily. “I was asleep all the time on the cot under Madama Ortiz’s orange trees; and I shake off the dust of Coralio forever. I’ll play fair. No more of the lotus for me. Your proposition is O. K. You’re a good fellow, Goodwin; and I let you off light. I’ll agree to everything. But in the meantime—I’ve a devil of a thirst on, old man—”</p>
|
||||
<p>“Oh, I understand,” piped Blythe, cheerily. “I was asleep all the time on the cot under Madama Ortiz’s orange trees; and I shake off the dust of Coralio forever. I’ll play fair. No more of the lotus for me. Your proposition is OK. You’re a good fellow, Goodwin; and I let you off light. I’ll agree to everything. But in the meantime—I’ve a devil of a thirst on, old man—”</p>
|
||||
<p>“Not a centavo,” said Goodwin, firmly, “until you are on board the <i epub:type="se:name.vessel.ship">Ariel</i>. You would be drunk in thirty minutes if you had money now.”</p>
|
||||
<p>But he noticed the blood-streaked eyeballs, the relaxed form and the shaking hands of “Beelzebub;” and he stepped into the dining room through the low window, and brought out a glass and a decanter of brandy.</p>
|
||||
<p>“Take a bracer, anyway, before you go,” he proposed, even as a man to the friend whom he entertains.</p>
|
||||
|
@ -38,11 +38,11 @@
|
||||
<hr/>
|
||||
<p>I am telling you that Dodson, of the firm of Dodson & Decker, Wall Street brokers, opened his eyes. Peabody, the confidential clerk, was standing by his chair, hesitating to speak. There was a confused hum of wheels below, and the sedative buzz of an electric fan.</p>
|
||||
<p>“Ahem! Peabody,” said Dodson, blinking. “I must have fallen asleep. I had a most remarkable dream. What is it, Peabody?”</p>
|
||||
<p>“<abbr>Mr.</abbr> Williams, sir, of Tracy & Williams, is outside. He has come to settle his deal in <span epub:type="z3998:roman">X</span>. Y. Z. The market caught him short, sir, if you remember.”</p>
|
||||
<p>“Yes, I remember. What is <span epub:type="z3998:roman">X</span>. Y. Z. quoted at today, Peabody?”</p>
|
||||
<p>“<abbr>Mr.</abbr> Williams, sir, of Tracy & Williams, is outside. He has come to settle his deal in <abbr class="initialism">XYX</abbr>. The market caught him short, sir, if you remember.”</p>
|
||||
<p>“Yes, I remember. What is <abbr class="initialism">XYZ</abbr> quoted at today, Peabody?”</p>
|
||||
<p>“One eighty-five, sir.”</p>
|
||||
<p>“Then that’s his price.”</p>
|
||||
<p>“Excuse me,” said Peabody, rather nervously “for speaking of it, but I’ve been talking to Williams. He’s an old friend of yours, <abbr>Mr.</abbr> Dodson, and you practically have a corner in <span epub:type="z3998:roman">X</span>. Y. Z. I thought you might—that is, I thought you might not remember that he sold you the stock at 98. If he settles at the market price it will take every cent he has in the world and his home too to deliver the shares.”</p>
|
||||
<p>“Excuse me,” said Peabody, rather nervously “for speaking of it, but I’ve been talking to Williams. He’s an old friend of yours, <abbr>Mr.</abbr> Dodson, and you practically have a corner in <abbr class="initialism">XYX</abbr>. I thought you might—that is, I thought you might not remember that he sold you the stock at 98. If he settles at the market price it will take every cent he has in the world and his home too to deliver the shares.”</p>
|
||||
<p>The expression on Dodson’s face changed in an instant to one of cold ferocity mingled with inexorable cupidity. The soul of the man showed itself for a moment like an evil face in the window of a reputable house.</p>
|
||||
<p>“He will settle at one eighty-five,” said Dodson. “Bolivar cannot carry double.”</p>
|
||||
</section>
|
||||
|
@ -16,8 +16,8 @@
|
||||
<p>The staff of assistants and contributors that Editor-Colonel Telfair drew about him was a peach. It was a whole crate of Georgia peaches. The first assistant editor, Tolliver Lee Fairfax, had had a father killed during Pickett’s charge. The second assistant, Keats Unthank, was the nephew of one of Morgan’s Raiders. The book reviewer, Jackson Rockingham, had been the youngest soldier in the Confederate army, having appeared on the field of battle with a sword in one hand and a milk-bottle in the other. The art editor, Roncesvalles Sykes, was a third cousin to a nephew of Jefferson Davis. Miss Lavinia Terhune, the colonel’s stenographer and typewriter, had an aunt who had once been kissed by Stonewall Jackson. Tommy Webster, the head office-boy, got his job by having recited Father Ryan’s poems, complete, at the commencement exercises of the Toombs City High School. The girls who wrapped and addressed the magazines were members of old Southern families in Reduced Circumstances. The cashier was a scrub named Hawkins, from Ann Arbor, Michigan, who had recommendations and a bond from a guarantee company filed with the owners. Even Georgia stock companies sometimes realize that it takes live ones to bury the dead.</p>
|
||||
<p>Well, sir, if you believe me, <i epub:type="se:name.publication.magazine">The Rose of Dixie</i> blossomed five times before anybody heard of it except the people who buy their hooks and eyes in Toombs City. Then Hawkins climbed off his stool and told on ’em to the stock company. Even in Ann Arbor he had been used to having his business propositions heard of at least as far away as Detroit. So an advertising manager was engaged—Beauregard Fitzhugh Banks—a young man in a lavender necktie, whose grandfather had been the Exalted High Pillow-slip of the Kuklux Klan.</p>
|
||||
<p>In spite of which <i epub:type="se:name.publication.magazine">The Rose of Dixie</i> kept coming out every month. Although in every issue it ran photos of either the Taj Mahal or the Luxembourg Gardens, or Carmencita or La Follette, a certain number of people bought it and subscribed for it. As a boom for it, Editor-Colonel Telfair ran three different views of Andrew Jackson’s old home, “The Hermitage,” a full-page engraving of the second battle of Manassas, entitled “Lee to the Rear!” and a five-thousand-word biography of Belle Boyd in the same number. The subscription list that month advanced 118. Also there were poems in the same issue by Leonina Vashti Haricot (pen-name), related to the Haricots of Charleston, South Carolina, and Bill Thompson, nephew of one of the stockholders. And an article from a special society correspondent describing a tea-party given by the swell Boston and English set, where a lot of tea was spilled overboard by some of the guests masquerading as Indians.</p>
|
||||
<p>One day a person whose breath would easily cloud a mirror, he was so much alive, entered the office of <i epub:type="se:name.publication.magazine">The Rose of Dixie</i>. He was a man about the size of a real-estate agent, with a self-tied tie and a manner that he must have borrowed conjointly from W. J. Bryan, Hackenschmidt, and Hetty Green. He was shown into the editor-colonel’s pons asinorum. Colonel Telfair rose and began a Prince Albert bow.</p>
|
||||
<p>“I’m Thacker,” said the intruder, taking the editor’s chair—“T. T. Thacker, of New York.”</p>
|
||||
<p>One day a person whose breath would easily cloud a mirror, he was so much alive, entered the office of <i epub:type="se:name.publication.magazine">The Rose of Dixie</i>. He was a man about the size of a real-estate agent, with a self-tied tie and a manner that he must have borrowed conjointly from <abbr class="name">W. J.</abbr> Bryan, Hackenschmidt, and Hetty Green. He was shown into the editor-colonel’s pons asinorum. Colonel Telfair rose and began a Prince Albert bow.</p>
|
||||
<p>“I’m Thacker,” said the intruder, taking the editor’s chair—“<abbr class="name">T. T.</abbr> Thacker, of New York.”</p>
|
||||
<p>He dribbled hastily upon the colonel’s desk some cards, a bulky manila envelope, and a letter from the owners of <i epub:type="se:name.publication.magazine">The Rose of Dixie</i>. This letter introduced <abbr>Mr.</abbr> Thacker, and politely requested Colonel Telfair to give him a conference and whatever information about the magazine he might desire.</p>
|
||||
<p>“I’ve been corresponding with the secretary of the magazine owners for some time,” said Thacker, briskly. “I’m a practical magazine man myself, and a circulation booster as good as any, if I do say it. I’ll guarantee an increase of anywhere from ten thousand to a hundred thousand a year for any publication that isn’t printed in a dead language. I’ve had my eye on <i epub:type="se:name.publication.magazine">The Rose of Dixie</i> ever since it started. I know every end of the business from editing to setting up the classified ads. Now, I’ve come down here to put a good bunch of money in the magazine, if I can see my way clear. It ought to be made to pay. The secretary tells me it’s losing money. I don’t see why a magazine in the South, if it’s properly handled, shouldn’t get a good circulation in the North, too.”</p>
|
||||
<p>Colonel Telfair leaned back in his chair and polished his gold-rimmed glasses.</p>
|
||||
@ -33,7 +33,7 @@
|
||||
<p>“<abbr>Mr.</abbr> Piggott,” said the editor, “is a brother of the principal stockholder of the magazine.”</p>
|
||||
<p>“All’s right with the world—Piggott passes,” said Thacker. “Well this article on Arctic exploration and the one on tarpon fishing might go. But how about this write-up of the Atlanta, New Orleans, Nashville, and Savannah breweries? It seems to consist mainly of statistics about their output and the quality of their beer. What’s the chip over the bug?”</p>
|
||||
<p>“If I understand your figurative language,” answered Colonel Telfair, “it is this: the article you refer to was handed to me by the owners of the magazine with instructions to publish it. The literary quality of it did not appeal to me. But, in a measure, I feel impelled to conform, in certain matters, to the wishes of the gentlemen who are interested in the financial side of <i epub:type="se:name.publication.magazine">The Rose</i>.”</p>
|
||||
<p>“I see,” said Thacker. “Next we have two pages of selections from ‘Lalla Rookh,’ by Thomas Moore. Now, what Federal prison did Moore escape from, or what’s the name of the <abbr>F.F.V.</abbr> family that he carries as a handicap?”</p>
|
||||
<p>“I see,” said Thacker. “Next we have two pages of selections from ‘Lalla Rookh,’ by Thomas Moore. Now, what Federal prison did Moore escape from, or what’s the name of the <abbr class="initialism">FFV</abbr> family that he carries as a handicap?”</p>
|
||||
<p>“Moore was an Irish poet who died in 1852,” said Colonel Telfair, pityingly. “He is a classic. I have been thinking of reprinting his translation of Anacreon serially in the magazine.”</p>
|
||||
<p>“Look out for the copyright laws,” said Thacker, flippantly. Who’s Bessie Belleclair, who contributes the essay on the newly completed water-works plant in Milledgeville?”</p>
|
||||
<p>“The name, sir,” said Colonel Telfair, “is the nom de guerre of Miss Elvira Simpkins. I have not the honor of knowing the lady; but her contribution was sent to us by Congressman Brower, of her native state. Congressman Brower’s mother was related to the Polks of Tennessee.</p>
|
||||
@ -45,7 +45,7 @@
|
||||
<p>One by one he folded back the manuscripts and showed their first pages to the colonel.</p>
|
||||
<p>Here are four short stories by four of the highest priced authors in the United States—three of ’em living in New York, and one commuting. There’s a special article on Vienna-bred society by Tom Vampson. Here’s an Italian serial by Captain Jack—no—it’s the other Crawford. Here are three separate exposés of city governments by Sniffings, and here’s a dandy entitled ‘What Women Carry in Dress-Suit Cases’—a Chicago newspaper woman hired herself out for five years as a lady’s maid to get that information. And here’s a Synopsis of Preceding Chapters of Hall Caine’s new serial to appear next June. And here’s a couple of pounds of vers de société that I got at a rate from the clever magazines. That’s the stuff that people everywhere want. And now here’s a write-up with photographs at the ages of four, twelve, twenty-two, and thirty of George B. McClellan. It’s a prognostication. He’s bound to be elected Mayor of New York. It’ll make a big hit all over the country. He—”</p>
|
||||
<p>“I beg your pardon,” said Colonel Telfair, stiffening in his chair. “What was the name?”</p>
|
||||
<p>“Oh, I see,” said Thacker, with half a grin. Yes, he’s a son of the General. We’ll pass that manuscript up. But, if you’ll excuse me, Colonel, it’s a magazine we’re trying to make go off—not the first gun at Fort Sumter. Now, here’s a thing that’s bound to get next to you. It’s an original poem by James Whitcomb Riley. J. W. himself. You know what that means to a magazine. I won’t tell you what I had to pay for that poem; but I’ll tell you this—Riley can make more money writing with a fountain-pen than you or I can with one that lets the ink run. I’ll read you the last two stanzas:</p>
|
||||
<p>“Oh, I see,” said Thacker, with half a grin. Yes, he’s a son of the General. We’ll pass that manuscript up. But, if you’ll excuse me, Colonel, it’s a magazine we’re trying to make go off—not the first gun at Fort Sumter. Now, here’s a thing that’s bound to get next to you. It’s an original poem by James Whitcomb Riley. <abbr class="name">J. W.</abbr> himself. You know what that means to a magazine. I won’t tell you what I had to pay for that poem; but I’ll tell you this—Riley can make more money writing with a fountain-pen than you or I can with one that lets the ink run. I’ll read you the last two stanzas:</p>
|
||||
<blockquote epub:type="z3998:poem">
|
||||
<p>
|
||||
<span>“ ‘Pa lays around ‘n’ loafs all day,</span>
|
||||
@ -73,7 +73,7 @@
|
||||
<p>
|
||||
<span>“ ‘ ‘N’ after all the lights are out</span>
|
||||
<br/>
|
||||
<span class="i1">I’m sorry ‘bout it; so I creep</span>
|
||||
<span class="i1">I’m sorry ’bout it; so I creep</span>
|
||||
<br/>
|
||||
<span>Out of my trundle bed to ma’s</span>
|
||||
<br/>
|
||||
|
@ -24,7 +24,7 @@
|
||||
<p>Let the exclamation point expound it, for I shall not. For particulars you might read up on “Romeo and Juliet,” and Abraham Lincoln’s thrilling sonnet about “You can fool some of the people,” etc., and Darwin’s works.</p>
|
||||
<p>But one thing I must tell you about. Both of them were mad over Omar’s Rubaiyat. They knew every verse of the old bluffer by heart—not consecutively, but picking ’em out here and there as you fork the mushrooms in a fifty-cent steak à la Bordelaise. Sullivan County is full of rocks and trees; and Jessie used to sit on them, and—please be good—used to sit on the rocks; and Bob had a way of standing behind her with his hands over her shoulders holding her hands, and his face close to hers, and they would repeat over and over their favorite verses of the old tentmaker. They saw only the poetry and philosophy of the lines then—indeed, they agreed that the Wine was only an image, and that what was meant to be celebrated was some divinity, or maybe Love or Life. However, at that time neither of them had tasted the stuff that goes with a sixty-cent table d’hôte.</p>
|
||||
<p>Where was I? Oh, they married and came to New York. Bob showed his college diploma, and accepted a position filling inkstands in a lawyer’s office at $15 a week. At the end of two years he had worked up to $50, and gotten his first taste of Bohemia—the kind that won’t stand the borax and formaldehyde tests.</p>
|
||||
<p>They had two furnished rooms and a little kitchen. To Jess, accustomed to the mild but beautiful savor of a country town, the dreggy Bohemia was sugar and spice. She hung fish seines on the walls of her rooms, and bought a rakish-looking sideboard, and learned to play the banjo. Twice or thrice a week they dined at French or Italian tables d’hôte in a cloud of smoke, and brag and unshorn hair. Jess learned to drink a cocktail in order to get the cherry. At home she smoked a cigarette after dinner. She learned to pronounce Chianti, and leave her olive stones for the waiter to pick up. Once she essayed to say la, la, la! in a crowd but got only as far as the second one. They met one or two couples while dining out and became friendly with them. The sideboard was stocked with Scotch and rye and a liqueur. They had their new friends in to dinner and all were laughing at nothing by 1 A. M. Some plastering fell in the room below them, for which Bob had to pay $4.50. Thus they footed it merrily on the ragged frontiers of the country that has no boundary lines or government.</p>
|
||||
<p>They had two furnished rooms and a little kitchen. To Jess, accustomed to the mild but beautiful savor of a country town, the dreggy Bohemia was sugar and spice. She hung fish seines on the walls of her rooms, and bought a rakish-looking sideboard, and learned to play the banjo. Twice or thrice a week they dined at French or Italian tables d’hôte in a cloud of smoke, and brag and unshorn hair. Jess learned to drink a cocktail in order to get the cherry. At home she smoked a cigarette after dinner. She learned to pronounce Chianti, and leave her olive stones for the waiter to pick up. Once she essayed to say la, la, la! in a crowd but got only as far as the second one. They met one or two couples while dining out and became friendly with them. The sideboard was stocked with Scotch and rye and a liqueur. They had their new friends in to dinner and all were laughing at nothing by 1 <abbr class="time">a.m.</abbr> Some plastering fell in the room below them, for which Bob had to pay $4.50. Thus they footed it merrily on the ragged frontiers of the country that has no boundary lines or government.</p>
|
||||
<p>And soon Bob fell in with his cronies and learned to keep his foot on the little rail six inches above the floor for an hour or so every afternoon before he went home. Drink always rubbed him the right way, and he would reach his rooms as jolly as a sandboy. Jessie would meet him at the door, and generally they would dance some insane kind of a rigadoon about the floor by way of greeting. Once when Bob’s feet became confused and he tumbled headlong over a footstool Jessie laughed so heartily and long that he had to throw all the couch pillows at her to make her hush.</p>
|
||||
<p>In such wise life was speeding for them on the day when Bob Babbitt first felt the power that the giftie gi’ed him.</p>
|
||||
<p>But let us get back to our lamb and mint sauce.</p>
|
||||
|
@ -65,7 +65,7 @@
|
||||
<p>“ ‘Hold on, Sambo,’ says I, ‘savve English?’</p>
|
||||
<p>“ ‘Heap plenty, yes,’ says he, with a pleasant grin.</p>
|
||||
<p>“ ‘What steamer is that?’ I asks him, ‘and where is it going? And what’s the news, and the good word and the time of day?’</p>
|
||||
<p>“ ‘That steamer the <i epub:type="se:name.vessel.ship">Conchita</i>,’ said the brown man, affable and easy, rollin’ a cigarette. ‘Him come from New Orleans for load banana. Him got load last night. I think him sail in one, two hour. Verree nice day we shall be goin’ have. You hear some talkee ‘bout big battle, maybe so? You think catchee General De Vega, señor? Yes? No?’</p>
|
||||
<p>“ ‘That steamer the <i epub:type="se:name.vessel.ship">Conchita</i>,’ said the brown man, affable and easy, rollin’ a cigarette. ‘Him come from New Orleans for load banana. Him got load last night. I think him sail in one, two hour. Verree nice day we shall be goin’ have. You hear some talkee ’bout big battle, maybe so? You think catchee General De Vega, señor? Yes? No?’</p>
|
||||
<p>“ ‘How’s that, Sambo?’ says I. ‘Big battle? What battle? Who wants catchee General De Vega? I’ve been up at my old gold mines in the interior for a couple of months, and haven’t heard any news.’</p>
|
||||
<p>“ ‘Oh,’ says the nigger-man, proud to speak the English, ‘verree great revolution in Guatemala one week ago. General De Vega, him try be president. Him raise armee—one—five—ten thousand mans for fight at the government. Those one government send five—forty—hundred thousand soldier to suppress revolution. They fight big battle yesterday at Lomagrande—that about nineteen or fifty mile in the mountain. That government soldier wheep General De Vega—oh, most bad. Five hundred—nine hundred—two thousand of his mans is kill. That revolution is smash suppress—bust—very quick. General De Vega, him r-r-run away fast on one big mule. Yes, <i xml:lang="es">carrambos!</i> The general, him r-r-run away, and his armee is kill. That government soldier, they try find General De Vega verree much. They want catchee him for shoot. You think they catchee that general, señor?’</p>
|
||||
<p>“ ‘Saints grant it!’ says I. ”Twould be the judgment of Providence for settin’ the warlike talent of a Clancy to gradin’ the tropics with a pick and shovel. But ’tis not so much a question of insurrections now, me little man, as ’tis of the hired-man problem. ’Tis anxious I am to resign a situation of responsibility and trust with the white wings department of your great and degraded country. Row me in your little boat out to that steamer, and I’ll give ye five dollars—sinker pacers—sinker pacers,’ says I, reducin’ the offer to the language and denomination of the tropic dialects.</p>
|
||||
|
@ -46,11 +46,11 @@
|
||||
<p>“Mee-ser-rhable!” commented Etienne, and took another three fingers.</p>
|
||||
<p>“Complete, cast-iron, pussyfooted, blank … blank!” said Ross, and followed suit.</p>
|
||||
<p>“Rotten,” said I.</p>
|
||||
<p>The cook said nothing. He stood in the door weighing our outburst; and insistently from behind that frozen visage I got two messages (via the M. A. M wireless). One was that George considered our vituperation against the snow childish; the other was that George did not love Dagoes. Inasmuch as Etienne was a Frenchman, I concluded I had the message wrong. So I queried the other: “Bright eyes, you don’t really mean Dagoes, do you?” and over the wireless came three deathly, psychic taps: “Yes.” Then I reflected that to George all foreigners were probably “Dagoes.” I had once known another camp cook who had thought Mons., Sig., and Millie (Trans-Mississippi for <abbr>Mlle.</abbr>) were Italian given names; this cook used to marvel therefore at the paucity of Neo-Roman precognomens, and therefore why not—</p>
|
||||
<p>The cook said nothing. He stood in the door weighing our outburst; and insistently from behind that frozen visage I got two messages (via the <abbr>M. A. M.</abbr> wireless). One was that George considered our vituperation against the snow childish; the other was that George did not love Dagoes. Inasmuch as Etienne was a Frenchman, I concluded I had the message wrong. So I queried the other: “Bright eyes, you don’t really mean Dagoes, do you?” and over the wireless came three deathly, psychic taps: “Yes.” Then I reflected that to George all foreigners were probably “Dagoes.” I had once known another camp cook who had thought Mons., Sig., and Millie (Trans-Mississippi for <abbr>Mlle.</abbr>) were Italian given names; this cook used to marvel therefore at the paucity of Neo-Roman precognomens, and therefore why not—</p>
|
||||
<p>I have said that snow is a test of men. For one day, two days, Etienne stood at the window, Fletcherizing his finger nails and shrieking and moaning at the monotony. To me, Etienne was just about as unbearable as the snow; and so, seeking relief, I went out on the second day to look at my horse, slipped on a stone, broke my collarbone, and thereafter underwent not the snow test, but the test of flat-on-the-back. A test that comes once too often for any man to stand.</p>
|
||||
<p>However, I bore up cheerfully. I was now merely a spectator, and from my couch in the big room I could lie and watch the human interplay with that detached, impassive, impersonal feeling which French writers tell us is so valuable to the litterateur, and American writers to the faro-dealer.</p>
|
||||
<p>“I shall go crazy in this abominable, mee-ser-rhable place!” was Etienne’s constant prediction.</p>
|
||||
<p>“Never knew Mark Twain to bore me before,” said Ross, over and over. He sat by the other window, hour after hour, a box of Pittsburg stogies of the length, strength, and odor of a Pittsburg graft scandal deposited on one side of him, and “Roughing It,” “The Jumping Frog,” and “Life on the Mississippi” on the other. For every chapter he lit a new stogy, puffing furiously. This in time, gave him a recurrent premonition of cramps, gastritis, smoker’s colic or whatever it is they have in Pittsburg after a too deep indulgence in graft scandals. To fend off the colic, Ross resorted time and again to Old Doctor Still’s Amber-Colored U. S. A. Colic Cure. Result, after forty-eight hours—nerves.</p>
|
||||
<p>“Never knew Mark Twain to bore me before,” said Ross, over and over. He sat by the other window, hour after hour, a box of Pittsburg stogies of the length, strength, and odor of a Pittsburg graft scandal deposited on one side of him, and “Roughing It,” “The Jumping Frog,” and “Life on the Mississippi” on the other. For every chapter he lit a new stogy, puffing furiously. This in time, gave him a recurrent premonition of cramps, gastritis, smoker’s colic or whatever it is they have in Pittsburg after a too deep indulgence in graft scandals. To fend off the colic, Ross resorted time and again to Old Doctor Still’s Amber-Colored <abbr class="initialism">USA</abbr> Colic Cure. Result, after forty-eight hours—nerves.</p>
|
||||
<p>“Positive fact I never knew Mark Twain to make me tired before. Positive fact.” Ross slammed “Roughing It” on the floor. “When you’re snowbound this-away you want tragedy, I guess. Humor just seems to bring out all your cussedness. You read a man’s poor, pitiful attempts to be funny and it makes you so nervous you want to tear the book up, get out your bandana, and have a good, long cry.”</p>
|
||||
<p>At the other end of the room, the Frenchman took his finger nails out of his mouth long enough to exclaim: “Humor! Humor at such a time as thees! My God, I shall go crazy in thees abominable—”</p>
|
||||
<p>“Supper,” announced George.</p>
|
||||
|
@ -44,7 +44,7 @@
|
||||
<p>Billy walked back to his seat. His shoulder was tingling from the accolade bestowed by royalty. A hundred eyes were now turned upon him in envy and new admiration. <abbr>Mrs.</abbr> William Darragh McMahan trembled with ecstasy, so that her diamonds smote the eye almost with pain. And now it was apparent that at many tables there were those who suddenly remembered that they enjoyed <abbr>Mr.</abbr> McMahan’s acquaintance. He saw smiles and bows about him. He became enveloped in the aura of dizzy greatness. His campaign coolness deserted him.</p>
|
||||
<p>“Wine for that gang!” he commanded the waiter, pointing with his finger. “Wine over there. Wine to those three gents by that green bush. Tell ’em it’s on me. D⸺n it! Wine for everybody!”</p>
|
||||
<p>The waiter ventured to whisper that it was perhaps inexpedient to carry out the order, in consideration of the dignity of the house and its custom.</p>
|
||||
<p>“All right,” said Billy, “if it’s against the rules. I wonder if ’twould do to send my friend Van Duyckink a bottle? No? Well, it’ll flow all right at the caffy tonight, just the same. It’ll be rubber boots for anybody who comes in there any time up to 2 A. M.”</p>
|
||||
<p>“All right,” said Billy, “if it’s against the rules. I wonder if ’twould do to send my friend Van Duyckink a bottle? No? Well, it’ll flow all right at the caffy tonight, just the same. It’ll be rubber boots for anybody who comes in there any time up to 2 <abbr class="time">a.m.</abbr>”</p>
|
||||
<p>Billy McMahan was happy.</p>
|
||||
<p>He had shaken the hand of Cortlandt Van Duyckink.</p>
|
||||
<hr/>
|
||||
|
@ -8,7 +8,7 @@
|
||||
<body epub:type="bodymatter z3998:fiction">
|
||||
<section id="the-theory-and-the-hound" epub:type="volume se:short-story">
|
||||
<h2 epub:type="title">The Theory and the Hound</h2>
|
||||
<p>Not many days ago my old friend from the tropics, J. P. Bridger, United States consul on the island of Ratona, was in the city. We had wassail and jubilee and saw the Flatiron building, and missed seeing the Bronxless menagerie by about a couple of nights. And then, at the ebb tide, we were walking up a street that parallels and parodies Broadway.</p>
|
||||
<p>Not many days ago my old friend from the tropics, <abbr>J. P.</abbr> Bridger, United States consul on the island of Ratona, was in the city. We had wassail and jubilee and saw the Flatiron building, and missed seeing the Bronxless menagerie by about a couple of nights. And then, at the ebb tide, we were walking up a street that parallels and parodies Broadway.</p>
|
||||
<p>A woman with a comely and mundane countenance passed us, holding in leash a wheezing, vicious, waddling, brute of a yellow pug. The dog entangled himself with Bridger’s legs and mumbled his ankles in a snarling, peevish, sulky bite. Bridger, with a happy smile, kicked the breath out of the brute; the woman showered us with a quick rain of well-conceived adjectives that left us in no doubt as to our place in her opinion, and we passed on. Ten yards farther an old woman with disordered white hair and her bankbook tucked well hidden beneath her tattered shawl begged. Bridger stopped and disinterred for her a quarter from his holiday waistcoat.</p>
|
||||
<p>On the next corner a quarter of a ton of well-clothed man with a rice-powdered, fat, white jowl, stood holding the chain of a devil-born bulldog whose forelegs were strangers by the length of a dachshund. A little woman in a last-season’s hat confronted him and wept, which was plainly all she could do, while he cursed her in low sweet, practised tones.</p>
|
||||
<p>Bridger smiled again—strictly to himself—and this time he took out a little memorandum book and made a note of it. This he had no right to do without due explanation, and I said so.</p>
|
||||
|
@ -18,7 +18,7 @@
|
||||
<p>The story of Hetty’s discharge from the Biggest Store is so nearly a repetition of her engagement as to be monotonous.</p>
|
||||
<p>In each department of the store there is an omniscient, omnipresent, and omnivorous person carrying always a mileage book and a red necktie, and referred to as a “buyer.” The destinies of the girls in his department who live on (see Bureau of Victual Statistics)—so much per week are in his hands.</p>
|
||||
<p>This particular buyer was a capable, cool-eyed, impersonal, young, bald-headed man. As he walked along the aisles of his department he seemed to be sailing on a sea of frangipanni, while white clouds, machine-embroidered, floated around him. Too many sweets bring surfeit. He looked upon Hetty Pepper’s homely countenance, emerald eyes, and chocolate-colored hair as a welcome oasis of green in a desert of cloying beauty. In a quiet angle of a counter he pinched her arm kindly, three inches above the elbow. She slapped him three feet away with one good blow of her muscular and not especially lily-white right. So, now you know why Hetty Pepper came to leave the Biggest Store at thirty minutes’ notice, with one dime and a nickel in her purse.</p>
|
||||
<p>This morning’s quotations list the price of rib beef at six cents per (butcher’s) pound. But on the day that Hetty was “released” by the B. S. the price was seven and one-half cents. That fact is what makes this story possible. Otherwise, the extra four cents would have—</p>
|
||||
<p>This morning’s quotations list the price of rib beef at six cents per (butcher’s) pound. But on the day that Hetty was “released” by the <abbr>B. S.</abbr> the price was seven and one-half cents. That fact is what makes this story possible. Otherwise, the extra four cents would have—</p>
|
||||
<p>But the plot of nearly all the good stories in the world is concerned with shorts who were unable to cover; so you can find no fault with this one.</p>
|
||||
<p>Hetty mounted with her rib beef to her $3.50 third-floor back. One hot, savory beef-stew for supper, a night’s good sleep, and she would be fit in the morning to apply again for the tasks of Hercules, Joan of Arc, Una, Job, and Little-Red-Riding-Hood.</p>
|
||||
<p>In her room she got the granite-ware stew-pan out of the 2×4-foot china—er—I mean earthenware closet, and began to dig down in a rat’s-nest of paper bags for the potatoes and onions. She came out with her nose and chin just a little sharper pointed.</p>
|
||||
@ -39,7 +39,7 @@
|
||||
<p>“Then we’ll have to cut the onion out instead of slicing it in,” said Hetty. “I’d ask the janitress for one, but I don’t want ’em hep just yet to the fact that I’m pounding the asphalt for another job. But I wish we did have an onion.”</p>
|
||||
<p>In the shop-girl’s room the two began to prepare their supper. Cecilia’s part was to sit on the couch helplessly and beg to be allowed to do something, in the voice of a cooing ring-dove. Hetty prepared the rib beef, putting it in cold salted water in the stew-pan and setting it on the one-burner gas-stove.</p>
|
||||
<p>“I wish we had an onion,” said Hetty, as she scraped the two potatoes.</p>
|
||||
<p>On the wall opposite the couch was pinned a flaming, gorgeous advertising picture of one of the new ferry-boats of the P. U. F. F. Railroad that had been built to cut down the time between Los Angeles and New York City one-eighth of a minute.</p>
|
||||
<p>On the wall opposite the couch was pinned a flaming, gorgeous advertising picture of one of the new ferry-boats of the <abbr>P. U. F. F.</abbr> Railroad that had been built to cut down the time between Los Angeles and New York City one-eighth of a minute.</p>
|
||||
<p>Hetty, turning her head during her continuous monologue, saw tears running from her guest’s eyes as she gazed on the idealized presentment of the speeding, foam-girdled transport.</p>
|
||||
<p>“Why, say, Cecilia, kid,” said Hetty, poising her knife, “is it as bad art as that? I ain’t a critic; but I thought it kind of brightened up the room. Of course, a manicure-painter could tell it was a bum picture in a minute. I’ll take it down if you say so. I wish to the holy Saint Potluck we had an onion.”</p>
|
||||
<p>But the miniature miniature-painter had tumbled down, sobbing, with her nose indenting the hard-woven drapery of the couch. Something was here deeper than the artistic temperament offended at crude lithography.</p>
|
||||
|
@ -46,7 +46,7 @@
|
||||
<p>The other girls soon became aware of Nancy’s ambition. “Here comes your millionaire, Nancy,” they would call to her whenever any man who looked the role approached her counter. It got to be a habit of men, who were hanging about while their women folk were shopping, to stroll over to the handkerchief counter and dawdle over the cambric squares. Nancy’s imitation high-bred air and genuine dainty beauty was what attracted. Many men thus came to display their graces before her. Some of them may have been millionaires; others were certainly no more than their sedulous apes. Nancy learned to discriminate. There was a window at the end of the handkerchief counter; and she could see the rows of vehicles waiting for the shoppers in the street below. She looked and perceived that automobiles differ as well as do their owners.</p>
|
||||
<p>Once a fascinating gentleman bought four dozen handkerchiefs, and wooed her across the counter with a King Cophetua air. When he had gone one of the girls said:</p>
|
||||
<p>“What’s wrong, Nance, that you didn’t warm up to that fellow. He looks the swell article, all right, to me.”</p>
|
||||
<p>“Him?” said Nancy, with her coolest, sweetest, most impersonal, Van Alstyne Fisher smile; “not for mine. I saw him drive up outside. A 12 H. P. machine and an Irish chauffeur! And you saw what kind of handkerchiefs he bought—silk! And he’s got dactylis on him. Give me the real thing or nothing, if you please.”</p>
|
||||
<p>“Him?” said Nancy, with her coolest, sweetest, most impersonal, Van Alstyne Fisher smile; “not for mine. I saw him drive up outside. A 12 <abbr>H. P.</abbr> machine and an Irish chauffeur! And you saw what kind of handkerchiefs he bought—silk! And he’s got dactylis on him. Give me the real thing or nothing, if you please.”</p>
|
||||
<p>Two of the most “refined” women in the store—a forelady and a cashier—had a few “swell gentlemen friends” with whom they now and then dined. Once they included Nancy in an invitation. The dinner took place in a spectacular café whose tables are engaged for New Year’s eve a year in advance. There were two “gentlemen friends”—one without any hair on his head—high living ungrew it; and we can prove it—the other a young man whose worth and sophistication he impressed upon you in two convincing ways—he swore that all the wine was corked; and he wore diamond cuff buttons. This young man perceived irresistible excellencies in Nancy. His taste ran to shop-girls; and here was one that added the voice and manners of his high social world to the franker charms of her own caste. So, on the following day, he appeared in the store and made her a serious proposal of marriage over a box of hemstitched, grass-bleached Irish linens. Nancy declined. A brown pompadour ten feet away had been using her eyes and ears. When the rejected suitor had gone she heaped carboys of upbraidings and horror upon Nancy’s head.</p>
|
||||
<p>“What a terrible little fool you are! That fellow’s a millionaire—he’s a nephew of old Van Skittles himself. And he was talking on the level, too. Have you gone crazy, Nance?”</p>
|
||||
<p>“Have I?” said Nancy. “I didn’t take him, did I? He isn’t a millionaire so hard that you could notice it, anyhow. His family only allows him $20,000 a year to spend. The bald-headed fellow was guying him about it the other night at supper.”</p>
|
||||
|
@ -27,7 +27,7 @@
|
||||
<p>A second result was that <abbr>Mr.</abbr> Kinsolving quit the game with $2,000,000 prof—er—rake-off.</p>
|
||||
<p><abbr>Mr.</abbr> Kinsolving’s son Dan was at college when the mathematical experiment in breadstuffs was made. Dan came home during vacation, and found the old gentleman in a red dressing-gown reading “Little Dorrit” on the porch of his estimable red brick mansion in Washington Square. He had retired from business with enough extra two-cent pieces from bread buyers to reach, if laid side by side, fifteen times around the earth and lap as far as the public debt of Paraguay.</p>
|
||||
<p>Dan shook hands with his father, and hurried over to Greenwich Village to see his old high-school friend, Kenwitz. Dan had always admired Kenwitz. Kenwitz was pale, curly-haired, intense, serious, mathematical, studious, altruistic, socialistic, and the natural foe of oligarchies. Kenwitz had foregone college, and was learning watch-making in his father’s jewelry store. Dan was smiling, jovial, easy-tempered and tolerant alike of kings and ragpickers. The two foregathered joyously, being opposites. And then Dan went back to college, and Kenwitz to his mainsprings—and to his private library in the rear of the jewelry shop.</p>
|
||||
<p>Four years later Dan came back to Washington Square with the accumulations of B. A. and two years of Europe thick upon him. He took a filial look at Septimus Kinsolving’s elaborate tombstone in Greenwood and a tedious excursion through typewritten documents with the family lawyer; and then, feeling himself a lonely and hopeless millionaire, hurried down to the old jewelry store across Sixth Avenue.</p>
|
||||
<p>Four years later Dan came back to Washington Square with the accumulations of <abbr class="initialism">BA</abbr> and two years of Europe thick upon him. He took a filial look at Septimus Kinsolving’s elaborate tombstone in Greenwood and a tedious excursion through typewritten documents with the family lawyer; and then, feeling himself a lonely and hopeless millionaire, hurried down to the old jewelry store across Sixth Avenue.</p>
|
||||
<p>Kenwitz unscrewed a magnifying glass from his eye, routed out his parent from a dingy rear room, and abandoned the interior of watches for outdoors. He went with Dan, and they sat on a bench in Washington Square. Dan had not changed much; he was stalwart, and had a dignity that was inclined to relax into a grin. Kenwitz was more serious, more intense, more learned, philosophical and socialistic.</p>
|
||||
<p>“I know about it now,” said Dan, finally. “I pumped it out of the eminent legal lights that turned over to me poor old dad’s collections of bonds and boodle. It amounts to $2,000,000, Ken. And I am told that he squeezed it out of the chaps that pay their pennies for loaves of bread at little bakeries around the corner. You’ve studied economics, Dan, and you know all about monopolies, and the masses, and octopuses, and the rights of laboring people. I never thought about those things before. Football and trying to be white to my fellow-man were about the extent of my college curriculum.</p>
|
||||
<p>“But since I came back and found out how dad made his money I’ve been thinking. I’d like awfully well to pay back those chaps who had to give up too much money for bread. I know it would buck the line of my income for a good many yards; but I’d like to make it square with ’em. Is there nyway it can be done, old Ways and Means?”</p>
|
||||
|
@ -15,7 +15,7 @@
|
||||
<hr/>
|
||||
<p>“Did you ever hear that story about the man from the West?” asked Billinger, in the little dark-oak room to your left as you penetrate the interior of the Powhatan Club.</p>
|
||||
<p>“Doubtless,” said John Reginald Forster, rising and leaving the room.</p>
|
||||
<p>Forster got his straw hat (straws will be in and maybe out again long before this is printed) from the checkroom boy, and walked out of the air (as Hamlet says). Billinger was used to having his stories insulted and would not mind. Forster was in his favorite mood and wanted to go away from anywhere. A man, in order to get on good terms with himself, must have his opinions corroborated and his moods matched by someone else. (I had written that “somebody”; but an <abbr>A.D.T.</abbr> boy who once took a telegram for me pointed out that I could save money by using the compound word. This is a vice versa case.)</p>
|
||||
<p>Forster got his straw hat (straws will be in and maybe out again long before this is printed) from the checkroom boy, and walked out of the air (as Hamlet says). Billinger was used to having his stories insulted and would not mind. Forster was in his favorite mood and wanted to go away from anywhere. A man, in order to get on good terms with himself, must have his opinions corroborated and his moods matched by someone else. (I had written that “somebody”; but an <abbr class="initialism">ADT</abbr> boy who once took a telegram for me pointed out that I could save money by using the compound word. This is a vice versa case.)</p>
|
||||
<p>Forster’s favorite mood was that of greatly desiring to be a follower of Chance. He was a Venturer by nature, but convention, birth, tradition and the narrowing influences of the tribe of Manhattan had denied him full privilege. He had trodden all the main-traveled thoroughfares and many of the side roads that are supposed to relieve the tedium of life. But none had sufficed. The reason was that he knew what was to be found at the end of every street. He knew from experience and logic almost precisely to what end each digression from routine must lead. He found a depressing monotony in all the variations that the music of his sphere had grafted upon the tune of life. He had not learned that, although the world was made round, the circle has been squared, and that it’s true interest is to be in “What’s Around the Corner.”</p>
|
||||
<p>Forster walked abroad aimlessly from the Powhatan, trying not to tax either his judgment or his desire as to what streets he traveled. He would have been glad to lose his way if it were possible; but he had no hope of that. Adventure and Fortune move at your beck and call in the Greater City; but Chance is oriental. She is a veiled lady in a sedan chair, protected by a special traffic squad of dragonians. Crosstown, uptown, and downtown you may move without seeing her.</p>
|
||||
<p>At the end of an hour’s stroll, Forster stood on a corner of a broad, smooth avenue, looking disconsolately across it at a picturesque old hotel softly but brilliantly lit. Disconsolately, because he knew that he must dine; and dining in that hotel was no venture. It was one of his favorite caravansaries, and so silent and swift would be the service and so delicately choice the food, that he regretted the hunger that must be appeased by the “dead perfection” of the place’s cuisine. Even the music there seemed to be always playing da capo.</p>
|
||||
|
@ -15,7 +15,7 @@
|
||||
<i>Extracts from a letter from the first vice-president of the Republic Insurance Company, of New York City, to Frank Goodwin, of Coralio, Republic of Anchuria.</i>
|
||||
</p>
|
||||
<blockquote epub:type="z3998:letter">
|
||||
<p><span epub:type="z3998:salutation">My Dear <abbr>Mr.</abbr> Goodwin</span>:—Your communication per <abbr>Messrs.</abbr> Howland and Fourchet, of New Orleans, has reached us. Also their draft on N. Y. for $100,000, the amount abstracted from the funds of this company by the late J. Churchill Wahrfield, its former president. … The officers and directors unite in requesting me to express to you their sincere esteem and thanks for your prompt and much appreciated return of the entire missing sum within two weeks from the time of its disappearance. … Can assure you that the matter will not be allowed to receive the least publicity. … Regret exceedingly the distressing death of <abbr>Mr.</abbr> Wahrfield by his own hand, but … Congratulations on your marriage to Miss Wahrfield … many charms, winning manners, noble and womanly nature and envied position in the best metropolitan society …</p>
|
||||
<p><span epub:type="z3998:salutation">My Dear <abbr>Mr.</abbr> Goodwin</span>:—Your communication per <abbr>Messrs.</abbr> Howland and Fourchet, of New Orleans, has reached us. Also their draft on <abbr class="postal">NY</abbr> for $100,000, the amount abstracted from the funds of this company by the late J. Churchill Wahrfield, its former president. … The officers and directors unite in requesting me to express to you their sincere esteem and thanks for your prompt and much appreciated return of the entire missing sum within two weeks from the time of its disappearance. … Can assure you that the matter will not be allowed to receive the least publicity. … Regret exceedingly the distressing death of <abbr>Mr.</abbr> Wahrfield by his own hand, but … Congratulations on your marriage to Miss Wahrfield … many charms, winning manners, noble and womanly nature and envied position in the best metropolitan society …</p>
|
||||
<footer>
|
||||
<p epub:type="z3998:valediction">Cordially yours,</p>
|
||||
<p class="signature" epub:type="z3998:sender">Lucius E. Applegate</p>
|
||||
|
@ -22,7 +22,7 @@
|
||||
<p>“The regular price of a divo’ce in this co’t,” said the Justice, “air five dollars.” He stuffed the bill into the pocket of his homespun vest with a deceptive air of indifference. With much bodily toil and mental travail he wrote the decree upon half a sheet of foolscap, and then copied it upon the other. Ransie Bilbro and his wife listened to his reading of the document that was to give them freedom:</p>
|
||||
<p>“Know all men by these presents that Ransie Bilbro and his wife, Ariela Bilbro, this day personally appeared before me and promises that hereinafter they will neither love, honour, nor obey each other, neither for better nor worse, being of sound mind and body, and accept summons for divorce according to the peace and dignity of the State. Herein fail not, so help you God. Benaja Widdup, justice of the peace in and for the county of Piedmont, State of Tennessee.”</p>
|
||||
<p>The Justice was about to hand one of the documents to Ransie. The voice of Ariela delayed the transfer. Both men looked at her. Their dull masculinity was confronted by something sudden and unexpected in the woman.</p>
|
||||
<p>“Judge, don’t you give him that air paper yit. ‘Tain’t all settled, nohow. I got to have my rights first. I got to have my ali-money. ‘Tain’t no kind of a way to do fur a man to divo’ce his wife ‘thout her havin’ a cent fur to do with. I’m a-layin’ off to be a-goin’ up to brother Ed’s up on Hogback Mount’in. I’m bound fur to hev a pa’r of shoes and some snuff and things besides. Ef Rance kin affo’d a divo’ce, let him pay me ali-money.”</p>
|
||||
<p>“Judge, don’t you give him that air paper yit. ’Tain’t all settled, nohow. I got to have my rights first. I got to have my ali-money. ’Tain’t no kind of a way to do fur a man to divo’ce his wife ‘thout her havin’ a cent fur to do with. I’m a-layin’ off to be a-goin’ up to brother Ed’s up on Hogback Mount’in. I’m bound fur to hev a pa’r of shoes and some snuff and things besides. Ef Rance kin affo’d a divo’ce, let him pay me ali-money.”</p>
|
||||
<p>Ransie Bilbro was stricken to dumb perplexity. There had been no previous hint of alimony. Women were always bringing up startling and unlooked-for issues.</p>
|
||||
<p>Justice Benaja Widdup felt that the point demanded judicial decision. The authorities were also silent on the subject of alimony. But the woman’s feet were bare. The trail to Hogback Mountain was steep and flinty.</p>
|
||||
<p>“Ariela Bilbro,” he asked, in official tones, “how much did you ’low would be good and sufficient ali-money in the case befo’ the co’t.”</p>
|
||||
|
@ -8,7 +8,7 @@
|
||||
<body epub:type="bodymatter z3998:fiction">
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<section id="the-world-and-the-door" epub:type="volume se:short-story">
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<h2 epub:type="title">The World and the Door</h2>
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<p>A favourite dodge to get your story read by the public is to assert that it is true, and then add that Truth is stranger than Fiction. I do not know if the yarn I am anxious for you to read is true; but the Spanish purser of the fruit steamer <i epub:type="se:name.vessel.ship">El Carrero</i> swore to me by the shrine of Santa Guadalupe that he had the facts from the U. S. vice-consul at La Paz—a person who could not possibly have been cognizant of half of them.</p>
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<p>A favourite dodge to get your story read by the public is to assert that it is true, and then add that Truth is stranger than Fiction. I do not know if the yarn I am anxious for you to read is true; but the Spanish purser of the fruit steamer <i epub:type="se:name.vessel.ship">El Carrero</i> swore to me by the shrine of Santa Guadalupe that he had the facts from the <abbr class="initialism">US</abbr> vice-consul at La Paz—a person who could not possibly have been cognizant of half of them.</p>
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<p>As for the adage quoted above, I take pleasure in puncturing it by affirming that I read in a purely fictional story the other day the line: “ ‘Be it so,’ said the policeman.” Nothing so strange has yet cropped out in Truth.</p>
|
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<hr/>
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||||
<p>When H. Ferguson Hedges, millionaire promoter, investor and man-about- New-York, turned his thoughts upon matters convivial, and word of it went “down the line,” bouncers took a precautionary turn at the Indian clubs, waiters put ironstone china on his favourite tables, cab drivers crowded close to the curbstone in front of all-night cafés, and careful cashiers in his regular haunts charged up a few bottles to his account by way of preface and introduction.</p>
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