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<p>“Yes, Lynn, I quit the stage at the end of last season. I quit it because I was sick of the life. And especially because my heart and soul were sick of men—of the kind of men we stage people have to be up against. You know what the game is to us—it’s a fight against ’em all the way down the line from the manager who wants us to try his new motorcar to the bill-posters who want to call us by our front names.</p>
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<p>“And the men we have to meet after the show are the worst of all. The stage-door kind, and the manager’s friends who take us to supper and show their diamonds and talk about seeing ‘Dan’ and ‘Dave’ and ‘Charlie’ for us. They’re beasts, and I hate ’em.</p>
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<p>“I tell you, Lynn, it’s the girls like us on the stage that ought to be pitied. It’s girls from good homes that are honestly ambitious and work hard to rise in the profession, but never do get there. You hear a lot of sympathy sloshed around on chorus girls and their fifteen dollars a week. Piffle! There ain’t a sorrow in the chorus that a lobster cannot heal.</p>
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<p>“If there’s any tears to shed, let ’em fall for the actress that gets a salary of from thirty to forty-five dollars a week for taking a leading part in a bum show. She knows she’ll never do any better; but she hangs on for years, hoping for the ‘chance’ I that never comes.</p>
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<p>“If there’s any tears to shed, let ’em fall for the actress that gets a salary of from thirty to forty-five dollars a week for taking a leading part in a bum show. She knows she’ll never do any better; but she hangs on for years, hoping for the ‘chance’ that never comes.</p>
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<p>“And the fool plays we have to work in! Having another girl roll you around the stage by the hind legs in a ‘Wheelbarrow Chorus’ in a musical comedy is dignified drama compared with the idiotic things I’ve had to do in the thirty-centers.</p>
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<p>“But what I hated most was the men—the men leering and blathering at you across tables, trying to buy you with Würzburger or Extra Dry, according to their estimate of your price. And the men in the audiences, clapping, yelling, snarling, crowding, writhing, gloating—like a lot of wild beasts, with their eyes fixed on you, ready to eat you up if you come in reach of their claws. Oh, how I hate ’em!</p>
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<p>“Well, I’m not telling you much about myself, am I, Lynn?</p>
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