From 60ed0486803936472ff309e922a6485b1f642104 Mon Sep 17 00:00:00 2001 From: vr8hub Date: Thu, 31 Oct 2019 23:39:40 -0500 Subject: [PATCH] [4M] Semanticate --- src/epub/content.opf | 54 ++++++++++++- ...-3.xhtml => a-cosmopolite-in-a-cafe.xhtml} | 14 ++-- ...hapter-6.xhtml => a-service-of-love.xhtml} | 14 ++-- ...pter-21.xhtml => after-twenty-years.xhtml} | 12 ++- ...10.xhtml => an-adjustment-of-nature.xhtml} | 8 +- ...ter-17.xhtml => an-unfinished-story.xhtml} | 12 +-- src/epub/text/between-rounds.xhtml | 67 ++++++++++++++++ .../{chapter-23.xhtml => by-courier.xhtml} | 16 ++-- src/epub/text/chapter-4.xhtml | 67 ---------------- ...er-16.xhtml => from-the-cabbys-seat.xhtml} | 8 +- ...er-22.xhtml => lost-on-dress-parade.xhtml} | 22 +++--- ...r-13.xhtml => mammon-and-the-archer.xhtml} | 10 +-- .../{chapter-8.xhtml => man-about-town.xhtml} | 14 ++-- ...11.xhtml => memoirs-of-a-yellow-dog.xhtml} | 12 +-- ...tml => sisters-of-the-golden-circle.xhtml} | 20 ++--- ...r-14.xhtml => springtime-a-la-carte.xhtml} | 14 ++-- ...5.xhtml => the-brief-debut-of-tildy.xhtml} | 22 +++--- ...l => the-caliph-cupid-and-the-clock.xhtml} | 8 +- ...7.xhtml => the-coming-out-of-maggie.xhtml} | 12 +-- ...r-9.xhtml => the-cop-and-the-anthem.xhtml} | 6 +- ...pter-24.xhtml => the-furnished-room.xhtml} | 24 +++--- ...ter-2.xhtml => the-gift-of-the-magi.xhtml} | 10 +-- ...{chapter-15.xhtml => the-green-door.xhtml} | 8 +- ...he-love-philtre-of-ikey-schoenstein.xhtml} | 28 +++---- ...tml => the-romance-of-a-busy-broker.xhtml} | 8 +- ...hapter-5.xhtml => the-skylight-room.xhtml} | 54 ++++++------- .../{chapter-1.xhtml => tobins-palm.xhtml} | 8 +- src/epub/toc.xhtml | 76 ++++++++++++++++++- 28 files changed, 374 insertions(+), 254 deletions(-) rename src/epub/text/{chapter-3.xhtml => a-cosmopolite-in-a-cafe.xhtml} (84%) rename src/epub/text/{chapter-6.xhtml => a-service-of-love.xhtml} (92%) rename src/epub/text/{chapter-21.xhtml => after-twenty-years.xhtml} (93%) rename src/epub/text/{chapter-10.xhtml => an-adjustment-of-nature.xhtml} (95%) rename src/epub/text/{chapter-17.xhtml => an-unfinished-story.xhtml} (96%) create mode 100644 src/epub/text/between-rounds.xhtml rename src/epub/text/{chapter-23.xhtml => by-courier.xhtml} (91%) delete mode 100644 src/epub/text/chapter-4.xhtml rename src/epub/text/{chapter-16.xhtml => from-the-cabbys-seat.xhtml} (96%) rename src/epub/text/{chapter-22.xhtml => lost-on-dress-parade.xhtml} (83%) rename src/epub/text/{chapter-13.xhtml => mammon-and-the-archer.xhtml} (95%) rename src/epub/text/{chapter-8.xhtml => man-about-town.xhtml} (88%) rename src/epub/text/{chapter-11.xhtml => memoirs-of-a-yellow-dog.xhtml} (87%) rename src/epub/text/{chapter-19.xhtml => sisters-of-the-golden-circle.xhtml} (79%) rename src/epub/text/{chapter-14.xhtml => springtime-a-la-carte.xhtml} (90%) rename src/epub/text/{chapter-25.xhtml => the-brief-debut-of-tildy.xhtml} (79%) rename src/epub/text/{chapter-18.xhtml => the-caliph-cupid-and-the-clock.xhtml} (97%) rename src/epub/text/{chapter-7.xhtml => the-coming-out-of-maggie.xhtml} (95%) rename src/epub/text/{chapter-9.xhtml => the-cop-and-the-anthem.xhtml} (98%) rename src/epub/text/{chapter-24.xhtml => the-furnished-room.xhtml} (89%) rename src/epub/text/{chapter-2.xhtml => the-gift-of-the-magi.xhtml} (92%) rename src/epub/text/{chapter-15.xhtml => the-green-door.xhtml} (98%) rename src/epub/text/{chapter-12.xhtml => the-love-philtre-of-ikey-schoenstein.xhtml} (68%) rename src/epub/text/{chapter-20.xhtml => the-romance-of-a-busy-broker.xhtml} (96%) rename src/epub/text/{chapter-5.xhtml => the-skylight-room.xhtml} (53%) rename src/epub/text/{chapter-1.xhtml => tobins-palm.xhtml} (98%) diff --git a/src/epub/content.opf b/src/epub/content.opf index 1da09c2..6b8d164 100644 --- a/src/epub/content.opf +++ b/src/epub/content.opf @@ -38,7 +38,7 @@ TAG DESCRIPTION LONG_DESCRIPTION - en-GB + en-US https://www.gutenberg.org/ebooks/2776 Any special notes about the production of this ebook for future editors/producers? Remove this element if not. WORD_COUNT @@ -74,17 +74,65 @@ - - + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + diff --git a/src/epub/text/chapter-3.xhtml b/src/epub/text/a-cosmopolite-in-a-cafe.xhtml similarity index 84% rename from src/epub/text/chapter-3.xhtml rename to src/epub/text/a-cosmopolite-in-a-cafe.xhtml index 9c1be0e..75c6425 100644 --- a/src/epub/text/chapter-3.xhtml +++ b/src/epub/text/a-cosmopolite-in-a-cafe.xhtml @@ -1,19 +1,19 @@ - Chapter 3 + A Cosmopolite in a Café -
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A COSMOPOLITE IN A CAFÉ

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A Cosmopolite in a Café

At midnight the café was crowded. By some chance the little table at which I sat had escaped the eye of incomers, and two vacant chairs at it extended their arms with venal hospitality to the influx of patrons.

And then a cosmopolite sat in one of them, and I was glad, for I held a theory that since Adam no true citizen of the world has existed. We hear of them, and we see foreign labels on much luggage, but we find travellers instead of cosmopolites.

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I invoke your consideration of the scene⁠—the marble-topped tables, the range of leather-upholstered wall seats, the gay company, the ladies dressed in demi-state toilets, speaking in an exquisite visible chorus of taste, economy, opulence or art; the sedulous and largess-loving garçons, the music wisely catering to all with its raids upon the composers; the mélange of talk and laughter⁠—and, if you will, the Würzburger in the tall glass cones that bend to your lips as a ripe cherry sways on its branch to the beak of a robber jay. I was told by a sculptor from Mauch Chunk that the scene was truly Parisian.

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My cosmopolite was named E. Rushmore Coglan, and he will be heard from next summer at Coney Island. He is to establish a new “attraction” there, he informed me, offering kingly diversion. And then his conversation rang along parallels of latitude and longitude. He took the great, round world in his hand, so to speak, familiarly, contemptuously, and it seemed no larger than the seed of a Maraschino cherry in a table d’hôte grape fruit. He spoke disrespectfully of the equator, he skipped from continent to continent, he derided the zones, he mopped up the high seas with his napkin. With a wave of his hand he would speak of a certain bazaar in Hyderabad. Whiff! He would have you on skis in Lapland. Zip! Now you rode the breakers with the Kanakas at Kealaikahiki. Presto! He dragged you through an Arkansas post-oak swamp, let you dry for a moment on the alkali plains of his Idaho ranch, then whirled you into the society of Viennese archdukes. Anon he would be telling you of a cold he acquired in a Chicago lake breeze and how old Escamila cured it in Buenos Ayres with a hot infusion of the chuchula weed. You would have addressed a letter to “E. Rushmore Coglan, Esq., the Earth, Solar System, the Universe,” and have mailed it, feeling confident that it would be delivered to him.

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I invoke your consideration of the scene⁠—the marble-topped tables, the range of leather-upholstered wall seats, the gay company, the ladies dressed in demi-state toilets, speaking in an exquisite visible chorus of taste, economy, opulence or art; the sedulous and largess-loving garçons, the music wisely catering to all with its raids upon the composers; the mélange of talk and laughter⁠—and, if you will, the Würzburger in the tall glass cones that bend to your lips as a ripe cherry sways on its branch to the beak of a robber jay. I was told by a sculptor from Mauch Chunk that the scene was truly Parisian.

+

My cosmopolite was named E. Rushmore Coglan, and he will be heard from next summer at Coney Island. He is to establish a new “attraction” there, he informed me, offering kingly diversion. And then his conversation rang along parallels of latitude and longitude. He took the great, round world in his hand, so to speak, familiarly, contemptuously, and it seemed no larger than the seed of a Maraschino cherry in a table d’hôte grape fruit. He spoke disrespectfully of the equator, he skipped from continent to continent, he derided the zones, he mopped up the high seas with his napkin. With a wave of his hand he would speak of a certain bazaar in Hyderabad. Whiff! He would have you on skis in Lapland. Zip! Now you rode the breakers with the Kanakas at Kealaikahiki. Presto! He dragged you through an Arkansas post-oak swamp, let you dry for a moment on the alkali plains of his Idaho ranch, then whirled you into the society of Viennese archdukes. Anon he would be telling you of a cold he acquired in a Chicago lake breeze and how old Escamila cured it in Buenos Ayres with a hot infusion of the chuchula weed. You would have addressed a letter to “E. Rushmore Coglan, Esq., the Earth, Solar System, the Universe,” and have mailed it, feeling confident that it would be delivered to him.

I was sure that I had found at last the one true cosmopolite since Adam, and I listened to his worldwide discourse fearful lest I should discover in it the local note of the mere globe-trotter. But his opinions never fluttered or drooped; he was as impartial to cities, countries and continents as the winds or gravitation.

-

And as E. Rushmore Coglan prattled of this little planet I thought with glee of a great almost-cosmopolite who wrote for the whole world and dedicated himself to Bombay. In a poem he has to say that there is pride and rivalry between the cities of the earth, and that “the men that breed from them, they traffic up and down, but cling to their cities’ hem as a child to the mother’s gown.” And whenever they walk “by roaring streets unknown” they remember their native city “most faithful, foolish, fond; making her mere-breathed name their bond upon their bond.” And my glee was roused because I had caught Mr. Kipling napping. Here I had found a man not made from dust; one who had no narrow boasts of birthplace or country, one who, if he bragged at all, would brag of his whole round globe against the Martians and the inhabitants of the Moon.

+

And as E. Rushmore Coglan prattled of this little planet I thought with glee of a great almost-cosmopolite who wrote for the whole world and dedicated himself to Bombay. In a poem he has to say that there is pride and rivalry between the cities of the earth, and that “the men that breed from them, they traffic up and down, but cling to their cities’ hem as a child to the mother’s gown.” And whenever they walk “by roaring streets unknown” they remember their native city “most faithful, foolish, fond; making her mere-breathed name their bond upon their bond.” And my glee was roused because I had caught Mr. Kipling napping. Here I had found a man not made from dust; one who had no narrow boasts of birthplace or country, one who, if he bragged at all, would brag of his whole round globe against the Martians and the inhabitants of the Moon.

Expression on these subjects was precipitated from E. Rushmore Coglan by the third corner to our table. While Coglan was describing to me the topography along the Siberian Railway the orchestra glided into a medley. The concluding air was “Dixie,” and as the exhilarating notes tumbled forth they were almost overpowered by a great clapping of hands from almost every table.

It is worth a paragraph to say that this remarkable scene can be witnessed every evening in numerous cafés in the City of New York. Tons of brew have been consumed over theories to account for it. Some have conjectured hastily that all Southerners in town hie themselves to cafés at nightfall. This applause of the “rebel” air in a Northern city does puzzle a little; but it is not insolvable. The war with Spain, many years’ generous mint and watermelon crops, a few long-shot winners at the New Orleans race-track, and the brilliant banquets given by the Indiana and Kansas citizens who compose the North Carolina Society have made the South rather a “fad” in Manhattan. Your manicure will lisp softly that your left forefinger reminds her so much of a gentleman’s in Richmond, Va. Oh, certainly; but many a lady has to work now⁠—the war, you know.

When “Dixie” was being played a dark-haired young man sprang up from somewhere with a Mosby guerrilla yell and waved frantically his soft-brimmed hat. Then he strayed through the smoke, dropped into the vacant chair at our table and pulled out cigarettes.

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Not so E. Rushmore Coglan. With the whole world for his⁠—

My meditations were interrupted by a tremendous noise and conflict in another part of the café. I saw above the heads of the seated patrons E. Rushmore Coglan and a stranger to me engaged in terrific battle. They fought between the tables like Titans, and glasses crashed, and men caught their hats up and were knocked down, and a brunette screamed, and a blonde began to sing “Teasing.”

My cosmopolite was sustaining the pride and reputation of the Earth when the waiters closed in on both combatants with their famous flying wedge formation and bore them outside, still resisting.

-

I called McCarthy, one of the French garçons, and asked him the cause of the conflict.

+

I called McCarthy, one of the French garçons, and asked him the cause of the conflict.

“The man with the red tie” (that was my cosmopolite), said he, “got hot on account of things said about the bum sidewalks and water supply of the place he come from by the other guy.”

“Why,” said I, bewildered, “that man is a citizen of the world⁠—a cosmopolite. He⁠—”

“Originally from Mattawamkeag, Maine, he said,” continued McCarthy, “and he wouldn’t stand for no knockin’ the place.”

diff --git a/src/epub/text/chapter-6.xhtml b/src/epub/text/a-service-of-love.xhtml similarity index 92% rename from src/epub/text/chapter-6.xhtml rename to src/epub/text/a-service-of-love.xhtml index e187116..a048e9c 100644 --- a/src/epub/text/chapter-6.xhtml +++ b/src/epub/text/a-service-of-love.xhtml @@ -1,31 +1,31 @@ - Chapter 6 + A Service of Love -
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A SERVICE OF LOVE

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A Service of Love

When one loves one’s Art no service seems too hard.

That is our premise. This story shall draw a conclusion from it, and show at the same time that the premise is incorrect. That will be a new thing in logic, and a feat in story-telling somewhat older than the great wall of China.

Joe Larrabee came out of the post-oak flats of the Middle West pulsing with a genius for pictorial art. At six he drew a picture of the town pump with a prominent citizen passing it hastily. This effort was framed and hung in the drug store window by the side of the ear of corn with an uneven number of rows. At twenty he left for New York with a flowing necktie and a capital tied up somewhat closer.

Delia Caruthers did things in six octaves so promisingly in a pine-tree village in the South that her relatives chipped in enough in her chip hat for her to go “North” and “finish.” They could not see her f⁠—, but that is our story.

Joe and Delia met in an atelier where a number of art and music students had gathered to discuss chiaroscuro, Wagner, music, Rembrandt’s works, pictures, Waldteufel, wall paper, Chopin and Oolong.

Joe and Delia became enamoured one of the other, or each of the other, as you please, and in a short time were married⁠—for (see above), when one loves one’s Art no service seems too hard.

-

Mr. and Mrs. Larrabee began housekeeping in a flat. It was a lonesome flat⁠—something like the A sharp way down at the left-hand end of the keyboard. And they were happy; for they had their Art, and they had each other. And my advice to the rich young man would be⁠—sell all thou hast, and give it to the poor⁠—janitor for the privilege of living in a flat with your Art and your Delia.

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Mr. and Mrs. Larrabee began housekeeping in a flat. It was a lonesome flat⁠—something like the A sharp way down at the left-hand end of the keyboard. And they were happy; for they had their Art, and they had each other. And my advice to the rich young man would be⁠—sell all thou hast, and give it to the poor⁠—janitor for the privilege of living in a flat with your Art and your Delia.

Flat-dwellers shall indorse my dictum that theirs is the only true happiness. If a home is happy it cannot fit too close⁠—let the dresser collapse and become a billiard table; let the mantel turn to a rowing machine, the escritoire to a spare bedchamber, the washstand to an upright piano; let the four walls come together, if they will, so you and your Delia are between. But if home be the other kind, let it be wide and long⁠—enter you at the Golden Gate, hang your hat on Hatteras, your cape on Cape Horn and go out by the Labrador.

Joe was painting in the class of the great Magister⁠—you know his fame. His fees are high; his lessons are light⁠—his high-lights have brought him renown. Delia was studying under Rosenstock⁠—you know his repute as a disturber of the piano keys.

They were mighty happy as long as their money lasted. So is every⁠—but I will not be cynical. Their aims were very clear and defined. Joe was to become capable very soon of turning out pictures that old gentlemen with thin side-whiskers and thick pocketbooks would sandbag one another in his studio for the privilege of buying. Delia was to become familiar and then contemptuous with Music, so that when she saw the orchestra seats and boxes unsold she could have sore throat and lobster in a private dining-room and refuse to go on the stage.

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But the best, in my opinion, was the home life in the little flat⁠—the ardent, voluble chats after the day’s study; the cozy dinners and fresh, light breakfasts; the interchange of ambitions⁠—ambitions interwoven each with the other’s or else inconsiderable⁠—the mutual help and inspiration; and⁠—overlook my artlessness⁠—stuffed olives and cheese sandwiches at 11 p.m.

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But after a while Art flagged. It sometimes does, even if some switchman doesn’t flag it. Everything going out and nothing coming in, as the vulgarians say. Money was lacking to pay Mr. Magister and Herr Rosenstock their prices. When one loves one’s Art no service seems too hard. So, Delia said she must give music lessons to keep the chafing dish bubbling.

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But the best, in my opinion, was the home life in the little flat⁠—the ardent, voluble chats after the day’s study; the cozy dinners and fresh, light breakfasts; the interchange of ambitions⁠—ambitions interwoven each with the other’s or else inconsiderable⁠—the mutual help and inspiration; and⁠—overlook my artlessness⁠—stuffed olives and cheese sandwiches at 11 p.m.

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But after a while Art flagged. It sometimes does, even if some switchman doesn’t flag it. Everything going out and nothing coming in, as the vulgarians say. Money was lacking to pay Mr. Magister and Herr Rosenstock their prices. When one loves one’s Art no service seems too hard. So, Delia said she must give music lessons to keep the chafing dish bubbling.

For two or three days she went out canvassing for pupils. One evening she came home elated.

“Joe, dear,” she said, gleefully, “I’ve a pupil. And, oh, the loveliest people! General⁠—General A. B. Pinkney’s daughter⁠—on Seventy-first street. Such a splendid house, Joe⁠—you ought to see the front door! Byzantine I think you would call it. And inside! Oh, Joe, I never saw anything like it before.

“My pupil is his daughter Clementina. I dearly love her already. She’s a delicate thing⁠—dresses always in white; and the sweetest, simplest manners! Only eighteen years old. I’m to give three lessons a week; and, just think, Joe! $5 a lesson. I don’t mind it a bit; for when I get two or three more pupils I can resume my lessons with Herr Rosenstock. Now, smooth out that wrinkle between your brows, dear, and let’s have a nice supper.”

“That’s all right for you, Dele,” said Joe, attacking a can of peas with a carving knife and a hatchet, “but how about me? Do you think I’m going to let you hustle for wages while I philander in the regions of high art? Not by the bones of Benvenuto Cellini! I guess I can sell papers or lay cobblestones, and bring in a dollar or two.”

Delia came and hung about his neck.

-

“Joe, dear, you are silly. You must keep on at your studies. It is not as if I had quit my music and gone to work at something else. While I teach I learn. I am always with my music. And we can live as happily as millionaires on $15 a week. You mustn’t think of leaving Mr. Magister.”

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“Joe, dear, you are silly. You must keep on at your studies. It is not as if I had quit my music and gone to work at something else. While I teach I learn. I am always with my music. And we can live as happily as millionaires on $15 a week. You mustn’t think of leaving Mr. Magister.”

“All right,” said Joe, reaching for the blue scalloped vegetable dish. “But I hate for you to be giving lessons. It isn’t Art. But you’re a trump and a dear to do it.”

“When one loves one’s Art no service seems too hard,” said Delia.

“Magister praised the sky in that sketch I made in the park,” said Joe. “And Tinkle gave me permission to hang two of them in his window. I may sell one if the right kind of a moneyed idiot sees them.”

diff --git a/src/epub/text/chapter-21.xhtml b/src/epub/text/after-twenty-years.xhtml similarity index 93% rename from src/epub/text/chapter-21.xhtml rename to src/epub/text/after-twenty-years.xhtml index 619f0ca..09ee3e7 100644 --- a/src/epub/text/chapter-21.xhtml +++ b/src/epub/text/after-twenty-years.xhtml @@ -1,13 +1,13 @@ - Chapter 21 + After Twenty Years -
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AFTER TWENTY YEARS

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After Twenty Years

The policeman on the beat moved up the avenue impressively. The impressiveness was habitual and not for show, for spectators were few. The time was barely 10 o’clock at night, but chilly gusts of wind with a taste of rain in them had well nigh de-peopled the streets.

Trying doors as he went, twirling his club with many intricate and artful movements, turning now and then to cast his watchful eye adown the pacific thoroughfare, the officer, with his stalwart form and slight swagger, made a fine picture of a guardian of the peace. The vicinity was one that kept early hours. Now and then you might see the lights of a cigar store or of an all-night lunch counter; but the majority of the doors belonged to business places that had long since been closed.

When about midway of a certain block the policeman suddenly slowed his walk. In the doorway of a darkened hardware store a man leaned, with an unlighted cigar in his mouth. As the policeman walked up to him the man spoke up quickly.

@@ -40,10 +40,8 @@

“You’re not Jimmy Wells,” he snapped. “Twenty years is a long time, but not long enough to change a man’s nose from a Roman to a pug.”

“It sometimes changes a good man into a bad one,” said the tall man. “You’ve been under arrest for ten minutes, ‘Silky’ Bob. Chicago thinks you may have dropped over our way and wires us she wants to have a chat with you. Going quietly, are you? That’s sensible. Now, before we go on to the station here’s a note I was asked to hand you. You may read it here at the window. It’s from Patrolman Wells.”

The man from the West unfolded the little piece of paper handed him. His hand was steady when he began to read, but it trembled a little by the time he had finished. The note was rather short.

-
-

- Bob: I was at the appointed place on time. When you struck the match to light your cigar I saw it was the face of the man wanted in Chicago. Somehow I couldn’t do it myself, so I went around and got a plain clothes man to do the job. JIMMY. -

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Bob: I was at the appointed place on time. When you struck the match to light your cigar I saw it was the face of the man wanted in Chicago. Somehow I couldn’t do it myself, so I went around and got a plain clothes man to do the job. Jimmy.

diff --git a/src/epub/text/chapter-10.xhtml b/src/epub/text/an-adjustment-of-nature.xhtml similarity index 95% rename from src/epub/text/chapter-10.xhtml rename to src/epub/text/an-adjustment-of-nature.xhtml index 6115899..aff37b9 100644 --- a/src/epub/text/chapter-10.xhtml +++ b/src/epub/text/an-adjustment-of-nature.xhtml @@ -1,15 +1,15 @@ - Chapter 10 + An Adjustment of Nature -
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AN ADJUSTMENT OF NATURE

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An ADJUSTMENT OF NATURE

In an art exhibition the other day I saw a painting that had been sold for $5,000. The painter was a young scrub out of the West named Kraft, who had a favourite food and a pet theory. His pabulum was an unquenchable belief in the Unerring Artistic Adjustment of Nature. His theory was fixed around corned-beef hash with poached egg. There was a story behind the picture, so I went home and let it drip out of a fountain-pen. The idea of Kraft⁠—but that is not the beginning of the story.

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Three years ago Kraft, Bill Judkins (a poet), and I took our meals at Cypher’s, on Eighth Avenue. I say “took.” When we had money, Cypher got it “off of” us, as he expressed it. We had no credit; we went in, called for food and ate it. We paid or we did not pay. We had confidence in Cypher’s sullenness and smouldering ferocity. Deep down in his sunless soul he was either a prince, a fool or an artist. He sat at a worm-eaten desk, covered with files of waiters’ checks so old that I was sure the bottomest one was for clams that Hendrik Hudson had eaten and paid for. Cypher had the power, in common with Napoleon III. and the goggle-eyed perch, of throwing a film over his eyes, rendering opaque the windows of his soul. Once when we left him unpaid, with egregious excuses, I looked back and saw him shaking with inaudible laughter behind his film. Now and then we paid up back scores.

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Three years ago Kraft, Bill Judkins (a poet), and I took our meals at Cypher’s, on Eighth Avenue. I say “took.” When we had money, Cypher got it “off of” us, as he expressed it. We had no credit; we went in, called for food and ate it. We paid or we did not pay. We had confidence in Cypher’s sullenness and smouldering ferocity. Deep down in his sunless soul he was either a prince, a fool or an artist. He sat at a worm-eaten desk, covered with files of waiters’ checks so old that I was sure the bottomest one was for clams that Hendrik Hudson had eaten and paid for. Cypher had the power, in common with Napoleon III and the goggle-eyed perch, of throwing a film over his eyes, rendering opaque the windows of his soul. Once when we left him unpaid, with egregious excuses, I looked back and saw him shaking with inaudible laughter behind his film. Now and then we paid up back scores.

But the chief thing at Cypher’s was Milly. Milly was a waitress. She was a grand example of Kraft’s theory of the artistic adjustment of nature. She belonged, largely, to waiting, as Minerva did to the art of scrapping, or Venus to the science of serious flirtation. Pedestalled and in bronze she might have stood with the noblest of her heroic sisters as “Liver-and-Bacon Enlivening the World.” She belonged to Cypher’s. You expected to see her colossal figure loom through that reeking blue cloud of smoke from frying fat just as you expect the Palisades to appear through a drifting Hudson River fog. There amid the steam of vegetables and the vapours of acres of “ham and,” the crash of crockery, the clatter of steel, the screaming of “short orders,” the cries of the hungering and all the horrid tumult of feeding man, surrounded by swarms of the buzzing winged beasts bequeathed us by Pharaoh, Milly steered her magnificent way like some great liner cleaving among the canoes of howling savages.

Our Goddess of Grub was built on lines so majestic that they could be followed only with awe. Her sleeves were always rolled above her elbows. She could have taken us three musketeers in her two hands and dropped us out of the window. She had seen fewer years than any of us, but she was of such superb Evehood and simplicity that she mothered us from the beginning. Cypher’s store of eatables she poured out upon us with royal indifference to price and quantity, as from a cornucopia that knew no exhaustion. Her voice rang like a great silver bell; her smile was many-toothed and frequent; she seemed like a yellow sunrise on mountain tops. I never saw her but I thought of the Yosemite. And yet, somehow, I could never think of her as existing outside of Cypher’s. There nature had placed her, and she had taken root and grown mightily. She seemed happy, and took her few poor dollars on Saturday nights with the flushed pleasure of a child that receives an unexpected donation.

It was Kraft who first voiced the fear that each of us must have held latently. It came up apropos, of course, of certain questions of art at which we were hammering. One of us compared the harmony existing between a Haydn symphony and pistache ice cream to the exquisite congruity between Milly and Cypher’s.

diff --git a/src/epub/text/chapter-17.xhtml b/src/epub/text/an-unfinished-story.xhtml similarity index 96% rename from src/epub/text/chapter-17.xhtml rename to src/epub/text/an-unfinished-story.xhtml index 412e0ec..937c5f2 100644 --- a/src/epub/text/chapter-17.xhtml +++ b/src/epub/text/an-unfinished-story.xhtml @@ -1,13 +1,13 @@ - Chapter 17 + An Unfinished Story -
-

AN UNFINISHED STORY

+
+

An Unfinished Story

We no longer groan and heap ashes upon our heads when the flames of Tophet are mentioned. For, even the preachers have begun to tell us that God is radium, or ether or some scientific compound, and that the worst we wicked ones may expect is a chemical reaction. This is a pleasing hypothesis; but there lingers yet some of the old, goodly terror of orthodoxy.

There are but two subjects upon which one may discourse with a free imagination, and without the possibility of being controverted. You may talk of your dreams; and you may tell what you heard a parrot say. Both Morpheus and the bird are incompetent witnesses; and your listener dare not attack your recital. The baseless fabric of a vision, then, shall furnish my theme⁠—chosen with apologies and regrets instead of the more limited field of pretty Polly’s small talk.

I had a dream that was so far removed from the higher criticism that it had to do with the ancient, respectable, and lamented bar-of-judgment theory.

@@ -19,7 +19,7 @@

But this irrelevant stuff is taking up space that the story should occupy.

Dulcie worked in a department store. She sold Hamburg edging, or stuffed peppers, or automobiles, or other little trinkets such as they keep in department stores. Of what she earned, Dulcie received six dollars per week. The remainder was credited to her and debited to somebody else’s account in the ledger kept by G⁠⸺ Oh, primal energy, you say, Reverend Doctor⁠—Well then, in the Ledger of Primal Energy.

During her first year in the store, Dulcie was paid five dollars per week. It would be instructive to know how she lived on that amount. Don’t care? Very well; probably you are interested in larger amounts. Six dollars is a larger amount. I will tell you how she lived on six dollars per week.

-

One afternoon at six, when Dulcie was sticking her hat-pin within an eighth of an inch of her medulla oblongata, she said to her chum, Sadie⁠—the girl that waits on you with her left side:

+

One afternoon at six, when Dulcie was sticking her hat-pin within an eighth of an inch of her medulla oblongata, she said to her chum, Sadie⁠—the girl that waits on you with her left side:

“Say, Sade, I made a date for dinner this evening with Piggy.”

“You never did!” exclaimed Sadie admiringly. “Well, ain’t you the lucky one? Piggy’s an awful swell; and he always takes a girl to swell places. He took Blanche up to the Hoffman House one evening, where they have swell music, and you see a lot of swells. You’ll have a swell time, Dulce.”

Dulcie hurried homeward. Her eyes were shining, and her cheeks showed the delicate pink of life’s⁠—real life’s⁠—approaching dawn. It was Friday; and she had fifty cents left of her last week’s wages.

@@ -38,7 +38,7 @@

Dulcie forgot everything else for a moment except that she was beautiful, and that life was about to lift a corner of its mysterious veil for her to observe its wonders. No gentleman had ever asked her out before. Now she was going for a brief moment into the glitter and exalted show.

The girls said that Piggy was a “spender.” There would be a grand dinner, and music, and splendidly dressed ladies to look at, and things to eat that strangely twisted the girls’ jaws when they tried to tell about them. No doubt she would be asked out again. There was a blue pongee suit in a window that she knew⁠—by saving twenty cents a week instead of ten, in⁠—let’s see⁠—Oh, it would run into years! But there was a second-hand store in Seventh Avenue where⁠—

Somebody knocked at the door. Dulcie opened it. The landlady stood there with a spurious smile, sniffing for cooking by stolen gas.

-

“A gentleman’s downstairs to see you,” she said. “Name is Mr. Wiggins.”

+

“A gentleman’s downstairs to see you,” she said. “Name is Mr. Wiggins.”

By such epithet was Piggy known to unfortunate ones who had to take him seriously.

Dulcie turned to the dresser to get her handkerchief; and then she stopped still, and bit her underlip hard. While looking in her mirror she had seen fairyland and herself, a princess, just awakening from a long slumber. She had forgotten one that was watching her with sad, beautiful, stern eyes⁠—the only one there was to approve or condemn what she did. Straight and slender and tall, with a look of sorrowful reproach on his handsome, melancholy face, General Kitchener fixed his wonderful eyes on her out of his gilt photograph frame on the dresser.

Dulcie turned like an automatic doll to the landlady.

@@ -48,7 +48,7 @@

“The horrid, impudent thing!” she said aloud. “And I never gave him a word or a look to make him think it!”

At nine o’clock Dulcie took a tin box of crackers and a little pot of raspberry jam out of her trunk, and had a feast. She offered General Kitchener some jam on a cracker; but he only looked at her as the sphinx would have looked at a butterfly⁠—if there are butterflies in the desert.

“Don’t eat it if you don’t want to,” said Dulcie. “And don’t put on so many airs and scold so with your eyes. I wonder if you’d be so superior and snippy if you had to live on six dollars a week.”

-

It was not a good sign for Dulcie to be rude to General Kitchener. And then she turned Benvenuto Cellini face downward with a severe gesture. But that was not inexcusable; for she had always thought he was Henry VIII, and she did not approve of him.

+

It was not a good sign for Dulcie to be rude to General Kitchener. And then she turned Benvenuto Cellini face downward with a severe gesture. But that was not inexcusable; for she had always thought he was Henry VIII, and she did not approve of him.

At half-past nine Dulcie took a last look at the pictures on the dresser, turned out the light, and skipped into bed. It’s an awful thing to go to bed with a good-night look at General Kitchener, William Muldoon, the Duchess of Marlborough, and Benvenuto Cellini. This story really doesn’t get anywhere at all. The rest of it comes later⁠—sometime when Piggy asks Dulcie again to dine with him, and she is feeling lonelier than usual, and General Kitchener happens to be looking the other way; and then⁠—

As I said before, I dreamed that I was standing near a crowd of prosperous-looking angels, and a policeman took me by the wing and asked if I belonged with them.

“Who are they?” I asked.

diff --git a/src/epub/text/between-rounds.xhtml b/src/epub/text/between-rounds.xhtml new file mode 100644 index 0000000..8f6d557 --- /dev/null +++ b/src/epub/text/between-rounds.xhtml @@ -0,0 +1,67 @@ + + + + Between Rounds + + + + +
+

Between Rounds

+

The May moon shone bright upon the private boarding-house of Mrs. Murphy. By reference to the almanac a large amount of territory will be discovered upon which its rays also fell. Spring was in its heydey, with hay fever soon to follow. The parks were green with new leaves and buyers for the Western and Southern trade. Flowers and summer-resort agents were blowing; the air and answers to Lawson were growing milder; hand-organs, fountains and pinochle were playing everywhere.

+

The windows of Mrs. Murphy’s boarding-house were open. A group of boarders were seated on the high stoop upon round, flat mats like German pancakes.

+

In one of the second-floor front windows Mrs. McCaskey awaited her husband. Supper was cooling on the table. Its heat went into Mrs. McCaskey.

+

At nine Mr. McCaskey came. He carried his coat on his arm and his pipe in his teeth; and he apologised for disturbing the boarders on the steps as he selected spots of stone between them on which to set his size 9, width Ds.

+

As he opened the door of his room he received a surprise. Instead of the usual stove-lid or potato-masher for him to dodge, came only words.

+

Mr. McCaskey reckoned that the benign May moon had softened the breast of his spouse.

+

“I heard ye,” came the oral substitutes for kitchenware. “Ye can apollygise to riff-raff of the streets for settin’ yer unhandy feet on the tails of their frocks, but ye’d walk on the neck of yer wife the length of a clothes-line without so much as a ‘Kiss me fut,’ and I’m sure it’s that long from rubberin’ out the windy for ye and the victuals cold such as there’s money to buy after drinkin’ up yer wages at Gallegher’s every Saturday evenin’, and the gas man here twice to-day for his.”

+

“Woman!” said Mr. McCaskey, dashing his coat and hat upon a chair, “the noise of ye is an insult to me appetite. When ye run down politeness ye take the mortar from between the bricks of the foundations of society. ’Tis no more than exercisin’ the acrimony of a gentleman when ye ask the dissent of ladies blockin’ the way for steppin’ between them. Will ye bring the pig’s face of ye out of the windy and see to the food?”

+

Mrs. McCaskey arose heavily and went to the stove. There was something in her manner that warned Mr. McCaskey. When the corners of her mouth went down suddenly like a barometer it usually foretold a fall of crockery and tinware.

+

“Pig’s face, is it?” said Mrs. McCaskey, and hurled a stewpan full of bacon and turnips at her lord.

+

Mr. McCaskey was no novice at repartee. He knew what should follow the entrée. On the table was a roast sirloin of pork, garnished with shamrocks. He retorted with this, and drew the appropriate return of a bread pudding in an earthen dish. A hunk of Swiss cheese accurately thrown by her husband struck Mrs. McCaskey below one eye. When she replied with a well-aimed coffee-pot full of a hot, black, semi-fragrant liquid the battle, according to courses, should have ended.

+

But Mr. McCaskey was no 50-cent table d’hôter. Let cheap Bohemians consider coffee the end, if they would. Let them make that faux pas. He was foxier still. Finger-bowls were not beyond the compass of his experience. They were not to be had in the Pension Murphy; but their equivalent was at hand. Triumphantly he sent the granite-ware wash basin at the head of his matrimonial adversary. Mrs. McCaskey dodged in time. She reached for a flatiron, with which, as a sort of cordial, she hoped to bring the gastronomical duel to a close. But a loud, wailing scream downstairs caused both her and Mr. McCaskey to pause in a sort of involuntary armistice.

+

On the sidewalk at the corner of the house Policeman Cleary was standing with one ear upturned, listening to the crash of household utensils.

+

“ ’Tis Jawn McCaskey and his missis at it again,” meditated the policeman. “I wonder shall I go up and stop the row. I will not. Married folks they are; and few pleasures they have. ’Twill not last long. Sure, they’ll have to borrow more dishes to keep it up with.”

+

And just then came the loud scream below-stairs, betokening fear or dire extremity. “ ’Tis probably the cat,” said Policeman Cleary, and walked hastily in the other direction.

+

The boarders on the steps were fluttered. Mr. Toomey, an insurance solicitor by birth and an investigator by profession, went inside to analyse the scream. He returned with the news that Mrs. Murphy’s little boy, Mike, was lost. Following the messenger, out bounced Mrs. Murphy⁠—two hundred pounds in tears and hysterics, clutching the air and howling to the sky for the loss of thirty pounds of freckles and mischief. Bathos, truly; but Mr. Toomey sat down at the side of Miss Purdy, millinery, and their hands came together in sympathy. The two old maids, Misses Walsh, who complained every day about the noise in the halls, inquired immediately if anybody had looked behind the clock.

+

Major Grigg, who sat by his fat wife on the top step, arose and buttoned his coat. “The little one lost?” he exclaimed. “I will scour the city.” His wife never allowed him out after dark. But now she said: “Go, Ludovic!” in a baritone voice. “Whoever can look upon that mother’s grief without springing to her relief has a heart of stone.” “Give me some thirty or⁠—sixty cents, my love,” said the Major. “Lost children sometimes stray far. I may need carfares.”

+

Old man Denny, hall room, fourth floor back, who sat on the lowest step, trying to read a paper by the street lamp, turned over a page to follow up the article about the carpenters’ strike. Mrs. Murphy shrieked to the moon: “Oh, ar-r-Mike, f’r Gawd’s sake, where is me little bit av a boy?”

+

“When’d ye see him last?” asked old man Denny, with one eye on the report of the Building Trades League.

+

“Oh,” wailed Mrs. Murphy, “ ’twas yisterday, or maybe four hours ago! I dunno. But it’s lost he is, me little boy Mike. He was playin’ on the sidewalk only this mornin’⁠—or was it Wednesday? I’m that busy with work, ’tis hard to keep up with dates. But I’ve looked the house over from top to cellar, and it’s gone he is. Oh, for the love av Hiven⁠—”

+

Silent, grim, colossal, the big city has ever stood against its revilers. They call it hard as iron; they say that no pulse of pity beats in its bosom; they compare its streets with lonely forests and deserts of lava. But beneath the hard crust of the lobster is found a delectable and luscious food. Perhaps a different simile would have been wiser. Still, nobody should take offence. We would call no one a lobster without good and sufficient claws.

+

No calamity so touches the common heart of humanity as does the straying of a little child. Their feet are so uncertain and feeble; the ways are so steep and strange.

+

Major Griggs hurried down to the corner, and up the avenue into Billy’s place. “Gimme a rye-high,” he said to the servitor. “Haven’t seen a bow-legged, dirty-faced little devil of a six-year-old lost kid around here anywhere, have you?”

+

Mr. Toomey retained Miss Purdy’s hand on the steps. “Think of that dear little babe,” said Miss Purdy, “lost from his mother’s side⁠—perhaps already fallen beneath the iron hoofs of galloping steeds⁠—oh, isn’t it dreadful?”

+

“Ain’t that right?” agreed Mr. Toomey, squeezing her hand. “Say I start out and help look for um!”

+

“Perhaps,” said Miss Purdy, “you should. But, oh, Mr. Toomey, you are so dashing⁠—so reckless⁠—suppose in your enthusiasm some accident should befall you, then what⁠—”

+

Old man Denny read on about the arbitration agreement, with one finger on the lines.

+

In the second floor front Mr. and Mrs. McCaskey came to the window to recover their second wind. Mr. McCaskey was scooping turnips out of his vest with a crooked forefinger, and his lady was wiping an eye that the salt of the roast pork had not benefited. They heard the outcry below, and thrust their heads out of the window.

+

“ ’Tis little Mike is lost,” said Mrs. McCaskey, in a hushed voice, “the beautiful, little, trouble-making angel of a gossoon!”

+

“The bit of a boy mislaid?” said Mr. McCaskey, leaning out of the window. “Why, now, that’s bad enough, entirely. The childer, they be different. If ’twas a woman I’d be willin’, for they leave peace behind ’em when they go.”

+

Disregarding the thrust, Mrs. McCaskey caught her husband’s arm.

+

“Jawn,” she said, sentimentally, “Missis Murphy’s little bye is lost. ’Tis a great city for losing little boys. Six years old he was. Jawn, ’tis the same age our little bye would have been if we had had one six years ago.”

+

“We never did,” said Mr. McCaskey, lingering with the fact.

+

“But if we had, Jawn, think what sorrow would be in our hearts this night, with our little Phelan run away and stolen in the city nowheres at all.”

+

“Ye talk foolishness,” said Mr. McCaskey. “ ’Tis Pat he would be named, after me old father in Cantrim.”

+

“Ye lie!” said Mrs. McCaskey, without anger. “Me brother was worth tin dozen bog-trotting McCaskeys. After him would the bye be named.” She leaned over the window-sill and looked down at the hurrying and bustle below.

+

“Jawn,” said Mrs. McCaskey, softly, “I’m sorry I was hasty wid ye.”

+

“ ’Twas hasty puddin’, as ye say,” said her husband, “and hurry-up turnips and get-a-move-on-ye coffee. ’Twas what ye could call a quick lunch, all right, and tell no lie.”

+

Mrs. McCaskey slipped her arm inside her husband’s and took his rough hand in hers.

+

“Listen at the cryin’ of poor Mrs. Murphy,” she said. “ ’Tis an awful thing for a bit of a bye to be lost in this great big city. If ’twas our little Phelan, Jawn, I’d be breakin’ me heart.”

+

Awkwardly Mr. McCaskey withdrew his hand. But he laid it around the nearing shoulder of his wife.

+

“ ’Tis foolishness, of course,” said he, roughly, “but I’d be cut up some meself if our little Pat was kidnapped or anything. But there never was any childer for us. Sometimes I’ve been ugly and hard with ye, Judy. Forget it.”

+

They leaned together, and looked down at the heart-drama being acted below.

+

Long they sat thus. People surged along the sidewalk, crowding, questioning, filling the air with rumours, and inconsequent surmises. Mrs. Murphy ploughed back and forth in their midst, like a soft mountain down which plunged an audible cataract of tears. Couriers came and went.

+

Loud voices and a renewed uproar were raised in front of the boarding-house.

+

“What’s up now, Judy?” asked Mr. McCaskey.

+

“ ’Tis Missis Murphy’s voice,” said Mrs. McCaskey, harking. “She says she’s after finding little Mike asleep behind the roll of old linoleum under the bed in her room.”

+

Mr. McCaskey laughed loudly.

+

“That’s yer Phelan,” he shouted, sardonically. “Divil a bit would a Pat have done that trick. If the bye we never had is strayed and stole, by the powers, call him Phelan, and see him hide out under the bed like a mangy pup.”

+

Mrs. McCaskey arose heavily, and went toward the dish closet, with the corners of her mouth drawn down.

+

Policeman Cleary came back around the corner as the crowd dispersed. Surprised, he upturned an ear toward the McCaskey apartment, where the crash of irons and chinaware and the ring of hurled kitchen utensils seemed as loud as before. Policeman Cleary took out his timepiece.

+

“By the deported snakes!” he exclaimed, “Jawn McCaskey and his lady have been fightin’ for an hour and a quarter by the watch. The missis could give him forty pounds weight. Strength to his arm.”

+

Policeman Cleary strolled back around the corner.

+

Old man Denny folded his paper and hurried up the steps just as Mrs. Murphy was about to lock the door for the night.

+
+ + diff --git a/src/epub/text/chapter-23.xhtml b/src/epub/text/by-courier.xhtml similarity index 91% rename from src/epub/text/chapter-23.xhtml rename to src/epub/text/by-courier.xhtml index 8c1a7a3..dc3c189 100644 --- a/src/epub/text/chapter-23.xhtml +++ b/src/epub/text/by-courier.xhtml @@ -1,13 +1,13 @@ - Chapter 23 + By Courier -
-

BY COURIER

+
+

By Courier

It was neither the season nor the hour when the Park had frequenters; and it is likely that the young lady, who was seated on one of the benches at the side of the walk, had merely obeyed a sudden impulse to sit for a while and enjoy a foretaste of coming Spring.

She rested there, pensive and still. A certain melancholy that touched her countenance must have been of recent birth, for it had not yet altered the fine and youthful contours of her cheek, nor subdued the arch though resolute curve of her lips.

A tall young man came striding through the park along the path near which she sat. Behind him tagged a boy carrying a suit-case. At sight of the young lady, the man’s face changed to red and back to pale again. He watched her countenance as he drew nearer, with hope and anxiety mingled on his own. He passed within a few yards of her, but he saw no evidence that she was aware of his presence or existence.

@@ -30,10 +30,12 @@

The messenger stood before the lady.

“De gent says he’s had de ski-bunk put on him widout no cause. He says he’s no bum guy; and, lady, yer read dat letter, and I’ll bet yer he’s a white sport, all right.”

The young lady unfolded the letter; somewhat doubtfully, and read it.

-
-

Dear Dr. Arnold: I want to thank you for your most kind and opportune aid to my daughter last Friday evening, when she was overcome by an attack of her old heart-trouble in the conservatory at Mrs. Waldron’s reception. Had you not been near to catch her as she fell and to render proper attention, we might have lost her. I would be glad if you would call and undertake the treatment of her case.

-

Gratefully yours,

-

Robert Ashburton.

+
+

Dear Dr. Arnold: I want to thank you for your most kind and opportune aid to my daughter last Friday evening, when she was overcome by an attack of her old heart-trouble in the conservatory at Mrs. Waldron’s reception. Had you not been near to catch her as she fell and to render proper attention, we might have lost her. I would be glad if you would call and undertake the treatment of her case.

+
+

Gratefully yours,

+

Robert Ashburton.

+

The young lady refolded the letter, and handed it to the boy.

“De gent wants an answer,” said the messenger. “Wot’s de word?”

diff --git a/src/epub/text/chapter-4.xhtml b/src/epub/text/chapter-4.xhtml deleted file mode 100644 index daccdfd..0000000 --- a/src/epub/text/chapter-4.xhtml +++ /dev/null @@ -1,67 +0,0 @@ - - - - Chapter 4 - - - - -
-

BETWEEN ROUNDS

-

The May moon shone bright upon the private boarding-house of Mrs. Murphy. By reference to the almanac a large amount of territory will be discovered upon which its rays also fell. Spring was in its heydey, with hay fever soon to follow. The parks were green with new leaves and buyers for the Western and Southern trade. Flowers and summer-resort agents were blowing; the air and answers to Lawson were growing milder; hand-organs, fountains and pinochle were playing everywhere.

-

The windows of Mrs. Murphy’s boarding-house were open. A group of boarders were seated on the high stoop upon round, flat mats like German pancakes.

-

In one of the second-floor front windows Mrs. McCaskey awaited her husband. Supper was cooling on the table. Its heat went into Mrs. McCaskey.

-

At nine Mr. McCaskey came. He carried his coat on his arm and his pipe in his teeth; and he apologised for disturbing the boarders on the steps as he selected spots of stone between them on which to set his size 9, width Ds.

-

As he opened the door of his room he received a surprise. Instead of the usual stove-lid or potato-masher for him to dodge, came only words.

-

Mr. McCaskey reckoned that the benign May moon had softened the breast of his spouse.

-

“I heard ye,” came the oral substitutes for kitchenware. “Ye can apollygise to riff-raff of the streets for settin’ yer unhandy feet on the tails of their frocks, but ye’d walk on the neck of yer wife the length of a clothes-line without so much as a ‘Kiss me fut,’ and I’m sure it’s that long from rubberin’ out the windy for ye and the victuals cold such as there’s money to buy after drinkin’ up yer wages at Gallegher’s every Saturday evenin’, and the gas man here twice to-day for his.”

-

“Woman!” said Mr. McCaskey, dashing his coat and hat upon a chair, “the noise of ye is an insult to me appetite. When ye run down politeness ye take the mortar from between the bricks of the foundations of society. ’Tis no more than exercisin’ the acrimony of a gentleman when ye ask the dissent of ladies blockin’ the way for steppin’ between them. Will ye bring the pig’s face of ye out of the windy and see to the food?”

-

Mrs. McCaskey arose heavily and went to the stove. There was something in her manner that warned Mr. McCaskey. When the corners of her mouth went down suddenly like a barometer it usually foretold a fall of crockery and tinware.

-

“Pig’s face, is it?” said Mrs. McCaskey, and hurled a stewpan full of bacon and turnips at her lord.

-

Mr. McCaskey was no novice at repartee. He knew what should follow the entrée. On the table was a roast sirloin of pork, garnished with shamrocks. He retorted with this, and drew the appropriate return of a bread pudding in an earthen dish. A hunk of Swiss cheese accurately thrown by her husband struck Mrs. McCaskey below one eye. When she replied with a well-aimed coffee-pot full of a hot, black, semi-fragrant liquid the battle, according to courses, should have ended.

-

But Mr. McCaskey was no 50-cent table d’hôter. Let cheap Bohemians consider coffee the end, if they would. Let them make that faux pas. He was foxier still. Finger-bowls were not beyond the compass of his experience. They were not to be had in the Pension Murphy; but their equivalent was at hand. Triumphantly he sent the granite-ware wash basin at the head of his matrimonial adversary. Mrs. McCaskey dodged in time. She reached for a flatiron, with which, as a sort of cordial, she hoped to bring the gastronomical duel to a close. But a loud, wailing scream downstairs caused both her and Mr. McCaskey to pause in a sort of involuntary armistice.

-

On the sidewalk at the corner of the house Policeman Cleary was standing with one ear upturned, listening to the crash of household utensils.

-

“ ’Tis Jawn McCaskey and his missis at it again,” meditated the policeman. “I wonder shall I go up and stop the row. I will not. Married folks they are; and few pleasures they have. ’Twill not last long. Sure, they’ll have to borrow more dishes to keep it up with.”

-

And just then came the loud scream below-stairs, betokening fear or dire extremity. “ ’Tis probably the cat,” said Policeman Cleary, and walked hastily in the other direction.

-

The boarders on the steps were fluttered. Mr. Toomey, an insurance solicitor by birth and an investigator by profession, went inside to analyse the scream. He returned with the news that Mrs. Murphy’s little boy, Mike, was lost. Following the messenger, out bounced Mrs. Murphy⁠—two hundred pounds in tears and hysterics, clutching the air and howling to the sky for the loss of thirty pounds of freckles and mischief. Bathos, truly; but Mr. Toomey sat down at the side of Miss Purdy, millinery, and their hands came together in sympathy. The two old maids, Misses Walsh, who complained every day about the noise in the halls, inquired immediately if anybody had looked behind the clock.

-

Major Grigg, who sat by his fat wife on the top step, arose and buttoned his coat. “The little one lost?” he exclaimed. “I will scour the city.” His wife never allowed him out after dark. But now she said: “Go, Ludovic!” in a baritone voice. “Whoever can look upon that mother’s grief without springing to her relief has a heart of stone.” “Give me some thirty or⁠—sixty cents, my love,” said the Major. “Lost children sometimes stray far. I may need carfares.”

-

Old man Denny, hall room, fourth floor back, who sat on the lowest step, trying to read a paper by the street lamp, turned over a page to follow up the article about the carpenters’ strike. Mrs. Murphy shrieked to the moon: “Oh, ar-r-Mike, f’r Gawd’s sake, where is me little bit av a boy?”

-

“When’d ye see him last?” asked old man Denny, with one eye on the report of the Building Trades League.

-

“Oh,” wailed Mrs. Murphy, “ ’twas yisterday, or maybe four hours ago! I dunno. But it’s lost he is, me little boy Mike. He was playin’ on the sidewalk only this mornin’⁠—or was it Wednesday? I’m that busy with work, ’tis hard to keep up with dates. But I’ve looked the house over from top to cellar, and it’s gone he is. Oh, for the love av Hiven⁠—”

-

Silent, grim, colossal, the big city has ever stood against its revilers. They call it hard as iron; they say that no pulse of pity beats in its bosom; they compare its streets with lonely forests and deserts of lava. But beneath the hard crust of the lobster is found a delectable and luscious food. Perhaps a different simile would have been wiser. Still, nobody should take offence. We would call no one a lobster without good and sufficient claws.

-

No calamity so touches the common heart of humanity as does the straying of a little child. Their feet are so uncertain and feeble; the ways are so steep and strange.

-

Major Griggs hurried down to the corner, and up the avenue into Billy’s place. “Gimme a rye-high,” he said to the servitor. “Haven’t seen a bow-legged, dirty-faced little devil of a six-year-old lost kid around here anywhere, have you?”

-

Mr. Toomey retained Miss Purdy’s hand on the steps. “Think of that dear little babe,” said Miss Purdy, “lost from his mother’s side⁠—perhaps already fallen beneath the iron hoofs of galloping steeds⁠—oh, isn’t it dreadful?”

-

“Ain’t that right?” agreed Mr. Toomey, squeezing her hand. “Say I start out and help look for um!”

-

“Perhaps,” said Miss Purdy, “you should. But, oh, Mr. Toomey, you are so dashing⁠—so reckless⁠—suppose in your enthusiasm some accident should befall you, then what⁠—”

-

Old man Denny read on about the arbitration agreement, with one finger on the lines.

-

In the second floor front Mr. and Mrs. McCaskey came to the window to recover their second wind. Mr. McCaskey was scooping turnips out of his vest with a crooked forefinger, and his lady was wiping an eye that the salt of the roast pork had not benefited. They heard the outcry below, and thrust their heads out of the window.

-

“ ’Tis little Mike is lost,” said Mrs. McCaskey, in a hushed voice, “the beautiful, little, trouble-making angel of a gossoon!”

-

“The bit of a boy mislaid?” said Mr. McCaskey, leaning out of the window. “Why, now, that’s bad enough, entirely. The childer, they be different. If ’twas a woman I’d be willin’, for they leave peace behind ’em when they go.”

-

Disregarding the thrust, Mrs. McCaskey caught her husband’s arm.

-

“Jawn,” she said, sentimentally, “Missis Murphy’s little bye is lost. ’Tis a great city for losing little boys. Six years old he was. Jawn, ’tis the same age our little bye would have been if we had had one six years ago.”

-

“We never did,” said Mr. McCaskey, lingering with the fact.

-

“But if we had, Jawn, think what sorrow would be in our hearts this night, with our little Phelan run away and stolen in the city nowheres at all.”

-

“Ye talk foolishness,” said Mr. McCaskey. “ ’Tis Pat he would be named, after me old father in Cantrim.”

-

“Ye lie!” said Mrs. McCaskey, without anger. “Me brother was worth tin dozen bog-trotting McCaskeys. After him would the bye be named.” She leaned over the window-sill and looked down at the hurrying and bustle below.

-

“Jawn,” said Mrs. McCaskey, softly, “I’m sorry I was hasty wid ye.”

-

“ ’Twas hasty puddin’, as ye say,” said her husband, “and hurry-up turnips and get-a-move-on-ye coffee. ’Twas what ye could call a quick lunch, all right, and tell no lie.”

-

Mrs. McCaskey slipped her arm inside her husband’s and took his rough hand in hers.

-

“Listen at the cryin’ of poor Mrs. Murphy,” she said. “ ’Tis an awful thing for a bit of a bye to be lost in this great big city. If ’twas our little Phelan, Jawn, I’d be breakin’ me heart.”

-

Awkwardly Mr. McCaskey withdrew his hand. But he laid it around the nearing shoulder of his wife.

-

“ ’Tis foolishness, of course,” said he, roughly, “but I’d be cut up some meself if our little Pat was kidnapped or anything. But there never was any childer for us. Sometimes I’ve been ugly and hard with ye, Judy. Forget it.”

-

They leaned together, and looked down at the heart-drama being acted below.

-

Long they sat thus. People surged along the sidewalk, crowding, questioning, filling the air with rumours, and inconsequent surmises. Mrs. Murphy ploughed back and forth in their midst, like a soft mountain down which plunged an audible cataract of tears. Couriers came and went.

-

Loud voices and a renewed uproar were raised in front of the boarding-house.

-

“What’s up now, Judy?” asked Mr. McCaskey.

-

“ ’Tis Missis Murphy’s voice,” said Mrs. McCaskey, harking. “She says she’s after finding little Mike asleep behind the roll of old linoleum under the bed in her room.”

-

Mr. McCaskey laughed loudly.

-

“That’s yer Phelan,” he shouted, sardonically. “Divil a bit would a Pat have done that trick. If the bye we never had is strayed and stole, by the powers, call him Phelan, and see him hide out under the bed like a mangy pup.”

-

Mrs. McCaskey arose heavily, and went toward the dish closet, with the corners of her mouth drawn down.

-

Policeman Cleary came back around the corner as the crowd dispersed. Surprised, he upturned an ear toward the McCaskey apartment, where the crash of irons and chinaware and the ring of hurled kitchen utensils seemed as loud as before. Policeman Cleary took out his timepiece.

-

“By the deported snakes!” he exclaimed, “Jawn McCaskey and his lady have been fightin’ for an hour and a quarter by the watch. The missis could give him forty pounds weight. Strength to his arm.”

-

Policeman Cleary strolled back around the corner.

-

Old man Denny folded his paper and hurried up the steps just as Mrs. Murphy was about to lock the door for the night.

-
- - diff --git a/src/epub/text/chapter-16.xhtml b/src/epub/text/from-the-cabbys-seat.xhtml similarity index 96% rename from src/epub/text/chapter-16.xhtml rename to src/epub/text/from-the-cabbys-seat.xhtml index 7ec0e8e..973ac08 100644 --- a/src/epub/text/chapter-16.xhtml +++ b/src/epub/text/from-the-cabbys-seat.xhtml @@ -1,13 +1,13 @@ - Chapter 16 + From the Cabby’s Seat -
-

FROM THE CABBY’S SEAT

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+

From the Cabby’s Seat

The cabby has his point of view. It is more single-minded, perhaps, than that of a follower of any other calling. From the high, swaying seat of his hansom he looks upon his fellow-men as nomadic particles, of no account except when possessed of migratory desires. He is Jehu, and you are goods in transit. Be you President or vagabond, to cabby you are only a Fare, he takes you up, cracks his whip, joggles your vertebrae and sets you down.

When time for payment arrives, if you exhibit a familiarity with legal rates you come to know what contempt is; if you find that you have left your pocketbook behind you are made to realise the mildness of Dante’s imagination.

It is not an extravagant theory that the cabby’s singleness of purpose and concentrated view of life are the results of the hansom’s peculiar construction. The cock-of-the-roost sits aloft like Jupiter on an unsharable seat, holding your fate between two thongs of inconstant leather. Helpless, ridiculous, confined, bobbing like a toy mandarin, you sit like a rat in a trap⁠—you, before whom butlers cringe on solid land⁠—and must squeak upward through a slit in your peripatetic sarcophagus to make your feeble wishes known.

@@ -33,7 +33,7 @@

They reined up with a plunge at the Casino entrance. The cab doors flew open. The fare stepped directly upon the floor. At once she was caught in a web of ravishing music and dazzled by a panorama of lights and colours. Some one slipped a little square card into her hand on which was printed a number⁠—34. She looked around and saw her cab twenty yards away already lining up in its place among the waiting mass of carriages, cabs and motor cars. And then a man who seemed to be all shirt-front danced backward before her; and next she was seated at a little table by a railing over which climbed a jessamine vine.

There seemed to be a wordless invitation to purchase; she consulted a collection of small coins in a thin purse, and received from them license to order a glass of beer. There she sat, inhaling and absorbing it all⁠—the new-coloured, new-shaped life in a fairy palace in an enchanted wood.

At fifty tables sat princes and queens clad in all the silks and gems of the world. And now and then one of them would look curiously at Jerry’s fare. They saw a plain figure dressed in a pink silk of the kind that is tempered by the word “foulard,” and a plain face that wore a look of love of life that the queens envied.

-

Twice the long hands of the clocks went round, Royalties thinned from their al fresco thrones, and buzzed or clattered away in their vehicles of state. The music retired into cases of wood and bags of leather and baize. Waiters removed cloths pointedly near the plain figure sitting almost alone.

+

Twice the long hands of the clocks went round, Royalties thinned from their al fresco thrones, and buzzed or clattered away in their vehicles of state. The music retired into cases of wood and bags of leather and baize. Waiters removed cloths pointedly near the plain figure sitting almost alone.

Jerry’s fare rose, and held out her numbered card simply:

“Is there anything coming on the ticket?” she asked.

A waiter told her it was her cab check, and that she should give it to the man at the entrance. This man took it, and called the number. Only three hansoms stood in line. The driver of one of them went and routed out Jerry asleep in his cab. He swore deeply, climbed to the captain’s bridge and steered his craft to the pier. His fare entered, and the cab whirled into the cool fastnesses of the park along the shortest homeward cuts.

diff --git a/src/epub/text/chapter-22.xhtml b/src/epub/text/lost-on-dress-parade.xhtml similarity index 83% rename from src/epub/text/chapter-22.xhtml rename to src/epub/text/lost-on-dress-parade.xhtml index 8b7d356..df3eeda 100644 --- a/src/epub/text/chapter-22.xhtml +++ b/src/epub/text/lost-on-dress-parade.xhtml @@ -1,19 +1,19 @@ - Chapter 22 + Lost on Dress Parade -
-

LOST ON DRESS PARADE

-

Mr. Towers Chandler was pressing his evening suit in his hall bedroom. One iron was heating on a small gas stove; the other was being pushed vigorously back and forth to make the desirable crease that would be seen later on extending in straight lines from Mr. Chandler’s patent leather shoes to the edge of his low-cut vest. So much of the hero’s toilet may be intrusted to our confidence. The remainder may be guessed by those whom genteel poverty has driven to ignoble expedient. Our next view of him shall be as he descends the steps of his lodging-house immaculately and correctly clothed; calm, assured, handsome⁠—in appearance the typical New York young clubman setting out, slightly bored, to inaugurate the pleasures of the evening.

+
+

Lost on Dress Parade

+

Mr. Towers Chandler was pressing his evening suit in his hall bedroom. One iron was heating on a small gas stove; the other was being pushed vigorously back and forth to make the desirable crease that would be seen later on extending in straight lines from Mr. Chandler’s patent leather shoes to the edge of his low-cut vest. So much of the hero’s toilet may be intrusted to our confidence. The remainder may be guessed by those whom genteel poverty has driven to ignoble expedient. Our next view of him shall be as he descends the steps of his lodging-house immaculately and correctly clothed; calm, assured, handsome⁠—in appearance the typical New York young clubman setting out, slightly bored, to inaugurate the pleasures of the evening.

Chandler’s honorarium was $18 per week. He was employed in the office of an architect. He was twenty-two years old; he considered architecture to be truly an art; and he honestly believed⁠—though he would not have dared to admit it in New York⁠—that the Flatiron Building was inferior in design to the great cathedral in Milan.

Out of each week’s earnings Chandler set aside $1. At the end of each ten weeks with the extra capital thus accumulated, he purchased one gentleman’s evening from the bargain counter of stingy old Father Time. He arrayed himself in the regalia of millionaires and presidents; he took himself to the quarter where life is brightest and showiest, and there dined with taste and luxury. With ten dollars a man may, for a few hours, play the wealthy idler to perfection. The sum is ample for a well-considered meal, a bottle bearing a respectable label, commensurate tips, a smoke, cab fare and the ordinary etceteras.

-

This one delectable evening culled from each dull seventy was to Chandler a source of renascent bliss. To the society bud comes but one début; it stands alone sweet in her memory when her hair has whitened; but to Chandler each ten weeks brought a joy as keen, as thrilling, as new as the first had been. To sit among bon vivants under palms in the swirl of concealed music, to look upon the habitués of such a paradise and to be looked upon by them⁠—what is a girl’s first dance and short-sleeved tulle compared with this?

-

Up Broadway Chandler moved with the vespertine dress parade. For this evening he was an exhibit as well as a gazer. For the next sixty-nine evenings he would be dining in cheviot and worsted at dubious table d’hôtes, at whirlwind lunch counters, on sandwiches and beer in his hall-bedroom. He was willing to do that, for he was a true son of the great city of razzle-dazzle, and to him one evening in the limelight made up for many dark ones.

-

Chandler protracted his walk until the Forties began to intersect the great and glittering primrose way, for the evening was yet young, and when one is of the beau monde only one day in seventy, one loves to protract the pleasure. Eyes bright, sinister, curious, admiring, provocative, alluring were bent upon him, for his garb and air proclaimed him a devotee to the hour of solace and pleasure.

+

This one delectable evening culled from each dull seventy was to Chandler a source of renascent bliss. To the society bud comes but one début; it stands alone sweet in her memory when her hair has whitened; but to Chandler each ten weeks brought a joy as keen, as thrilling, as new as the first had been. To sit among bon vivants under palms in the swirl of concealed music, to look upon the habitués of such a paradise and to be looked upon by them⁠—what is a girl’s first dance and short-sleeved tulle compared with this?

+

Up Broadway Chandler moved with the vespertine dress parade. For this evening he was an exhibit as well as a gazer. For the next sixty-nine evenings he would be dining in cheviot and worsted at dubious table d’hôtes, at whirlwind lunch counters, on sandwiches and beer in his hall-bedroom. He was willing to do that, for he was a true son of the great city of razzle-dazzle, and to him one evening in the limelight made up for many dark ones.

+

Chandler protracted his walk until the Forties began to intersect the great and glittering primrose way, for the evening was yet young, and when one is of the beau monde only one day in seventy, one loves to protract the pleasure. Eyes bright, sinister, curious, admiring, provocative, alluring were bent upon him, for his garb and air proclaimed him a devotee to the hour of solace and pleasure.

At a certain corner he came to a standstill, proposing to himself the question of turning back toward the showy and fashionable restaurant in which he usually dined on the evenings of his especial luxury. Just then a girl scuddled lightly around the corner, slipped on a patch of icy snow and fell plump upon the sidewalk.

Chandler assisted her to her feet with instant and solicitous courtesy. The girl hobbled to the wall of the building, leaned against it, and thanked him demurely.

“I think my ankle is strained,” she said. “It twisted when I fell.”

@@ -27,10 +27,10 @@

“I think,” he said to her, with frank gravity, “that your foot needs a longer rest than you suppose. Now, I am going to suggest a way in which you can give it that and at the same time do me a favour. I was on my way to dine all by my lonely self when you came tumbling around the corner. You come with me and we’ll have a cozy dinner and a pleasant talk together, and by that time your game ankle will carry you home very nicely, I am sure.”

The girl looked quickly up into Chandler’s clear, pleasant countenance. Her eyes twinkled once very brightly, and then she smiled ingenuously.

“But we don’t know each other⁠—it wouldn’t be right, would it?” she said, doubtfully.

-

“There is nothing wrong about it,” said the young man, candidly. “I’ll introduce myself⁠—permit me⁠—Mr. Towers Chandler. After our dinner, which I will try to make as pleasant as possible, I will bid you good-evening, or attend you safely to your door, whichever you prefer.”

+

“There is nothing wrong about it,” said the young man, candidly. “I’ll introduce myself⁠—permit me⁠—Mr. Towers Chandler. After our dinner, which I will try to make as pleasant as possible, I will bid you good-evening, or attend you safely to your door, whichever you prefer.”

“But, dear me!” said the girl, with a glance at Chandler’s faultless attire. “In this old dress and hat!”

“Never mind that,” said Chandler, cheerfully. “I’m sure you look more charming in them than any one we shall see in the most elaborate dinner toilette.”

-

“My ankle does hurt yet,” admitted the girl, attempting a limping step. “I think I will accept your invitation, Mr. Chandler. You may call me⁠—Miss Marian.”

+

“My ankle does hurt yet,” admitted the girl, attempting a limping step. “I think I will accept your invitation, Mr. Chandler. You may call me⁠—Miss Marian.”

“Come then, Miss Marian,” said the young architect, gaily, but with perfect courtesy; “you will not have far to walk. There is a very respectable and good restaurant in the next block. You will have to lean on my arm⁠—so⁠—and walk slowly. It is lonely dining all by one’s self. I’m just a little bit glad that you slipped on the ice.”

When the two were established at a well-appointed table, with a promising waiter hovering in attendance, Chandler began to experience the real joy that his regular outing always brought to him.

The restaurant was not so showy or pretentious as the one further down Broadway, which he always preferred, but it was nearly so. The tables were well filled with prosperous-looking diners, there was a good orchestra, playing softly enough to make conversation a possible pleasure, and the cuisine and service were beyond criticism. His companion, even in her cheap hat and dress, held herself with an air that added distinction to the natural beauty of her face and figure. And it is certain that she looked at Chandler, with his animated but self-possessed manner and his kindling and frank blue eyes, with something not far from admiration in her own charming face.

@@ -39,7 +39,7 @@

“This way of living that you speak of,” she said, “sounds so futile and purposeless. Haven’t you any work to do in the world that might interest you more?”

“My dear Miss Marian,” he exclaimed⁠—“work! Think of dressing every day for dinner, of making half a dozen calls in an afternoon⁠—with a policeman at every corner ready to jump into your auto and take you to the station, if you get up any greater speed than a donkey cart’s gait. We do-nothings are the hardest workers in the land.”

The dinner was concluded, the waiter generously fed, and the two walked out to the corner where they had met. Miss Marian walked very well now; her limp was scarcely noticeable.

-

“Thank you for a nice time,” she said, frankly. “I must run home now. I liked the dinner very much, Mr. Chandler.”

+

“Thank you for a nice time,” she said, frankly. “I must run home now. I liked the dinner very much, Mr. Chandler.”

He shook hands with her, smiling cordially, and said something about a game of bridge at his club. He watched her for a moment, walking rather rapidly eastward, and then he found a cab to drive him slowly homeward.

In his chilly bedroom Chandler laid away his evening clothes for a sixty-nine days’ rest. He went about it thoughtfully.

“That was a stunning girl,” he said to himself. “She’s all right, too, I’d be sworn, even if she does have to work. Perhaps if I’d told her the truth instead of all that razzle-dazzle we might⁠—but, confound it! I had to play up to my clothes.”

@@ -48,7 +48,7 @@

“Oh, you madcap!” exclaimed the elder girl, when the other entered. “When will you quit frightening us this way? It is two hours since you ran out in that rag of an old dress and Marie’s hat. Mamma has been so alarmed. She sent Louis in the auto to try to find you. You are a bad, thoughtless Puss.”

The elder girl touched a button, and a maid came in a moment.

“Marie, tell mamma that Miss Marian has returned.”

-

“Don’t scold, sister. I only ran down to Mme. Theo’s to tell her to use mauve insertion instead of pink. My costume and Marie’s hat were just what I needed. Every one thought I was a shopgirl, I am sure.”

+

“Don’t scold, sister. I only ran down to Mme. Theo’s to tell her to use mauve insertion instead of pink. My costume and Marie’s hat were just what I needed. Every one thought I was a shopgirl, I am sure.”

“Dinner is over, dear; you stayed so late.”

“I know. I slipped on the sidewalk and turned my ankle. I could not walk, so I hobbled into a restaurant and sat there until I was better. That is why I was so long.”

The two girls sat in the window seat, looking out at the lights and the stream of hurrying vehicles in the avenue. The younger one cuddled down with her head in her sister’s lap.

diff --git a/src/epub/text/chapter-13.xhtml b/src/epub/text/mammon-and-the-archer.xhtml similarity index 95% rename from src/epub/text/chapter-13.xhtml rename to src/epub/text/mammon-and-the-archer.xhtml index 198d6dd..7110608 100644 --- a/src/epub/text/chapter-13.xhtml +++ b/src/epub/text/mammon-and-the-archer.xhtml @@ -1,13 +1,13 @@ - Chapter 13 + Mammon and the Archer -
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MAMMON AND THE ARCHER

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Mammon and the Archer

Old Anthony Rockwall, retired manufacturer and proprietor of Rockwall’s Eureka Soap, looked out the library window of his Fifth Avenue mansion and grinned. His neighbour to the right⁠—the aristocratic clubman, G. Van Schuylight Suffolk-Jones⁠—came out to his waiting motor-car, wrinkling a contumelious nostril, as usual, at the Italian renaissance sculpture of the soap palace’s front elevation.

“Stuck-up old statuette of nothing doing!” commented the ex-Soap King. “The Eden Musee’ll get that old frozen Nesselrode yet if he don’t watch out. I’ll have this house painted red, white, and blue next summer and see if that’ll make his Dutch nose turn up any higher.”

And then Anthony Rockwall, who never cared for bells, went to the door of his library and shouted “Mike!” in the same voice that had once chipped off pieces of the welkin on the Kansas prairies.

@@ -24,7 +24,7 @@

“For one thing,” answered Richard, rankling a little, “it won’t buy one into the exclusive circles of society.”

“Oho! won’t it?” thundered the champion of the root of evil. “You tell me where your exclusive circles would be if the first Astor hadn’t had the money to pay for his steerage passage over?”

Richard sighed.

-

“And that’s what I was coming to,” said the old man, less boisterously. “That’s why I asked you to come in. There’s something going wrong with you, boy. I’ve been noticing it for two weeks. Out with it. I guess I could lay my hands on eleven millions within twenty-four hours, besides the real estate. If it’s your liver, there’s the Rambler down in the bay, coaled, and ready to steam down to the Bahamas in two days.”

+

“And that’s what I was coming to,” said the old man, less boisterously. “That’s why I asked you to come in. There’s something going wrong with you, boy. I’ve been noticing it for two weeks. Out with it. I guess I could lay my hands on eleven millions within twenty-four hours, besides the real estate. If it’s your liver, there’s the Rambler down in the bay, coaled, and ready to steam down to the Bahamas in two days.”

“Not a bad guess, dad; you haven’t missed it far.”

“Ah,” said Anthony, keenly; “what’s her name?”

Richard began to walk up and down the library floor. There was enough comradeship and sympathy in this crude old father of his to draw his confidence.

@@ -65,7 +65,7 @@

The story should end here. I wish it would as heartily as you who read it wish it did. But we must go to the bottom of the well for truth.

The next day a person with red hands and a blue polka-dot necktie, who called himself Kelly, called at Anthony Rockwall’s house, and was at once received in the library.

“Well,” said Anthony, reaching for his chequebook, “it was a good bilin’ of soap. Let’s see⁠—you had $5,000 in cash.”

-

“I paid out $300 more of my own,” said Kelly. “I had to go a little above the estimate. I got the express wagons and cabs mostly for $5; but the trucks and two-horse teams mostly raised me to $10. The motormen wanted $10, and some of the loaded teams $20. The cops struck me hardest⁠—$50 I paid two, and the rest $20 and $25. But didn’t it work beautiful, Mr. Rockwall? I’m glad William A. Brady wasn’t onto that little outdoor vehicle mob scene. I wouldn’t want William to break his heart with jealousy. And never a rehearsal, either! The boys was on time to the fraction of a second. It was two hours before a snake could get below Greeley’s statue.”

+

“I paid out $300 more of my own,” said Kelly. “I had to go a little above the estimate. I got the express wagons and cabs mostly for $5; but the trucks and two-horse teams mostly raised me to $10. The motormen wanted $10, and some of the loaded teams $20. The cops struck me hardest⁠—$50 I paid two, and the rest $20 and $25. But didn’t it work beautiful, Mr. Rockwall? I’m glad William A. Brady wasn’t onto that little outdoor vehicle mob scene. I wouldn’t want William to break his heart with jealousy. And never a rehearsal, either! The boys was on time to the fraction of a second. It was two hours before a snake could get below Greeley’s statue.”

“Thirteen hundred⁠—there you are, Kelly,” said Anthony, tearing off a check. “Your thousand, and the $300 you were out. You don’t despise money, do you, Kelly?”

“Me?” said Kelly. “I can lick the man that invented poverty.”

Anthony called Kelly when he was at the door.

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MAN ABOUT TOWN

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Man About Town

There were two or three things that I wanted to know. I do not care about a mystery. So I began to inquire.

It took me two weeks to find out what women carry in dress suit cases. And then I began to ask why a mattress is made in two pieces. This serious query was at first received with suspicion because it sounded like a conundrum. I was at last assured that its double form of construction was designed to make lighter the burden of woman, who makes up beds. I was so foolish as to persist, begging to know why, then, they were not made in two equal pieces; whereupon I was shunned.

The third draught that I craved from the fount of knowledge was enlightenment concerning the character known as A Man About Town. He was more vague in my mind than a type should be. We must have a concrete idea of anything, even if it be an imaginary idea, before we can comprehend it. Now, I have a mental picture of John Doe that is as clear as a steel engraving. His eyes are weak blue; he wears a brown vest and a shiny black serge coat. He stands always in the sunshine chewing something; and he keeps half-shutting his pocket knife and opening it again with his thumb. And, if the Man Higher Up is ever found, take my assurance for it, he will be a large, pale man with blue wristlets showing under his cuffs, and he will be sitting to have his shoes polished within sound of a bowling alley, and there will be somewhere about him turquoises.

But the canvas of my imagination, when it came to limning the Man About Town, was blank. I fancied that he had a detachable sneer (like the smile of the Cheshire cat) and attached cuffs; and that was all. Whereupon I asked a newspaper reporter about him.

-

“Why,” said he, “a ‘Man About Town’ something between a ‘rounder’ and a ‘clubman.’ He isn’t exactly⁠—well, he fits in between Mrs. Fish’s receptions and private boxing bouts. He doesn’t⁠—well, he doesn’t belong either to the Lotos Club or to the Jerry McGeogheghan Galvanised Iron Workers’ Apprentices’ Left Hook Chowder Association. I don’t exactly know how to describe him to you. You’ll see him everywhere there’s anything doing. Yes, I suppose he’s a type. Dress clothes every evening; knows the ropes; calls every policeman and waiter in town by their first names. No; he never travels with the hydrogen derivatives. You generally see him alone or with another man.”

+

“Why,” said he, “a ‘Man About Town’ something between a ‘rounder’ and a ‘clubman.’ He isn’t exactly⁠—well, he fits in between Mrs. Fish’s receptions and private boxing bouts. He doesn’t⁠—well, he doesn’t belong either to the Lotos Club or to the Jerry McGeogheghan Galvanised Iron Workers’ Apprentices’ Left Hook Chowder Association. I don’t exactly know how to describe him to you. You’ll see him everywhere there’s anything doing. Yes, I suppose he’s a type. Dress clothes every evening; knows the ropes; calls every policeman and waiter in town by their first names. No; he never travels with the hydrogen derivatives. You generally see him alone or with another man.”

My friend the reporter left me, and I wandered further afield. By this time the 3126 electric lights on the Rialto were alight. People passed, but they held me not. Paphian eyes rayed upon me, and left me unscathed. Diners, heimgangers, shop-girls, confidence men, panhandlers, actors, highwaymen, millionaires and outlanders hurried, skipped, strolled, sneaked, swaggered and scurried by me; but I took no note of them. I knew them all; I had read their hearts; they had served. I wanted my Man About Town. He was a type, and to drop him would be an error⁠—a typograph⁠—but no! let us continue.

-

Let us continue with a moral digression. To see a family reading the Sunday paper gratifies. The sections have been separated. Papa is earnestly scanning the page that pictures the young lady exercising before an open window, and bending⁠—but there, there! Mamma is interested in trying to guess the missing letters in the word N_w Yo_k. The oldest girls are eagerly perusing the financial reports, for a certain young man remarked last Sunday night that he had taken a flyer in Q., X. & Z. Willie, the eighteen-year-old son, who attends the New York public school, is absorbed in the weekly article describing how to make over an old skirt, for he hopes to take a prize in sewing on graduation day.

+

Let us continue with a moral digression. To see a family reading the Sunday paper gratifies. The sections have been separated. Papa is earnestly scanning the page that pictures the young lady exercising before an open window, and bending⁠—but there, there! Mamma is interested in trying to guess the missing letters in the word N_w Yo_k. The oldest girls are eagerly perusing the financial reports, for a certain young man remarked last Sunday night that he had taken a flyer in Q., X. & Z. Willie, the eighteen-year-old son, who attends the New York public school, is absorbed in the weekly article describing how to make over an old skirt, for he hopes to take a prize in sewing on graduation day.

Grandma is holding to the comic supplement with a two-hours’ grip; and little Tottie, the baby, is rocking along the best she can with the real estate transfers. This view is intended to be reassuring, for it is desirable that a few lines of this story be skipped. For it introduces strong drink.

-

I went into a café to⁠—and while it was being mixed I asked the man who grabs up your hot Scotch spoon as soon as you lay it down what he understood by the term, epithet, description, designation, characterisation or appellation, viz.: a “Man About Town.”

+

I went into a café to⁠—and while it was being mixed I asked the man who grabs up your hot Scotch spoon as soon as you lay it down what he understood by the term, epithet, description, designation, characterisation or appellation, viz.: a “Man About Town.”

“Why,” said he, carefully, “it means a fly guy that’s wise to the all-night push⁠—see? It’s a hot sport that you can’t bump to the rail anywhere between the Flatirons⁠—see? I guess that’s about what it means.”

I thanked him and departed.

On the sidewalk a Salvation lassie shook her contribution receptacle gently against my waistcoat pocket.

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She shook the box again and I dropped a dime into it.

In front of a glittering hotel a friend of mine, a critic, was climbing from a cab. He seemed at leisure; and I put my question to him. He answered me conscientiously, as I was sure he would.

“There is a type of ‘Man About Town’ in New York,” he answered. “The term is quite familiar to me, but I don’t think I was ever called upon to define the character before. It would be difficult to point you out an exact specimen. I would say, offhand, that it is a man who had a hopeless case of the peculiar New York disease of wanting to see and know. At 6 o’clock each day life begins with him. He follows rigidly the conventions of dress and manners; but in the business of poking his nose into places where he does not belong he could give pointers to a civet cat or a jackdaw. He is the man who has chased Bohemia about the town from rathskeller to roof garden and from Hester street to Harlem until you can’t find a place in the city where they don’t cut their spaghetti with a knife. Your ‘Man About Town’ has done that. He is always on the scent of something new. He is curiosity, impudence and omnipresence. Hansoms were made for him, and gold-banded cigars; and the curse of music at dinner. There are not so many of him; but his minority report is adopted everywhere.

-

“I’m glad you brought up the subject; I’ve felt the influence of this nocturnal blight upon our city, but I never thought to analyse it before. I can see now that your ‘Man About Town’ should have been classified long ago. In his wake spring up wine agents and cloak models; and the orchestra plays ‘Let’s All Go Up to Maud’s‘ for him, by request, instead of Händel. He makes his rounds every evening; while you and I see the elephant once a week. When the cigar store is raided, he winks at the officer, familiar with his ground, and walks away immune, while you and I search among the Presidents for names, and among the stars for addresses to give the desk sergeant.”

+

“I’m glad you brought up the subject; I’ve felt the influence of this nocturnal blight upon our city, but I never thought to analyse it before. I can see now that your ‘Man About Town’ should have been classified long ago. In his wake spring up wine agents and cloak models; and the orchestra plays ‘Let’s All Go Up to Maud’s’ for him, by request, instead of Händel. He makes his rounds every evening; while you and I see the elephant once a week. When the cigar store is raided, he winks at the officer, familiar with his ground, and walks away immune, while you and I search among the Presidents for names, and among the stars for addresses to give the desk sergeant.”

My friend, the critic, paused to acquire breath for fresh eloquence. I seized my advantage.

“You have classified him,” I cried with joy. “You have painted his portrait in the gallery of city types. But I must meet one face to face. I must study the Man About Town at first hand. Where shall I find him? How shall I know him?”

Without seeming to hear me, the critic went on. And his cab-driver was waiting for his fare, too.

diff --git a/src/epub/text/chapter-11.xhtml b/src/epub/text/memoirs-of-a-yellow-dog.xhtml similarity index 87% rename from src/epub/text/chapter-11.xhtml rename to src/epub/text/memoirs-of-a-yellow-dog.xhtml index 9297c4f..e5f9de8 100644 --- a/src/epub/text/chapter-11.xhtml +++ b/src/epub/text/memoirs-of-a-yellow-dog.xhtml @@ -1,23 +1,23 @@ - Chapter 11 + Memoirs of a Yellow Dog -
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MEMOIRS OF A YELLOW DOG

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I don’t suppose it will knock any of you people off your perch to read a contribution from an animal. Mr. Kipling and a good many others have demonstrated the fact that animals can express themselves in remunerative English, and no magazine goes to press nowadays without an animal story in it, except the old-style monthlies that are still running pictures of Bryan and the Mont Pélee horror.

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Memoirs of a Yellow Dog

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I don’t suppose it will knock any of you people off your perch to read a contribution from an animal. Mr. Kipling and a good many others have demonstrated the fact that animals can express themselves in remunerative English, and no magazine goes to press nowadays without an animal story in it, except the old-style monthlies that are still running pictures of Bryan and the Mont Pélee horror.

But you needn’t look for any stuck-up literature in my piece, such as Bearoo, the bear, and Snakoo, the snake, and Tammanoo, the tiger, talk in the jungle books. A yellow dog that’s spent most of his life in a cheap New York flat, sleeping in a corner on an old sateen underskirt (the one she spilled port wine on at the Lady Longshoremen’s banquet), mustn’t be expected to perform any tricks with the art of speech.

-

I was born a yellow pup; date, locality, pedigree and weight unknown. The first thing I can recollect, an old woman had me in a basket at Broadway and Twenty-third trying to sell me to a fat lady. Old Mother Hubbard was boosting me to beat the band as a genuine Pomeranian-Hambletonian-Red-Irish-Cochin-China-Stoke-Pogis fox terrier. The fat lady chased a V around among the samples of gros grain flannelette in her shopping bag till she cornered it, and gave up. From that moment I was a pet⁠—a mamma’s own wootsey squidlums. Say, gentle reader, did you ever have a 200-pound woman breathing a flavour of Camembert cheese and Peau d’Espagne pick you up and wallop her nose all over you, remarking all the time in an Emma Eames tone of voice: “Oh, oo’s um oodlum, doodlum, woodlum, toodlum, bitsy-witsy skoodlums?”

+

I was born a yellow pup; date, locality, pedigree and weight unknown. The first thing I can recollect, an old woman had me in a basket at Broadway and Twenty-third trying to sell me to a fat lady. Old Mother Hubbard was boosting me to beat the band as a genuine Pomeranian-Hambletonian-Red-Irish-Cochin-China-Stoke-Pogis fox terrier. The fat lady chased a V around among the samples of gros grain flannelette in her shopping bag till she cornered it, and gave up. From that moment I was a pet⁠—a mamma’s own wootsey squidlums. Say, gentle reader, did you ever have a 200-pound woman breathing a flavour of Camembert cheese and Peau d’Espagne pick you up and wallop her nose all over you, remarking all the time in an Emma Eames tone of voice: “Oh, oo’s um oodlum, doodlum, woodlum, toodlum, bitsy-witsy skoodlums?”

From a pedigreed yellow pup I grew up to be an anonymous yellow cur looking like a cross between an Angora cat and a box of lemons. But my mistress never tumbled. She thought that the two primeval pups that Noah chased into the ark were but a collateral branch of my ancestors. It took two policemen to keep her from entering me at the Madison Square Garden for the Siberian bloodhound prize.

I’ll tell you about that flat. The house was the ordinary thing in New York, paved with Parian marble in the entrance hall and cobblestones above the first floor. Our flat was three⁠—well, not flights⁠—climbs up. My mistress rented it unfurnished, and put in the regular things⁠—1903 antique unholstered parlour set, oil chromo of geishas in a Harlem tea house, rubber plant and husband.

By Sirius! there was a biped I felt sorry for. He was a little man with sandy hair and whiskers a good deal like mine. Henpecked?⁠—well, toucans and flamingoes and pelicans all had their bills in him. He wiped the dishes and listened to my mistress tell about the cheap, ragged things the lady with the squirrel-skin coat on the second floor hung out on her line to dry. And every evening while she was getting supper she made him take me out on the end of a string for a walk.

If men knew how women pass the time when they are alone they’d never marry. Laura Lean Jibbey, peanut brittle, a little almond cream on the neck muscles, dishes unwashed, half an hour’s talk with the iceman, reading a package of old letters, a couple of pickles and two bottles of malt extract, one hour peeking through a hole in the window shade into the flat across the air-shaft⁠—that’s about all there is to it. Twenty minutes before time for him to come home from work she straightens up the house, fixes her rat so it won’t show, and gets out a lot of sewing for a ten-minute bluff.

I led a dog’s life in that flat. ‘Most all day I lay there in my corner watching that fat woman kill time. I slept sometimes and had pipe dreams about being out chasing cats into basements and growling at old ladies with black mittens, as a dog was intended to do. Then she would pounce upon me with a lot of that drivelling poodle palaver and kiss me on the nose⁠—but what could I do? A dog can’t chew cloves.

I began to feel sorry for Hubby, dog my cats if I didn’t. We looked so much alike that people noticed it when we went out; so we shook the streets that Morgan’s cab drives down, and took to climbing the piles of last December’s snow on the streets where cheap people live.

-

One evening when we were thus promenading, and I was trying to look like a prize St. Bernard, and the old man was trying to look like he wouldn’t have murdered the first organ-grinder he heard play Mendelssohn’s wedding-march, I looked up at him and said, in my way:

+

One evening when we were thus promenading, and I was trying to look like a prize St. Bernard, and the old man was trying to look like he wouldn’t have murdered the first organ-grinder he heard play Mendelssohn’s wedding-march, I looked up at him and said, in my way:

“What are you looking so sour about, you oakum trimmed lobster? She don’t kiss you. You don’t have to sit on her lap and listen to talk that would make the book of a musical comedy sound like the maxims of Epictetus. You ought to be thankful you’re not a dog. Brace up, Benedick, and bid the blues begone.”

The matrimonial mishap looked down at me with almost canine intelligence in his face.

“Why, doggie,” says he, “good doggie. You almost look like you could speak. What is it, doggie⁠—Cats?”

diff --git a/src/epub/text/chapter-19.xhtml b/src/epub/text/sisters-of-the-golden-circle.xhtml similarity index 79% rename from src/epub/text/chapter-19.xhtml rename to src/epub/text/sisters-of-the-golden-circle.xhtml index ee6c300..d2a305a 100644 --- a/src/epub/text/chapter-19.xhtml +++ b/src/epub/text/sisters-of-the-golden-circle.xhtml @@ -1,13 +1,13 @@ - Chapter 19 + Sisters of the Golden Circle -
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SISTERS OF THE GOLDEN CIRCLE

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Sisters of the Golden Circle

The Rubberneck Auto was about ready to start. The merry top-riders had been assigned to their seats by the gentlemanly conductor. The sidewalk was blockaded with sightseers who had gathered to stare at sightseers, justifying the natural law that every creature on earth is preyed upon by some other creature.

The megaphone man raised his instrument of torture; the inside of the great automobile began to thump and throb like the heart of a coffee drinker. The top-riders nervously clung to the seats; the old lady from Valparaiso, Indiana, shrieked to be put ashore. But, before a wheel turns, listen to a brief preamble through the cardiaphone, which shall point out to you an object of interest on life’s sightseeing tour.

Swift and comprehensive is the recognition of white man for white man in African wilds; instant and sure is the spiritual greeting between mother and babe; unhesitatingly do master and dog commune across the slight gulf between animal and man; immeasurably quick and sapient are the brief messages between one and one’s beloved. But all these instances set forth only slow and groping interchange of sympathy and thought beside one other instance which the Rubberneck coach shall disclose. You shall learn (if you have not learned already) what two beings of all earth’s living inhabitants most quickly look into each other’s hearts and souls when they meet face to face.

@@ -15,19 +15,19 @@

On the highest, rear seat was James Williams, of Cloverdale, Missouri, and his Bride.

Capitalise it, friend typo⁠—that last word⁠—word of words in the epiphany of life and love. The scent of the flowers, the booty of the bee, the primal drip of spring waters, the overture of the lark, the twist of lemon peel on the cocktail of creation⁠—such is the bride. Holy is the wife; revered the mother; galliptious is the summer girl⁠—but the bride is the certified check among the wedding presents that the gods send in when man is married to mortality.

The car glided up the Golden Way. On the bridge of the great cruiser the captain stood, trumpeting the sights of the big city to his passengers. Wide-mouthed and open-eared, they heard the sights of the metropolis thundered forth to their eyes. Confused, delirious with excitement and provincial longings, they tried to make ocular responses to the megaphonic ritual. In the solemn spires of spreading cathedrals they saw the home of the Vanderbilts; in the busy bulk of the Grand Central depot they viewed, wonderingly, the frugal cot of Russell Sage. Bidden to observe the highlands of the Hudson, they gaped, unsuspecting, at the upturned mountains of a new-laid sewer. To many the elevated railroad was the Rialto, on the stations of which uniformed men sat and made chop suey of your tickets. And to this day in the outlying districts many have it that Chuck Connors, with his hand on his heart, leads reform; and that but for the noble municipal efforts of one Parkhurst, a district attorney, the notorious “Bishop” Potter gang would have destroyed law and order from the Bowery to the Harlem River.

-

But I beg you to observe Mrs. James Williams⁠—Hattie Chalmers that was⁠—once the belle of Cloverdale. Pale-blue is the bride’s, if she will; and this colour she had honoured. Willingly had the moss rosebud loaned to her cheeks of its pink⁠—and as for the violet!⁠—her eyes will do very well as they are, thank you. A useless strip of white chaf⁠—oh, no, he was guiding the auto car⁠—of white chiffon⁠—or perhaps it was grenadine or tulle⁠—was tied beneath her chin, pretending to hold her bonnet in place. But you know as well as I do that the hatpins did the work.

-

And on Mrs. James Williams’s face was recorded a little library of the world’s best thoughts in three volumes. Volume No. 1 contained the belief that James Williams was about the right sort of thing. Volume No. 2 was an essay on the world, declaring it to be a very excellent place. Volume No. 3 disclosed the belief that in occupying the highest seat in a Rubberneck auto they were travelling the pace that passes all understanding.

+

But I beg you to observe Mrs. James Williams⁠—Hattie Chalmers that was⁠—once the belle of Cloverdale. Pale-blue is the bride’s, if she will; and this colour she had honoured. Willingly had the moss rosebud loaned to her cheeks of its pink⁠—and as for the violet!⁠—her eyes will do very well as they are, thank you. A useless strip of white chaf⁠—oh, no, he was guiding the auto car⁠—of white chiffon⁠—or perhaps it was grenadine or tulle⁠—was tied beneath her chin, pretending to hold her bonnet in place. But you know as well as I do that the hatpins did the work.

+

And on Mrs. James Williams’s face was recorded a little library of the world’s best thoughts in three volumes. Volume No. 1 contained the belief that James Williams was about the right sort of thing. Volume No. 2 was an essay on the world, declaring it to be a very excellent place. Volume No. 3 disclosed the belief that in occupying the highest seat in a Rubberneck auto they were travelling the pace that passes all understanding.

James Williams, you would have guessed, was about twenty-four. It will gratify you to know that your estimate was so accurate. He was exactly twenty-three years, eleven months and twenty-nine days old. He was well built, active, strong-jawed, good-natured and rising. He was on his wedding trip.

Dear kind fairy, please cut out those orders for money and 40 H. P. touring cars and fame and a new growth of hair and the presidency of the boat club. Instead of any of them turn backward⁠—oh, turn backward and give us just a teeny-weeny bit of our wedding trip over again. Just an hour, dear fairy, so we can remember how the grass and poplar trees looked, and the bow of those bonnet strings tied beneath her chin⁠—even if it was the hatpins that did the work. Can’t do it? Very well; hurry up with that touring car and the oil stock, then.

-

Just in front of Mrs. James Williams sat a girl in a loose tan jacket and a straw hat adorned with grapes and roses. Only in dreams and milliners’ shops do we, alas! gather grapes and roses at one swipe. This girl gazed with large blue eyes, credulous, when the megaphone man roared his doctrine that millionaires were things about which we should be concerned. Between blasts she resorted to Epictetian philosophy in the form of pepsin chewing gum.

+

Just in front of Mrs. James Williams sat a girl in a loose tan jacket and a straw hat adorned with grapes and roses. Only in dreams and milliners’ shops do we, alas! gather grapes and roses at one swipe. This girl gazed with large blue eyes, credulous, when the megaphone man roared his doctrine that millionaires were things about which we should be concerned. Between blasts she resorted to Epictetian philosophy in the form of pepsin chewing gum.

At this girl’s right hand sat a young man about twenty-four. He was well-built, active, strong-jawed and good-natured. But if his description seems to follow that of James Williams, divest it of anything Cloverdalian. This man belonged to hard streets and sharp corners. He looked keenly about him, seeming to begrudge the asphalt under the feet of those upon whom he looked down from his perch.

While the megaphone barks at a famous hostelry, let me whisper you through the low-tuned cardiaphone to sit tight; for now things are about to happen, and the great city will close over them again as over a scrap of ticker tape floating down from the den of a Broad street bear.

The girl in the tan jacket twisted around to view the pilgrims on the last seat. The other passengers she had absorbed; the seat behind her was her Bluebeard’s chamber.

-

Her eyes met those of Mrs. James Williams. Between two ticks of a watch they exchanged their life’s experiences, histories, hopes and fancies. And all, mind you, with the eye, before two men could have decided whether to draw steel or borrow a match.

+

Her eyes met those of Mrs. James Williams. Between two ticks of a watch they exchanged their life’s experiences, histories, hopes and fancies. And all, mind you, with the eye, before two men could have decided whether to draw steel or borrow a match.

The bride leaned forward low. She and the girl spoke rapidly together, their tongues moving quickly like those of two serpents⁠—a comparison that is not meant to go further. Two smiles and a dozen nods closed the conference.

And now in the broad, quiet avenue in front of the Rubberneck car a man in dark clothes stood with uplifted hand. From the sidewalk another hurried to join him.

The girl in the fruitful hat quickly seized her companion by the arm and whispered in his ear. That young man exhibited proof of ability to act promptly. Crouching low, he slid over the edge of the car, hung lightly for an instant, and then disappeared. Half a dozen of the top-riders observed his feat, wonderingly, but made no comment, deeming it prudent not to express surprise at what might be the conventional manner of alighting in this bewildering city. The truant passenger dodged a hansom and then floated past, like a leaf on a stream between a furniture van and a florist’s delivery wagon.

-

The girl in the tan jacket turned again, and looked in the eyes of Mrs. James Williams. Then she faced about and sat still while the Rubberneck auto stopped at the flash of the badge under the coat of the plainclothes man.

+

The girl in the tan jacket turned again, and looked in the eyes of Mrs. James Williams. Then she faced about and sat still while the Rubberneck auto stopped at the flash of the badge under the coat of the plainclothes man.

“What’s eatin’ you?” demanded the megaphonist, abandoning his professional discourse for pure English.

“Keep her at anchor for a minute,” ordered the officer. “There’s a man on board we want⁠—a Philadelphia burglar called ‘Pinky’ McGuire. There he is on the back seat. Look out for the side, Donovan.”

Donovan went to the hind wheel and looked up at James Williams.

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Whereupon he resisted arrest so cheerfully and industriously that cops had to be whistled for, and afterwards the reserves, to disperse a few thousand delighted spectators.

At the station-house the desk sergeant asked for his name.

“McDoodle, the Pink, or Pinky the Brute, I forget which,” was James Williams’s answer. “But you can bet I’m a burglar; don’t leave that out. And you might add that it took five of ’em to pluck the Pink. I’d especially like to have that in the records.”

-

In an hour came Mrs. James Williams, with Uncle Thomas, of Madison Avenue, in a respect-compelling motor car and proofs of the hero’s innocence⁠—for all the world like the third act of a drama backed by an automobile mfg. co.

-

After the police had sternly reprimanded James Williams for imitating a copyrighted burglar and given him as honourable a discharge as the department was capable of, Mrs. Williams rearrested him and swept him into an angle of the station-house. James Williams regarded her with one eye. He always said that Donovan closed the other while somebody was holding his good right hand. Never before had he given her a word of reproach or of reproof.

+

In an hour came Mrs. James Williams, with Uncle Thomas, of Madison Avenue, in a respect-compelling motor car and proofs of the hero’s innocence⁠—for all the world like the third act of a drama backed by an automobile mfg. co.

+

After the police had sternly reprimanded James Williams for imitating a copyrighted burglar and given him as honourable a discharge as the department was capable of, Mrs. Williams rearrested him and swept him into an angle of the station-house. James Williams regarded her with one eye. He always said that Donovan closed the other while somebody was holding his good right hand. Never before had he given her a word of reproach or of reproof.

“If you can explain,” he began rather stiffly, “why you⁠—”

“Dear,” she interrupted, “listen. It was an hour’s pain and trial to you. I did it for her⁠—I mean the girl who spoke to me on the coach. I was so happy, Jim⁠—so happy with you that I didn’t dare to refuse that happiness to another. Jim, they were married only this morning⁠—those two; and I wanted him to get away. While they were struggling with you I saw him slip from behind his tree and hurry across the park. That’s all of it, dear⁠—I had to do it.”

Thus does one sister of the plain gold band know another who stands in the enchanted light that shines but once and briefly for each one. By rice and satin bows does mere man become aware of weddings. But bride knoweth bride at the glance of an eye. And between them swiftly passes comfort and meaning in a language that man and widows wot not of.

diff --git a/src/epub/text/chapter-14.xhtml b/src/epub/text/springtime-a-la-carte.xhtml similarity index 90% rename from src/epub/text/chapter-14.xhtml rename to src/epub/text/springtime-a-la-carte.xhtml index a157076..0d6d4ba 100644 --- a/src/epub/text/chapter-14.xhtml +++ b/src/epub/text/springtime-a-la-carte.xhtml @@ -1,13 +1,13 @@ - Chapter 14 + Springtime à La Carte -
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SPRINGTIME À LA CARTE

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Springtime à La Carte

It was a day in March.

Never, never begin a story this way when you write one. No opening could possibly be worse. It is unimaginative, flat, dry and likely to consist of mere wind. But in this instance it is allowable. For the following paragraph, which should have inaugurated the narrative, is too wildly extravagant and preposterous to be flaunted in the face of the reader without preparation.

Sarah was crying over her bill of fare.

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To account for this you will be allowed to guess that the lobsters were all out, or that she had sworn ice-cream off during Lent, or that she had ordered onions, or that she had just come from a Hackett matinee. And then, all these theories being wrong, you will please let the story proceed.

The gentleman who announced that the world was an oyster which he with his sword would open made a larger hit than he deserved. It is not difficult to open an oyster with a sword. But did you ever notice any one try to open the terrestrial bivalve with a typewriter? Like to wait for a dozen raw opened that way?

Sarah had managed to pry apart the shells with her unhandy weapon far enough to nibble a wee bit at the cold and clammy world within. She knew no more shorthand than if she had been a graduate in stenography just let slip upon the world by a business college. So, not being able to stenog, she could not enter that bright galaxy of office talent. She was a free-lance typewriter and canvassed for odd jobs of copying.

-

The most brilliant and crowning feat of Sarah’s battle with the world was the deal she made with Schulenberg’s Home Restaurant. The restaurant was next door to the old red brick in which she hall-roomed. One evening after dining at Schulenberg’s 40-cent, five-course table d’hôte (served as fast as you throw the five baseballs at the coloured gentleman’s head) Sarah took away with her the bill of fare. It was written in an almost unreadable script neither English nor German, and so arranged that if you were not careful you began with a toothpick and rice pudding and ended with soup and the day of the week.

+

The most brilliant and crowning feat of Sarah’s battle with the world was the deal she made with Schulenberg’s Home Restaurant. The restaurant was next door to the old red brick in which she hall-roomed. One evening after dining at Schulenberg’s 40-cent, five-course table d’hôte (served as fast as you throw the five baseballs at the coloured gentleman’s head) Sarah took away with her the bill of fare. It was written in an almost unreadable script neither English nor German, and so arranged that if you were not careful you began with a toothpick and rice pudding and ended with soup and the day of the week.

The next day Sarah showed Schulenberg a neat card on which the menu was beautifully typewritten with the viands temptingly marshalled under their right and proper heads from “hors d’oeuvre” to “not responsible for overcoats and umbrellas.”

Schulenberg became a naturalised citizen on the spot. Before Sarah left him she had him willingly committed to an agreement. She was to furnish typewritten bills of fare for the twenty-one tables in the restaurant⁠—a new bill for each day’s dinner, and new ones for breakfast and lunch as often as changes occurred in the food or as neatness required.

In return for this Schulenberg was to send three meals per diem to Sarah’s hall room by a waiter⁠—an obsequious one if possible⁠—and furnish her each afternoon with a pencil draft of what Fate had in store for Schulenberg’s customers on the morrow.

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They were to marry in the spring⁠—at the very first signs of spring, Walter said. And Sarah came back to the city to pound her typewriter.

A knock at the door dispelled Sarah’s visions of that happy day. A waiter had brought the rough pencil draft of the Home Restaurant’s next day fare in old Schulenberg’s angular hand.

Sarah sat down to her typewriter and slipped a card between the rollers. She was a nimble worker. Generally in an hour and a half the twenty-one menu cards were written and ready.

-

To-day there were more changes on the bill of fare than usual. The soups were lighter; pork was eliminated from the entrées, figuring only with Russian turnips among the roasts. The gracious spirit of spring pervaded the entire menu. Lamb, that lately capered on the greening hillsides, was becoming exploited with the sauce that commemorated its gambols. The song of the oyster, though not silenced, was dimuendo con amore. The frying-pan seemed to be held, inactive, behind the beneficent bars of the broiler. The pie list swelled; the richer puddings had vanished; the sausage, with his drapery wrapped about him, barely lingered in a pleasant thanatopsis with the buckwheats and the sweet but doomed maple.

+

To-day there were more changes on the bill of fare than usual. The soups were lighter; pork was eliminated from the entrées, figuring only with Russian turnips among the roasts. The gracious spirit of spring pervaded the entire menu. Lamb, that lately capered on the greening hillsides, was becoming exploited with the sauce that commemorated its gambols. The song of the oyster, though not silenced, was dimuendo con amore. The frying-pan seemed to be held, inactive, behind the beneficent bars of the broiler. The pie list swelled; the richer puddings had vanished; the sausage, with his drapery wrapped about him, barely lingered in a pleasant thanatopsis with the buckwheats and the sweet but doomed maple.

Sarah’s fingers danced like midgets above a summer stream. Down through the courses she worked, giving each item its position according to its length with an accurate eye. Just above the desserts came the list of vegetables. Carrots and peas, asparagus on toast, the perennial tomatoes and corn and succotash, lima beans, cabbage⁠—and then⁠—

Sarah was crying over her bill of fare. Tears from the depths of some divine despair rose in her heart and gathered to her eyes. Down went her head on the little typewriter stand; and the keyboard rattled a dry accompaniment to her moist sobs.

For she had received no letter from Walter in two weeks, and the next item on the bill of fare was dandelions⁠—dandelions with some kind of egg⁠—but bother the egg!⁠—dandelions, with whose golden blooms Walter had crowned her his queen of love and future bride⁠—dandelions, the harbingers of spring, her sorrow’s crown of sorrow⁠—reminder of her happiest days.

-

Madam, I dare you to smile until you suffer this test: Let the Marechal Niel roses that Percy brought you on the night you gave him your heart be served as a salad with French dressing before your eyes at a Schulenberg table d’hôte. Had Juliet so seen her love tokens dishonoured the sooner would she have sought the lethean herbs of the good apothecary.

-

But what a witch is Spring! Into the great cold city of stone and iron a message had to be sent. There was none to convey it but the little hardy courier of the fields with his rough green coat and modest air. He is a true soldier of fortune, this dent-de-lion⁠—this lion’s tooth, as the French chefs call him. Flowered, he will assist at love-making, wreathed in my lady’s nut-brown hair; young and callow and unblossomed, he goes into the boiling pot and delivers the word of his sovereign mistress.

+

Madam, I dare you to smile until you suffer this test: Let the Marechal Niel roses that Percy brought you on the night you gave him your heart be served as a salad with French dressing before your eyes at a Schulenberg table d’hôte. Had Juliet so seen her love tokens dishonoured the sooner would she have sought the lethean herbs of the good apothecary.

+

But what a witch is Spring! Into the great cold city of stone and iron a message had to be sent. There was none to convey it but the little hardy courier of the fields with his rough green coat and modest air. He is a true soldier of fortune, this dent-de-lion⁠—this lion’s tooth, as the French chefs call him. Flowered, he will assist at love-making, wreathed in my lady’s nut-brown hair; young and callow and unblossomed, he goes into the boiling pot and delivers the word of his sovereign mistress.

By and by Sarah forced back her tears. The cards must be written. But, still in a faint, golden glow from her dandeleonine dream, she fingered the typewriter keys absently for a little while, with her mind and heart in the meadow lane with her young farmer. But soon she came swiftly back to the rock-bound lanes of Manhattan, and the typewriter began to rattle and jump like a strike-breaker’s motor car.

At 6 o’clock the waiter brought her dinner and carried away the typewritten bill of fare. When Sarah ate she set aside, with a sigh, the dish of dandelions with its crowning ovarious accompaniment. As this dark mass had been transformed from a bright and love-indorsed flower to be an ignominious vegetable, so had her summer hopes wilted and perished. Love may, as Shakespeare said, feed on itself: but Sarah could not bring herself to eat the dandelions that had graced, as ornaments, the first spiritual banquet of her heart’s true affection.

At 7:30 the couple in the next room began to quarrel: the man in the room above sought for A on his flute; the gas went a little lower; three coal wagons started to unload⁠—the only sound of which the phonograph is jealous; cats on the back fences slowly retreated toward Mukden. By these signs Sarah knew that it was time for her to read. She got out “The Cloister and the Hearth,” the best non-selling book of the month, settled her feet on her trunk, and began to wander with Gerard.

diff --git a/src/epub/text/chapter-25.xhtml b/src/epub/text/the-brief-debut-of-tildy.xhtml similarity index 79% rename from src/epub/text/chapter-25.xhtml rename to src/epub/text/the-brief-debut-of-tildy.xhtml index f025238..07f8938 100644 --- a/src/epub/text/chapter-25.xhtml +++ b/src/epub/text/the-brief-debut-of-tildy.xhtml @@ -1,15 +1,15 @@ - Chapter 25 + The Brief Début of Tildy -
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THE BRIEF DÉBUT OF TILDY

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The Brief Début of Tildy

If you do not know Bogle’s Chop House and Family Restaurant it is your loss. For if you are one of the fortunate ones who dine expensively you should be interested to know how the other half consumes provisions. And if you belong to the half to whom waiters’ checks are things of moment, you should know Bogle’s, for there you get your money’s worth⁠—in quantity, at least.

-

Bogle’s is situated in that highway of bourgeoisie, that boulevard of Brown-Jones-and-Robinson, Eighth Avenue. There are two rows of tables in the room, six in each row. On each table is a caster-stand, containing cruets of condiments and seasons. From the pepper cruet you may shake a cloud of something tasteless and melancholy, like volcanic dust. From the salt cruet you may expect nothing. Though a man should extract a sanguinary stream from the pallid turnip, yet will his prowess be balked when he comes to wrest salt from Bogle’s cruets. Also upon each table stands the counterfeit of that benign sauce made “from the recipe of a nobleman in India.”

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Bogle’s is situated in that highway of bourgeoisie, that boulevard of Brown-Jones-and-Robinson, Eighth Avenue. There are two rows of tables in the room, six in each row. On each table is a caster-stand, containing cruets of condiments and seasons. From the pepper cruet you may shake a cloud of something tasteless and melancholy, like volcanic dust. From the salt cruet you may expect nothing. Though a man should extract a sanguinary stream from the pallid turnip, yet will his prowess be balked when he comes to wrest salt from Bogle’s cruets. Also upon each table stands the counterfeit of that benign sauce made “from the recipe of a nobleman in India.”

At the cashier’s desk sits Bogle, cold, sordid, slow, smouldering, and takes your money. Behind a mountain of toothpicks he makes your change, files your check, and ejects at you, like a toad, a word about the weather. Beyond a corroboration of his meteorological statement you would better not venture. You are not Bogle’s friend; you are a fed, transient customer, and you and he may not meet again until the blowing of Gabriel’s dinner horn. So take your change and go⁠—to the devil if you like. There you have Bogle’s sentiments.

The needs of Bogle’s customers were supplied by two waitresses and a Voice. One of the waitresses was named Aileen. She was tall, beautiful, lively, gracious and learned in persiflage. Her other name? There was no more necessity for another name at Bogle’s than there was for finger-bowls.

The name of the other waitress was Tildy. Why do you suggest Matilda? Please listen this time⁠—Tildy⁠—Tildy. Tildy was dumpy, plain-faced, and too anxious to please to please. Repeat the last clause to yourself once or twice, and make the acquaintance of the duplicate infinite.

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Tildy was a good waitress, and the men tolerated her. They who sat at her tables spoke to her briefly with quotations from the bill of fare; and then raised their voices in honeyed and otherwise-flavoured accents, eloquently addressed to the fair Aileen. They writhed in their chairs to gaze around and over the impending form of Tildy, that Aileen’s pulchritude might season and make ambrosia of their bacon and eggs.

And Tildy was content to be the unwooed drudge if Aileen could receive the flattery and the homage. The blunt nose was loyal to the short Grecian. She was Aileen’s friend; and she was glad to see her rule hearts and wean the attention of men from smoking pot-pie and lemon meringue. But deep below our freckles and hay-coloured hair the unhandsomest of us dream of a prince or a princess, not vicarious, but coming to us alone.

There was a morning when Aileen tripped in to work with a slightly bruised eye; and Tildy’s solicitude was almost enough to heal any optic.

-

“Fresh guy,” explained Aileen, “last night as I was going home at Twenty-third and Sixth. Sashayed up, so he did, and made a break. I turned him down, cold, and he made a sneak; but followed me down to Eighteenth, and tried his hot air again. Gee! but I slapped him a good one, side of the face. Then he give me that eye. Does it look real awful, Til? I should hate that Mr. Nicholson should see it when he comes in for his tea and toast at ten.”

+

“Fresh guy,” explained Aileen, “last night as I was going home at Twenty-third and Sixth. Sashayed up, so he did, and made a break. I turned him down, cold, and he made a sneak; but followed me down to Eighteenth, and tried his hot air again. Gee! but I slapped him a good one, side of the face. Then he give me that eye. Does it look real awful, Til? I should hate that Mr. Nicholson should see it when he comes in for his tea and toast at ten.”

Tildy listened to the adventure with breathless admiration. No man had ever tried to follow her. She was safe abroad at any hour of the twenty-four. What bliss it must have been to have had a man follow one and black one’s eye for love!

-

Among the customers at Bogle’s was a young man named Seeders, who worked in a laundry office. Mr. Seeders was thin and had light hair, and appeared to have been recently rough-dried and starched. He was too diffident to aspire to Aileen’s notice; so he usually sat at one of Tildy’s tables, where he devoted himself to silence and boiled weakfish.

-

One day when Mr. Seeders came in to dinner he had been drinking beer. There were only two or three customers in the restaurant. When Mr. Seeders had finished his weakfish he got up, put his arm around Tildy’s waist, kissed her loudly and impudently, walked out upon the street, snapped his fingers in the direction of the laundry, and hied himself to play pennies in the slot machines at the Amusement Arcade.

+

Among the customers at Bogle’s was a young man named Seeders, who worked in a laundry office. Mr. Seeders was thin and had light hair, and appeared to have been recently rough-dried and starched. He was too diffident to aspire to Aileen’s notice; so he usually sat at one of Tildy’s tables, where he devoted himself to silence and boiled weakfish.

+

One day when Mr. Seeders came in to dinner he had been drinking beer. There were only two or three customers in the restaurant. When Mr. Seeders had finished his weakfish he got up, put his arm around Tildy’s waist, kissed her loudly and impudently, walked out upon the street, snapped his fingers in the direction of the laundry, and hied himself to play pennies in the slot machines at the Amusement Arcade.

For a few moments Tildy stood petrified. Then she was aware of Aileen shaking at her an arch forefinger, and saying:

“Why, Til, you naughty girl! Ain’t you getting to be awful, Miss Slyboots! First thing I know you’ll be stealing some of my fellows. I must keep an eye on you, my lady.”

Another thing dawned upon Tildy’s recovering wits. In a moment she had advanced from a hopeless, lowly admirer to be an Eve-sister of the potent Aileen. She herself was now a man-charmer, a mark for Cupid, a Sabine who must be coy when the Romans were at their banquet boards. Man had found her waist achievable and her lips desirable. The sudden and amatory Seeders had, as it were, performed for her a miraculous piece of one-day laundry work. He had taken the sackcloth of her uncomeliness, had washed, dried, starched and ironed it, and returned it to her sheer embroidered lawn⁠—the robe of Venus herself.

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At the next regular meal when Tildy set food before customers with whom she had acquaintance she said to each of them modestly, as one whose merit needed no bolstering:

“A gentleman insulted me to-day in the restaurant. He put his arm around my waist and kissed me.”

The diners accepted the revelation in various ways⁠—some incredulously, some with congratulations; others turned upon her the stream of badinage that had hitherto been directed at Aileen alone. And Tildy’s heart swelled in her bosom, for she saw at last the towers of Romance rise above the horizon of the grey plain in which she had for so long travelled.

-

For two days Mr. Seeders came not again. During that time Tildy established herself firmly as a woman to be wooed. She bought ribbons, and arranged her hair like Aileen’s, and tightened her waist two inches. She had a thrilling but delightful fear that Mr. Seeders would rush in suddenly and shoot her with a pistol. He must have loved her desperately; and impulsive lovers are always blindly jealous.

+

For two days Mr. Seeders came not again. During that time Tildy established herself firmly as a woman to be wooed. She bought ribbons, and arranged her hair like Aileen’s, and tightened her waist two inches. She had a thrilling but delightful fear that Mr. Seeders would rush in suddenly and shoot her with a pistol. He must have loved her desperately; and impulsive lovers are always blindly jealous.

Even Aileen had not been shot at with a pistol. And then Tildy rather hoped that he would not shoot at her, for she was always loyal to Aileen; and she did not want to overshadow her friend.

-

At 4 o’clock on the afternoon of the third day Mr. Seeders came in. There were no customers at the tables. At the back end of the restaurant Tildy was refilling the mustard pots and Aileen was quartering pies. Mr. Seeders walked back to where they stood.

+

At 4 o’clock on the afternoon of the third day Mr. Seeders came in. There were no customers at the tables. At the back end of the restaurant Tildy was refilling the mustard pots and Aileen was quartering pies. Mr. Seeders walked back to where they stood.

Tildy looked up and saw him, gasped, and pressed the mustard spoon against her heart. A red hair-bow was in her hair; she wore Venus’s Eighth Avenue badge, the blue bead necklace with the swinging silver symbolic heart.

-

Mr. Seeders was flushed and embarrassed. He plunged one hand into his hip pocket and the other into a fresh pumpkin pie.

+

Mr. Seeders was flushed and embarrassed. He plunged one hand into his hip pocket and the other into a fresh pumpkin pie.

“Miss Tildy,” said he, “I want to apologise for what I done the other evenin’. Tell you the truth, I was pretty well tanked up or I wouldn’t of done it. I wouldn’t do no lady that a-way when I was sober. So I hope, Miss Tildy, you’ll accept my ‘pology, and believe that I wouldn’t of done it if I’d known what I was doin’ and hadn’t of been drunk.”

-

With this handsome plea Mr. Seeders backed away, and departed, feeling that reparation had been made.

+

With this handsome plea Mr. Seeders backed away, and departed, feeling that reparation had been made.

But behind the convenient screen Tildy had thrown herself flat upon a table among the butter chips and the coffee cups, and was sobbing her heart out⁠—out and back again to the grey plain wherein travel they with blunt noses and hay-coloured hair. From her knot she had torn the red hair-bow and cast it upon the floor. Seeders she despised utterly; she had but taken his kiss as that of a pioneer and prophetic prince who might have set the clocks going and the pages to running in fairyland. But the kiss had been maudlin and unmeant; the court had not stirred at the false alarm; she must forevermore remain the Sleeping Beauty.

Yet not all was lost. Aileen’s arm was around her; and Tildy’s red hand groped among the butter chips till it found the warm clasp of her friend’s.

“Don’t you fret, Til,” said Aileen, who did not understand entirely. “That turnip-faced little clothespin of a Seeders ain’t worth it. He ain’t anything of a gentleman or he wouldn’t ever of apologised.”

diff --git a/src/epub/text/chapter-18.xhtml b/src/epub/text/the-caliph-cupid-and-the-clock.xhtml similarity index 97% rename from src/epub/text/chapter-18.xhtml rename to src/epub/text/the-caliph-cupid-and-the-clock.xhtml index f26d98f..e2880fd 100644 --- a/src/epub/text/chapter-18.xhtml +++ b/src/epub/text/the-caliph-cupid-and-the-clock.xhtml @@ -1,13 +1,13 @@ - Chapter 18 + The Caliph, Cupid and the Clock -
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THE CALIPH, CUPID AND THE CLOCK

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The Caliph, Cupid and the Clock

Prince Michael, of the Electorate of Valleluna, sat on his favourite bench in the park. The coolness of the September night quickened the life in him like a rare, tonic wine. The benches were not filled; for park loungers, with their stagnant blood, are prompt to detect and fly home from the crispness of early autumn. The moon was just clearing the roofs of the range of dwellings that bounded the quadrangle on the east. Children laughed and played about the fine-sprayed fountain. In the shadowed spots fauns and hamadryads wooed, unconscious of the gaze of mortal eyes. A hand organ⁠—Philomel by the grace of our stage carpenter, Fancy⁠—fluted and droned in a side street. Around the enchanted boundaries of the little park street cars spat and mewed and the stilted trains roared like tigers and lions prowling for a place to enter. And above the trees shone the great, round, shining face of an illuminated clock in the tower of an antique public building.

Prince Michael’s shoes were wrecked far beyond the skill of the carefullest cobbler. The ragman would have declined any negotiations concerning his clothes. The two weeks’ stubble on his face was grey and brown and red and greenish yellow⁠—as if it had been made up from individual contributions from the chorus of a musical comedy. No man existed who had money enough to wear so bad a hat as his.

Prince Michael sat on his favourite bench and smiled. It was a diverting thought to him that he was wealthy enough to buy every one of those close-ranged, bulky, window-lit mansions that faced him, if he chose. He could have matched gold, equipages, jewels, art treasures, estates and acres with any Croesus in this proud city of Manhattan, and scarcely have entered upon the bulk of his holdings. He could have sat at table with reigning sovereigns. The social world, the world of art, the fellowship of the elect, adulation, imitation, the homage of the fairest, honours from the highest, praise from the wisest, flattery, esteem, credit, pleasure, fame⁠—all the honey of life was waiting in the comb in the hive of the world for Prince Michael, of the Electorate of Valleluna, whenever he might choose to take it. But his choice was to sit in rags and dinginess on a bench in a park. For he had tasted of the fruit of the tree of life, and, finding it bitter in his mouth, had stepped out of Eden for a time to seek distraction close to the unarmoured, beating heart of the world.

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“Your Royal Highness, I will,” he said, in tones of mock deference. “Do you see yonder house⁠—the one with three upper windows lighted? Well, at 6 o’clock I stood in that house with the young lady I am⁠—that is, I was⁠—engaged to. I had been doing wrong, my dear Prince⁠—I had been a naughty boy, and she had heard of it. I wanted to be forgiven, of course⁠—we are always wanting women to forgive us, aren’t we, Prince?”

“ ‘I want time to think it over,’ said she. ‘There is one thing certain; I will either fully forgive you, or I will never see your face again. There will be no half-way business. At half-past eight,’ she said, ‘at exactly half-past eight you may be watching the middle upper window of the top floor. If I decide to forgive I will hang out of that window a white silk scarf. You will know by that that all is as was before, and you may come to me. If you see no scarf you may consider that everything between us is ended forever.’ That,” concluded the young man bitterly, “is why I have been watching that clock. The time for the signal to appear has passed twenty-three minutes ago. Do you wonder that I am a little disturbed, my Prince of Rags and Whiskers?”

“Let me repeat to you,” said Prince Michael, in his even, well-modulated tones, “that women are the natural enemies of clocks. Clocks are an evil, women a blessing. The signal may yet appear.”

-

“Never, on your principality!” exclaimed the young man, hopelessly. “You don’t know Marian⁠—of course. She’s always on time, to the minute. That was the first thing about her that attracted me. I’ve got the mitten instead of the scarf. I ought to have known at 8.31 that my goose was cooked. I’ll go West on the 11.45 to-night with Jack Milburn. The jig’s up. I’ll try Jack’s ranch awhile and top off with the Klondike and whiskey. Good-night⁠—er⁠—er⁠—Prince.”

+

“Never, on your principality!” exclaimed the young man, hopelessly. “You don’t know Marian⁠—of course. She’s always on time, to the minute. That was the first thing about her that attracted me. I’ve got the mitten instead of the scarf. I ought to have known at 8:31 that my goose was cooked. I’ll go West on the 11:45 to-night with Jack Milburn. The jig’s up. I’ll try Jack’s ranch awhile and top off with the Klondike and whiskey. Good-night⁠—er⁠—er⁠—Prince.”

Prince Michael smiled his enigmatic, gentle, comprehending smile and caught the coat sleeve of the other. The brilliant light in the Prince’s eyes was softening to a dreamier, cloudy translucence.

“Wait,” he said solemnly, “till the clock strikes. I have wealth and power and knowledge above most men, but when the clock strikes I am afraid. Stay by me until then. This woman shall be yours. You have the word of the hereditary Prince of Valleluna. On the day of your marriage I will give you $100,000 and a palace on the Hudson. But there must be no clocks in that palace⁠—they measure our follies and limit our pleasures. Do you agree to that?”

“Of course,” said the young man, cheerfully, “they’re a nuisance, anyway⁠—always ticking and striking and getting you late for dinner.”

diff --git a/src/epub/text/chapter-7.xhtml b/src/epub/text/the-coming-out-of-maggie.xhtml similarity index 95% rename from src/epub/text/chapter-7.xhtml rename to src/epub/text/the-coming-out-of-maggie.xhtml index 20f38cd..7b11580 100644 --- a/src/epub/text/chapter-7.xhtml +++ b/src/epub/text/the-coming-out-of-maggie.xhtml @@ -1,13 +1,13 @@ - Chapter 7 + The Coming-Out of Maggie -
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THE COMING-OUT OF MAGGIE

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The Coming-Out of Maggie

Every Saturday night the Clover Leaf Social Club gave a hop in the hall of the Give and Take Athletic Association on the East Side. In order to attend one of these dances you must be a member of the Give and Take⁠—or, if you belong to the division that starts off with the right foot in waltzing, you must work in Rhinegold’s paper-box factory. Still, any Clover Leaf was privileged to escort or be escorted by an outsider to a single dance. But mostly each Give and Take brought the paper-box girl that he affected; and few strangers could boast of having shaken a foot at the regular hops.

Maggie Toole, on account of her dull eyes, broad mouth and left-handed style of footwork in the two-step, went to the dances with Anna McCarty and her “fellow.” Anna and Maggie worked side by side in the factory, and were the greatest chums ever. So Anna always made Jimmy Burns take her by Maggie’s house every Saturday night so that her friend could go to the dance with them.

The Give and Take Athletic Association lived up to its name. The hall of the association in Orchard street was fitted out with muscle-making inventions. With the fibres thus builded up the members were wont to engage the police and rival social and athletic organisations in joyous combat. Between these more serious occupations the Saturday night hop with the paper-box factory girls came as a refining influence and as an efficient screen. For sometimes the tip went ’round, and if you were among the elect that tiptoed up the dark back stairway you might see as neat and satisfying a little welter-weight affair to a finish as ever happened inside the ropes.

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“Go as far as you like,” said Jimmy, with sandpaper in his voice. “Cop him out if you want him. These new guys always win out with the push. Don’t mind me. He don’t squeeze all the limes, I guess. Huh!”

“Shut up, Jimmy. You know what I mean. I’m glad for Mag. First fellow she ever had. Oh, here they come.”

Across the floor Maggie sailed like a coquettish yacht convoyed by a stately cruiser. And truly, her companion justified the encomiums of the faithful chum. He stood two inches taller than the average Give and Take athlete; his dark hair curled; his eyes and his teeth flashed whenever he bestowed his frequent smiles. The young men of the Clover Leaf Club pinned not their faith to the graces of person as much as they did to its prowess, its achievements in hand-to-hand conflicts, and its preservation from the legal duress that constantly menaced it. The member of the association who would bind a paper-box maiden to his conquering chariot scorned to employ Beau Brummel airs. They were not considered honourable methods of warfare. The swelling biceps, the coat straining at its buttons over the chest, the air of conscious conviction of the supereminence of the male in the cosmogony of creation, even a calm display of bow legs as subduing and enchanting agents in the gentle tourneys of Cupid⁠—these were the approved arms and ammunition of the Clover Leaf gallants. They viewed, then, genuflexions and alluring poses of this visitor with their chins at a new angle.

-

“A friend of mine, Mr. Terry O’Sullivan,” was Maggie’s formula of introduction. She led him around the room, presenting him to each new-arriving Clover Leaf. Almost was she pretty now, with the unique luminosity in her eyes that comes to a girl with her first suitor and a kitten with its first mouse.

+

“A friend of mine, Mr. Terry O’Sullivan,” was Maggie’s formula of introduction. She led him around the room, presenting him to each new-arriving Clover Leaf. Almost was she pretty now, with the unique luminosity in her eyes that comes to a girl with her first suitor and a kitten with its first mouse.

“Maggie Toole’s got a fellow at last,” was the word that went round among the paper-box girls. “Pipe Mag’s floor-walker”⁠—thus the Give and Takes expressed their indifferent contempt.

Usually at the weekly hops Maggie kept a spot on the wall warm with her back. She felt and showed so much gratitude whenever a self-sacrificing partner invited her to dance that his pleasure was cheapened and diminished. She had even grown used to noticing Anna joggle the reluctant Jimmy with her elbow as a signal for him to invite her chum to walk over his feet through a two-step.

But to-night the pumpkin had turned to a coach and six. Terry O’Sullivan was a victorious Prince Charming, and Maggie Toole winged her first butterfly flight. And though our tropes of fairyland be mixed with those of entomology they shall not spill one drop of ambrosia from the rose-crowned melody of Maggie’s one perfect night.

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Dempsey Donovan was at his elbow instantly, talking rapidly. “Big Mike” looked carefully at the dancers, smiled, shook his head and departed.

The music stopped. The dancers scattered to the chairs along the walls. Terry O’Sullivan, with his entrancing bow, relinquished a pretty girl in blue to her partner and started back to find Maggie. Dempsey intercepted him in the middle of the floor.

Some fine instinct that Rome must have bequeathed to us caused nearly every one to turn and look at them⁠—there was a subtle feeling that two gladiators had met in the arena. Two or three Give and Takes with tight coat sleeves drew nearer.

-

“One moment, Mr. O’Sullivan,” said Dempsey. “I hope you’re enjoying yourself. Where did you say you live?”

+

“One moment, Mr. O’Sullivan,” said Dempsey. “I hope you’re enjoying yourself. Where did you say you live?”

The two gladiators were well matched. Dempsey had, perhaps, ten pounds of weight to give away. The O’Sullivan had breadth with quickness. Dempsey had a glacial eye, a dominating slit of a mouth, an indestructible jaw, a complexion like a belle’s and the coolness of a champion. The visitor showed more fire in his contempt and less control over his conspicuous sneer. They were enemies by the law written when the rocks were molten. They were each too splendid, too mighty, too incomparable to divide pre-eminence. One only must survive.

“I live on Grand,” said O’Sullivan, insolently; “and no trouble to find me at home. Where do you live?”

Dempsey ignored the question.

@@ -59,7 +59,7 @@

Maggie walked up to Dempsey Donovan. There was a brilliant spot of red in her cheeks, down which slow tears were running. But she looked him bravely in the eye.

“I knew it, Dempsey,” she said, as her eyes grew dull even in their tears. “I knew he was a Guinea. His name’s Tony Spinelli. I hurried in when they told me you and him was scrappin’. Them Guineas always carries knives. But you don’t understand, Dempsey. I never had a fellow in my life. I got tired of comin’ with Anna and Jimmy every night, so I fixed it with him to call himself O’Sullivan, and brought him along. I knew there’d be nothin’ doin’ for him if he came as a Dago. I guess I’ll resign from the club now.”

Dempsey turned to Andy Geoghan.

-

“Chuck that cheese slicer out of the window,” he said, “and tell ’em inside that Mr. O’Sullivan has had a telephone message to go down to Tammany Hall.”

+

“Chuck that cheese slicer out of the window,” he said, “and tell ’em inside that Mr. O’Sullivan has had a telephone message to go down to Tammany Hall.”

And then he turned back to Maggie.

“Say, Mag,” he said, “I’ll see you home. And how about next Saturday night? Will you come to the hop with me if I call around for you?”

It was remarkable how quickly Maggie’s eyes could change from dull to a shining brown.

diff --git a/src/epub/text/chapter-9.xhtml b/src/epub/text/the-cop-and-the-anthem.xhtml similarity index 98% rename from src/epub/text/chapter-9.xhtml rename to src/epub/text/the-cop-and-the-anthem.xhtml index 05a21b4..e88fed2 100644 --- a/src/epub/text/chapter-9.xhtml +++ b/src/epub/text/the-cop-and-the-anthem.xhtml @@ -1,13 +1,13 @@ - Chapter 9 + The Cop and the Anthem -
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THE COP AND THE ANTHEM

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+

The Cop and the Anthem

On his bench in Madison Square Soapy moved uneasily. When wild geese honk high of nights, and when women without sealskin coats grow kind to their husbands, and when Soapy moves uneasily on his bench in the park, you may know that winter is near at hand.

A dead leaf fell in Soapy’s lap. That was Jack Frost’s card. Jack is kind to the regular denizens of Madison Square, and gives fair warning of his annual call. At the corners of four streets he hands his pasteboard to the North Wind, footman of the mansion of All Outdoors, so that the inhabitants thereof may make ready.

Soapy’s mind became cognisant of the fact that the time had come for him to resolve himself into a singular Committee of Ways and Means to provide against the coming rigour. And therefore he moved uneasily on his bench.

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THE FURNISHED ROOM

-

Restless, shifting, fugacious as time itself is a certain vast bulk of the population of the red brick district of the lower West Side. Homeless, they have a hundred homes. They flit from furnished room to furnished room, transients forever⁠—transients in abode, transients in heart and mind. They sing “Home, Sweet Home” in ragtime; they carry their lares et penates in a bandbox; their vine is entwined about a picture hat; a rubber plant is their fig tree.

+
+

The Furnished Room

+

Restless, shifting, fugacious as time itself is a certain vast bulk of the population of the red brick district of the lower West Side. Homeless, they have a hundred homes. They flit from furnished room to furnished room, transients forever⁠—transients in abode, transients in heart and mind. They sing “Home, Sweet Home” in ragtime; they carry their lares et penates in a bandbox; their vine is entwined about a picture hat; a rubber plant is their fig tree.

Hence the houses of this district, having had a thousand dwellers, should have a thousand tales to tell, mostly dull ones, no doubt; but it would be strange if there could not be found a ghost or two in the wake of all these vagrant guests.

One evening after dark a young man prowled among these crumbling red mansions, ringing their bells. At the twelfth he rested his lean hand-baggage upon the step and wiped the dust from his hatband and forehead. The bell sounded faint and far away in some remote, hollow depths.

To the door of this, the twelfth house whose bell he had rung, came a housekeeper who made him think of an unwholesome, surfeited worm that had eaten its nut to a hollow shell and now sought to fill the vacancy with edible lodgers.

@@ -39,17 +39,17 @@

“What kind of a lady was Miss Sprowls⁠—in looks, I mean?”

“Why, black-haired, sir, short, and stout, with a comical face. They left a week ago Tuesday.”

“And before they occupied it?”

-

“Why, there was a single gentleman connected with the draying business. He left owing me a week. Before him was Missis Crowder and her two children, that stayed four months; and back of them was old Mr. Doyle, whose sons paid for him. He kept the room six months. That goes back a year, sir, and further I do not remember.”

+

“Why, there was a single gentleman connected with the draying business. He left owing me a week. Before him was Missis Crowder and her two children, that stayed four months; and back of them was old Mr. Doyle, whose sons paid for him. He kept the room six months. That goes back a year, sir, and further I do not remember.”

He thanked her and crept back to his room. The room was dead. The essence that had vivified it was gone. The perfume of mignonette had departed. In its place was the old, stale odour of mouldy house furniture, of atmosphere in storage.

The ebbing of his hope drained his faith. He sat staring at the yellow, singing gaslight. Soon he walked to the bed and began to tear the sheets into strips. With the blade of his knife he drove them tightly into every crevice around windows and door. When all was snug and taut he turned out the light, turned the gas full on again and laid himself gratefully upon the bed.

-

It was Mrs. McCool’s night to go with the can for beer. So she fetched it and sat with Mrs. Purdy in one of those subterranean retreats where house-keepers foregather and the worm dieth seldom.

-

“I rented out my third floor, back, this evening,” said Mrs. Purdy, across a fine circle of foam. “A young man took it. He went up to bed two hours ago.”

-

“Now, did ye, Mrs. Purdy, ma’am?” said Mrs. McCool, with intense admiration. “You do be a wonder for rentin’ rooms of that kind. And did ye tell him, then?” she concluded in a husky whisper, laden with mystery.

-

“Rooms,” said Mrs. Purdy, in her furriest tones, “are furnished for to rent. I did not tell him, Mrs. McCool.”

+

It was Mrs. McCool’s night to go with the can for beer. So she fetched it and sat with Mrs. Purdy in one of those subterranean retreats where house-keepers foregather and the worm dieth seldom.

+

“I rented out my third floor, back, this evening,” said Mrs. Purdy, across a fine circle of foam. “A young man took it. He went up to bed two hours ago.”

+

“Now, did ye, Mrs. Purdy, ma’am?” said Mrs. McCool, with intense admiration. “You do be a wonder for rentin’ rooms of that kind. And did ye tell him, then?” she concluded in a husky whisper, laden with mystery.

+

“Rooms,” said Mrs. Purdy, in her furriest tones, “are furnished for to rent. I did not tell him, Mrs. McCool.”

“ ’Tis right ye are, ma’am; ’tis by renting rooms we kape alive. Ye have the rale sense for business, ma’am. There be many people will rayjict the rentin’ of a room if they be tould a suicide has been after dyin’ in the bed of it.”

-

“As you say, we has our living to be making,” remarked Mrs. Purdy.

-

“Yis, ma’am; ’tis true. ’Tis just one wake ago this day I helped ye lay out the third floor, back. A pretty slip of a colleen she was to be killin’ herself wid the gas⁠—a swate little face she had, Mrs. Purdy, ma’am.”

-

“She’d a-been called handsome, as you say,” said Mrs. Purdy, assenting but critical, “but for that mole she had a-growin’ by her left eyebrow. Do fill up your glass again, Mrs. McCool.”

+

“As you say, we has our living to be making,” remarked Mrs. Purdy.

+

“Yis, ma’am; ’tis true. ’Tis just one wake ago this day I helped ye lay out the third floor, back. A pretty slip of a colleen she was to be killin’ herself wid the gas⁠—a swate little face she had, Mrs. Purdy, ma’am.”

+

“She’d a-been called handsome, as you say,” said Mrs. Purdy, assenting but critical, “but for that mole she had a-growin’ by her left eyebrow. Do fill up your glass again, Mrs. McCool.”

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THE GIFT OF THE MAGI

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The Gift of the Magi

One dollar and eighty-seven cents. That was all. And sixty cents of it was in pennies. Pennies saved one and two at a time by bulldozing the grocer and the vegetable man and the butcher until one’s cheeks burned with the silent imputation of parsimony that such close dealing implied. Three times Della counted it. One dollar and eighty-seven cents. And the next day would be Christmas.

There was clearly nothing to do but flop down on the shabby little couch and howl. So Della did it. Which instigates the moral reflection that life is made up of sobs, sniffles, and smiles, with sniffles predominating.

While the mistress of the home is gradually subsiding from the first stage to the second, take a look at the home. A furnished flat at $8 per week. It did not exactly beggar description, but it certainly had that word on the lookout for the mendicancy squad.

-

In the vestibule below was a letter-box into which no letter would go, and an electric button from which no mortal finger could coax a ring. Also appertaining thereunto was a card bearing the name “Mr. James Dillingham Young.” The “Dillingham” had been flung to the breeze during a former period of prosperity when its possessor was being paid $30 per week. Now, when the income was shrunk to $20, the letters of “Dillingham” looked blurred, as though they were thinking seriously of contracting to a modest and unassuming D. But whenever Mr. James Dillingham Young came home and reached his flat above he was called “Jim” and greatly hugged by Mrs. James Dillingham Young, already introduced to you as Della. Which is all very good.

+

In the vestibule below was a letter-box into which no letter would go, and an electric button from which no mortal finger could coax a ring. Also appertaining thereunto was a card bearing the name “Mr. James Dillingham Young.” The “Dillingham” had been flung to the breeze during a former period of prosperity when its possessor was being paid $30 per week. Now, when the income was shrunk to $20, the letters of “Dillingham” looked blurred, as though they were thinking seriously of contracting to a modest and unassuming D. But whenever Mr. James Dillingham Young came home and reached his flat above he was called “Jim” and greatly hugged by Mrs. James Dillingham Young, already introduced to you as Della. Which is all very good.

Della finished her cry and attended to her cheeks with the powder rag. She stood by the window and looked out dully at a grey cat walking a grey fence in a grey backyard. Tomorrow would be Christmas Day, and she had only $1.87 with which to buy Jim a present. She had been saving every penny she could for months, with this result. Twenty dollars a week doesn’t go far. Expenses had been greater than she had calculated. They always are. Only $1.87 to buy a present for Jim. Her Jim. Many a happy hour she had spent planning for something nice for him. Something fine and rare and sterling⁠—something just a little bit near to being worthy of the honour of being owned by Jim.

There was a pier-glass between the windows of the room. Perhaps you have seen a pier-glass in an $8 flat. A very thin and very agile person may, by observing his reflection in a rapid sequence of longitudinal strips, obtain a fairly accurate conception of his looks. Della, being slender, had mastered the art.

Suddenly she whirled from the window and stood before the glass. Her eyes were shining brilliantly, but her face had lost its colour within twenty seconds. Rapidly she pulled down her hair and let it fall to its full length.

Now, there were two possessions of the James Dillingham Youngs in which they both took a mighty pride. One was Jim’s gold watch that had been his father’s and his grandfather’s. The other was Della’s hair. Had the Queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty’s jewels and gifts. Had King Solomon been the janitor, with all his treasures piled up in the basement, Jim would have pulled out his watch every time he passed, just to see him pluck at his beard from envy.

So now Della’s beautiful hair fell about her, rippling and shining like a cascade of brown waters. It reached below her knee and made itself almost a garment for her. And then she did it up again nervously and quickly. Once she faltered for a minute and stood still while a tear or two splashed on the worn red carpet.

On went her old brown jacket; on went her old brown hat. With a whirl of skirts and with the brilliant sparkle still in her eyes, she fluttered out the door and down the stairs to the street.

-

Where she stopped the sign read: “Mme. Sofronie. Hair Goods of All Kinds.” One flight up Della ran, and collected herself, panting. Madame, large, too white, chilly, hardly looked the “Sofronie.”

+

Where she stopped the sign read: “Mme. Sofronie. Hair Goods of All Kinds.” One flight up Della ran, and collected herself, panting. Madame, large, too white, chilly, hardly looked the “Sofronie.”

“Will you buy my hair?” asked Della.

“I buy hair,” said Madame. “Take yer hat off and let’s have a sight at the looks of it.”

Down rippled the brown cascade. “Twenty dollars,” said Madame, lifting the mass with a practised hand.

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THE GREEN DOOR

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The Green Door

Suppose you should be walking down Broadway after dinner, with ten minutes allotted to the consummation of your cigar while you are choosing between a diverting tragedy and something serious in the way of vaudeville. Suddenly a hand is laid upon your arm. You turn to look into the thrilling eyes of a beautiful woman, wonderful in diamonds and Russian sables. She thrusts hurriedly into your hand an extremely hot buttered roll, flashes out a tiny pair of scissors, snips off the second button of your overcoat, meaningly ejaculates the one word, “parallelogram!” and swiftly flies down a cross street, looking back fearfully over her shoulder.

That would be pure adventure. Would you accept it? Not you. You would flush with embarrassment; you would sheepishly drop the roll and continue down Broadway, fumbling feebly for the missing button. This you would do unless you are one of the blessed few in whom the pure spirit of adventure is not dead.

True adventurers have never been plentiful. They who are set down in print as such have been mostly business men with newly invented methods. They have been out after the things they wanted⁠—golden fleeces, holy grails, lady loves, treasure, crowns and fame. The true adventurer goes forth aimless and uncalculating to meet and greet unknown fate. A fine example was the Prodigal Son⁠—when he started back home.

Half-adventurers⁠—brave and splendid figures⁠—have been numerous. From the Crusades to the Palisades they have enriched the arts of history and fiction and the trade of historical fiction. But each of them had a prize to win, a goal to kick, an axe to grind, a race to run, a new thrust in tierce to deliver, a name to carve, a crow to pick⁠—so they were not followers of true adventure.

In the big city the twin spirits Romance and Adventure are always abroad seeking worthy wooers. As we roam the streets they slyly peep at us and challenge us in twenty different guises. Without knowing why, we look up suddenly to see in a window a face that seems to belong to our gallery of intimate portraits; in a sleeping thoroughfare we hear a cry of agony and fear coming from an empty and shuttered house; instead of at our familiar curb, a cab-driver deposits us before a strange door, which one, with a smile, opens for us and bids us enter; a slip of paper, written upon, flutters down to our feet from the high lattices of Chance; we exchange glances of instantaneous hate, affection and fear with hurrying strangers in the passing crowds; a sudden douse of rain⁠—and our umbrella may be sheltering the daughter of the Full Moon and first cousin of the Sidereal System; at every corner handkerchiefs drop, fingers beckon, eyes besiege, and the lost, the lonely, the rapturous, the mysterious, the perilous, changing clues of adventure are slipped into our fingers. But few of us are willing to hold and follow them. We are grown stiff with the ramrod of convention down our backs. We pass on; and some day we come, at the end of a very dull life, to reflect that our romance has been a pallid thing of a marriage or two, a satin rosette kept in a safe-deposit drawer, and a lifelong feud with a steam radiator.

Rudolf Steiner was a true adventurer. Few were the evenings on which he did not go forth from his hall bedchamber in search of the unexpected and the egregious. The most interesting thing in life seemed to him to be what might lie just around the next corner. Sometimes his willingness to tempt fate led him into strange paths. Twice he had spent the night in a station-house; again and again he had found himself the dupe of ingenious and mercenary tricksters; his watch and money had been the price of one flattering allurement. But with undiminished ardour he picked up every glove cast before him into the merry lists of adventure.

-

One evening Rudolf was strolling along a crosstown street in the older central part of the city. Two streams of people filled the sidewalks⁠—the home-hurrying, and that restless contingent that abandons home for the specious welcome of the thousand-candle-power table d’hôte.

+

One evening Rudolf was strolling along a crosstown street in the older central part of the city. Two streams of people filled the sidewalks⁠—the home-hurrying, and that restless contingent that abandons home for the specious welcome of the thousand-candle-power table d’hôte.

The young adventurer was of pleasing presence, and moved serenely and watchfully. By daylight he was a salesman in a piano store. He wore his tie drawn through a topaz ring instead of fastened with a stick pin; and once he had written to the editor of a magazine that “Junie’s Love Test” by Miss Libbey, had been the book that had most influenced his life.

During his walk a violent chattering of teeth in a glass case on the sidewalk seemed at first to draw his attention (with a qualm), to a restaurant before which it was set; but a second glance revealed the electric letters of a dentist’s sign high above the next door. A giant negro, fantastically dressed in a red embroidered coat, yellow trousers and a military cap, discreetly distributed cards to those of the passing crowd who consented to take them.

This mode of dentistic advertising was a common sight to Rudolf. Usually he passed the dispenser of the dentist’s cards without reducing his store; but tonight the African slipped one into his hand so deftly that he retained it there smiling a little at the successful feat.

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THE LOVE-PHILTRE OF IKEY SCHOENSTEIN

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+

The Love-Philtre of Ikey Schoenstein

The Blue Light Drug Store is downtown, between the Bowery and First Avenue, where the distance between the two streets is the shortest. The Blue Light does not consider that pharmacy is a thing of bric-a-brac, scent and ice-cream soda. If you ask it for pain-killer it will not give you a bonbon.

The Blue Light scorns the labour-saving arts of modern pharmacy. It macerates its opium and percolates its own laudanum and paregoric. To this day pills are made behind its tall prescription desk⁠—pills rolled out on its own pill-tile, divided with a spatula, rolled with the finger and thumb, dusted with calcined magnesia and delivered in little round pasteboard pill-boxes. The store is on a corner about which coveys of ragged-plumed, hilarious children play and become candidates for the cough drops and soothing syrups that wait for them inside.

Ikey Schoenstein was the night clerk of the Blue Light and the friend of his customers. Thus it is on the East Side, where the heart of pharmacy is not glacé. There, as it should be, the druggist is a counsellor, a confessor, an adviser, an able and willing missionary and mentor whose learning is respected, whose occult wisdom is venerated and whose medicine is often poured, untasted, into the gutter. Therefore Ikey’s corniform, be-spectacled nose and narrow, knowledge-bowed figure was well known in the vicinity of the Blue Light, and his advice and notice were much desired.

-

Ikey roomed and breakfasted at Mrs. Riddle’s two squares away. Mrs. Riddle had a daughter named Rosy. The circumlocution has been in vain⁠—you must have guessed it⁠—Ikey adored Rosy. She tinctured all his thoughts; she was the compound extract of all that was chemically pure and officinal⁠—the dispensatory contained nothing equal to her. But Ikey was timid, and his hopes remained insoluble in the menstruum of his backwardness and fears. Behind his counter he was a superior being, calmly conscious of special knowledge and worth; outside he was a weak-kneed, purblind, motorman-cursed rambler, with ill-fitting clothes stained with chemicals and smelling of socotrine aloes and valerianate of ammonia.

+

Ikey roomed and breakfasted at Mrs. Riddle’s two squares away. Mrs. Riddle had a daughter named Rosy. The circumlocution has been in vain⁠—you must have guessed it⁠—Ikey adored Rosy. She tinctured all his thoughts; she was the compound extract of all that was chemically pure and officinal⁠—the dispensatory contained nothing equal to her. But Ikey was timid, and his hopes remained insoluble in the menstruum of his backwardness and fears. Behind his counter he was a superior being, calmly conscious of special knowledge and worth; outside he was a weak-kneed, purblind, motorman-cursed rambler, with ill-fitting clothes stained with chemicals and smelling of socotrine aloes and valerianate of ammonia.

The fly in Ikey’s ointment (thrice welcome, pat trope!) was Chunk McGowan.

-

Mr. McGowan was also striving to catch the bright smiles tossed about by Rosy. But he was no outfielder as Ikey was; he picked them off the bat. At the same time he was Ikey’s friend and customer, and often dropped in at the Blue Light Drug Store to have a bruise painted with iodine or get a cut rubber-plastered after a pleasant evening spent along the Bowery.

+

Mr. McGowan was also striving to catch the bright smiles tossed about by Rosy. But he was no outfielder as Ikey was; he picked them off the bat. At the same time he was Ikey’s friend and customer, and often dropped in at the Blue Light Drug Store to have a bruise painted with iodine or get a cut rubber-plastered after a pleasant evening spent along the Bowery.

One afternoon McGowan drifted in in his silent, easy way, and sat, comely, smooth-faced, hard, indomitable, good-natured, upon a stool.

“Ikey,” said he, when his friend had fetched his mortar and sat opposite, grinding gum benzoin to a powder, “get busy with your ear. It’s drugs for me if you’ve got the line I need.”

-

Ikey scanned the countenance of Mr. McGowan for the usual evidences of conflict, but found none.

+

Ikey scanned the countenance of Mr. McGowan for the usual evidences of conflict, but found none.

“Take your coat off,” he ordered. “I guess already that you have been stuck in the ribs with a knife. I have many times told you those Dagoes would do you up.”

-

Mr. McGowan smiled. “Not them,” he said. “Not any Dagoes. But you’ve located the diagnosis all right enough⁠—it’s under my coat, near the ribs. Say! Ikey⁠—Rosy and me are goin’ to run away and get married to-night.”

-

Ikey’s left forefinger was doubled over the edge of the mortar, holding it steady. He gave it a wild rap with the pestle, but felt it not. Meanwhile Mr. McGowan’s smile faded to a look of perplexed gloom.

+

Mr. McGowan smiled. “Not them,” he said. “Not any Dagoes. But you’ve located the diagnosis all right enough⁠—it’s under my coat, near the ribs. Say! Ikey⁠—Rosy and me are goin’ to run away and get married to-night.”

+

Ikey’s left forefinger was doubled over the edge of the mortar, holding it steady. He gave it a wild rap with the pestle, but felt it not. Meanwhile Mr. McGowan’s smile faded to a look of perplexed gloom.

“That is,” he continued, “if she keeps in the notion until the time comes. We’ve been layin’ pipes for the getaway for two weeks. One day she says she will; the same evenin’ she says nixy. We’ve agreed on to-night, and Rosy’s stuck to the affirmative this time for two whole days. But it’s five hours yet till the time, and I’m afraid she’ll stand me up when it comes to the scratch.”

“You said you wanted drugs,” remarked Ikey.

-

Mr. McGowan looked ill at ease and harassed⁠—a condition opposed to his usual line of demeanour. He made a patent-medicine almanac into a roll and fitted it with unprofitable carefulness about his finger.

-

“I wouldn’t have this double handicap make a false start to-night for a million,” he said. “I’ve got a little flat up in Harlem all ready, with chrysanthemums on the table and a kettle ready to boil. And I’ve engaged a pulpit pounder to be ready at his house for us at 9.30. It’s got to come off. And if Rosy don’t change her mind again!”⁠—Mr. McGowan ceased, a prey to his doubts.

+

Mr. McGowan looked ill at ease and harassed⁠—a condition opposed to his usual line of demeanour. He made a patent-medicine almanac into a roll and fitted it with unprofitable carefulness about his finger.

+

“I wouldn’t have this double handicap make a false start to-night for a million,” he said. “I’ve got a little flat up in Harlem all ready, with chrysanthemums on the table and a kettle ready to boil. And I’ve engaged a pulpit pounder to be ready at his house for us at 9:30. It’s got to come off. And if Rosy don’t change her mind again!”⁠—Mr. McGowan ceased, a prey to his doubts.

“I don’t see then yet,” said Ikey, shortly, “what makes it that you talk of drugs, or what I can be doing about it.”

“Old man Riddle don’t like me a little bit,” went on the uneasy suitor, bent upon marshalling his arguments. “For a week he hasn’t let Rosy step outside the door with me. If it wasn’t for losin’ a boarder they’d have bounced me long ago. I’m makin’ $20 a week and she’ll never regret flyin’ the coop with Chunk McGowan.”

“You will excuse me, Chunk,” said Ikey. “I must make a prescription that is to be called for soon.”

@@ -33,16 +33,16 @@

Strong and simple was Chunk McGowan. A better reader of men than Ikey was could have seen that his tough frame was strung upon fine wires. Like a good general who was about to invade the enemy’s territory he was seeking to guard every point against possible failure.

“I thought,” went on Chunk hopefully, “that if I had one of them powders to give Rosy when I see her at supper to-night it might brace her up and keep her from reneging on the proposition to skip. I guess she don’t need a mule team to drag her away, but women are better at coaching than they are at running bases. If the stuff’ll work just for a couple of hours it’ll do the trick.”

“When is this foolishness of running away to be happening?” asked Ikey.

-

“Nine o’clock,” said Mr. McGowan. “Supper’s at seven. At eight Rosy goes to bed with a headache. At nine old Parvenzano lets me through to his back yard, where there’s a board off Riddle’s fence, next door. I go under her window and help her down the fire-escape. We’ve got to make it early on the preacher’s account. It’s all dead easy if Rosy don’t balk when the flag drops. Can you fix me one of them powders, Ikey?”

+

“Nine o’clock,” said Mr. McGowan. “Supper’s at seven. At eight Rosy goes to bed with a headache. At nine old Parvenzano lets me through to his back yard, where there’s a board off Riddle’s fence, next door. I go under her window and help her down the fire-escape. We’ve got to make it early on the preacher’s account. It’s all dead easy if Rosy don’t balk when the flag drops. Can you fix me one of them powders, Ikey?”

Ikey Schoenstein rubbed his nose slowly.

“Chunk,” said he, “it is of drugs of that nature that pharmaceutists must have much carefulness. To you alone of my acquaintance would I intrust a powder like that. But for you I shall make it, and you shall see how it makes Rosy to think of you.”

Ikey went behind the prescription desk. There he crushed to a powder two soluble tablets, each containing a quarter of a grain of morphia. To them he added a little sugar of milk to increase the bulk, and folded the mixture neatly in a white paper. Taken by an adult this powder would insure several hours of heavy slumber without danger to the sleeper. This he handed to Chunk McGowan, telling him to administer it in a liquid if possible, and received the hearty thanks of the backyard Lochinvar.

-

The subtlety of Ikey’s action becomes apparent upon recital of his subsequent move. He sent a messenger for Mr. Riddle and disclosed the plans of Mr. McGowan for eloping with Rosy. Mr. Riddle was a stout man, brick-dusty of complexion and sudden in action.

+

The subtlety of Ikey’s action becomes apparent upon recital of his subsequent move. He sent a messenger for Mr. Riddle and disclosed the plans of Mr. McGowan for eloping with Rosy. Mr. Riddle was a stout man, brick-dusty of complexion and sudden in action.

“Much obliged,” he said, briefly, to Ikey. “The lazy Irish loafer! My own room’s just above Rosy’s. I’ll just go up there myself after supper and load the shot-gun and wait. If he comes in my back yard he’ll go away in a ambulance instead of a bridal chaise.”

With Rosy held in the clutches of Morpheus for a many-hours deep slumber, and the bloodthirsty parent waiting, armed and forewarned, Ikey felt that his rival was close, indeed, upon discomfiture.

All night in the Blue Light Drug Store he waited at his duties for chance news of the tragedy, but none came.

-

At eight o’clock in the morning the day clerk arrived and Ikey started hurriedly for Mrs. Riddle’s to learn the outcome. And, lo! as he stepped out of the store who but Chunk McGowan sprang from a passing street car and grasped his hand⁠—Chunk McGowan with a victor’s smile and flushed with joy.

-

“Pulled it off,” said Chunk with Elysium in his grin. “Rosy hit the fire-escape on time to a second, and we was under the wire at the Reverend’s at 9.3O ¼. She’s up at the flat⁠—she cooked eggs this mornin’ in a blue kimono⁠—Lord! how lucky I am! You must pace up some day, Ikey, and feed with us. I’ve got a job down near the bridge, and that’s where I’m heading for now.”

+

At eight o’clock in the morning the day clerk arrived and Ikey started hurriedly for Mrs. Riddle’s to learn the outcome. And, lo! as he stepped out of the store who but Chunk McGowan sprang from a passing street car and grasped his hand⁠—Chunk McGowan with a victor’s smile and flushed with joy.

+

“Pulled it off,” said Chunk with Elysium in his grin. “Rosy hit the fire-escape on time to a second, and we was under the wire at the Reverend’s at 9:3O¼. She’s up at the flat⁠—she cooked eggs this mornin’ in a blue kimono⁠—Lord! how lucky I am! You must pace up some day, Ikey, and feed with us. I’ve got a job down near the bridge, and that’s where I’m heading for now.”

“The⁠—the⁠—powder?” stammered Ikey.

“Oh, that stuff you gave me!” said Chunk, broadening his grin; “well, it was this way. I sat down at the supper table last night at Riddle’s, and I looked at Rosy, and I says to myself, ‘Chunk, if you get the girl get her on the square⁠—don’t try any hocus-pocus with a thoroughbred like her.’ And I keeps the paper you give me in my pocket. And then my lamps fall on another party present, who, I says to myself, is failin’ in a proper affection toward his comin’ son-in-law, so I watches my chance and dumps that powder in old man Riddle’s coffee⁠—see?”

diff --git a/src/epub/text/chapter-20.xhtml b/src/epub/text/the-romance-of-a-busy-broker.xhtml similarity index 96% rename from src/epub/text/chapter-20.xhtml rename to src/epub/text/the-romance-of-a-busy-broker.xhtml index ed945eb..8e10bbd 100644 --- a/src/epub/text/chapter-20.xhtml +++ b/src/epub/text/the-romance-of-a-busy-broker.xhtml @@ -1,20 +1,20 @@ - Chapter 20 + The Romance of a Busy Broker -
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THE ROMANCE OF A BUSY BROKER

+
+

The Romance of a Busy Broker

Pitcher, confidential clerk in the office of Harvey Maxwell, broker, allowed a look of mild interest and surprise to visit his usually expressionless countenance when his employer briskly entered at half past nine in company with his young lady stenographer. With a snappy “Good-morning, Pitcher,” Maxwell dashed at his desk as though he were intending to leap over it, and then plunged into the great heap of letters and telegrams waiting there for him.

The young lady had been Maxwell’s stenographer for a year. She was beautiful in a way that was decidedly unstenographic. She forewent the pomp of the alluring pompadour. She wore no chains, bracelets or lockets. She had not the air of being about to accept an invitation to luncheon. Her dress was grey and plain, but it fitted her figure with fidelity and discretion. In her neat black turban hat was the gold-green wing of a macaw. On this morning she was softly and shyly radiant. Her eyes were dreamily bright, her cheeks genuine peachblow, her expression a happy one, tinged with reminiscence.

Pitcher, still mildly curious, noticed a difference in her ways this morning. Instead of going straight into the adjoining room, where her desk was, she lingered, slightly irresolute, in the outer office. Once she moved over by Maxwell’s desk, near enough for him to be aware of her presence.

The machine sitting at that desk was no longer a man; it was a busy New York broker, moved by buzzing wheels and uncoiling springs.

“Well⁠—what is it? Anything?” asked Maxwell sharply. His opened mail lay like a bank of stage snow on his crowded desk. His keen grey eye, impersonal and brusque, flashed upon her half impatiently.

“Nothing,” answered the stenographer, moving away with a little smile.

-

“Mr. Pitcher,” she said to the confidential clerk, “did Mr. Maxwell say anything yesterday about engaging another stenographer?”

+

“Mr. Pitcher,” she said to the confidential clerk, “did Mr. Maxwell say anything yesterday about engaging another stenographer?”

“He did,” answered Pitcher. “He told me to get another one. I notified the agency yesterday afternoon to send over a few samples this morning. It’s 9.45 o’clock, and not a single picture hat or piece of pineapple chewing gum has showed up yet.”

“I will do the work as usual, then,” said the young lady, “until some one comes to fill the place.” And she went to her desk at once and hung the black turban hat with the gold-green macaw wing in its accustomed place.

He who has been denied the spectacle of a busy Manhattan broker during a rush of business is handicapped for the profession of anthropology. The poet sings of the “crowded hour of glorious life.” The broker’s hour is not only crowded, but the minutes and seconds are hanging to all the straps and packing both front and rear platforms.

diff --git a/src/epub/text/chapter-5.xhtml b/src/epub/text/the-skylight-room.xhtml similarity index 53% rename from src/epub/text/chapter-5.xhtml rename to src/epub/text/the-skylight-room.xhtml index 9c9e67c..3b164ee 100644 --- a/src/epub/text/chapter-5.xhtml +++ b/src/epub/text/the-skylight-room.xhtml @@ -1,50 +1,50 @@ - Chapter 5 + The Skylight Room -
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THE SKYLIGHT ROOM

-

First Mrs. Parker would show you the double parlours. You would not dare to interrupt her description of their advantages and of the merits of the gentleman who had occupied them for eight years. Then you would manage to stammer forth the confession that you were neither a doctor nor a dentist. Mrs. Parker’s manner of receiving the admission was such that you could never afterward entertain the same feeling toward your parents, who had neglected to train you up in one of the professions that fitted Mrs. Parker’s parlours.

-

Next you ascended one flight of stairs and looked at the second-floor-back at $8. Convinced by her second-floor manner that it was worth the $12 that Mr. Toosenberry always paid for it until he left to take charge of his brother’s orange plantation in Florida near Palm Beach, where Mrs. McIntyre always spent the winters that had the double front room with private bath, you managed to babble that you wanted something still cheaper.

-

If you survived Mrs. Parker’s scorn, you were taken to look at Mr. Skidder’s large hall room on the third floor. Mr. Skidder’s room was not vacant. He wrote plays and smoked cigarettes in it all day long. But every room-hunter was made to visit his room to admire the lambrequins. After each visit, Mr. Skidder, from the fright caused by possible eviction, would pay something on his rent.

-

Then⁠—oh, then⁠—if you still stood on one foot, with your hot hand clutching the three moist dollars in your pocket, and hoarsely proclaimed your hideous and culpable poverty, nevermore would Mrs. Parker be cicerone of yours. She would honk loudly the word “Clara,” she would show you her back, and march downstairs. Then Clara, the coloured maid, would escort you up the carpeted ladder that served for the fourth flight, and show you the Skylight Room. It occupied 7×8 feet of floor space at the middle of the hall. On each side of it was a dark lumber closet or storeroom.

+
+

The Skylight Room

+

First Mrs. Parker would show you the double parlours. You would not dare to interrupt her description of their advantages and of the merits of the gentleman who had occupied them for eight years. Then you would manage to stammer forth the confession that you were neither a doctor nor a dentist. Mrs. Parker’s manner of receiving the admission was such that you could never afterward entertain the same feeling toward your parents, who had neglected to train you up in one of the professions that fitted Mrs. Parker’s parlours.

+

Next you ascended one flight of stairs and looked at the second-floor-back at $8. Convinced by her second-floor manner that it was worth the $12 that Mr. Toosenberry always paid for it until he left to take charge of his brother’s orange plantation in Florida near Palm Beach, where Mrs. McIntyre always spent the winters that had the double front room with private bath, you managed to babble that you wanted something still cheaper.

+

If you survived Mrs. Parker’s scorn, you were taken to look at Mr. Skidder’s large hall room on the third floor. Mr. Skidder’s room was not vacant. He wrote plays and smoked cigarettes in it all day long. But every room-hunter was made to visit his room to admire the lambrequins. After each visit, Mr. Skidder, from the fright caused by possible eviction, would pay something on his rent.

+

Then⁠—oh, then⁠—if you still stood on one foot, with your hot hand clutching the three moist dollars in your pocket, and hoarsely proclaimed your hideous and culpable poverty, nevermore would Mrs. Parker be cicerone of yours. She would honk loudly the word “Clara,” she would show you her back, and march downstairs. Then Clara, the coloured maid, would escort you up the carpeted ladder that served for the fourth flight, and show you the Skylight Room. It occupied 7×8 feet of floor space at the middle of the hall. On each side of it was a dark lumber closet or storeroom.

In it was an iron cot, a washstand and a chair. A shelf was the dresser. Its four bare walls seemed to close in upon you like the sides of a coffin. Your hand crept to your throat, you gasped, you looked up as from a well⁠—and breathed once more. Through the glass of the little skylight you saw a square of blue infinity.

“Two dollars, suh,” Clara would say in her half-contemptuous, half-Tuskegeenial tones.

One day Miss Leeson came hunting for a room. She carried a typewriter made to be lugged around by a much larger lady. She was a very little girl, with eyes and hair that had kept on growing after she had stopped and that always looked as if they were saying: “Goodness me! Why didn’t you keep up with us?”

-

Mrs. Parker showed her the double parlours. “In this closet,” she said, “one could keep a skeleton or anaesthetic or coal⁠—”

+

Mrs. Parker showed her the double parlours. “In this closet,” she said, “one could keep a skeleton or anaesthetic or coal⁠—”

“But I am neither a doctor nor a dentist,” said Miss Leeson, with a shiver.

-

Mrs. Parker gave her the incredulous, pitying, sneering, icy stare that she kept for those who failed to qualify as doctors or dentists, and led the way to the second floor back.

+

Mrs. Parker gave her the incredulous, pitying, sneering, icy stare that she kept for those who failed to qualify as doctors or dentists, and led the way to the second floor back.

“Eight dollars?” said Miss Leeson. “Dear me! I’m not Hetty if I do look green. I’m just a poor little working girl. Show me something higher and lower.”

-

Mr. Skidder jumped and strewed the floor with cigarette stubs at the rap on his door.

-

“Excuse me, Mr. Skidder,” said Mrs. Parker, with her demon’s smile at his pale looks. “I didn’t know you were in. I asked the lady to have a look at your lambrequins.”

+

Mr. Skidder jumped and strewed the floor with cigarette stubs at the rap on his door.

+

“Excuse me, Mr. Skidder,” said Mrs. Parker, with her demon’s smile at his pale looks. “I didn’t know you were in. I asked the lady to have a look at your lambrequins.”

“They’re too lovely for anything,” said Miss Leeson, smiling in exactly the way the angels do.

-

After they had gone Mr. Skidder got very busy erasing the tall, black-haired heroine from his latest (unproduced) play and inserting a small, roguish one with heavy, bright hair and vivacious features.

-

“Anna Held’ll jump at it,” said Mr. Skidder to himself, putting his feet up against the lambrequins and disappearing in a cloud of smoke like an aerial cuttlefish.

+

After they had gone Mr. Skidder got very busy erasing the tall, black-haired heroine from his latest (unproduced) play and inserting a small, roguish one with heavy, bright hair and vivacious features.

+

“Anna Held’ll jump at it,” said Mr. Skidder to himself, putting his feet up against the lambrequins and disappearing in a cloud of smoke like an aerial cuttlefish.

Presently the tocsin call of “Clara!” sounded to the world the state of Miss Leeson’s purse. A dark goblin seized her, mounted a Stygian stairway, thrust her into a vault with a glimmer of light in its top and muttered the menacing and cabalistic words “Two dollars!”

“I’ll take it!” sighed Miss Leeson, sinking down upon the squeaky iron bed.

-

Every day Miss Leeson went out to work. At night she brought home papers with handwriting on them and made copies with her typewriter. Sometimes she had no work at night, and then she would sit on the steps of the high stoop with the other roomers. Miss Leeson was not intended for a sky-light room when the plans were drawn for her creation. She was gay-hearted and full of tender, whimsical fancies. Once she let Mr. Skidder read to her three acts of his great (unpublished) comedy, “It’s No Kid; or, The Heir of the Subway.”

+

Every day Miss Leeson went out to work. At night she brought home papers with handwriting on them and made copies with her typewriter. Sometimes she had no work at night, and then she would sit on the steps of the high stoop with the other roomers. Miss Leeson was not intended for a sky-light room when the plans were drawn for her creation. She was gay-hearted and full of tender, whimsical fancies. Once she let Mr. Skidder read to her three acts of his great (unpublished) comedy, “It’s No Kid; or, The Heir of the Subway.”

There was rejoicing among the gentlemen roomers whenever Miss Leeson had time to sit on the steps for an hour or two. But Miss Longnecker, the tall blonde who taught in a public school and said, “Well, really!” to everything you said, sat on the top step and sniffed. And Miss Dorn, who shot at the moving ducks at Coney every Sunday and worked in a department store, sat on the bottom step and sniffed. Miss Leeson sat on the middle step and the men would quickly group around her.

-

Especially Mr. Skidder, who had cast her in his mind for the star part in a private, romantic (unspoken) drama in real life. And especially Mr. Hoover, who was forty-five, fat, flush and foolish. And especially very young Mr. Evans, who set up a hollow cough to induce her to ask him to leave off cigarettes. The men voted her “the funniest and jolliest ever,” but the sniffs on the top step and the lower step were implacable.

-

I pray you let the drama halt while Chorus stalks to the footlights and drops an epicedian tear upon the fatness of Mr. Hoover. Tune the pipes to the tragedy of tallow, the bane of bulk, the calamity of corpulence. Tried out, Falstaff might have rendered more romance to the ton than would have Romeo’s rickety ribs to the ounce. A lover may sigh, but he must not puff. To the train of Momus are the fat men remanded. In vain beats the faithfullest heart above a 52-inch belt. Avaunt, Hoover! Hoover, forty-five, flush and foolish, might carry off Helen herself; Hoover, forty-five, flush, foolish and fat is meat for perdition. There was never a chance for you, Hoover.

-

As Mrs. Parker’s roomers sat thus one summer’s evening, Miss Leeson looked up into the firmament and cried with her little gay laugh:

+

Especially Mr. Skidder, who had cast her in his mind for the star part in a private, romantic (unspoken) drama in real life. And especially Mr. Hoover, who was forty-five, fat, flush and foolish. And especially very young Mr. Evans, who set up a hollow cough to induce her to ask him to leave off cigarettes. The men voted her “the funniest and jolliest ever,” but the sniffs on the top step and the lower step were implacable.

+

I pray you let the drama halt while Chorus stalks to the footlights and drops an epicedian tear upon the fatness of Mr. Hoover. Tune the pipes to the tragedy of tallow, the bane of bulk, the calamity of corpulence. Tried out, Falstaff might have rendered more romance to the ton than would have Romeo’s rickety ribs to the ounce. A lover may sigh, but he must not puff. To the train of Momus are the fat men remanded. In vain beats the faithfullest heart above a 52-inch belt. Avaunt, Hoover! Hoover, forty-five, flush and foolish, might carry off Helen herself; Hoover, forty-five, flush, foolish and fat is meat for perdition. There was never a chance for you, Hoover.

+

As Mrs. Parker’s roomers sat thus one summer’s evening, Miss Leeson looked up into the firmament and cried with her little gay laugh:

“Why, there’s Billy Jackson! I can see him from down here, too.”

All looked up⁠—some at the windows of skyscrapers, some casting about for an airship, Jackson-guided.

“It’s that star,” explained Miss Leeson, pointing with a tiny finger. “Not the big one that twinkles⁠—the steady blue one near it. I can see it every night through my skylight. I named it Billy Jackson.”

“Well, really!” said Miss Longnecker. “I didn’t know you were an astronomer, Miss Leeson.”

“Oh, yes,” said the small star gazer, “I know as much as any of them about the style of sleeves they’re going to wear next fall in Mars.”

“Well, really!” said Miss Longnecker. “The star you refer to is Gamma, of the constellation Cassiopeia. It is nearly of the second magnitude, and its meridian passage is⁠—”

-

“Oh,” said the very young Mr. Evans, “I think Billy Jackson is a much better name for it.”

-

“Same here,” said Mr. Hoover, loudly breathing defiance to Miss Longnecker. “I think Miss Leeson has just as much right to name stars as any of those old astrologers had.”

+

“Oh,” said the very young Mr. Evans, “I think Billy Jackson is a much better name for it.”

+

“Same here,” said Mr. Hoover, loudly breathing defiance to Miss Longnecker. “I think Miss Leeson has just as much right to name stars as any of those old astrologers had.”

“Well, really!” said Miss Longnecker.

“I wonder whether it’s a shooting star,” remarked Miss Dorn. “I hit nine ducks and a rabbit out of ten in the gallery at Coney Sunday.”

“He doesn’t show up very well from down here,” said Miss Leeson. “You ought to see him from my room. You know you can see stars even in the daytime from the bottom of a well. At night my room is like the shaft of a coal mine, and it makes Billy Jackson look like the big diamond pin that Night fastens her kimono with.”

There came a time after that when Miss Leeson brought no formidable papers home to copy. And when she went out in the morning, instead of working, she went from office to office and let her heart melt away in the drip of cold refusals transmitted through insolent office boys. This went on.

-

There came an evening when she wearily climbed Mrs. Parker’s stoop at the hour when she always returned from her dinner at the restaurant. But she had had no dinner.

-

As she stepped into the hall Mr. Hoover met her and seized his chance. He asked her to marry him, and his fatness hovered above her like an avalanche. She dodged, and caught the balustrade. He tried for her hand, and she raised it and smote him weakly in the face. Step by step she went up, dragging herself by the railing. She passed Mr. Skidder’s door as he was red-inking a stage direction for Myrtle Delorme (Miss Leeson) in his (unaccepted) comedy, to “pirouette across stage from L to the side of the Count.” Up the carpeted ladder she crawled at last and opened the door of the skylight room.

+

There came an evening when she wearily climbed Mrs. Parker’s stoop at the hour when she always returned from her dinner at the restaurant. But she had had no dinner.

+

As she stepped into the hall Mr. Hoover met her and seized his chance. He asked her to marry him, and his fatness hovered above her like an avalanche. She dodged, and caught the balustrade. He tried for her hand, and she raised it and smote him weakly in the face. Step by step she went up, dragging herself by the railing. She passed Mr. Skidder’s door as he was red-inking a stage direction for Myrtle Delorme (Miss Leeson) in his (unaccepted) comedy, to “pirouette across stage from L to the side of the Count.” Up the carpeted ladder she crawled at last and opened the door of the skylight room.

She was too weak to light the lamp or to undress. She fell upon the iron cot, her fragile body scarcely hollowing the worn springs. And in that Erebus of the skylight room, she slowly raised her heavy eyelids, and smiled.

For Billy Jackson was shining down on her, calm and bright and constant through the skylight. There was no world about her. She was sunk in a pit of blackness, with but that small square of pallid light framing the star that she had so whimsically and oh, so ineffectually named. Miss Longnecker must be right; it was Gamma, of the constellation Cassiopeia, and not Billy Jackson. And yet she could not let it be Gamma.

As she lay on her back she tried twice to raise her arm. The third time she got two thin fingers to her lips and blew a kiss out of the black pit to Billy Jackson. Her arm fell back limply.

@@ -52,17 +52,17 @@

Clara, the coloured maid, found the door locked at 10 the next day, and they forced it open. Vinegar, and the slapping of wrists and burnt feathers proving of no avail, some one ran to ‘phone for an ambulance.

In due time it backed up to the door with much gong-clanging, and the capable young medico, in his white linen coat, ready, active, confident, with his smooth face half debonair, half grim, danced up the steps.

“Ambulance call to 49,” he said briefly. “What’s the trouble?”

-

“Oh, yes, doctor,” sniffed Mrs. Parker, as though her trouble that there should be trouble in the house was the greater. “I can’t think what can be the matter with her. Nothing we could do would bring her to. It’s a young woman, a Miss Elsie⁠—yes, a Miss Elsie Leeson. Never before in my house⁠—”

-

“What room?” cried the doctor in a terrible voice, to which Mrs. Parker was a stranger.

+

“Oh, yes, doctor,” sniffed Mrs. Parker, as though her trouble that there should be trouble in the house was the greater. “I can’t think what can be the matter with her. Nothing we could do would bring her to. It’s a young woman, a Miss Elsie⁠—yes, a Miss Elsie Leeson. Never before in my house⁠—”

+

“What room?” cried the doctor in a terrible voice, to which Mrs. Parker was a stranger.

“The skylight room. It⁠—”

-

Evidently the ambulance doctor was familiar with the location of skylight rooms. He was gone up the stairs, four at a time. Mrs. Parker followed slowly, as her dignity demanded.

-

On the first landing she met him coming back bearing the astronomer in his arms. He stopped and let loose the practised scalpel of his tongue, not loudly. Gradually Mrs. Parker crumpled as a stiff garment that slips down from a nail. Ever afterward there remained crumples in her mind and body. Sometimes her curious roomers would ask her what the doctor said to her.

+

Evidently the ambulance doctor was familiar with the location of skylight rooms. He was gone up the stairs, four at a time. Mrs. Parker followed slowly, as her dignity demanded.

+

On the first landing she met him coming back bearing the astronomer in his arms. He stopped and let loose the practised scalpel of his tongue, not loudly. Gradually Mrs. Parker crumpled as a stiff garment that slips down from a nail. Ever afterward there remained crumples in her mind and body. Sometimes her curious roomers would ask her what the doctor said to her.

“Let that be,” she would answer. “If I can get forgiveness for having heard it I will be satisfied.”

The ambulance physician strode with his burden through the pack of hounds that follow the curiosity chase, and even they fell back along the sidewalk abashed, for his face was that of one who bears his own dead.

They noticed that he did not lay down upon the bed prepared for it in the ambulance the form that he carried, and all that he said was: “Drive like h⁠—l, Wilson,” to the driver.

That is all. Is it a story? In the next morning’s paper I saw a little news item, and the last sentence of it may help you (as it helped me) to weld the incidents together.

-

It recounted the reception into Bellevue Hospital of a young woman who had been removed from No. 49 East ⸺ street, suffering from debility induced by starvation. It concluded with these words:

-

“Dr. William Jackson, the ambulance physician who attended the case, says the patient will recover.”

+

It recounted the reception into Bellevue Hospital of a young woman who had been removed from No. 49 East ⸺ street, suffering from debility induced by starvation. It concluded with these words:

+

“Dr. William Jackson, the ambulance physician who attended the case, says the patient will recover.”

diff --git a/src/epub/text/chapter-1.xhtml b/src/epub/text/tobins-palm.xhtml similarity index 98% rename from src/epub/text/chapter-1.xhtml rename to src/epub/text/tobins-palm.xhtml index e0b0d2c..7b4166e 100644 --- a/src/epub/text/chapter-1.xhtml +++ b/src/epub/text/tobins-palm.xhtml @@ -1,13 +1,13 @@ - Chapter 1 + Tobin’s Palm -
-

TOBIN’S PALM

+
+

Tobin’s Palm

Tobin and me, the two of us, went down to Coney one day, for there was four dollars between us, and Tobin had need of distractions. For there was Katie Mahorner, his sweetheart, of County Sligo, lost since she started for America three months before with two hundred dollars, her own savings, and one hundred dollars from the sale of Tobin’s inherited estate, a fine cottage and pig on the Bog Shannaugh. And since the letter that Tobin got saying that she had started to come to him not a bit of news had he heard or seen of Katie Mahorner. Tobin advertised in the papers, but nothing could be found of the colleen.

So, to Coney me and Tobin went, thinking that a turn at the chutes and the smell of the popcorn might raise the heart in his bosom. But Tobin was a hardheaded man, and the sadness stuck in his skin. He ground his teeth at the crying balloons; he cursed the moving pictures; and, though he would drink whenever asked, he scorned Punch and Judy, and was for licking the tintype men as they came.

So I gets him down a side way on a board walk where the attractions were some less violent. At a little six by eight stall Tobin halts, with a more human look in his eye.

@@ -43,7 +43,7 @@

“My name” says the man, polite, “is Friedenhausman⁠—Maximus G. Friedenhausman.”

“ ’Tis the right length,” says Tobin. “Do you spell it with an ‘o’ anywhere down the stretch of it?”

“I do not,” says the man.

-

“Can ye spell it with an ‘o’?” inquires Tobin, turning anxious.

+

“Can ye spell it with an ‘o’?” inquires Tobin, turning anxious.

“If your conscience,” says the man with the nose, “is indisposed toward foreign idioms ye might, to please yourself, smuggle the letter into the penultimate syllable.”

“ ’Tis well,” says Tobin. “Ye’re in the presence of Jawn Malone and Daniel Tobin.”

“Tis highly appreciated,” says the man, with a bow. “And now since I cannot conceive that ye would hold a spelling bee upon the street corner, will ye name some reasonable excuse for being at large?”

diff --git a/src/epub/toc.xhtml b/src/epub/toc.xhtml index 182cc26..cf47802 100644 --- a/src/epub/toc.xhtml +++ b/src/epub/toc.xhtml @@ -14,7 +14,79 @@ Imprint
  • - I: CHAPTER_TITLE + A Cosmopolite in a Café +
    • +
  • + A Service of Love +
    • +
  • + After Twenty Years +
    • +
  • + An ADJUSTMENT OF NATURE +
    • +
  • + An Unfinished Story +
    • +
  • + Between Rounds +
    • +
  • + By Courier +
    • +
  • + From the Cabby’s Seat +
    • +
  • + Lost on Dress Parade +
    • +
  • + Mammon and the Archer +
    • +
  • + Man About Town +
    • +
  • + Memoirs of a Yellow Dog +
    • +
  • + Sisters of the Golden Circle +
    • +
  • + Springtime à La Carte +
    • +
  • + The Brief Début of Tildy +
    • +
  • + The Caliph, Cupid and the Clock +
    • +
  • + The Coming-Out of Maggie +
    • +
  • + The Cop and the Anthem +
    • +
  • + The Furnished Room +
    • +
  • + The Gift of the Magi +
    • +
  • + The Green Door +
    • +
  • + The Love-Philtre of Ikey Schoenstein +
    • +
  • + The Romance of a Busy Broker +
    • +
  • + The Skylight Room +
    • +
  • + Tobin’s Palm
  • Colophon @@ -34,7 +106,7 @@ Imprint
  • - WORK_TITLE + The Four Million
  • Colophon